The Syntax of Music
... memory experiment) than an unstable note that is not “anchored” in this way. – Demonstrates that the tonal hierarchy is involved in perceived ...
... memory experiment) than an unstable note that is not “anchored” in this way. – Demonstrates that the tonal hierarchy is involved in perceived ...
Grunge Music In Bloom: Musical Analysis of Nirvana`s Hit
... particularly grunge, will be comprehensively explored. Furthermore, I will suggest possible intuitive ways by which Nirvana arrived at some of these exceptional ideas, such as the process of trial and error or the electric guitar practice, both of which are in the basis of rock's creative process. I ...
... particularly grunge, will be comprehensively explored. Furthermore, I will suggest possible intuitive ways by which Nirvana arrived at some of these exceptional ideas, such as the process of trial and error or the electric guitar practice, both of which are in the basis of rock's creative process. I ...
National 5 - Musical Periods and Styles
... (b) The notes in an alberti bass follow a very specific order. For example, a C chord alberti bass follows the pattern c, g, e, c (low, high, middle, high based on the notes of the chord). Write down the correct order of notes for a G chord alberti bass. __ __ __ __ (c) Write down the order of notes ...
... (b) The notes in an alberti bass follow a very specific order. For example, a C chord alberti bass follows the pattern c, g, e, c (low, high, middle, high based on the notes of the chord). Write down the correct order of notes for a G chord alberti bass. __ __ __ __ (c) Write down the order of notes ...
Cyclical Structures and the Organisation of Time Bryn Harrison
... and how this aesthetic concern has led to a largely non-goal orientated approach to form and structure. In order to do so and by using specific examples from selected pieces, I will examine the main aspects of my musical language and discuss how these techniques have evolved and changed over a five ...
... and how this aesthetic concern has led to a largely non-goal orientated approach to form and structure. In order to do so and by using specific examples from selected pieces, I will examine the main aspects of my musical language and discuss how these techniques have evolved and changed over a five ...
the fundamental principles of harmony
... mastery of solfège required to read the traditional harmony exercise displayed in four clefs and also lack the necessary inner ear to be able to truly hear these pitches internally. Does this mean that these students can never gain the understanding of Harmony so vital to their musical awareness? Na ...
... mastery of solfège required to read the traditional harmony exercise displayed in four clefs and also lack the necessary inner ear to be able to truly hear these pitches internally. Does this mean that these students can never gain the understanding of Harmony so vital to their musical awareness? Na ...
final paper - Smith College
... The basic requirements of the piece included: must have 2 or more sound parts, be a hybrid of at least two algorithms, contain some structural organization with at least two layers, and it must be expressive, using dynamics and/or articulation. This is a piece composed by using various forms of Moza ...
... The basic requirements of the piece included: must have 2 or more sound parts, be a hybrid of at least two algorithms, contain some structural organization with at least two layers, and it must be expressive, using dynamics and/or articulation. This is a piece composed by using various forms of Moza ...
Predicting the root of a musical chord
... common occurring sounds get analyzed as one "pitch-class set" (see ibid.). This excludes the enharmonic and intervals can be defined as absolute distances of figures. Based on these assumptions mainly in the 20th century a number of different new models were created to identify the roots of chords – ...
... common occurring sounds get analyzed as one "pitch-class set" (see ibid.). This excludes the enharmonic and intervals can be defined as absolute distances of figures. Based on these assumptions mainly in the 20th century a number of different new models were created to identify the roots of chords – ...
pdf
... In contrast to the case of melodic structure, there is little empirical work on the perception of implied harmony . According to Western music theory, there may be more than one appropriate harmonization of a melody . For instance, Bach sometimes harmonized the same melody in different ways in his c ...
... In contrast to the case of melodic structure, there is little empirical work on the perception of implied harmony . According to Western music theory, there may be more than one appropriate harmonization of a melody . For instance, Bach sometimes harmonized the same melody in different ways in his c ...
An Investigation of Music Genres and Their Rhythmic Motifs Debora C. Correa
... Rap has the higher quantity of tonal motifs, and the second higher quantity of rhythmic motifs. According to [8], rap is known by its chanted rhyming lyrics and regular flow. Rap artists generally receive mood annotations like cheerful, fun, exciting, harsh and angry. When compared to Table 3, the a ...
... Rap has the higher quantity of tonal motifs, and the second higher quantity of rhythmic motifs. According to [8], rap is known by its chanted rhyming lyrics and regular flow. Rap artists generally receive mood annotations like cheerful, fun, exciting, harsh and angry. When compared to Table 3, the a ...
Music Theory Vocabulary - Trinity Bend Performing Arts
... Statement of a melody in smaller note values. Statement of a melody in longer note values. Breaking up a subject into segments, any one of which may form the basis for further development. Extending a phase beyond its expected length, often by repeating a measure, adding more material, or evading th ...
... Statement of a melody in smaller note values. Statement of a melody in longer note values. Breaking up a subject into segments, any one of which may form the basis for further development. Extending a phase beyond its expected length, often by repeating a measure, adding more material, or evading th ...
Dawn Riggen Dr. Platt Music History 331 10 April 2014 Commentary
... The music of George Crumb spikes interest in many types of audiences. There is an extraordinarily haunting and intoxicating magic of its sound. There is often starting imagery that appears through his music. He has the ability to highlight and portray both animate and inanimate objects through his m ...
... The music of George Crumb spikes interest in many types of audiences. There is an extraordinarily haunting and intoxicating magic of its sound. There is often starting imagery that appears through his music. He has the ability to highlight and portray both animate and inanimate objects through his m ...
Aspects of Raga in North Indian Classical Music
... Kedar. If the stones of the of the inmate’s cell did not melt, the jailer would claim that the raga had not been performed in its correct form and at the proper time. The Ma!ar ragas, were believed to create rain. As pupils were advised by their music masters to perform these ragas only during the m ...
... Kedar. If the stones of the of the inmate’s cell did not melt, the jailer would claim that the raga had not been performed in its correct form and at the proper time. The Ma!ar ragas, were believed to create rain. As pupils were advised by their music masters to perform these ragas only during the m ...
GLOSSARY for National Core Arts: Music STANDARDS
... Jazz or popular music score, often abbreviated, with a melody (including key and time signature) and a set of chord changes Chord progression______________________ Series of chords sounding in succession; certain progressions are typical in particular styles/genres of music Collaboratively__________ ...
... Jazz or popular music score, often abbreviated, with a melody (including key and time signature) and a set of chord changes Chord progression______________________ Series of chords sounding in succession; certain progressions are typical in particular styles/genres of music Collaboratively__________ ...
PACOTE 7.indd - Portal de Periódicos da UnB
... neither of these two authors further develop the subject or present specific examples about how this process works in the pieces they analyze, because it is, at first blush, counterintuitive: particularly in terms of traditional tonality, non-symmetrical sonorities (major or minor triads, major and ...
... neither of these two authors further develop the subject or present specific examples about how this process works in the pieces they analyze, because it is, at first blush, counterintuitive: particularly in terms of traditional tonality, non-symmetrical sonorities (major or minor triads, major and ...
Chpt. 3: 節奏Rhythm Flow of music (events) through time
... • Baroque—1600-1750 • Classical—1750-1820 • Romantic—1820-1900 • 20th Century to 1945 • 1945 to present • Music of each these periods reflects the society that supported it ...
... • Baroque—1600-1750 • Classical—1750-1820 • Romantic—1820-1900 • 20th Century to 1945 • 1945 to present • Music of each these periods reflects the society that supported it ...
The Beat Spectrum: A new approach to rhythm analysis
... Fourier analysis of this time series is chosen as the “fundamental” period. The Fourier result is normalized and quantized into durations of 1/6 of a beat, so that both duplet and triplet subdivisions can be represented. This serves as a feature vector for rhythmic similarity comparison. This approa ...
... Fourier analysis of this time series is chosen as the “fundamental” period. The Fourier result is normalized and quantized into durations of 1/6 of a beat, so that both duplet and triplet subdivisions can be represented. This serves as a feature vector for rhythmic similarity comparison. This approa ...
Tonal Harmony Chapter 10 Cadences Phrases Periods and
... o The second half of the sentence is less strictly defined Clues to consider when analyzing a group of phrases for the first time 1. Look for the location of repetitions a. If repetition occurs somewhere in the middle of passage, a parallel period (or some kind of repeated form) is a likely possibil ...
... o The second half of the sentence is less strictly defined Clues to consider when analyzing a group of phrases for the first time 1. Look for the location of repetitions a. If repetition occurs somewhere in the middle of passage, a parallel period (or some kind of repeated form) is a likely possibil ...
Music 11, 7/20/06 Texture: Homophony and Polyphony Homophony
... the chord members for any given bass note, but common practice has led us to a kind of shorthand. For now, the above list should be memorized. In future lessons on functional harmony, these numbers might take on a more meaningful definition… Seventh Chords Seventh chords have four members: root, thi ...
... the chord members for any given bass note, but common practice has led us to a kind of shorthand. For now, the above list should be memorized. In future lessons on functional harmony, these numbers might take on a more meaningful definition… Seventh Chords Seventh chords have four members: root, thi ...
Reharmonization as Process in Fauré`s Prelude Op. 103, No. 3
... The second harmonization also introduces a C in the bass, a C that remains in the third harmonization; it is as if the bass pitch of the second harmonization is the ‘correct’ one, and it is with the third harmonization that the upper voices find their correct pitches. After the ‘blockage’ of the fir ...
... The second harmonization also introduces a C in the bass, a C that remains in the third harmonization; it is as if the bass pitch of the second harmonization is the ‘correct’ one, and it is with the third harmonization that the upper voices find their correct pitches. After the ‘blockage’ of the fir ...
Using the Shape of Music to Compute the Similarity
... the area between the first derivatives could be used. Note that a pitch transposition would mean just a change in the a0 term. As it turns out, when calculating the first derivative of the curves this term disappears, which is why the vertical requirements are met: transpositions in pitch are not re ...
... the area between the first derivatives could be used. Note that a pitch transposition would mean just a change in the a0 term. As it turns out, when calculating the first derivative of the curves this term disappears, which is why the vertical requirements are met: transpositions in pitch are not re ...
S3 Theory Matters Workbook
... Using the example, this would be C, D and E. So, C and E are a 3rd apart. Another example… What is the distance between G and C? Count G, A, B and C. There are 4 notes named so the distance between G and C is a 4th. The easiest way to do this is counting on your fingers, or using a diagram like the ...
... Using the example, this would be C, D and E. So, C and E are a 3rd apart. Another example… What is the distance between G and C? Count G, A, B and C. There are 4 notes named so the distance between G and C is a 4th. The easiest way to do this is counting on your fingers, or using a diagram like the ...
Good Melodic Writing
... A good melody usually has a clear sense of direction. Decide upon a melodic contour before putting any notes down. 2. Interval structure: step vs. leap, conjunct vs. disjunct motion A good melody usually has a good balance between steps and leaps. A leap is usually followed by steps in opposite dire ...
... A good melody usually has a clear sense of direction. Decide upon a melodic contour before putting any notes down. 2. Interval structure: step vs. leap, conjunct vs. disjunct motion A good melody usually has a good balance between steps and leaps. A leap is usually followed by steps in opposite dire ...
On the Emergence of the Major-Minor System
... between the experimentally-determined “key profiles” and the distribution of scale tones in actual music. Both Youngblood (1958) and Hutchinson and Knopoff (1983) measured the distributions of pitches in samples of Schubert songs, Mozart arias, Strauss Leider, and Mendelssohn arias. The combination ...
... between the experimentally-determined “key profiles” and the distribution of scale tones in actual music. Both Youngblood (1958) and Hutchinson and Knopoff (1983) measured the distributions of pitches in samples of Schubert songs, Mozart arias, Strauss Leider, and Mendelssohn arias. The combination ...
Analysis And Impact Of Selected Compositions That
... quinto there is an interval of a major seventh (E5 and F4). Additionally, the fact that these dissonant pitches are in the highest two voices and are being sung in the same octave would have made them even more audible to the listener than the previous major seventh in measure 63 where the same inte ...
... quinto there is an interval of a major seventh (E5 and F4). Additionally, the fact that these dissonant pitches are in the highest two voices and are being sung in the same octave would have made them even more audible to the listener than the previous major seventh in measure 63 where the same inte ...
Texture_and_Melody
... A melodic phrase is repeated. Usually exactly the same but can have slight changes such as starting at a different pitch. ...
... A melodic phrase is repeated. Usually exactly the same but can have slight changes such as starting at a different pitch. ...