Course Description - W. David
... Two upper parts are rhythmically active and contain syncopation, a characteristic of the 14th Century The two lower parts move in longer notes and play a supportive role Based on a Gregorian Chant, which Maucaut furnished with new rhythmic patterns and placed in the tenor, one of the two lower parts ...
... Two upper parts are rhythmically active and contain syncopation, a characteristic of the 14th Century The two lower parts move in longer notes and play a supportive role Based on a Gregorian Chant, which Maucaut furnished with new rhythmic patterns and placed in the tenor, one of the two lower parts ...
Sequential Guide for Music Instruction Orchestra
... approach. Understanding that every district and school has unique characteristics in creating learning situations, this document provides concepts general enough to be included in any course of study, yet specific enough that music educators can plan and implement a comprehensive course of instructi ...
... approach. Understanding that every district and school has unique characteristics in creating learning situations, this document provides concepts general enough to be included in any course of study, yet specific enough that music educators can plan and implement a comprehensive course of instructi ...
glossary of musical terms - Western Michigan University
... MIDI: an acronym for Musical Instrument Digital Interface; a protocol established in the 1970s that allows digital synthesizers to communicate with computers minimalism: a modern compositional approach promoted by Glass, Reich, etc., in which a short melodic/ rhythmic/harmonic idea is repeated and g ...
... MIDI: an acronym for Musical Instrument Digital Interface; a protocol established in the 1970s that allows digital synthesizers to communicate with computers minimalism: a modern compositional approach promoted by Glass, Reich, etc., in which a short melodic/ rhythmic/harmonic idea is repeated and g ...
Elementary Curriculum Map
... /tharp/orchestra/note-readingpractice This website allows students to identify the notes and their names on the staff ...
... /tharp/orchestra/note-readingpractice This website allows students to identify the notes and their names on the staff ...
AP Music Theory
... - The prevalence of the ii6 and ii6-5. Reasons and influence on doubling. - Analysis, dictation, and harmonization of progressions using ii, iio, ii6, iio6, ii65, iio6-5 - The submediant chord in major and minor - Introduction of the Deceptive Cadence in part writing - The viio triad, half-diminishe ...
... - The prevalence of the ii6 and ii6-5. Reasons and influence on doubling. - Analysis, dictation, and harmonization of progressions using ii, iio, ii6, iio6, ii65, iio6-5 - The submediant chord in major and minor - Introduction of the Deceptive Cadence in part writing - The viio triad, half-diminishe ...
NCAS/NAfME MUSIC GLOSSARY - National Core Arts Standards
... as a record of sound heard or imagined, or as a set of visual instructions for performers ...
... as a record of sound heard or imagined, or as a set of visual instructions for performers ...
Core Music Standards Glossary
... Audiate: hear and comprehend sounds in one’s head (inner hearing), even when no sound is present Audience etiquette: social behavior observed by those attending musical performances and which can vary depending upon the type of music performed Beat: underlying steady pulse present in most music Benc ...
... Audiate: hear and comprehend sounds in one’s head (inner hearing), even when no sound is present Audience etiquette: social behavior observed by those attending musical performances and which can vary depending upon the type of music performed Beat: underlying steady pulse present in most music Benc ...
lesson 1 - john p birchall
... maintained. The tetrachord analysis should make it clear why these sharps or flats must be introduced but you should play carefully all the scales starting on any note and HEAR that the characteristic sound only emerges by playing the sharps and flats. Your ear should tell you, the analysis is a con ...
... maintained. The tetrachord analysis should make it clear why these sharps or flats must be introduced but you should play carefully all the scales starting on any note and HEAR that the characteristic sound only emerges by playing the sharps and flats. Your ear should tell you, the analysis is a con ...
Singing Renaissance Music From Partbooks
... Conducting and Rehearsal Techniques Rehearsal letters are probably the most important practical element added to the score and partbooks. For rehearsal purposes, places must be identified in the score where all voice parts begin a note or rest at the same time. These places occur in polyphonic musi ...
... Conducting and Rehearsal Techniques Rehearsal letters are probably the most important practical element added to the score and partbooks. For rehearsal purposes, places must be identified in the score where all voice parts begin a note or rest at the same time. These places occur in polyphonic musi ...
The Well-Tempered Architecture - Cal Poly Computer Science
... throughout the music in the TV series Battlestar Galactica, or the theme in “My Sweet Lord” by George Harrison. (The motif in Harrison’s song was so similar to that in Ronald Mack’s song “He’s So Fine” that it resulted in a lengthy plagiarism suit.) At the core of every song are its notes and silenc ...
... throughout the music in the TV series Battlestar Galactica, or the theme in “My Sweet Lord” by George Harrison. (The motif in Harrison’s song was so similar to that in Ronald Mack’s song “He’s So Fine” that it resulted in a lengthy plagiarism suit.) At the core of every song are its notes and silenc ...
Music Vocabulary Review PP
... Vertical Music • Music composed in a chordal manner in which most or all parts move together at the same time • Question: This affects or is affected by (A) Melody, (B) Harmony, (C) Rhythm or (D) Form, (E) A and B? • Why? ...
... Vertical Music • Music composed in a chordal manner in which most or all parts move together at the same time • Question: This affects or is affected by (A) Melody, (B) Harmony, (C) Rhythm or (D) Form, (E) A and B? • Why? ...
Name
... 32. The key signature for G Major and E Minor is: F sharp; G major arpeggio is GBDG; E minor arpeggio is EGBE 33. The key signature for D Major and B Minor is: F sharp & C sharp; D major arpeggio is DF#AD; B minor arpeggio is BDF#B 34. The key signature for A Major and F# Minor is: F#, C#, G#; A maj ...
... 32. The key signature for G Major and E Minor is: F sharp; G major arpeggio is GBDG; E minor arpeggio is EGBE 33. The key signature for D Major and B Minor is: F sharp & C sharp; D major arpeggio is DF#AD; B minor arpeggio is BDF#B 34. The key signature for A Major and F# Minor is: F#, C#, G#; A maj ...
`Sing We At Pleasure` Thomas Weelkes
... homorhythmic writing, as at the end of the first ‘fa-la’ o but more frequently in counterpoint. · Counterpoint commonly involves imitation, usually in sopranos 1 and 2 and/or tenor and bass. · The two sopranos usually imitate at the unison – i.e. both parts are at the same pitch – as at the start of ...
... homorhythmic writing, as at the end of the first ‘fa-la’ o but more frequently in counterpoint. · Counterpoint commonly involves imitation, usually in sopranos 1 and 2 and/or tenor and bass. · The two sopranos usually imitate at the unison – i.e. both parts are at the same pitch – as at the start of ...
NCEA Level 2 Music (91275) 2015 Assessment Schedule
... rhythm – swung in both choruses / walking bass rhythm is the same metre – the metre is common time / Dd in both choruses tempo – the speed of the beat does not change. Elements that are different: rhythm – the bass solo is in a regular rhythm, and the trumpet solo is more rhythmically free ...
... rhythm – swung in both choruses / walking bass rhythm is the same metre – the metre is common time / Dd in both choruses tempo – the speed of the beat does not change. Elements that are different: rhythm – the bass solo is in a regular rhythm, and the trumpet solo is more rhythmically free ...
Medieval music - WordPress.com
... These new neumes—called ligatures —are essentially combinations of the two original signs.This basic neumatic notation could only specify the number of notes and whether they moved up or down. There was no way to indicate exact pitch, any rhythm, or even the starting note. These limitations are fur ...
... These new neumes—called ligatures —are essentially combinations of the two original signs.This basic neumatic notation could only specify the number of notes and whether they moved up or down. There was no way to indicate exact pitch, any rhythm, or even the starting note. These limitations are fur ...
Aalborg Universitet Automatic Phrase Continuation from Guitar and Bass guitar Melodies
... sentations of music such as MIDI or text for reading and representing musical information (Pachet 2003), (Paiement 2008), (Biles 1994), (Cope 1996), (Allan 2002), (Conklin and Witten 1995). A MIDI-based input is assumed and hence, the problem of audio segmentation prior to developing a representati ...
... sentations of music such as MIDI or text for reading and representing musical information (Pachet 2003), (Paiement 2008), (Biles 1994), (Cope 1996), (Allan 2002), (Conklin and Witten 1995). A MIDI-based input is assumed and hence, the problem of audio segmentation prior to developing a representati ...
250KB - NZQA
... • rhythm – swung in both choruses / walking bass rhythm is the same • metre – the metre is common time / Dd in both choruses • tempo – the speed of the beat does not change. Elements that are different: • rhythm – the bass solo is in a regular rhythm, and the trumpet solo is more rhythmically free • ...
... • rhythm – swung in both choruses / walking bass rhythm is the same • metre – the metre is common time / Dd in both choruses • tempo – the speed of the beat does not change. Elements that are different: • rhythm – the bass solo is in a regular rhythm, and the trumpet solo is more rhythmically free • ...
An Investigation of Music Genres and Their Rhythmic Motifs Debora C. Correa
... and regular flow. Rap artists generally receive mood annotations like cheerful, fun, exciting, harsh and angry. When compared to Table 3, the annotations agree with regular rhythm and flowing. Rapping consists of mainly three componentes: content, flow, and delivery [8]. “Flow” is related to the rhy ...
... and regular flow. Rap artists generally receive mood annotations like cheerful, fun, exciting, harsh and angry. When compared to Table 3, the annotations agree with regular rhythm and flowing. Rapping consists of mainly three componentes: content, flow, and delivery [8]. “Flow” is related to the rhy ...
Sheet Music - Murray High School, Lavington
... lines player together. • Heterophonic – two or more lines played at the same time with variations of the melody ...
... lines player together. • Heterophonic – two or more lines played at the same time with variations of the melody ...
59. Gong Kebyar de Sebatu (Bali) Baris Melampahan
... Gamelan Music is deeply embedded in Indonesian (or Javanese) culture. Evidence of the existence of ensembles dates to the eighth-century BCE but it is believed that the Gamelan may have been in use 500 years earlier. In Javanese mythology, a god, Sang Hyang Guru, used a gong to summon other gods and ...
... Gamelan Music is deeply embedded in Indonesian (or Javanese) culture. Evidence of the existence of ensembles dates to the eighth-century BCE but it is believed that the Gamelan may have been in use 500 years earlier. In Javanese mythology, a god, Sang Hyang Guru, used a gong to summon other gods and ...
Working.doc - Music
... Question/Answer Improvisational activities Call and response songs Manipulatives (beat/melody boxes) Use a pentatonic scale for melodic improvisation ...
... Question/Answer Improvisational activities Call and response songs Manipulatives (beat/melody boxes) Use a pentatonic scale for melodic improvisation ...
LISTENING GUIDE
... derived from the first phrase of the plainchant hymn. Notice, however, that Josquin adds a short turning passage between the last two notes to provide intensity and drive to the cadence. Notice, too, the rhythm that Josquin has applied to the notes. It starts out with long notes (which stress the ch ...
... derived from the first phrase of the plainchant hymn. Notice, however, that Josquin adds a short turning passage between the last two notes to provide intensity and drive to the cadence. Notice, too, the rhythm that Josquin has applied to the notes. It starts out with long notes (which stress the ch ...
The History and Evolution of the Musical Symbol
... Guido's innovations were, however, all concerned with notating pitch, and it was not until the 13th century that any systematic reform of rhythmic notation was achieved. The first to tackle this was Franco of Cologne, who codified and rationalized the existing system, and established the relationshi ...
... Guido's innovations were, however, all concerned with notating pitch, and it was not until the 13th century that any systematic reform of rhythmic notation was achieved. The first to tackle this was Franco of Cologne, who codified and rationalized the existing system, and established the relationshi ...
Medieval Period
... We do not know when it was first sung, how it was first composed, where or by whom. (Pope Gregory I (d. 604) was not the composer!) ...
... We do not know when it was first sung, how it was first composed, where or by whom. (Pope Gregory I (d. 604) was not the composer!) ...
Musical Elements and Compositional Devices
... A high, clear, pure sound produced on a string instrument by lightly stopping the string at its halfway (or other fractional) point Harmonics produced on the open G string (violin) ...
... A high, clear, pure sound produced on a string instrument by lightly stopping the string at its halfway (or other fractional) point Harmonics produced on the open G string (violin) ...
Rhythm
Rhythm (from Greek ῥυθμός, rhythmos, ""any regular recurring motion, symmetry"" (Liddell and Scott 1996)) generally means a ""movement marked by the regulated succession of strong and weak elements, or of opposite or different conditions"" (Anon. 1971, 2537). This general meaning of regular recurrence or pattern in time can apply to a wide variety of cyclical natural phenomena having a periodicity or frequency of anything from microseconds to millions of years.In the performance arts rhythm is the timing of events on a human scale; of musical sounds and silences, of the steps of a dance, or the meter of spoken language and poetry. Rhythm may also refer to visual presentation, as ""timed movement through space"" (Jirousek 1995,) and a common language of pattern unites rhythm with geometry. In recent years, rhythm and meter have become an important area of research among music scholars. Recent work in these areas includes books by Maury Yeston (Yeston 1976), Fred Lerdahl and Ray Jackendoff, Jonathan Kramer, Christopher Hasty (Hasty 1997), Godfried Toussaint (Toussaint 2005), William Rothstein, and Joel Lester (Lester 1986).In Thinking and Destiny, Harold W. Percival defined rhythm as the character and meaning of thought expressed through the measure or movement in sound or form, or by written signs or words Percival 1946, 1006.