NCEA Level 3 Making Music (90777) 2012 Assessment
... A (tonic pedal) note is sustained / held through the whole introduction Percussion (tambourine) plays on the crotchet beats A one-bar riff / ostinato / rhythmic motif begins in the bass in bar 3 (heard four times) The last part of the bass riff is a diminution of the opening motif Other re ...
... A (tonic pedal) note is sustained / held through the whole introduction Percussion (tambourine) plays on the crotchet beats A one-bar riff / ostinato / rhythmic motif begins in the bass in bar 3 (heard four times) The last part of the bass riff is a diminution of the opening motif Other re ...
Schedule
... • A (tonic pedal) note is sustained / held through the whole introduction • Percussion (tambourine) plays on the crotchet beats • A one-bar riff / ostinato / rhythmic motif begins in the bass in bar 3 (heard four times) • The last part of the bass riff is a diminution of the opening motif • Other re ...
... • A (tonic pedal) note is sustained / held through the whole introduction • Percussion (tambourine) plays on the crotchet beats • A one-bar riff / ostinato / rhythmic motif begins in the bass in bar 3 (heard four times) • The last part of the bass riff is a diminution of the opening motif • Other re ...
Medieval Music Period
... first step to fix this problem came with the introduction of various signs written above the chant texts, called neumes. The origin of neumes is unclear and subject to some debate, however, most scholars agree that their closest ancestors are the classic Greek and Roman grammatical signs that indica ...
... first step to fix this problem came with the introduction of various signs written above the chant texts, called neumes. The origin of neumes is unclear and subject to some debate, however, most scholars agree that their closest ancestors are the classic Greek and Roman grammatical signs that indica ...
Elementary Band Grade 5
... Expository writing includes nonfiction writing that describes, explains, informs, or summarizes the ideas and content. The writing supports a thesis based on research, observation and/or experience. Persuasive writing is used for the purpose of influencing the reader. The author presents an iss ...
... Expository writing includes nonfiction writing that describes, explains, informs, or summarizes the ideas and content. The writing supports a thesis based on research, observation and/or experience. Persuasive writing is used for the purpose of influencing the reader. The author presents an iss ...
Supporting Materials - Melody, Rhythm, Accompaniment
... . The following material provides a frame of reference for developing these competencies. The order presented here may guide teacher training content but is not intended as an outline for classroom curriculum. ...
... . The following material provides a frame of reference for developing these competencies. The order presented here may guide teacher training content but is not intended as an outline for classroom curriculum. ...
Glossary of Terms
... Chromatic scale: a scale containing all twelve possible pitches within the octave Whole tone scale: divides the octave into six consecutive whole steps Sharp: to raise a pitch a half step Flat: to lower a pitch a half step Staff: five lines and four spaces on which music is notated Clef: sign that f ...
... Chromatic scale: a scale containing all twelve possible pitches within the octave Whole tone scale: divides the octave into six consecutive whole steps Sharp: to raise a pitch a half step Flat: to lower a pitch a half step Staff: five lines and four spaces on which music is notated Clef: sign that f ...
Georgian Court University © 2006 The McGraw
... Lively Very (allegro molto = very fast) Not too much (allegro non troppo = Not too fast With spirit ...
... Lively Very (allegro molto = very fast) Not too much (allegro non troppo = Not too fast With spirit ...
HERE - NWSS Music
... 36. decrescendo, decresc.: same as diminuendo or dim. 37. diminuendo, dim.: dwindling; i.e., with gradually decreasing volume (same as decrescendo) 38. divisi, div.: divided; i.e., in a part in which several musicians normally play exactly the same notes they are instead to split the playing of the ...
... 36. decrescendo, decresc.: same as diminuendo or dim. 37. diminuendo, dim.: dwindling; i.e., with gradually decreasing volume (same as decrescendo) 38. divisi, div.: divided; i.e., in a part in which several musicians normally play exactly the same notes they are instead to split the playing of the ...
CFA I
... 3. Dynamics: The symbols used in music to tell how loud or soft to play or sing 4. Half Note: A note that receives 2 beats of sound in 4/4 time 5. Note: A pitched sound. 6. Quarter Note: A note that receives 1 beat of sound in 4/4 time 7. Soprano: The highest female singing voice 8. Tenor: The highe ...
... 3. Dynamics: The symbols used in music to tell how loud or soft to play or sing 4. Half Note: A note that receives 2 beats of sound in 4/4 time 5. Note: A pitched sound. 6. Quarter Note: A note that receives 1 beat of sound in 4/4 time 7. Soprano: The highest female singing voice 8. Tenor: The highe ...
The Rehearsal Techniques of Robert Shaw
... he above statement was written during a series of workshops conducted by Robert Shaw, who was, at the time, only 37 years old. The insecurity evident in his words—insecurity certainly shared by many of us—is surprising when one considers the towering musical figure who wrote it. Thankfully, however, ...
... he above statement was written during a series of workshops conducted by Robert Shaw, who was, at the time, only 37 years old. The insecurity evident in his words—insecurity certainly shared by many of us—is surprising when one considers the towering musical figure who wrote it. Thankfully, however, ...
trends in/over time: rhythm in speech and musical melody in 19th
... syllables are perceived to occur regularly, resulting in an expansion or compression of individual syllables in order to accommodate the recurrence of the stresses. By contrast, in a syllable-timed language such as French, it is the individual syllables that are perceived to be of! nearly equal dura ...
... syllables are perceived to occur regularly, resulting in an expansion or compression of individual syllables in order to accommodate the recurrence of the stresses. By contrast, in a syllable-timed language such as French, it is the individual syllables that are perceived to be of! nearly equal dura ...
Band 8 - I Know How To
... o Figure out transitions in multi-meter music. o Count rhythms using both ta’s and titi’s and numbers. o Count out a multi-measure rest accurately. o Recognize and perform a repeat. o Recognize and perform a first and second ending. o Find the end of a piece of music. o Follow the musical symbols to ...
... o Figure out transitions in multi-meter music. o Count rhythms using both ta’s and titi’s and numbers. o Count out a multi-measure rest accurately. o Recognize and perform a repeat. o Recognize and perform a first and second ending. o Find the end of a piece of music. o Follow the musical symbols to ...
russian picnic
... has a staccato note placed above it. QuickTime™ and a TIFF (Uncompressed) decompressor are needed to see this picture. ...
... has a staccato note placed above it. QuickTime™ and a TIFF (Uncompressed) decompressor are needed to see this picture. ...
Music Rubric-Instrumental Performance Individual
... clear, and centered through the normal playing range of the instrument. Extremes in range sometimes cause tone to be less controlled. ...
... clear, and centered through the normal playing range of the instrument. Extremes in range sometimes cause tone to be less controlled. ...
Music Synthesis for Home Videos: An Analogy Based Approach
... expressive interpretation of music pieces which involves learning musical parameters such as the dynamics (variations in loudness) and rubato (variations of local tempo) [4]. Many computational intelligence techniques have been used to solve musical problems like music cognition, algorithmic composi ...
... expressive interpretation of music pieces which involves learning musical parameters such as the dynamics (variations in loudness) and rubato (variations of local tempo) [4]. Many computational intelligence techniques have been used to solve musical problems like music cognition, algorithmic composi ...
Music Elements
... Rhythm begins with a heartbeat. Ba-bomp. Ba-bomp. Ba-bomp. Rhythm refers to the arrangement of sounds in time. ...
... Rhythm begins with a heartbeat. Ba-bomp. Ba-bomp. Ba-bomp. Rhythm refers to the arrangement of sounds in time. ...
Part II
... • All pattern making has its general source in electro-chemical patterns of the brain ...
... • All pattern making has its general source in electro-chemical patterns of the brain ...
AP-Music-Theory-Study-Guide
... • Agogic accent- longer than surrounding notes • Dynamic accent- louder than surrounding notes • Metrical accent- accent on the beat Anacrusis- pickup measure, lead-in syllables that precede 1st full measure Asymmetrical meter- meters that have an odd number of subdivisions, measure cannot be divide ...
... • Agogic accent- longer than surrounding notes • Dynamic accent- louder than surrounding notes • Metrical accent- accent on the beat Anacrusis- pickup measure, lead-in syllables that precede 1st full measure Asymmetrical meter- meters that have an odd number of subdivisions, measure cannot be divide ...
Revision Pack for: MUSIC AS
... Strophic is the term applied to songs in which all verses or stanzas of the text are sung to the same music. Subject a theme is the material, usually a recognizable melody, upon which part or all of a composition is based. In forms such as the fugue this may be known as the subject. Substitution cho ...
... Strophic is the term applied to songs in which all verses or stanzas of the text are sung to the same music. Subject a theme is the material, usually a recognizable melody, upon which part or all of a composition is based. In forms such as the fugue this may be known as the subject. Substitution cho ...
CIRCLE OF THE DANCE, ALMA BRASILEIRA THE ART OF CLEA
... bossa nova, the Baroque ‘ragtime’ of choro, the colorful country dance of baiao. And fast or slow, wistful or festive, the unifying thread throughout the music, throughout Circle of the Dance, is the celebration of that inner core of joy that defines the Brazilian soul.” We also call attention to t ...
... bossa nova, the Baroque ‘ragtime’ of choro, the colorful country dance of baiao. And fast or slow, wistful or festive, the unifying thread throughout the music, throughout Circle of the Dance, is the celebration of that inner core of joy that defines the Brazilian soul.” We also call attention to t ...
Indian Classical Music
... and improvise freely using these notes. There is no beat or pulse to the melody at this point – it just flows along. The only accompaniment is the tambura drone The jhor – in this second section the music speeds up a bit. It’s still just the sitar and tambura player, but the music gets more rhythmic ...
... and improvise freely using these notes. There is no beat or pulse to the melody at this point – it just flows along. The only accompaniment is the tambura drone The jhor – in this second section the music speeds up a bit. It’s still just the sitar and tambura player, but the music gets more rhythmic ...
1 - State Examination Commission
... A fair sense of shape and some awareness of balance between phrases. Good attempt at maintaining dance rhythm. Reasonable sense of technical knowledge. Fair adherence to given structure. Some melodic and rhythmic interest. Little sense of structure or technical knowledge. Poor shape. Very little awa ...
... A fair sense of shape and some awareness of balance between phrases. Good attempt at maintaining dance rhythm. Reasonable sense of technical knowledge. Fair adherence to given structure. Some melodic and rhythmic interest. Little sense of structure or technical knowledge. Poor shape. Very little awa ...
Grades K-8 General Music - Wilmette Public Schools District 39
... qualities, history, culture, and timbre. Singing is and has been used as a form of expression in various cultures and time periods throughout history to present day. Singers develop techniques and physical coordination to create vocal production in a variety of styles. ...
... qualities, history, culture, and timbre. Singing is and has been used as a form of expression in various cultures and time periods throughout history to present day. Singers develop techniques and physical coordination to create vocal production in a variety of styles. ...
Rhythm
Rhythm (from Greek ῥυθμός, rhythmos, ""any regular recurring motion, symmetry"" (Liddell and Scott 1996)) generally means a ""movement marked by the regulated succession of strong and weak elements, or of opposite or different conditions"" (Anon. 1971, 2537). This general meaning of regular recurrence or pattern in time can apply to a wide variety of cyclical natural phenomena having a periodicity or frequency of anything from microseconds to millions of years.In the performance arts rhythm is the timing of events on a human scale; of musical sounds and silences, of the steps of a dance, or the meter of spoken language and poetry. Rhythm may also refer to visual presentation, as ""timed movement through space"" (Jirousek 1995,) and a common language of pattern unites rhythm with geometry. In recent years, rhythm and meter have become an important area of research among music scholars. Recent work in these areas includes books by Maury Yeston (Yeston 1976), Fred Lerdahl and Ray Jackendoff, Jonathan Kramer, Christopher Hasty (Hasty 1997), Godfried Toussaint (Toussaint 2005), William Rothstein, and Joel Lester (Lester 1986).In Thinking and Destiny, Harold W. Percival defined rhythm as the character and meaning of thought expressed through the measure or movement in sound or form, or by written signs or words Percival 1946, 1006.