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S SOUND (TEXTURE) H HARMONY M MELODY R RHYTHM G GROWTH (FORM) S O U N D HMRG SOUND – OF MUSIC IS THE RESULT OF THE VOICES AND/OR INSTRUMENTS USED, THE TEXTURE OF THE MUSIC, AND THE EFFECTS OF DYNAMICS. TEXTURE IS THE BROAD MUSICAL TERM THAT REFERS TO THE WAY THE MELODIC, RHYTHMIC AND HAMONIC MATERIALS OF A COMPOSITION ARE WOVEN TOGETHER. TIMBRE ACCOMPANIED TEXTURE RHYTHMIC AND HARMONIC SUPPORT COMBINED DENSITY COLOR THICK TEXTURE CHORDAL BLOCKS WITH LITTLE MELODY CONTENT THIN TEXTURE MELODY SUPPORTED BY RHYTHMIC ACCOMPANIMENT RANGE OSTINATO WIDE RANGE MELODY SUPPORTED BY HARMONIC ACCOMPANIMENT NARROW RANGE TESSITURE A CAPPELLA MONOPHONIC TONE COLOR BALANCE SINGLE MELODY LINE INSTRUMENTATION DOUBLING IN OCTAVES MUTED PERCUSSIVE DOUBLING AT OTHER INTERVALS (PARALLELISM) SONORITY POLYPHONIC DEPTH INDEPENDENT LINES IMITATION REGISTER STRIDENT MAJESTIC REEDY NASAL SIMILAR LINES BRASSY CONTRASTING LINES CONTOUR HOMOPHONIC DULL PEDAL TONE S BRIGHT DARK COOL HOLLOW BRILLANCE ROUND TONE EARTHY H A R M O N Y MRG HARMONY – IS THE STUDY OF TONES SOUNDING TOGETHER AND REFERS TO THE VERTICAL DIMENSION OF MUSIC. THE STUDY OF THE HARMONY OF A COMPOSITION INCLUDES HARMONIC PATTERNS, HARMONIC PROGRESSION, HARMONIC RHYTHM, THE TONAL KEY OR KEYS ESTABLISHED, AND THE HARMONIC ELABORATION – THE WAY IN WHICH HARMONY IS SUSTAINED. CHORD TRIAD TONALITY INTERVALS DIATONIC SIMPLE MAJOR MINOR DIMINISHED AUGUMENTED CADENCE CONSONANCE ORGANUM RESOLUTIONS DESCANT COUNTERPOINT TONIC DOMINANT SUBDOMINANT ATONAL M E L O D Y SH COMPLEX DISSONANCE MODULATION PASSING TONES PROGRESSIONS SUSPENSIONS POLYTONAL RG MELODY IN A COMPOSITION INCLUDES 1. THE PROMINENT MELODIC LINES AND THE REPETION AND VARIATION OF THES MELODIC LINES THROUGHOUT THE COMPOSITION. 2. THE RANGE AND CONTOUR OF MELODIC MATERIAL. 3. THE PHRASE STRUCTURE OF THE MELODIC LINES. 4. THE SCALE BASIS FOR MELODIC MATERIALS. 5. THE RELATIONSHIP AND RELATIVE PROMINANCE OF THE VARIOUS MELODIC IDEAS THAT MAY APPEAR TOGETHER IN A COMPOSITION. PREDICTABLE CLIMAX TONE MOTIVE PROGRESSION UNPREDICTABLE CONTOUR PHRASE COMPLETION LINEAR MOVEMENT ASCENT/DESCENT SHAPE LINE SCALE MINOR FLUID CHROMATIC MODES STEPWISE LEAPS SEQUENCE MAJOR SKIPS FRAGMENTED PROMINANCE RANGE SUCCESSION MODALITY R H Y T H M SHM G RHYTHM IN A COMPOSITION INCLUDES 1. THE NATURE OF RHYTHMIC ACTIVITY – PATTERNED OR UNPATTERNED, REGULAR OR IRREGULAR, SIMPLE OR COMPLEX, REPETITIVE OR NON-REPETITIVE, SUSTAINED OR SPORADIC 2. TEMPO OR TEMPOS CHANGES – CONSISTANT OR INCONSISTENT, FAST OR SLOW, MANY OR FEW CHANGES 3. DENSITY OF RHYTHMIC ACTIVITY AND THE CHANGES IN DENSITY DURING THE COMPOSITION PULSE METER HYPNOTIC ACCENT SYNCOPATION CHANGING METER PATTERNS UNSTRESSED STEADY TEMPO REPETITION JAGGED SIMPLE CONSISTANT COMPLEX INCONSISTANT STRESS WEAK BEAT STATIC FAST SLOW METRIC CONSTANT MOVEMENT GROOVE MARCH RUBATO ASYMMETRICAL POLYRHYTHMS SWING TRANQUIL PERSISTANT DURATION DUPLE TRIPLE DIVISION IRREGULAR COMPOUND INTRICATE REGULATED DANCE DISPLACED DISJUNCT SUBDIVISION RAGTIME POLYMETER SIMPLE STRONG G R O W T H SHMR GROWTH/FORM – REFERS TO THE LARGER SHAPE OF THE COMPOSITION AND HOW THE MATERIAL IS CONSTRUCTED AND GROWS FROM BEGINNING TO END. FORM IN MUSIC IS THE RESULT OF THE INTERACTION OF SOUND, HARMONY, MELODY AND RHYTHM. CERTAIN FORMAL PATTERNS RECUR OFTEN ENOUGH IN MUSIC TO BE GIVEN NAMES. ORGANIZATION MOVEMENT SIMPLE FORMS ROUNDED BINARY CONSTRUCTION CLOSED FORM COMPOUND FORM TERNARY (3-PART) DEVELOPMENT OPEN FORM BINARY (2-PART) BAR FORM SECTIONS CONSEQUENT SONATA-ALLEGRO PASSACAGILIA STROPHIC PALINDROME DIVISIONS ANTECEDENT REFRAIN BRIDGE THEME & VARIATION FUGUE CODA DA CAPO THROUGH-COMPOSED RONDO VERSE
