Crossing Over in the 21st Century - Trace: Tennessee Research and
... this sacralization process, endowing the conductor of symphonic music with sacred qualities exemplified the highbrow tendencies that started to form in American symphonic music at the turn of the 20th century. These tendencies relied on a few factors: the sacralization of the conductors and the art ...
... this sacralization process, endowing the conductor of symphonic music with sacred qualities exemplified the highbrow tendencies that started to form in American symphonic music at the turn of the 20th century. These tendencies relied on a few factors: the sacralization of the conductors and the art ...
A Semiotic Analysis of Paisaje Cubano con Lluvia by Leo Brouwer
... (1962–7); and a third in which avant garde elements diminish and, particularly after 1980, a creative process described by the composer as ‘new simplicity’ emerges. (Eli Rodriguez). ...
... (1962–7); and a third in which avant garde elements diminish and, particularly after 1980, a creative process described by the composer as ‘new simplicity’ emerges. (Eli Rodriguez). ...
complete program notes
... Lacerda was featured, and 2) conceded co-authorship (and thus. shared royalties) to Lacerda, even when the piece was totally Pixinguinha’s. Lacerda, on the other hand, never shared authorship with his compositions. By 1945, legendary choros such as “Um a Zero” were among over two dozen recordings th ...
... Lacerda was featured, and 2) conceded co-authorship (and thus. shared royalties) to Lacerda, even when the piece was totally Pixinguinha’s. Lacerda, on the other hand, never shared authorship with his compositions. By 1945, legendary choros such as “Um a Zero” were among over two dozen recordings th ...
Selected Clarinet, Cello and Piano Trios: Unknown or
... Percussion Division, Director of Band, School of Music ...
... Percussion Division, Director of Band, School of Music ...
Schulenberg: Clavichord, p. 1 When Did the Clavichord Become
... compass, and any verbal titles or inscriptions accompanying the music, as well as the more subjective analytical criteria also mentioned by Speerstra. But the very difficulty that we have in determining the intended or optimal medium of a given work suggests that such enterprises may be somewhat mis ...
... compass, and any verbal titles or inscriptions accompanying the music, as well as the more subjective analytical criteria also mentioned by Speerstra. But the very difficulty that we have in determining the intended or optimal medium of a given work suggests that such enterprises may be somewhat mis ...
Musicology Today
... uniting melody and harmony through a formalized method which evidenced both musical scales as set of numbers, as well as their intervallic structure as a vector of creation. The rigors of this theory (condensing sound space and reducing temporal parameters) – by creating a neutral approach from an a ...
... uniting melody and harmony through a formalized method which evidenced both musical scales as set of numbers, as well as their intervallic structure as a vector of creation. The rigors of this theory (condensing sound space and reducing temporal parameters) – by creating a neutral approach from an a ...
Debussy`s Corner of Paris 1908
... All of the symphonies of Mozart, Haydn or Beethoven, for example, are in either a major key or a minor key. Even though these so-called Classical composers might occasionally have played with the contrast between major and minor, those were the only two available choices. Debussy sought to expand th ...
... All of the symphonies of Mozart, Haydn or Beethoven, for example, are in either a major key or a minor key. Even though these so-called Classical composers might occasionally have played with the contrast between major and minor, those were the only two available choices. Debussy sought to expand th ...
Dohnányi`s American Years, 1949–1960
... Dohnányi had harshly criticized for being too rational or non-melodic. Though none of the American works broke away from tonal thinking, some add quite a new color on the composer’s harmonic palette. Burletta and the 2nd Violin Concerto, for example, seem to sound especially rough, in the latter cas ...
... Dohnányi had harshly criticized for being too rational or non-melodic. Though none of the American works broke away from tonal thinking, some add quite a new color on the composer’s harmonic palette. Burletta and the 2nd Violin Concerto, for example, seem to sound especially rough, in the latter cas ...
Phrase Painting and Goal Orientation In Two Late Gesualdo Madrigals
... cadences employ untraditional tritone relatonships (see mm. ...
... cadences employ untraditional tritone relatonships (see mm. ...
Appendix I: Microtonality in 20 Century Western Art Music: A
... had written his first major quarter-tone composition in Vienna in 1920, i.e. his String Quartet No.2 op.7 in which the quarter-tones are used as part of a highly chromatic lateromantic tonal pitch language (the piece was premiered in Berlin in 1922). Hába continued to write quarter-tone music (thoug ...
... had written his first major quarter-tone composition in Vienna in 1920, i.e. his String Quartet No.2 op.7 in which the quarter-tones are used as part of a highly chromatic lateromantic tonal pitch language (the piece was premiered in Berlin in 1922). Hába continued to write quarter-tone music (thoug ...
1 New Complexities: Ferneyhough and Parra by Joan Arnau Pàmies
... within the following context, although there is no intention whatsoever to elaborate an objective response to this issue. I found thus two remarkable defnitions of what complexity represents in a musical setting, both of which are quite similar and compelling. The frst one is by Brian Ferneyhough: “ ...
... within the following context, although there is no intention whatsoever to elaborate an objective response to this issue. I found thus two remarkable defnitions of what complexity represents in a musical setting, both of which are quite similar and compelling. The frst one is by Brian Ferneyhough: “ ...
Principles of Counterpoint
... migrates between various parts there is always a focus. In its broadest meaning, we will use the word "line" to refer to the main path followed by the listener’s attention through a musical work over time. If the composer does his work well, this path will be intriguing, coherent, and convincing fro ...
... migrates between various parts there is always a focus. In its broadest meaning, we will use the word "line" to refer to the main path followed by the listener’s attention through a musical work over time. If the composer does his work well, this path will be intriguing, coherent, and convincing fro ...
Music Flashcard Printouts.doc
... This tuning system is used in the Western tradition after 1750. ...
... This tuning system is used in the Western tradition after 1750. ...
Daniel Liles
... edited, and published. The pieces are broken up into two groups according to their key areas, A major/minor and G major/minor. In all fifteen pieces, devices such as stile brisé (broken chord) taken from 17th century French lutenists, melodic lines stylized with specific codes of ornamentation, and ...
... edited, and published. The pieces are broken up into two groups according to their key areas, A major/minor and G major/minor. In all fifteen pieces, devices such as stile brisé (broken chord) taken from 17th century French lutenists, melodic lines stylized with specific codes of ornamentation, and ...
Edvard Grieg`s Influence on American Music
... widow of Robert Schumann, was one of the faculty members. Schumann and MacDowell often compare in their commonalties, such as their strong attachment to literature, to nature and to the musical philosophy they shared.12 Although MacDowell‟s Piano Concerto in A-Minor is usually weighed against Grieg‟ ...
... widow of Robert Schumann, was one of the faculty members. Schumann and MacDowell often compare in their commonalties, such as their strong attachment to literature, to nature and to the musical philosophy they shared.12 Although MacDowell‟s Piano Concerto in A-Minor is usually weighed against Grieg‟ ...
The figures of Musica poetica in Buxtehude`s Passacaglia in D minor
... influencing later composers, especially J. S. Bach, who sojourned in Lübeck for a while. For a series of Abendmusiken, Buxtehude assembled a large ensemble to perform his own music as well as that of others in the Italian-German style, and the collection of music for these concerts forms one of the ...
... influencing later composers, especially J. S. Bach, who sojourned in Lübeck for a while. For a series of Abendmusiken, Buxtehude assembled a large ensemble to perform his own music as well as that of others in the Italian-German style, and the collection of music for these concerts forms one of the ...
ars combinatoria in selected works of cpe bach
... compositional craft thus may be found in tradition of ...
... compositional craft thus may be found in tradition of ...
recenzii
... thirty-two flutes. The complete cycle of ten works is based on the intervallic play among major and minor seconds and thirds, as well as perfect fourths. A major inspiration for these pieces is Javanese gamelan music, in which seconds and thirds predominate. Dinescu creates an ingenious soundscape t ...
... thirty-two flutes. The complete cycle of ten works is based on the intervallic play among major and minor seconds and thirds, as well as perfect fourths. A major inspiration for these pieces is Javanese gamelan music, in which seconds and thirds predominate. Dinescu creates an ingenious soundscape t ...
Post-Acousmatic Practice: Re-evaluating Schaeffer`s heritage. Monty
... ‘birth’ of musique concrète in 1998 (a spurious date, but one which recognises Schaeffer’s first concert of October 10, 1948 as an historically significant event) there was an outcry against the musical form that had developed from Schaeffer’s original work. In 1996, the jury for Computer Music of t ...
... ‘birth’ of musique concrète in 1998 (a spurious date, but one which recognises Schaeffer’s first concert of October 10, 1948 as an historically significant event) there was an outcry against the musical form that had developed from Schaeffer’s original work. In 1996, the jury for Computer Music of t ...
Alois Hába`s Suite für vier Posaunen
... In most cases, the triads appear as surface harmonies, but there are also passages that mimic large-scale prolongations: the second movement suggests techniques of prolongation by sustaining an Au–major triad for a duration of four measures, and the first movement sustains a background C–minor triad ...
... In most cases, the triads appear as surface harmonies, but there are also passages that mimic large-scale prolongations: the second movement suggests techniques of prolongation by sustaining an Au–major triad for a duration of four measures, and the first movement sustains a background C–minor triad ...
The first special edition in 2011
... Ukrainian, Belorussian, Georgian and other languages and staged in, amongst others, Moscow, Istanbul, New York, Paris, London, Tehran, Cairo, Beijing, Berlin, Warsaw, Sofia, Budapest and Bucharest, totalling 120 theaters. Hajibeyov’s other famous operetta “O Olmasin, Bu Olsun” was screened for the f ...
... Ukrainian, Belorussian, Georgian and other languages and staged in, amongst others, Moscow, Istanbul, New York, Paris, London, Tehran, Cairo, Beijing, Berlin, Warsaw, Sofia, Budapest and Bucharest, totalling 120 theaters. Hajibeyov’s other famous operetta “O Olmasin, Bu Olsun” was screened for the f ...
learning absolute pitch by children:a cross-sectional study
... pitch as the produced sound when the key is pressed. In this process, they learn C4 as the pitch within the range they vocalize easily, C3 as lower one, C5 as higher one, and C6 as even higher one. D (re) and E (mi) are learned in the same manner. Then children learn other whitekey notes, F (fa), G ...
... pitch as the produced sound when the key is pressed. In this process, they learn C4 as the pitch within the range they vocalize easily, C3 as lower one, C5 as higher one, and C6 as even higher one. D (re) and E (mi) are learned in the same manner. Then children learn other whitekey notes, F (fa), G ...
La Monte Young`s The Well-Tuned Piano Kyle Gann Perspectives of
... on Eb as 111, a choice that evolved from Young's saxophone improvisations. His favorite scale for improvising was G Dorian, in which he developed extended material on the subdominant seventh chord on C concert Eb-and that material grew into the tuning of the WTI! The term "tonic," however, will not ...
... on Eb as 111, a choice that evolved from Young's saxophone improvisations. His favorite scale for improvising was G Dorian, in which he developed extended material on the subdominant seventh chord on C concert Eb-and that material grew into the tuning of the WTI! The term "tonic," however, will not ...
Prolongation of Seventh Chords in Tonal Music, by Yosef Goldenberg
... prolongation of V7 by VII sharp-5); reaching over; arpeggiation; equal division of the octave; inversions of V7; and enharmonic parentheses (“EP”), which normally exploit enharmonic equivalence with the German augmented-sixth chord (a topic more fully explored in chapter 10). The subject of large-sc ...
... prolongation of V7 by VII sharp-5); reaching over; arpeggiation; equal division of the octave; inversions of V7; and enharmonic parentheses (“EP”), which normally exploit enharmonic equivalence with the German augmented-sixth chord (a topic more fully explored in chapter 10). The subject of large-sc ...