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THE ELEMENTS OF MUSIC
... of the laws of physics and musical acoustics. Although these scientific principles are far beyond the scope of this course, it is safe to say that each musical instrument or voice produces its own characteristic sound patterns and resultant “overtones,” which give it a unique "tone color" or timbre. ...
... of the laws of physics and musical acoustics. Although these scientific principles are far beyond the scope of this course, it is safe to say that each musical instrument or voice produces its own characteristic sound patterns and resultant “overtones,” which give it a unique "tone color" or timbre. ...
Introduction to Barbershop Harmony
... To maximize the effect of the natural overtone series, the roots and fifths of all chords are sung a little louder than the thirds and sevenths. In all cases, the melody is tuned to the tonal center, and the harmony parts are tuned to the melody part. Use of similar word sounds in good quality and b ...
... To maximize the effect of the natural overtone series, the roots and fifths of all chords are sung a little louder than the thirds and sevenths. In all cases, the melody is tuned to the tonal center, and the harmony parts are tuned to the melody part. Use of similar word sounds in good quality and b ...
Tonal Harmony Introduction
... consists of two pitches whose frequencies are in the ratio of 1:2, separated by 12 half steps ...
... consists of two pitches whose frequencies are in the ratio of 1:2, separated by 12 half steps ...
Piano Study in Mixed Accents
... Pitch profiles of Ruth Crawford Seeger’s Piano Study in Mixed Accents (1 minute 17 seconds long, spans about 6 octaves), and Tenney’s Seegersong #2 (12 minutes long, spans about 3 octaves). Horizontal axis is time in seconds, vertical axis is pitch (MIDI semitones). The gray region shows the time-de ...
... Pitch profiles of Ruth Crawford Seeger’s Piano Study in Mixed Accents (1 minute 17 seconds long, spans about 6 octaves), and Tenney’s Seegersong #2 (12 minutes long, spans about 3 octaves). Horizontal axis is time in seconds, vertical axis is pitch (MIDI semitones). The gray region shows the time-de ...
Chapter Overview - HCC Learning Web
... Although verses were the most important part of nineteenthcentury popular songs, they were regarded as mere introductions by the 1920s, and today the verses of Tin Pan Alley songs are infrequently performed. ...
... Although verses were the most important part of nineteenthcentury popular songs, they were regarded as mere introductions by the 1920s, and today the verses of Tin Pan Alley songs are infrequently performed. ...
Musical Intervals and Scales
... • Commonly used intervals are commonly used because they sound good • When two or more tones sound pleasing together this is known as consonance • When they sound harsh, jarring, or unpleasant this is known as dissonance ...
... • Commonly used intervals are commonly used because they sound good • When two or more tones sound pleasing together this is known as consonance • When they sound harsh, jarring, or unpleasant this is known as dissonance ...
Milhaud Describes Polytonality
... chain of dominant sevenths that creates chromaticism and takes the first step toward atonality. A melodic line made from the twelve tones of the chromatic scale could plainly coexist with harmonies suggesting a single tonality or polytonality, but in such a case polytonality would come not from the ...
... chain of dominant sevenths that creates chromaticism and takes the first step toward atonality. A melodic line made from the twelve tones of the chromatic scale could plainly coexist with harmonies suggesting a single tonality or polytonality, but in such a case polytonality would come not from the ...
File
... 3h - identify and perform examples of melodic direction (up, down, same) and interval size (step-skip-same) with appropriate technique 3i - follow text for multiple-stanza songs ...
... 3h - identify and perform examples of melodic direction (up, down, same) and interval size (step-skip-same) with appropriate technique 3i - follow text for multiple-stanza songs ...
Quarter - Colorado River Schools
... steps/skips/repeat in-tune singing pitch matching good vocal tone production folk & traditional song repertoire ...
... steps/skips/repeat in-tune singing pitch matching good vocal tone production folk & traditional song repertoire ...
Solfege - Practice - 101
... • To directly relate the scale degrees to the Solfege syllables • To directly relate the Solfege syllables to the scale degrees • To relate the pitch relative to the tonic to the Solfege syllable • To relate the notes within each major scale pattern to the Solfege syllable and the sounds they repres ...
... • To directly relate the scale degrees to the Solfege syllables • To directly relate the Solfege syllables to the scale degrees • To relate the pitch relative to the tonic to the Solfege syllable • To relate the notes within each major scale pattern to the Solfege syllable and the sounds they repres ...
Powerpoint File for Music of Africa
... • The name originated from an event in which the first performance of the piece was also the first time people in the area had seen an airplane. Due to the practice of music and dance often serving as a source of local oral history, the event became the name of the piece. ...
... • The name originated from an event in which the first performance of the piece was also the first time people in the area had seen an airplane. Due to the practice of music and dance often serving as a source of local oral history, the event became the name of the piece. ...
What is music? File
... vocal, instrumental, or mechanical sounds having rhythm, melody, or harmony an artistic form of auditory communication incorporating instrumental or vocal tones in a structured and continuous manner Music is the pleasing sound created by voices or instruments following some tonal structure. If you s ...
... vocal, instrumental, or mechanical sounds having rhythm, melody, or harmony an artistic form of auditory communication incorporating instrumental or vocal tones in a structured and continuous manner Music is the pleasing sound created by voices or instruments following some tonal structure. If you s ...
Chapter 6 Review
... Chapter 6 exam review Key Terms (fill in the blank) 4 points each Range refers to the tones in between and including the highest and lowest pitches you can sing. Acapella is singing a melody without accompaniment or harmony. Blues is a term used to describe a genre of African American music that oft ...
... Chapter 6 exam review Key Terms (fill in the blank) 4 points each Range refers to the tones in between and including the highest and lowest pitches you can sing. Acapella is singing a melody without accompaniment or harmony. Blues is a term used to describe a genre of African American music that oft ...
Elements of rock styles - KU Information Technology
... • Thin? • Medium? • Does the texture change at some point in the piece? • End-weighting – Texture builds throughout – Increases tension or momentum ...
... • Thin? • Medium? • Does the texture change at some point in the piece? • End-weighting – Texture builds throughout – Increases tension or momentum ...
Introducing Musical STYLE newx
... Of all the elements of style, texture is the one students often find hardest to grasp. Traditionally, it has been divided into three types: • MONOPHONIC – one melody without accompaniment. It may be played or sung by different performers, in which case they are in unison. The third movement of Schub ...
... Of all the elements of style, texture is the one students often find hardest to grasp. Traditionally, it has been divided into three types: • MONOPHONIC – one melody without accompaniment. It may be played or sung by different performers, in which case they are in unison. The third movement of Schub ...
05 Elements Unit 5
... elements melody, rhythm, harmony, etc form the building blocks of musical compositions, lets consider how these elements, melody and harmony, function to construct a musical system. ...
... elements melody, rhythm, harmony, etc form the building blocks of musical compositions, lets consider how these elements, melody and harmony, function to construct a musical system. ...
Ragtime - West Monmouth School
... Play the melody of this famous Ragtime piece, that goes with the backing you’ve ...
... Play the melody of this famous Ragtime piece, that goes with the backing you’ve ...
Ostinato composition
... constantly repeated pattern evident in the music. It is a motif or phrase which is persistently repeated in the same musical voice. The repeating idea may be a rhythmic pattern, part of a tune, or a complete melody. In common usage, the term covers repetition with variation and development, such as ...
... constantly repeated pattern evident in the music. It is a motif or phrase which is persistently repeated in the same musical voice. The repeating idea may be a rhythmic pattern, part of a tune, or a complete melody. In common usage, the term covers repetition with variation and development, such as ...
NJCCS Elements of Music
... Repetition, contrast, and variation are essential techniques in short tunes as well as in compositions lasting much longer. Repetition creates a sense of unity; contrast provides variety; and variation, in keeping some elements of a musical thought while changing others, gives a work unity and varie ...
... Repetition, contrast, and variation are essential techniques in short tunes as well as in compositions lasting much longer. Repetition creates a sense of unity; contrast provides variety; and variation, in keeping some elements of a musical thought while changing others, gives a work unity and varie ...
Higher Concepts - Garnock Academy
... 17th-century opera. In a Concerto grosso, the ritornello is the main theme played by the Ripieno group (the orchestra) and sometimes by Concertino (the soloists). The ritornello may return frequently throughout the movement, similar to a Rondo. Sometimes known as first movement form. This term is us ...
... 17th-century opera. In a Concerto grosso, the ritornello is the main theme played by the Ripieno group (the orchestra) and sometimes by Concertino (the soloists). The ritornello may return frequently throughout the movement, similar to a Rondo. Sometimes known as first movement form. This term is us ...
Higher Concepts - Dunblane High School Music Website
... opera. In a Concerto grosso, the ritornello is the main theme played by the Ripieno group (the orchestra) and sometimes by Concertino (the soloists). The ritornello may return frequently throughout the movement, similar to a Rondo. Sometimes known as first movement form. This term is used to describ ...
... opera. In a Concerto grosso, the ritornello is the main theme played by the Ripieno group (the orchestra) and sometimes by Concertino (the soloists). The ritornello may return frequently throughout the movement, similar to a Rondo. Sometimes known as first movement form. This term is used to describ ...
Higher Concepts Higher Music Listening 2014 Onwards Music
... 17th-century opera. In a Concerto grosso, the ritornello is the main theme played by the Ripieno group (the orchestra) and sometimes by Concertino (the soloists). The ritornello may return frequently throughout the movement, similar to a Rondo. Sometimes known as first movement form. This term is us ...
... 17th-century opera. In a Concerto grosso, the ritornello is the main theme played by the Ripieno group (the orchestra) and sometimes by Concertino (the soloists). The ritornello may return frequently throughout the movement, similar to a Rondo. Sometimes known as first movement form. This term is us ...
Traditional sub-Saharan African harmony
![](https://commons.wikimedia.org/wiki/Special:FilePath/A_pentatonic_scale_in_descending_order.jpg?width=300)
Sub-Saharan harmony is based on the principles of homophonic parallelism (similar chords changing simultaneously), homophonic polyphony (independent parts moving together), counter melody (secondary melody) and ostinato-variation (variations based on a repeated theme). Polyphony (contrapuntal and ostinato variation) is common in African music and heterophony (the voices move at different times) is a common technique as well. Although these principles of traditional (precolonial and pre-Arab) African music are of pan-African validity, the degree to which they are used in one area over another (or in the same community) varies. Specific techniques that used to generate harmony in Africa are the ""span process"", ""pedal notes"" (a held note, typically in the bass, around which other parts move), ""Rhythmic harmony"", ""harmony by imitation"", and ""scalar clusters"" (see below for explanation of these terms).