![Elements of Music: Melody, Harmony, Rhythm, Form, Timbre](http://s1.studyres.com/store/data/000789338_1-d46fc4c9ec90786180e224799ceca431-300x300.png)
Elements of Music: Melody, Harmony, Rhythm, Form, Timbre
... continuously; helps others and seeks assistance from peer/teacher when needed. ...
... continuously; helps others and seeks assistance from peer/teacher when needed. ...
A Few Notes on the Piano Works of Luca Lombardi
... clarity as regards certain fundamental problems that have been bothering me for some time. In just a few words, I would like to say that a certain rigidly “poietic” way of composing, abstracted from requisites of perceptibility, is no longer sustainable, also because certain ways of organizing mater ...
... clarity as regards certain fundamental problems that have been bothering me for some time. In just a few words, I would like to say that a certain rigidly “poietic” way of composing, abstracted from requisites of perceptibility, is no longer sustainable, also because certain ways of organizing mater ...
View printable PDF of 6.7 Contemporary Chords and Harmonic
... Mixed-interval chord = No single interval type dominates the voicing. When analyzing these, discuss the overall interval structure. Which interval(s) occur the most? Is there a pattern to the structure? Revoicing: Often a sonority can be revoiced (reordered) to emphasize different intervals. For ins ...
... Mixed-interval chord = No single interval type dominates the voicing. When analyzing these, discuss the overall interval structure. Which interval(s) occur the most? Is there a pattern to the structure? Revoicing: Often a sonority can be revoiced (reordered) to emphasize different intervals. For ins ...
Name: Class:___________ Music Workbook Semester 2 Pitch
... Glossary Tie - a curved line connecting two notes of the same pitch. Tied notes are held for the length of both notes. Canon – A piece of music where one voice repeats the part of another, throughout the whole piece. It is singing the same song starting at different times. Partner Songs – T ...
... Glossary Tie - a curved line connecting two notes of the same pitch. Tied notes are held for the length of both notes. Canon – A piece of music where one voice repeats the part of another, throughout the whole piece. It is singing the same song starting at different times. Partner Songs – T ...
Sample Grade 4 Theory Paper
... Write a one-octave G natural minor scale in minims going up then down. Use a key signature. ...
... Write a one-octave G natural minor scale in minims going up then down. Use a key signature. ...
organum - Tistory
... Notes from the original chant are sung by the lower voice in very long notes ...
... Notes from the original chant are sung by the lower voice in very long notes ...
How to Represent Texture of a Musical
... you describe the texture of a piece of music, you are describing how much is going on in the music at any given moment. For example, the texture of the music might be thick or thin, or it may have many or few layers. It might be made up of rhythm only, or of a melody line with chordal accompaniment, ...
... you describe the texture of a piece of music, you are describing how much is going on in the music at any given moment. For example, the texture of the music might be thick or thin, or it may have many or few layers. It might be made up of rhythm only, or of a melody line with chordal accompaniment, ...
Level 9 - The Music Makers
... lnverslons, blocked and broken. Be able to hear the difference between natural, harmonic and melodic minor scales. Be able to hear the difference between 214 and 314,314 and 414, 414 and 514, and 514 and 6/8 meters. Identiff the tonality of a four-measure phrase in Major or minor. Be able to identi$ ...
... lnverslons, blocked and broken. Be able to hear the difference between natural, harmonic and melodic minor scales. Be able to hear the difference between 214 and 314,314 and 414, 414 and 514, and 514 and 6/8 meters. Identiff the tonality of a four-measure phrase in Major or minor. Be able to identi$ ...
Scales, Modes, and Chord/Cluster Concepts for 20th
... Free use of diatonic scale resources (freely make chords from the notes of the diatonic scale without worrying about resolving them functionally in a traditional sense) A dense block of PITCHES A dense block-like musical TEXTURE (focuses more on texture, color, dynamics than on pitch) Simultaneous v ...
... Free use of diatonic scale resources (freely make chords from the notes of the diatonic scale without worrying about resolving them functionally in a traditional sense) A dense block of PITCHES A dense block-like musical TEXTURE (focuses more on texture, color, dynamics than on pitch) Simultaneous v ...
Early Medieval Music - Nutley Public Schools
... A plainchant melody with at least one added voice Organum duplum—2 voices, Organum triplum—3 voices, Organum quadruplum—4 voices Added voices may include a supporting bass line or may follow the melody in parallel motion Originally, the second voice was improvised; later composers began writing down ...
... A plainchant melody with at least one added voice Organum duplum—2 voices, Organum triplum—3 voices, Organum quadruplum—4 voices Added voices may include a supporting bass line or may follow the melody in parallel motion Originally, the second voice was improvised; later composers began writing down ...
Title: Perception of pitch and time in music Description: Music is
... Music is defined by pitch (how high or low a note is) and time (when a note occurs and how long it lasts). However much of the research on music perception has focused on one or the other dimension, rather than how they combine. The research that does exist has been largely contradictory, with some ...
... Music is defined by pitch (how high or low a note is) and time (when a note occurs and how long it lasts). However much of the research on music perception has focused on one or the other dimension, rather than how they combine. The research that does exist has been largely contradictory, with some ...
Musical characteristics, Melody and Harmony
... Articulation is how one sings or plays the notes of a piece. Exactly how each articulation should be played depends on the instrument playing it, as well as on the style and period of the music. Accents are markings that are used to indicate especially strong-sounding notes with a definite attack. S ...
... Articulation is how one sings or plays the notes of a piece. Exactly how each articulation should be played depends on the instrument playing it, as well as on the style and period of the music. Accents are markings that are used to indicate especially strong-sounding notes with a definite attack. S ...
RoundstoRoundelaysASurveyofPeriodMusic
... mystery plays. These processional carols were strophic as a rule, generally having two or three voices, occasionally four, a the chorus and solo or unison for the verse; the chorus was almost always in Latin, while the verse could be in Latin but was often in the vernacular. Carols continued to be s ...
... mystery plays. These processional carols were strophic as a rule, generally having two or three voices, occasionally four, a the chorus and solo or unison for the verse; the chorus was almost always in Latin, while the verse could be in Latin but was often in the vernacular. Carols continued to be s ...
See more information on MUS - Barbershop Harmony Society
... Rhythm and Meter – Extremely complicated rhythms are not characteristic of the barbershop style and will result in a lower Music score. Beyond that, any rhythm that the performer can sing while maintaining quality barbershop sound is acceptable. The song should use only standard meters such as 2/4, ...
... Rhythm and Meter – Extremely complicated rhythms are not characteristic of the barbershop style and will result in a lower Music score. Beyond that, any rhythm that the performer can sing while maintaining quality barbershop sound is acceptable. The song should use only standard meters such as 2/4, ...
Melody Definitions
... A rhythmic group or metrical unit that contains a fixed number of beats, divided on the musical staff by bar lines. Also known as Bar. Bar Lines Vertical lines that separate measures. ...
... A rhythmic group or metrical unit that contains a fixed number of beats, divided on the musical staff by bar lines. Also known as Bar. Bar Lines Vertical lines that separate measures. ...
20120080225201157740
... the combination of quarter notes, eighth notes, whole notes, half notes, quarter rests, etc… Pitch - The highness or lowness of sound. Pitch defines the location of a tone in relation to others, thus giving it a sense of being high or low. The Pitch of a note can be written in music notation on a “s ...
... the combination of quarter notes, eighth notes, whole notes, half notes, quarter rests, etc… Pitch - The highness or lowness of sound. Pitch defines the location of a tone in relation to others, thus giving it a sense of being high or low. The Pitch of a note can be written in music notation on a “s ...
Basic Music Theory
... Pitch: the frequency of a note; how high or deep it sounds; other words that are equivalent for beginning theory are: pitch = note = tone = specific vibration. In written music pitch is understood by a letter representing its frequency. More on this later…. Enharmonic: term used to describe two name ...
... Pitch: the frequency of a note; how high or deep it sounds; other words that are equivalent for beginning theory are: pitch = note = tone = specific vibration. In written music pitch is understood by a letter representing its frequency. More on this later…. Enharmonic: term used to describe two name ...
Music Vocabulary and Definitions
... (piano, mezzo piano, mezzo forte, forte) Elements of Music- melody, rhythm, tempo, dynamics, timbre (tone color) and harmony Form - the way the song is put together or organized (AB, ABA, ABC, etc.) THINK PATTERNS! Forte – (four-tay)- loud Harmony - the simultaneous sounding of pitches that result i ...
... (piano, mezzo piano, mezzo forte, forte) Elements of Music- melody, rhythm, tempo, dynamics, timbre (tone color) and harmony Form - the way the song is put together or organized (AB, ABA, ABC, etc.) THINK PATTERNS! Forte – (four-tay)- loud Harmony - the simultaneous sounding of pitches that result i ...
Course Description - W. David
... The function of a given triad is determined primarily by its root tone and the degree of the scale it corresponds to, but also by the quality of the chord (the exact third and fifth). There are four basic tertian triads: major, minor, diminished and augmented. All but the augmented triad can be deri ...
... The function of a given triad is determined primarily by its root tone and the degree of the scale it corresponds to, but also by the quality of the chord (the exact third and fifth). There are four basic tertian triads: major, minor, diminished and augmented. All but the augmented triad can be deri ...
Traditional sub-Saharan African harmony
![](https://commons.wikimedia.org/wiki/Special:FilePath/A_pentatonic_scale_in_descending_order.jpg?width=300)
Sub-Saharan harmony is based on the principles of homophonic parallelism (similar chords changing simultaneously), homophonic polyphony (independent parts moving together), counter melody (secondary melody) and ostinato-variation (variations based on a repeated theme). Polyphony (contrapuntal and ostinato variation) is common in African music and heterophony (the voices move at different times) is a common technique as well. Although these principles of traditional (precolonial and pre-Arab) African music are of pan-African validity, the degree to which they are used in one area over another (or in the same community) varies. Specific techniques that used to generate harmony in Africa are the ""span process"", ""pedal notes"" (a held note, typically in the bass, around which other parts move), ""Rhythmic harmony"", ""harmony by imitation"", and ""scalar clusters"" (see below for explanation of these terms).