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Chapter outlines - Mommas-Lil-Girl
... o Bowed string instruments each have four strings and are sounded by drawing a bow across the strings with the right hand. o Violin: smallest and highest-pitched member of the family o Viola: somewhat larger than the violin and pitched lower o Violoncello: primarily known as the cello; lower in rang ...
... o Bowed string instruments each have four strings and are sounded by drawing a bow across the strings with the right hand. o Violin: smallest and highest-pitched member of the family o Viola: somewhat larger than the violin and pitched lower o Violoncello: primarily known as the cello; lower in rang ...
Dynamics / louds and softs Fortissimo very loud Forte loud piano soft
... getting gradually faster getting gradually slower getting gradually slower broadening out (getting louder and slower) flexible timing a note held for longer than normal ...
... getting gradually faster getting gradually slower getting gradually slower broadening out (getting louder and slower) flexible timing a note held for longer than normal ...
Music Fundamentals Primer Lesson 4
... A triad is a group of three notes that sound at the same time. In much tonal music, chords are built by stacking thirds on top of each other, creating what is known as tertian harmony. A tertian triad is a chord with three notes that is built with thirds. Even when a chord is spread out over several ...
... A triad is a group of three notes that sound at the same time. In much tonal music, chords are built by stacking thirds on top of each other, creating what is known as tertian harmony. A tertian triad is a chord with three notes that is built with thirds. Even when a chord is spread out over several ...
mus 1p definitions. test 2
... patterns, notated as measures. The two basic meters are duple (two beats) and triple (three beats); quadruple (four beats) is the most common. In simple meters, such as duple, triple, and quadruple, each beat subdivides into two; in compound meters, such as sextuple, each beat divides into three. Me ...
... patterns, notated as measures. The two basic meters are duple (two beats) and triple (three beats); quadruple (four beats) is the most common. In simple meters, such as duple, triple, and quadruple, each beat subdivides into two; in compound meters, such as sextuple, each beat divides into three. Me ...
2015 Chorus Midterm Review Sheet
... pitch – the highness and lowness of sound quarter note – a note one-quarter the value of a whole note rest – a symbol used for duration of silence rhythm – the pattern of musical sound. root – the name given to the bottom tone of a triad scale – an ascending or descending series of tones arranged i ...
... pitch – the highness and lowness of sound quarter note – a note one-quarter the value of a whole note rest – a symbol used for duration of silence rhythm – the pattern of musical sound. root – the name given to the bottom tone of a triad scale – an ascending or descending series of tones arranged i ...
the fundamental principles of harmony
... Over the course of my long teaching career, I have noticed that the usual study of Harmony « at the desk » (that is, away from the piano) has proven ineffectual for most students. Students often lack the sufficient mastery of solfège required to read the traditional harmony exercise displayed in fou ...
... Over the course of my long teaching career, I have noticed that the usual study of Harmony « at the desk » (that is, away from the piano) has proven ineffectual for most students. Students often lack the sufficient mastery of solfège required to read the traditional harmony exercise displayed in fou ...
Funki - QuT – Exploring ChromatiCism through Composition
... Figure 1 Chromatic scale Chromatic scales are built on a set of intervals that are semi-tone apart (Figure 1). The approach to this composition is to maintain a set of chord progressions but create a melodic line that lie largely outside the associated chord scales. By creating a melody derived from ...
... Figure 1 Chromatic scale Chromatic scales are built on a set of intervals that are semi-tone apart (Figure 1). The approach to this composition is to maintain a set of chord progressions but create a melodic line that lie largely outside the associated chord scales. By creating a melody derived from ...
Elementary Curriculum Map
... MU.5.H.1.1: Identify the purposes for which music is used within various cultures. MU.5.H.2.1: Examine the contributions of musicians and composers for a specific historical period. MU.5.S.3.1: Sing part songs in an appropriate range, using proper vocal technique and maintaining pitch. MU.5.S.3.2: P ...
... MU.5.H.1.1: Identify the purposes for which music is used within various cultures. MU.5.H.2.1: Examine the contributions of musicians and composers for a specific historical period. MU.5.S.3.1: Sing part songs in an appropriate range, using proper vocal technique and maintaining pitch. MU.5.S.3.2: P ...
FENDER PLAYERS CLUB COUNTRY BASICS WHAT:
... Dolly Parton, Loretta Lynn, Ricky Skaggs, Randy Travis, Clint Black, Travis Tritt, Reba McEntire, and Garth Brooks are all prominent country artists. In addition, renowned country guitarists include Albert Lee, Steve Warner, Chet Atkins, and Carl Perkins. Sitting on the fringes of the country music ...
... Dolly Parton, Loretta Lynn, Ricky Skaggs, Randy Travis, Clint Black, Travis Tritt, Reba McEntire, and Garth Brooks are all prominent country artists. In addition, renowned country guitarists include Albert Lee, Steve Warner, Chet Atkins, and Carl Perkins. Sitting on the fringes of the country music ...
Lecture Set 07
... The Pythagoreans believed that the laws of physics could be revealed NOT by observation but by pure thought. So they thought about the results that we just mentioned and came up with the “rule” to form the various intervals of the scale. ...
... The Pythagoreans believed that the laws of physics could be revealed NOT by observation but by pure thought. So they thought about the results that we just mentioned and came up with the “rule” to form the various intervals of the scale. ...
Indian Classical Music
... Alap – the sitar player introduces the notes of the chosen raga scale, and improvise freely using these notes. There is no beat or pulse to the melody at this point – it just flows along. The only accompaniment is the tambura drone The jhor – in this second section the music speeds up a bit. It’s st ...
... Alap – the sitar player introduces the notes of the chosen raga scale, and improvise freely using these notes. There is no beat or pulse to the melody at this point – it just flows along. The only accompaniment is the tambura drone The jhor – in this second section the music speeds up a bit. It’s st ...
Inversions
... useful rule applying to all intervals (that is those of one octave or less). The number of any interval and the number of its inversion always add up to nine. Thus a fifth (number 5) and its inverse or complement, a fourth (number is 4) add up to 9. Do not forget that chord quality is still a factor ...
... useful rule applying to all intervals (that is those of one octave or less). The number of any interval and the number of its inversion always add up to nine. Thus a fifth (number 5) and its inverse or complement, a fourth (number is 4) add up to 9. Do not forget that chord quality is still a factor ...
Secular Vocal Music - Fulford School : VLE
... We are in the world of the English drawing room in the late 18th century when well-bred young ladies occupied themselves and entertained their guests with music. The repertoire consisted of piano pieces and songs, well crafted and sometimes quite intricate, but melodious, easy on the ear and not too ...
... We are in the world of the English drawing room in the late 18th century when well-bred young ladies occupied themselves and entertained their guests with music. The repertoire consisted of piano pieces and songs, well crafted and sometimes quite intricate, but melodious, easy on the ear and not too ...
Ch11 Lecture Part I
... • Tone height: A sound quality whereby a sound is heard to be of higher or lower pitch; monotonically related to frequency • Tone chroma: A sound quality shared by tones that have the same octave interval • Musical helix: Can help visualize musical pitch • As frequency increases – Tone height increa ...
... • Tone height: A sound quality whereby a sound is heard to be of higher or lower pitch; monotonically related to frequency • Tone chroma: A sound quality shared by tones that have the same octave interval • Musical helix: Can help visualize musical pitch • As frequency increases – Tone height increa ...
Text S1.
... never more than ~30 such errors in the approximately 4000-4900 voiced speech data points recorded for each speaker (errors consisting of ~3-5 data points). The corrected F0 values were then used as input to Prosogram. The Prosogram algorithm simplifies the F0 contour and makes it comparable to music ...
... never more than ~30 such errors in the approximately 4000-4900 voiced speech data points recorded for each speaker (errors consisting of ~3-5 data points). The corrected F0 values were then used as input to Prosogram. The Prosogram algorithm simplifies the F0 contour and makes it comparable to music ...
playing the organ works of mendelssohn
... the last measure, right hand builds up a five-note chord; I can see only one real solution for this. ...
... the last measure, right hand builds up a five-note chord; I can see only one real solution for this. ...
The Mathematics of Music
... (diatonic or chromatic for example) Can also be classified by the number of tones per octave- (Ex: pentatonic, hexatonic, heptatonic) ...
... (diatonic or chromatic for example) Can also be classified by the number of tones per octave- (Ex: pentatonic, hexatonic, heptatonic) ...
Rhythm Machine - Wisconsin Music Educators Association
... first 4 measures of the opening A theme lies within a one octave Bb diatonic scale with strictly tonic, subdominant and dominant harmonization. It is this seeming simplicity of the recurring theme that sets the tone for the numerous surprises that surround it. The ascending and descending Bb scale i ...
... first 4 measures of the opening A theme lies within a one octave Bb diatonic scale with strictly tonic, subdominant and dominant harmonization. It is this seeming simplicity of the recurring theme that sets the tone for the numerous surprises that surround it. The ascending and descending Bb scale i ...
You Can Learn to Scat Sing
... make a short note longer, a long note shorter or leave out notes altogether. Do not add any new notes at this time.You are only altering the original version for now. ...
... make a short note longer, a long note shorter or leave out notes altogether. Do not add any new notes at this time.You are only altering the original version for now. ...
16 באוקטובר, 2005
... 3. Adding an option of changing the scale of a musical sheet produced by the system. Background: Western music includes sounds which defer from each other by at least semitone. This gives rise to 12 basic different sounds, as seen here: ...
... 3. Adding an option of changing the scale of a musical sheet produced by the system. Background: Western music includes sounds which defer from each other by at least semitone. This gives rise to 12 basic different sounds, as seen here: ...
TAVENER The Lamb - davenantperformingarts
... Although some bars have a distinctly 4/4 feel others are much freer As Tavener indicates at the start the rhythm is always guided by the words and not by a regular pulse imposed on those words as occurs in NAM 39 for example The barlines simply mark the ends of the lines in the poem, being given as ...
... Although some bars have a distinctly 4/4 feel others are much freer As Tavener indicates at the start the rhythm is always guided by the words and not by a regular pulse imposed on those words as occurs in NAM 39 for example The barlines simply mark the ends of the lines in the poem, being given as ...
AP Theory Syllabus - Pequannock Township High School
... f. Harmonize a melody with appropriate chords using good voice leading. g. Analyze the chords of a musical composition by number and letter name. h. Transpose a composition from one key to another. i. Express musical ideas by composing and arranging. j. Understand and recognize basic musical forms: ...
... f. Harmonize a melody with appropriate chords using good voice leading. g. Analyze the chords of a musical composition by number and letter name. h. Transpose a composition from one key to another. i. Express musical ideas by composing and arranging. j. Understand and recognize basic musical forms: ...
Traditional sub-Saharan African harmony
![](https://commons.wikimedia.org/wiki/Special:FilePath/A_pentatonic_scale_in_descending_order.jpg?width=300)
Sub-Saharan harmony is based on the principles of homophonic parallelism (similar chords changing simultaneously), homophonic polyphony (independent parts moving together), counter melody (secondary melody) and ostinato-variation (variations based on a repeated theme). Polyphony (contrapuntal and ostinato variation) is common in African music and heterophony (the voices move at different times) is a common technique as well. Although these principles of traditional (precolonial and pre-Arab) African music are of pan-African validity, the degree to which they are used in one area over another (or in the same community) varies. Specific techniques that used to generate harmony in Africa are the ""span process"", ""pedal notes"" (a held note, typically in the bass, around which other parts move), ""Rhythmic harmony"", ""harmony by imitation"", and ""scalar clusters"" (see below for explanation of these terms).