![answer key - Belmont University](http://s1.studyres.com/store/data/006491578_1-3a93eabb39c6f745298c862448e85c74-300x300.png)
answer key - Belmont University
... 4. Identify the following scales. Assume they end on tonic. Remember the scale is determined by the actual pitches in the scale, not the key signature. Be sure to indicate the form of the minor scale. ...
... 4. Identify the following scales. Assume they end on tonic. Remember the scale is determined by the actual pitches in the scale, not the key signature. Be sure to indicate the form of the minor scale. ...
Pentatonic Moods
... dreaminess that softens the soul and seems to contribute to a feeling of being in harmony with the wider world whether in sorrow or in joy. Songs from these islands use but seven notes, such as D,E-G,A,B-D,E. music on more complex scales typically uses semitone intervals to express sorrow, pain or c ...
... dreaminess that softens the soul and seems to contribute to a feeling of being in harmony with the wider world whether in sorrow or in joy. Songs from these islands use but seven notes, such as D,E-G,A,B-D,E. music on more complex scales typically uses semitone intervals to express sorrow, pain or c ...
music - Jerome Miranda
... 1. Coloratura Soprano- highest female register 2. Soprano- high register female voice 3. Mezzo-soprano-medium-register female voice 4. Alto or Contralto-low-register female voice ...
... 1. Coloratura Soprano- highest female register 2. Soprano- high register female voice 3. Mezzo-soprano-medium-register female voice 4. Alto or Contralto-low-register female voice ...
Voice-Leading Guidelines:
... Cadential: The bass steps or leaps into 5 degree, stays on 5 , then leaps to tonic; the chord progression is specifically I 6-4, V, I (with respect to the bass notes). The I 6-4 chord occurs on a strong beat or strong portion of a beat. This chord is really an embellishment of the dominant chord at ...
... Cadential: The bass steps or leaps into 5 degree, stays on 5 , then leaps to tonic; the chord progression is specifically I 6-4, V, I (with respect to the bass notes). The I 6-4 chord occurs on a strong beat or strong portion of a beat. This chord is really an embellishment of the dominant chord at ...
About Diapason
... 48th through 64th (thus defining an interval of a perfect fourth), whereas at the dynamic climax of the piece (at about two-thirds to three-quarters of the way through) it includes the first through the seventeenth partials (a little more than four octaves). The harmonic sense of the work depends to ...
... 48th through 64th (thus defining an interval of a perfect fourth), whereas at the dynamic climax of the piece (at about two-thirds to three-quarters of the way through) it includes the first through the seventeenth partials (a little more than four octaves). The harmonic sense of the work depends to ...
Sample Grade 4 Theory Paper
... Transpose this tune up an octave so that a double bass will be able to play it at the same pitch as the following notes. ...
... Transpose this tune up an octave so that a double bass will be able to play it at the same pitch as the following notes. ...
Is the Musical Scale and Arithmetic or Geometric
... Netherlands. Among the demonstrations is a musical scale with pitches based on an arithmetic sequence, and a musical scale with pitches based on a geometric sequence. The demo is called “Logarithmic and linear frequency scales.” If you are still not sure whether the scale is arithmetic or geometric, ...
... Netherlands. Among the demonstrations is a musical scale with pitches based on an arithmetic sequence, and a musical scale with pitches based on a geometric sequence. The demo is called “Logarithmic and linear frequency scales.” If you are still not sure whether the scale is arithmetic or geometric, ...
GT Music Audition Requirements
... Students will be asked to sightread (Suzuki level 5 or equivalent) and demonstrate a variety of bowing techniques. ...
... Students will be asked to sightread (Suzuki level 5 or equivalent) and demonstrate a variety of bowing techniques. ...
12-13 A S05 rubric
... TSW5 identify the musical characteristics of the blues, and create a short blues melody with lyrics. TSW6 define and recognize consonance and dissonance. TSW7 listen to samples of music from each of the Renaissance, Baroque, Classical and Romantic periods, identifying and comparing their general mus ...
... TSW5 identify the musical characteristics of the blues, and create a short blues melody with lyrics. TSW6 define and recognize consonance and dissonance. TSW7 listen to samples of music from each of the Renaissance, Baroque, Classical and Romantic periods, identifying and comparing their general mus ...
A Genetic Musician
... Once the measures are sufficiently-evolved, a string of measures from the same population is used to create the root melody This root melody is used for every movement of the same theme ...
... Once the measures are sufficiently-evolved, a string of measures from the same population is used to create the root melody This root melody is used for every movement of the same theme ...
Tonal Harmony Chapter 12 Non Chord Tones 2
... It is a compositional device that begins as a chord tone becomes an NCT finally ends up as a chord tone gain when the harmony is in agreement with it Other NCTs are for decorating the harmony Pedal point has such strong tonal strength that the harmonies seem to be embellishing the pedal po ...
... It is a compositional device that begins as a chord tone becomes an NCT finally ends up as a chord tone gain when the harmony is in agreement with it Other NCTs are for decorating the harmony Pedal point has such strong tonal strength that the harmonies seem to be embellishing the pedal po ...
Chorus 8 Benchmarks
... clef, bass clef, pitch names of the treble clef and bass clef, ledger line pitches (up to 2 ledger lines above and below the staff), bar lines, double barline, measures, 4/4, 3/4 and 2/4 time signatures. Identify elements of good posture, including vertical body alignment, equal distribution of weig ...
... clef, bass clef, pitch names of the treble clef and bass clef, ledger line pitches (up to 2 ledger lines above and below the staff), bar lines, double barline, measures, 4/4, 3/4 and 2/4 time signatures. Identify elements of good posture, including vertical body alignment, equal distribution of weig ...
Incantation and Dance Unit Study
... compliments the low register flute nicely. During the dance section, the two superimposed lines make it difficult to hear a harmonic progression, but the step-wise chords lend well to the disjunct, chromatic melody. The only time the chord progression breaks away from the three chords of Bb, Ab, and ...
... compliments the low register flute nicely. During the dance section, the two superimposed lines make it difficult to hear a harmonic progression, but the step-wise chords lend well to the disjunct, chromatic melody. The only time the chord progression breaks away from the three chords of Bb, Ab, and ...
as a PDF
... Active tones (at) are the “color notes” that determine whether the music is major or minor. They are also the notes that help propel the music forward to the next function. Consequently, these notes are sensitive and have a specific way of resolving when the next functional category is achieved. St ...
... Active tones (at) are the “color notes” that determine whether the music is major or minor. They are also the notes that help propel the music forward to the next function. Consequently, these notes are sensitive and have a specific way of resolving when the next functional category is achieved. St ...
Music of the United States Exam # 1 Review Questions Prelude 1
... 5. Which item refers to the most commonly used melodic system? A. major/minor scales B. pentatonic scale C. modes D. whole tone scale 6. Which of the following is created when two pitches sound simultaneously? A. chord B. rhythm C. harmony D. triad 7. The "home” tone of a piece, which is also names ...
... 5. Which item refers to the most commonly used melodic system? A. major/minor scales B. pentatonic scale C. modes D. whole tone scale 6. Which of the following is created when two pitches sound simultaneously? A. chord B. rhythm C. harmony D. triad 7. The "home” tone of a piece, which is also names ...
Chapter 1 Definitions
... 9. The major scale can be thought of as two identical, four-note patterns, separated by a whole step. These four-note patterns are called ___________________. 10. Symbols which raise or lower pitches by a whole or half step are called ____________________. 11. The term __________ is used in music to ...
... 9. The major scale can be thought of as two identical, four-note patterns, separated by a whole step. These four-note patterns are called ___________________. 10. Symbols which raise or lower pitches by a whole or half step are called ____________________. 11. The term __________ is used in music to ...
Concept Book
... a note from one chord is held over to the next chord creating a discord, and is then resolved by moving one step to create ...
... a note from one chord is held over to the next chord creating a discord, and is then resolved by moving one step to create ...
mathematics and music
... human soul experiences from counting without being aware that it is counting." As the ancient civilizations expanded so did mathematics and music. Both were treated as practical arts and maintained through tradition by the priestly castes. The ideas which worked in mathematics and the melodies and r ...
... human soul experiences from counting without being aware that it is counting." As the ancient civilizations expanded so did mathematics and music. Both were treated as practical arts and maintained through tradition by the priestly castes. The ideas which worked in mathematics and the melodies and r ...
File
... are combined in music (BOSTES, 1999: Music 1 Syllabus). Texture can be divided into three forms: • Layers of sound • The function of each layer of sound • The roles of instruments and/or voices in each layer of sound More… ...
... are combined in music (BOSTES, 1999: Music 1 Syllabus). Texture can be divided into three forms: • Layers of sound • The function of each layer of sound • The roles of instruments and/or voices in each layer of sound More… ...
File
... combines two or more melodic lines in a way that establishes a harmonic relationship while keeping their own horizontal individuality Imitation – like a canon only the whole melody is not imitated, only a bit of the beginning. The parts then continue to weave together. ...
... combines two or more melodic lines in a way that establishes a harmonic relationship while keeping their own horizontal individuality Imitation – like a canon only the whole melody is not imitated, only a bit of the beginning. The parts then continue to weave together. ...
The Origin of Albanian Folk Iso-polyphony Tuesday, December 28
... way to tell something, to emphasise polyphony. It was the first music I heard when I was growing up. I heard it in my village, in our house, where the men often came to sing with my father. Polyphony is a monumental dimension in the Corsican oral tradition and is without doubt the most beautiful cat ...
... way to tell something, to emphasise polyphony. It was the first music I heard when I was growing up. I heard it in my village, in our house, where the men often came to sing with my father. Polyphony is a monumental dimension in the Corsican oral tradition and is without doubt the most beautiful cat ...
Wagner on Music of the Future
... Necessarily, the symphonist will not be able to shape this melody without his own peculiar implement; that implement is the orchestra. That he will employ it in a sense quite other than the Italian Opera composer, in whose hands the orchestra is nothing but a huge guitar for accompanying the aria, I ...
... Necessarily, the symphonist will not be able to shape this melody without his own peculiar implement; that implement is the orchestra. That he will employ it in a sense quite other than the Italian Opera composer, in whose hands the orchestra is nothing but a huge guitar for accompanying the aria, I ...
The Lowdown on the Octatonic Scale
... Rudiments, scale types such as the octatonic scale are now expected to be part of a student's knowledge base. An octatonic scale includes eight pitches per octave arranged in a pattern of alternating semitones and whole tones (for example: c c# d# e f# g a a# c). Octatonic scales can start on any pi ...
... Rudiments, scale types such as the octatonic scale are now expected to be part of a student's knowledge base. An octatonic scale includes eight pitches per octave arranged in a pattern of alternating semitones and whole tones (for example: c c# d# e f# g a a# c). Octatonic scales can start on any pi ...
Traditional sub-Saharan African harmony
![](https://commons.wikimedia.org/wiki/Special:FilePath/A_pentatonic_scale_in_descending_order.jpg?width=300)
Sub-Saharan harmony is based on the principles of homophonic parallelism (similar chords changing simultaneously), homophonic polyphony (independent parts moving together), counter melody (secondary melody) and ostinato-variation (variations based on a repeated theme). Polyphony (contrapuntal and ostinato variation) is common in African music and heterophony (the voices move at different times) is a common technique as well. Although these principles of traditional (precolonial and pre-Arab) African music are of pan-African validity, the degree to which they are used in one area over another (or in the same community) varies. Specific techniques that used to generate harmony in Africa are the ""span process"", ""pedal notes"" (a held note, typically in the bass, around which other parts move), ""Rhythmic harmony"", ""harmony by imitation"", and ""scalar clusters"" (see below for explanation of these terms).