... Analysis of repertoire, including analysis of motivic treatment and
The course includes the following scales: major, minor, modal,
pentatonic, and whole tone.
The course covers the following concepts or procedures based in
... tension theory can be a powerful tool for
Guidelines for Style Analysis, by Jan LaRue. Expanded second
... the musical customs of the historical period to which it is connected? What special materials are
at the composer’s disposal, and how are they deployed? And, in what ways can the composer’s
accomplishment be appraised by performers, listeners, or critics of musical style?
A revised second edition, i ...
Guide to Analysis of Music
... Guide to the Analysis of Music
Describe what you hear in this extract in terms of relevant:
Musical features: such as (but not limited to) harmony, melody, and rhythm
Structural features: such as (but not limited to) form, phrases, motifs and texture
Contextual features: such as (but not limit ...
Article: Phrasing...Speaking in Musical Sentences.Blue Grass News
... prepared to create a convincing execution of the phrases. However, there is a
fundamental difference between a craftsman and a musician. The musician produces
sounds, which can be helpful in the analysis phase, so we should not become too bogged
down with the analysis before playing a note. In fact, ...
... • the characteristic of a particular set of
harmonics is called timbre
– e.g. the set of harmonics generated when
a particular key is pressed on a piano
Required Graduate Music Theory Examinations
Power Point presentation: basics of music
... • Dominant musical line
• Contains main musical ideas of piece
– Motive = short, distinct figure
– Riff = motive with a distinct rhythm that
repeats throughout piece
systematic multi-scale set-class analysis
... of descriptive needs, thus their extensive usage in generalpurpose music analysis. From them, iv-equivalence is the
most general (197 classes). It shares most of its classes
with Tn I-equivalence (220 classes), with some exceptions,
named Z-relations , for which the same interval vector
groups pc ...
the schenkerian analysis in the modern context of the
... rigorous disciplines.
Schenker regarded his analyses as tools to be
used by performers for a deeper understanding of
the works they were performing. Schenkerian
analysis is more than an abstract explanation, being
able to form an integral part of one's interpretation
of a musical work, whether as pe ...
Elements of Music - Form
... Form is the organizing structure of a piece of music. Clues to the form of a piece of
music can be found in many different ways; through the phrases of a melody; through the text;
through harmonic structure; through the repetition of melodic material or the introduction of
new, contrasting material. ...
For questions 1-8, read the text below. Use the word in capitals at the end of
some of the lines to form a word that fits in the space in the same line. There is an
example at the beginning.
MTO 18.2: Sly, Review of Damschroder
... body of Schubert scholarship in contexts provided by a number of the composer’s best-known works.
 In part one, Damschroder presents his methodology, taking us through chapters on harmonic and linear progressions,
common prolongations and successions, and chords built on II, III, and those derive ...
Music KS3 Skills Framework DOCX File
... the ensemble performing from notation on
different instruments and dynamics are used
with thought and control.
Respond musically to a conductor or Music
leader, timing and tuning is mostly accurate.
Ideas are refined and can use feedback to
improve work independently.
Literary Analysis Rubric
... clear thesis statement that
identifies the work by title,
author, and genre and
succinctly states the point of
the overall analysis or some
part of it. The body expertly
explains and develops the
thesis and provides
supporting examples from
the work itself or from
related works that back up
the thes ...
... bands often play arrangements of pieces
originally written for orchestra
composition – the creation of music that can be
performed later , usually through writtendown notation
improvisation – spontaneous composition of
music through playing or singing
musical score – the written depiction of all the ...
a cappella Choral music performed without instrumental
... keyboard instrument Instrument sounded by means of a keyboard (a series of
keys played with the fingers). The most commonly recognized keyboard instruments
are the piano, organ, harpsichord and synthesizer, a recent invention.
legato Smooth and connected; opposite of staccato.
melody Succession of s ...
Music Terms Ch.18
... 5. Polyphonic: music consisting of two or more independent melodic voices, as opposed
to music with just one voice (monophony) or music with one dominant melodic voice
accompanied by chords (monody).
6. Madrigal: type of secular vocal music composition, written during the Renaissance
and early Baroq ...
Harmonic Analysis 1: Homophonic Texture
... The third harmony in the example above is ambiguous, because there are
only two pitches: C and E. The missing note of the triad could be either G
(for CEG, a I chord) or A (for ACE=vi). To resolve ambiguities like this one:
1. Consider the harmonic progressions from section 5.3. Sometimes this
Introduction to Music
... a. A statement followed by a contrasting statement
b. The technique of combining several melodic lines into a meaningful
c. The organization of musical ideas in time
d. Constant repetition of a music idea
essay - Dartmouth Math Home
... recorded folk music in order to mimic the sounds of the instruments in his music. In his
piano sonata, low chords approximate the sounds of drums, which have non-harmonic
signals. His use of minor/major chords (chords containing both a minor and major third
scale degree) can cause the ear to hear be ...
Musical analysis is the attempt to answer the question how does this music work?. The method employed to answer this question, and indeed exactly what is meant by the question, differs from analyst to analyst, and according to the purpose of the analysis. According to Ian Bent (1987,), analysis is ""an approach and method [that] can be traced back to the 1750s ... [though] it existed as a scholarly tool, albeit an auxiliary one, from the Middle Ages onwards."" Adolf Bernhard Marx was influential in formalising concepts about composition and music understanding towards the second half of the 19th century.The principle of analysis has been variously criticized, especially by composers, such as Edgard Varèse's claim that, ""to explain by means of [analysis] is to decompose, to mutilate the spirit of a work"" (quoted in Bernard 1981, 1).