The Influence of Renaissance Music in Ernst Krenek`s Lamentatio
... compositions of the 15th century. His most specific interest was the life and music of Johannes Ockeghem, which led to a monograph on the subject in 1952. 11 Krenek admired the music of many 15th century composers but felt a particular kinship with Ockeghem, entitling the final chapter of his monogr ...
... compositions of the 15th century. His most specific interest was the life and music of Johannes Ockeghem, which led to a monograph on the subject in 1952. 11 Krenek admired the music of many 15th century composers but felt a particular kinship with Ockeghem, entitling the final chapter of his monogr ...
Nota Bene-- J:\VEROLD\NB\DISS\TEST05.NB Job 1
... large total, numbering above a hundred pieces, to which Dowland’s name is attached. For a variety of reasons, including his skill as a player as well as a composer, Dowland’s name acquired a life of its own, as did Lachrimae, his trademark. It is easy to imagine a situation in which amateur players, ...
... large total, numbering above a hundred pieces, to which Dowland’s name is attached. For a variety of reasons, including his skill as a player as well as a composer, Dowland’s name acquired a life of its own, as did Lachrimae, his trademark. It is easy to imagine a situation in which amateur players, ...
Mahler in Utah : Maurice Abravanel and the Utah Symphony`s
... and Peter and Henry for bringing joy and balance into my daily life. ...
... and Peter and Henry for bringing joy and balance into my daily life. ...
Evocations of Nature in the Piano Music of Franz Liszt and the Seeds
... Liszt scholarship of recent decades has produced research along many lines of inquiry in an endeavor to increase recognition of the composer as one of the most important and influential musical figures ...
... Liszt scholarship of recent decades has produced research along many lines of inquiry in an endeavor to increase recognition of the composer as one of the most important and influential musical figures ...
The Nine-Step Scale of Alexander Tcherepnin: Its Conception, Its
... The music of Alexander Tcherepnin, the composer with whom the scale is most often affiliated, is at the forefront of my musical analysis. Some musical examples are taken from before his theoretical formation of the scale. Most of the examples are drawn from his nine-step period of composition, roug ...
... The music of Alexander Tcherepnin, the composer with whom the scale is most often affiliated, is at the forefront of my musical analysis. Some musical examples are taken from before his theoretical formation of the scale. Most of the examples are drawn from his nine-step period of composition, roug ...
Dissonant Harmony and “Seed-Tones”
... Frenchman's “rejection of reason” had a liberating effect on Crawford’s compositional development, causing her to disdain counterpoint and to experiment with the symbolic, mystical power of the single tone (Tick 1997, 50, 72, and 83). Similarly, Carol Oja paints Rudhyar as “a high priest . . . explo ...
... Frenchman's “rejection of reason” had a liberating effect on Crawford’s compositional development, causing her to disdain counterpoint and to experiment with the symbolic, mystical power of the single tone (Tick 1997, 50, 72, and 83). Similarly, Carol Oja paints Rudhyar as “a high priest . . . explo ...
The Devil`s Horn and the Music of the Brothel
... transfer of the musical content to the new instrumentation.1 ‘Arrangement’ will be used to describe an adaptation of a work where a more liberal approach has been taken, particularly the addition or omission of parts, a complete change in the instrumentation and setting. 'Classical saxophonist' will ...
... transfer of the musical content to the new instrumentation.1 ‘Arrangement’ will be used to describe an adaptation of a work where a more liberal approach has been taken, particularly the addition or omission of parts, a complete change in the instrumentation and setting. 'Classical saxophonist' will ...
Theory of Music-Stravinsky
... his travels from Russia to France to the USA, he sought to maintain territorial control on his works. (As an aside, Stravinsky was delighted to discover the symbol his initials made when superimposed!) The Firebird Suite contains just the dramatic orchestration portions from the original ballet. NOT ...
... his travels from Russia to France to the USA, he sought to maintain territorial control on his works. (As an aside, Stravinsky was delighted to discover the symbol his initials made when superimposed!) The Firebird Suite contains just the dramatic orchestration portions from the original ballet. NOT ...
The affective properties of keys in instrumental music from the late
... rhetoric. Theorists and composers alike showed their interest in the elements each key could offer to music and how to use those keys advantageously in order to enrich the musical experience of the listener. While key characteristics were studied commonly as a vital subject by composers in the eigh ...
... rhetoric. Theorists and composers alike showed their interest in the elements each key could offer to music and how to use those keys advantageously in order to enrich the musical experience of the listener. While key characteristics were studied commonly as a vital subject by composers in the eigh ...
Stravinsky and the Octatonic: A Reconsideration
... scales represent a natural avenue of exploration for composers interested in expanding the vocabulary of traditional tonal harmony: rst, because they provide natural scalar counterparts to the extended triadic sonorities much beloved by early twentieth-century composers; and second, because as sca ...
... scales represent a natural avenue of exploration for composers interested in expanding the vocabulary of traditional tonal harmony: rst, because they provide natural scalar counterparts to the extended triadic sonorities much beloved by early twentieth-century composers; and second, because as sca ...
Recondite Harmony
... 1899, librettist Luigi Illica had put them firmly in past, with his statement that musical form determined by verse structure used to work well in the days of the cabaletta, but were no longer of use.25 Although some scholars have been critical of investing Puccini’s operas with links to the older f ...
... 1899, librettist Luigi Illica had put them firmly in past, with his statement that musical form determined by verse structure used to work well in the days of the cabaletta, but were no longer of use.25 Although some scholars have been critical of investing Puccini’s operas with links to the older f ...
Expanded tonality - Scholar Commons
... Significance of Carl Reinecke In this study, works by composers of the Romantic period are used to show the developing characteristics of expanded tonality. The finale movement of Sonata in E minor “Undine” (1882) by Carl Reinecke (1824-1910) contains frequent appearance of characteristics that demo ...
... Significance of Carl Reinecke In this study, works by composers of the Romantic period are used to show the developing characteristics of expanded tonality. The finale movement of Sonata in E minor “Undine” (1882) by Carl Reinecke (1824-1910) contains frequent appearance of characteristics that demo ...
abstract - eThesis
... Another approach has been to abide more closely by original Schenkerian notions, enriching them with some extensions and additions, such as Felix Salzer’s (1952/1982) “contrapuntal-structural tones,” “‘independent’ voice leading,” and “color chords.” In general, such analysis has been most successfu ...
... Another approach has been to abide more closely by original Schenkerian notions, enriching them with some extensions and additions, such as Felix Salzer’s (1952/1982) “contrapuntal-structural tones,” “‘independent’ voice leading,” and “color chords.” In general, such analysis has been most successfu ...
Music - The Colorado Education Initiative
... timbre, texture, form) during ensemble performances (DOK 1-3). e. Play or sing major and minor scales at least one octave in keys relative to their instrument/voice and understand relationships between major and minor (DOK ...
... timbre, texture, form) during ensemble performances (DOK 1-3). e. Play or sing major and minor scales at least one octave in keys relative to their instrument/voice and understand relationships between major and minor (DOK ...
2016_Lahan_Charles_dissertation
... consistently authors begin by noting the complexity, controversy, and general lack of agreement on the subject. One of the most controversial and intriguing contentions is that stylistic evolution is cyclical and that Mannerism is a phase in this cycle. This idea forms the basis for the analysis in ...
... consistently authors begin by noting the complexity, controversy, and general lack of agreement on the subject. One of the most controversial and intriguing contentions is that stylistic evolution is cyclical and that Mannerism is a phase in this cycle. This idea forms the basis for the analysis in ...
historical and analytical studies
... to be an alternation between sections in which the subject is stated in its complete form by one or more voices and sections in which it is not present in its complete form. The latter, called ‘episodes’, may or may not take any of their motivic material from the subject or countersubject. Complete ...
... to be an alternation between sections in which the subject is stated in its complete form by one or more voices and sections in which it is not present in its complete form. The latter, called ‘episodes’, may or may not take any of their motivic material from the subject or countersubject. Complete ...
MTO 4.2: Alpern, Review Article, “Will the Real Anton Webern
... [7] Since the conventional image of a logical Webern arose in a relative musicological void, it is vulnerable to attack on the grounds that it may be dictated more by theoretical bias than historical fidelity. Shreffler appeals what she condemns as Darmstadt’s premature verdict on the grounds of new ...
... [7] Since the conventional image of a logical Webern arose in a relative musicological void, it is vulnerable to attack on the grounds that it may be dictated more by theoretical bias than historical fidelity. Shreffler appeals what she condemns as Darmstadt’s premature verdict on the grounds of new ...
Tempo Ligeti the Postmodernist?
... framework seem to imply C, D, G, and F, as expectations. The listener never feels completely fleeting tonal centres.16 Another feature is the on firm tonal land because the harmonic lower voice, which outlines two chromatic background of the music is continually twisting and turning. clusters in a r ...
... framework seem to imply C, D, G, and F, as expectations. The listener never feels completely fleeting tonal centres.16 Another feature is the on firm tonal land because the harmonic lower voice, which outlines two chromatic background of the music is continually twisting and turning. clusters in a r ...
Building a Framework for Scordatura: New
... Building a Framework for Scordatura: New Possibilities for the Viola and Beyond Andrew Filmer, New Zealand School of Music/ Victoria University of Wellington and Massey University ...
... Building a Framework for Scordatura: New Possibilities for the Viola and Beyond Andrew Filmer, New Zealand School of Music/ Victoria University of Wellington and Massey University ...
Dissertation MUSI591 – 10C (HAM)
... process of this sort can be related to much of Chopin’s output [consider the ‘creation’ of the ballade, the transformation of the mazurka, the development of the nocturne]. It is thus understandable that Samson reaches the conclusion that Chopin’s Préludes are works with “conventional titles, [but] ...
... process of this sort can be related to much of Chopin’s output [consider the ‘creation’ of the ballade, the transformation of the mazurka, the development of the nocturne]. It is thus understandable that Samson reaches the conclusion that Chopin’s Préludes are works with “conventional titles, [but] ...
Martinu, Kapralova and Musical Symbolism
... aspects that might stand out in a particular piece or body of compositions. For example, Beethoven’s Für Elise might be appreciated more fully knowing that it was a gift from the composer to one of his pupils, to whom he would later propose marriage. Or, in the case of Janacek, a deeper understandin ...
... aspects that might stand out in a particular piece or body of compositions. For example, Beethoven’s Für Elise might be appreciated more fully knowing that it was a gift from the composer to one of his pupils, to whom he would later propose marriage. Or, in the case of Janacek, a deeper understandin ...
Jon Verbalis - Chopin`s Revolutionary Legacy-
... Already Chopin demonstrates a keen, analytical sense of the movements of the pianist’s playing mechanism that are necessarily enlisted in communicating the new musical language of his compositions, which he continually likened to speech as well as singing. Most significantly, individual key choice i ...
... Already Chopin demonstrates a keen, analytical sense of the movements of the pianist’s playing mechanism that are necessarily enlisted in communicating the new musical language of his compositions, which he continually likened to speech as well as singing. Most significantly, individual key choice i ...
Stream Segregation and Perceived Syncopation
... properties” (313). With this definition, Schachter is referring to the rhythmic patterns that can be created by tonal (or pitchrelated) elements such as “the recurrence of a tone after one or more different ones, the octave relationship, chordal and linear associations, consonance and dissonance” (3 ...
... properties” (313). With this definition, Schachter is referring to the rhythmic patterns that can be created by tonal (or pitchrelated) elements such as “the recurrence of a tone after one or more different ones, the octave relationship, chordal and linear associations, consonance and dissonance” (3 ...
THE LEGACY OF THE PARIS CONSERVATOIRE AND ITS HARPISTS
... the process. Some musicians select a theme or idea for the recital that brings the selected works together into a cohesive unit. The musician must analyze the pieces in terms of form, harmonic and melodic content, and required techniques. The process of painstakingly learning the pieces note by note ...
... the process. Some musicians select a theme or idea for the recital that brings the selected works together into a cohesive unit. The musician must analyze the pieces in terms of form, harmonic and melodic content, and required techniques. The process of painstakingly learning the pieces note by note ...
- University of Missouri School of Law Scholarship
... musicians do intuitively. The art of music is endowed with a supernaturalorigin and a divine purpose, more so than any other art. -GottfriedLeibniz Before embarking on a brief tour through superstring theory, it is helpful first to review a 400-year old scientific theory, similar to that posed here, ...
... musicians do intuitively. The art of music is endowed with a supernaturalorigin and a divine purpose, more so than any other art. -GottfriedLeibniz Before embarking on a brief tour through superstring theory, it is helpful first to review a 400-year old scientific theory, similar to that posed here, ...