![CHAPTER I: Elements of Music: Sound, Melody, Rhythm, and](http://s1.studyres.com/store/data/001305333_1-83466ae512ad44b7493b6a769d567a50-300x300.png)
CHAPTER I: Elements of Music: Sound, Melody, Rhythm, and
... listen to together, in class, in order to raise their bar of perception; they will be amazed how much there is to listen for! ...
... listen to together, in class, in order to raise their bar of perception; they will be amazed how much there is to listen for! ...
CHAPTER I: Elements of Music: Sound, Melody, Rhythm, and
... listen to together, in class, in order to raise their bar of perception; they will be amazed how much there is to listen for! ...
... listen to together, in class, in order to raise their bar of perception; they will be amazed how much there is to listen for! ...
Music Glossary - Trenton Public Schools
... A musical form where the melody or tune is imitated by individual parts at regular intervals. The individual parts may enter at different measures and pitches. The tune may also be played at different speeds, backwards, or inverted. ...
... A musical form where the melody or tune is imitated by individual parts at regular intervals. The individual parts may enter at different measures and pitches. The tune may also be played at different speeds, backwards, or inverted. ...
Scales, Modes, and Chord/Cluster Concepts for 20th
... (freely make chords from the notes of the diatonic scale without worrying about resolving them in a traditional sense) A dense block of PITCHES A dense block-like musical TEXTURE (focuses more on texture, color, dynamics than on pitch) Simultaneous variation in different layers/textures Diverse musi ...
... (freely make chords from the notes of the diatonic scale without worrying about resolving them in a traditional sense) A dense block of PITCHES A dense block-like musical TEXTURE (focuses more on texture, color, dynamics than on pitch) Simultaneous variation in different layers/textures Diverse musi ...
Serial Music - Toot Hill School
... quite a lot was Debussy. He is also known for being influenced by Indonesian Gamelan music (see the page on Minimalism for an explanation of Gamelan). Debussy’s use of pedal points (like a drone – the same note is held or continually repeated while other parts change) and ostinato give his music the ...
... quite a lot was Debussy. He is also known for being influenced by Indonesian Gamelan music (see the page on Minimalism for an explanation of Gamelan). Debussy’s use of pedal points (like a drone – the same note is held or continually repeated while other parts change) and ostinato give his music the ...
species counterpoint
... In 1725, Johann Fux published his epoch-making Gradus ad Parnassum, a counterpoint manual that quickly became the primary influence in polyphonic training for generations of composers to follow, including most of the major figures of the Classical period. Although his knowledge of the music appeared ...
... In 1725, Johann Fux published his epoch-making Gradus ad Parnassum, a counterpoint manual that quickly became the primary influence in polyphonic training for generations of composers to follow, including most of the major figures of the Classical period. Although his knowledge of the music appeared ...
Useful words - School
... Before the modern practice of major and minor keys was developed, players and composers used modes in music. A mode can be created by playing all the white notes on a piano from any note to that note a further octave up (eg. A-A) ...
... Before the modern practice of major and minor keys was developed, players and composers used modes in music. A mode can be created by playing all the white notes on a piano from any note to that note a further octave up (eg. A-A) ...
Vocabulary Guide - Heath Vocal Music
... Pitch - the highness of lowness of a tone Timbre - tone quality Interval - the distance between two notes in regards to pitch 2nd - step; neighbor notes 3rd - skip; from line to line or space to space Unison - all voice parts singing the same pitches ...
... Pitch - the highness of lowness of a tone Timbre - tone quality Interval - the distance between two notes in regards to pitch 2nd - step; neighbor notes 3rd - skip; from line to line or space to space Unison - all voice parts singing the same pitches ...
Word - asboa
... The progression from dominant to tonic root position chords with the tonic note in the soprano and bass Musical sentences The highness or lowness of a tone Cadence ending in the IV-I harmonic progression; also known as Amen Cadence A style of composition that has many voices, each with its own melod ...
... The progression from dominant to tonic root position chords with the tonic note in the soprano and bass Musical sentences The highness or lowness of a tone Cadence ending in the IV-I harmonic progression; also known as Amen Cadence A style of composition that has many voices, each with its own melod ...
Good Melodic Writing
... Sequence: the immediate or nearly immediate restatement of the melodic idea by the same instrument or voice part, but at a different pitch level. 1. Tonal sequences: remain in a single key, intervals are precise, not exact 2. Real sequences: exact transpositions of a musical idea, changing keys 3. M ...
... Sequence: the immediate or nearly immediate restatement of the melodic idea by the same instrument or voice part, but at a different pitch level. 1. Tonal sequences: remain in a single key, intervals are precise, not exact 2. Real sequences: exact transpositions of a musical idea, changing keys 3. M ...
Texture_and_Melody
... All the parts are playing the same rhythm but the pitch is an octave apart. ...
... All the parts are playing the same rhythm but the pitch is an octave apart. ...
14 To Music
... music used by English writers to indicate the hymn-tunes composed or adopted for use in church by the German reformers. German writers, however, apply the terms Choral and Choralegesang, as Luther himself would apply them, to any solemn melody used in the church. The peculiarity of German chorale-mu ...
... music used by English writers to indicate the hymn-tunes composed or adopted for use in church by the German reformers. German writers, however, apply the terms Choral and Choralegesang, as Luther himself would apply them, to any solemn melody used in the church. The peculiarity of German chorale-mu ...
M100: Music Appreciation Discussion Group Tuesday January 29
... • The melody or the “tune” can be defined as “a single line of notes heard in succession as a coherent unit” (pg. 517). It is often the most memorable aspect of a piece of music. • Harmony is “the sound created by multiple voices playing or singing together” (page 516). Harmony also refers to the mu ...
... • The melody or the “tune” can be defined as “a single line of notes heard in succession as a coherent unit” (pg. 517). It is often the most memorable aspect of a piece of music. • Harmony is “the sound created by multiple voices playing or singing together” (page 516). Harmony also refers to the mu ...
Chapter 1 summary
... portamentos (“anticipation”), cambiata (“changing tones”). 7. Unaccented passing tone: In half notes, UPTs are found on beats 2 and 4. In quarter notes, UPTs may be on the second half of any beat, and in eighth notes in unstressed locations. UPTs may be ascending or descending. 8. Accented passing t ...
... portamentos (“anticipation”), cambiata (“changing tones”). 7. Unaccented passing tone: In half notes, UPTs are found on beats 2 and 4. In quarter notes, UPTs may be on the second half of any beat, and in eighth notes in unstressed locations. UPTs may be ascending or descending. 8. Accented passing t ...
Music Theory Essay. - Guitar Master Class
... second is referred to as frequency. Frequency is measured in Hertz (1Hz being one vibration per second). The higher the frequency, of a sound wave, then the higher the pitch of the note. Humans with good hearing can detect sound waves within a frequency range of about 20Hz up to about 20,000 Hz. In ...
... second is referred to as frequency. Frequency is measured in Hertz (1Hz being one vibration per second). The higher the frequency, of a sound wave, then the higher the pitch of the note. Humans with good hearing can detect sound waves within a frequency range of about 20Hz up to about 20,000 Hz. In ...
MSP_lecture3
... The next unique interval in the harmonic series after 3/2 is 5/4 This step in our modern scale is known as the “major third” (E in a C scale which we will see more of later). Closest interval in Pythag’s scale is “Unstable” interval of 81/64 Slightly higher than the closest interval of 5/4 i ...
... The next unique interval in the harmonic series after 3/2 is 5/4 This step in our modern scale is known as the “major third” (E in a C scale which we will see more of later). Closest interval in Pythag’s scale is “Unstable” interval of 81/64 Slightly higher than the closest interval of 5/4 i ...
Print this article - Rhodes University
... does not appear to be used extensively by Africans in the Union of South Africa); both accompaniment and melody were in duple time, arranged in 4-bar periods and with simple European-influenced harmonies. The player beat time with his foot; the upward beat of his foot coincided with the strong, appa ...
... does not appear to be used extensively by Africans in the Union of South Africa); both accompaniment and melody were in duple time, arranged in 4-bar periods and with simple European-influenced harmonies. The player beat time with his foot; the upward beat of his foot coincided with the strong, appa ...
Experiencing Music - Petal School District
... Casual listening – when music blends in with the background, considered “elevator music” Sensuous listening – when the listener becomes completely absorbed in the music, considered “goose bump” music. Perceptive listening – listening to and appreciating music for its full range of technical an ...
... Casual listening – when music blends in with the background, considered “elevator music” Sensuous listening – when the listener becomes completely absorbed in the music, considered “goose bump” music. Perceptive listening – listening to and appreciating music for its full range of technical an ...
Music Theory answers
... Tonal music can be defined as music that is based on scales and chords with defined relationships. All western tonal music theory is based on the C major scale. A single key signature can contain both sharps and flats. ...
... Tonal music can be defined as music that is based on scales and chords with defined relationships. All western tonal music theory is based on the C major scale. A single key signature can contain both sharps and flats. ...
File
... Alto: A low female singing voice Articulators: Any vocal organ that takes part in the production of a speech sound. Such organs are of two types: those that can move, such as the tongue, lips, etc. (active articulators), and those that remain fixed, such as the teeth, the hard palate, etc. (passive ...
... Alto: A low female singing voice Articulators: Any vocal organ that takes part in the production of a speech sound. Such organs are of two types: those that can move, such as the tongue, lips, etc. (active articulators), and those that remain fixed, such as the teeth, the hard palate, etc. (passive ...
Dan`s Music Theory 101 Cheat Sheet
... Diatonic- A note that is in the current scale/key. Downbeat- The first beat in a measure. Flat- Lowers the note a half step. Half Step- Move one notch on the wheel, or one fret on a bass/guitar. Also called a semitone. Key- Reference to what scale of notes a song is based on. Root- The note in which ...
... Diatonic- A note that is in the current scale/key. Downbeat- The first beat in a measure. Flat- Lowers the note a half step. Half Step- Move one notch on the wheel, or one fret on a bass/guitar. Also called a semitone. Key- Reference to what scale of notes a song is based on. Root- The note in which ...
Musical Elements
... Form -- Musical form is the shape that a piece of music takes as it is composed or performed. As we will discover in this class, form is a very important element in a culture's music. It reflects many of the overall artistic, aesthetic, and even cosmological ideas that a culture holds. For instance, ...
... Form -- Musical form is the shape that a piece of music takes as it is composed or performed. As we will discover in this class, form is a very important element in a culture's music. It reflects many of the overall artistic, aesthetic, and even cosmological ideas that a culture holds. For instance, ...
Traditional sub-Saharan African harmony
![](https://commons.wikimedia.org/wiki/Special:FilePath/A_pentatonic_scale_in_descending_order.jpg?width=300)
Sub-Saharan harmony is based on the principles of homophonic parallelism (similar chords changing simultaneously), homophonic polyphony (independent parts moving together), counter melody (secondary melody) and ostinato-variation (variations based on a repeated theme). Polyphony (contrapuntal and ostinato variation) is common in African music and heterophony (the voices move at different times) is a common technique as well. Although these principles of traditional (precolonial and pre-Arab) African music are of pan-African validity, the degree to which they are used in one area over another (or in the same community) varies. Specific techniques that used to generate harmony in Africa are the ""span process"", ""pedal notes"" (a held note, typically in the bass, around which other parts move), ""Rhythmic harmony"", ""harmony by imitation"", and ""scalar clusters"" (see below for explanation of these terms).