A Guide to Musical Styles File
... melodies may begin like the first, but it ends more conclusively. Such a melodic type, which may be diagrammed a a′, is easy to sing. Baroque melodies tend to be less symmetrical, more elaborate, and harder to sing. Dynamics and the use of the Piano Classical composers’ interest in expressing shades ...
... melodies may begin like the first, but it ends more conclusively. Such a melodic type, which may be diagrammed a a′, is easy to sing. Baroque melodies tend to be less symmetrical, more elaborate, and harder to sing. Dynamics and the use of the Piano Classical composers’ interest in expressing shades ...
Music K-8 - Aspen Academy
... Musical Elements Absolute pitch- treble clef Pentatonic scales Four sixteenth notes, one eighth-two sixteenth notes, two sixteenths-one eighth note Melodic pitch low la Single eighth note Recognize timbre of strings, brass, woodwinds, and percussion families ...
... Musical Elements Absolute pitch- treble clef Pentatonic scales Four sixteenth notes, one eighth-two sixteenth notes, two sixteenths-one eighth note Melodic pitch low la Single eighth note Recognize timbre of strings, brass, woodwinds, and percussion families ...
Introduction to Music
... 27. The abbreviation op. stands for opus, Latin for: a. A cartoon character b. Spring c. Work d. Opulent 28. Bach was recognized as the most eminent __________ of his day: a. Organist b. Composer c. Violinist d. Cellist 29. George Frideric Handel’s Messiah is an example of: a. An oratorio b. An Ope ...
... 27. The abbreviation op. stands for opus, Latin for: a. A cartoon character b. Spring c. Work d. Opulent 28. Bach was recognized as the most eminent __________ of his day: a. Organist b. Composer c. Violinist d. Cellist 29. George Frideric Handel’s Messiah is an example of: a. An oratorio b. An Ope ...
Musical_language
... You might also describe the mood that a piece of music creates. The melody, harmony etc create mood, e.g. happy (usually major key) or sad (usually minor key). ...
... You might also describe the mood that a piece of music creates. The melody, harmony etc create mood, e.g. happy (usually major key) or sad (usually minor key). ...
`Modality` and other short articles for EPMOW
... or Twin Peaks (evil omnipresent in a small town). It seems that the drone has deeper connotations on the Indian subcontinent. For example, Coomaraswamy (1995: 77-80) describes the tanpura, the droned string instrument of much raga music which is heard before, during and after the melody, as ‘the tim ...
... or Twin Peaks (evil omnipresent in a small town). It seems that the drone has deeper connotations on the Indian subcontinent. For example, Coomaraswamy (1995: 77-80) describes the tanpura, the droned string instrument of much raga music which is heard before, during and after the melody, as ‘the tim ...
View printable PDF of 6.4 AdditionalContemporaryScales
... Octatonic scales = A scale of alternating whole steps and half steps. Octatonic scales may be h-W or W-h. A whole-half octatonic is also called a diminished scale. There are three distinct octatonic scales. ...
... Octatonic scales = A scale of alternating whole steps and half steps. Octatonic scales may be h-W or W-h. A whole-half octatonic is also called a diminished scale. There are three distinct octatonic scales. ...
Let`s start! - WordPress.com
... Polyphonic music consists of two or more voices, but it is distinct from heterophony. In heterophonic texture, the part that all voices play is based upon the same melody (though the same notes may not be played). Polyphony is based on counterpoint. Counterpoint is a Latin term that in musical terms ...
... Polyphonic music consists of two or more voices, but it is distinct from heterophony. In heterophonic texture, the part that all voices play is based upon the same melody (though the same notes may not be played). Polyphony is based on counterpoint. Counterpoint is a Latin term that in musical terms ...
File
... m.76-84, all breaths are clearly marked by the use of rest. Although there are rests in the solo line on beats 2 and 3 of m.127, the phrase begins at m.126 and does not end until the end of m.129. M.130 starts a new phrase. The use of the decrescendo in m.127 supports that the D-flat could be sustai ...
... m.76-84, all breaths are clearly marked by the use of rest. Although there are rests in the solo line on beats 2 and 3 of m.127, the phrase begins at m.126 and does not end until the end of m.129. M.130 starts a new phrase. The use of the decrescendo in m.127 supports that the D-flat could be sustai ...
A Wonderful Savior
... In the Western World, we have all grown up listening to music based on the Major Diatonic Scale. If you can sing at all, you can sing this scale. The tones of this scale and the syllables we use for the names of those tones have forever been immortalized in "DO-RE-MI" by Rogers and Hammerstein in Th ...
... In the Western World, we have all grown up listening to music based on the Major Diatonic Scale. If you can sing at all, you can sing this scale. The tones of this scale and the syllables we use for the names of those tones have forever been immortalized in "DO-RE-MI" by Rogers and Hammerstein in Th ...
Peripetie for 5 Orchestral Pieces, Op. 16 by Schoenberg (1909)
... writing in the late romantic style and using the large orchestra associated with the era. Taught composition in Berlin (Berg and Webern were 2 of his ...
... writing in the late romantic style and using the large orchestra associated with the era. Taught composition in Berlin (Berg and Webern were 2 of his ...
ap® music theory syllabus
... Define and recognize basic musical terms and theory concepts Understand, notate, and aurally identify major, minor, pentatonic, chromatic, whole tone scales, and church modes Understand, notate, and identify major and minor key signatures Analyze, notate, and aurally identify major, minor, diminishe ...
... Define and recognize basic musical terms and theory concepts Understand, notate, and aurally identify major, minor, pentatonic, chromatic, whole tone scales, and church modes Understand, notate, and identify major and minor key signatures Analyze, notate, and aurally identify major, minor, diminishe ...
Melody
... A theme is a melody—tuneful or not—that recurs throughout a piece in its original form or in altered forms. For example, consider how the musical theme of a movie is changed to suit the moods or situations of the film. The main melody of Strauss’s Also sprach Zarathustra (Listening Example 1 ) is an ...
... A theme is a melody—tuneful or not—that recurs throughout a piece in its original form or in altered forms. For example, consider how the musical theme of a movie is changed to suit the moods or situations of the film. The main melody of Strauss’s Also sprach Zarathustra (Listening Example 1 ) is an ...
Text S2.
... Text S2 Further discussion of spectral similarities Past and Present Analyses of Speech Spectra. Previous work from our lab [1] compared the spectra of negative/subdued and positive/excited speech to the tonality of the Western melodies composed in the major and minor modes. Similarities were found ...
... Text S2 Further discussion of spectral similarities Past and Present Analyses of Speech Spectra. Previous work from our lab [1] compared the spectra of negative/subdued and positive/excited speech to the tonality of the Western melodies composed in the major and minor modes. Similarities were found ...
Sub-Saharan Africa
... Many languages of Sub-Saharan Africa are “tonal,” i.e., they have many different meanings, depending on their inflection (the pitch at which they are spoken). Same with English. Imagine this word said different ways: what? What??? What???!!! More than other cultures with tonal languages (China, S.E. ...
... Many languages of Sub-Saharan Africa are “tonal,” i.e., they have many different meanings, depending on their inflection (the pitch at which they are spoken). Same with English. Imagine this word said different ways: what? What??? What???!!! More than other cultures with tonal languages (China, S.E. ...
Music Basics Study Guide
... Beat – the steady pulse behind all music Rhythm – the patterns of sound and silence in music Note – a symbol used for a musical tone Pitch – how high or low a note is sounded Melody – the catchy, main tune of a song Harmony – pitches that support the melody Timbre – the tone quality of ...
... Beat – the steady pulse behind all music Rhythm – the patterns of sound and silence in music Note – a symbol used for a musical tone Pitch – how high or low a note is sounded Melody – the catchy, main tune of a song Harmony – pitches that support the melody Timbre – the tone quality of ...
Der Kranke Mond - Pierrot Lunaire Schoenberg
... In the last two bars the vocalist is required to perform a series of grotesque mordents (an ornament involving the main note, a note a 2nd above, then returning to the main note). The music is fragmented by rests here. Much of the music is required to be sung quietly or very quietly (ppp from bar 14 ...
... In the last two bars the vocalist is required to perform a series of grotesque mordents (an ornament involving the main note, a note a 2nd above, then returning to the main note). The music is fragmented by rests here. Much of the music is required to be sung quietly or very quietly (ppp from bar 14 ...
7 The Future of Chan..
... hundreds of years from its earliest Greek-mode beginnings into a kind of liturgical folk music in a sense throughout the Middle East and subsequently, with the spread of Christianity, it became the standard means of accompanying the mass and is used to this day. We have also seen how composers of bo ...
... hundreds of years from its earliest Greek-mode beginnings into a kind of liturgical folk music in a sense throughout the Middle East and subsequently, with the spread of Christianity, it became the standard means of accompanying the mass and is used to this day. We have also seen how composers of bo ...
Symmetry in Music - College of the Holy Cross
... practice orally – they had no system of musical notation like the one we have seen in the examples we have studied so far. So we will use a method for describing their music developed by ethnomusicologists. Much more information on this can be found in the web site and publications of Marc Chemill ...
... practice orally – they had no system of musical notation like the one we have seen in the examples we have studied so far. So we will use a method for describing their music developed by ethnomusicologists. Much more information on this can be found in the web site and publications of Marc Chemill ...
Malaguena from Espana Op 165 No 3 by Isaac
... ‘Malaguena' refers to a Spanish dance or folk song that comes from Malaga in Spain. The malaguena is usually accompanied by a mandolin, cuatro, guitar. It has a sad melancholic melody and is now associated with a religious celebration in May. ...
... ‘Malaguena' refers to a Spanish dance or folk song that comes from Malaga in Spain. The malaguena is usually accompanied by a mandolin, cuatro, guitar. It has a sad melancholic melody and is now associated with a religious celebration in May. ...
course content - Walker County Schools
... nine-stroke rolls, flam, single paradiddle, and flamacue for percussion. Demonstrate correct fingerings for all notes in the practical range of personal instruments. Compose an eight-measure melody based on a diatonic scale and written in the practical playing range of an instrument. Transposing a ...
... nine-stroke rolls, flam, single paradiddle, and flamacue for percussion. Demonstrate correct fingerings for all notes in the practical range of personal instruments. Compose an eight-measure melody based on a diatonic scale and written in the practical playing range of an instrument. Transposing a ...
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... melodies may begin like the first, but it ends more conclusively. Such a melodic type, which may be diagrammed a a′, is easy to sing. Baroque melodies tend to be less symmetrical, more elaborate, and harder to sing. Dynamics and the use of the Piano Classical composers’ interest in expressing shades ...
... melodies may begin like the first, but it ends more conclusively. Such a melodic type, which may be diagrammed a a′, is easy to sing. Baroque melodies tend to be less symmetrical, more elaborate, and harder to sing. Dynamics and the use of the Piano Classical composers’ interest in expressing shades ...
`frequency`. - Programma LLP
... the wave patterns created by a musical instrument. When you pluck a string on a guitar, it vibrates back and forth. This causes mechanical energy to travel through the air, in waves. The number of times per second these waves hit our ear is called the ‘frequency’. This is measured in Hertz (abbrevia ...
... the wave patterns created by a musical instrument. When you pluck a string on a guitar, it vibrates back and forth. This causes mechanical energy to travel through the air, in waves. The number of times per second these waves hit our ear is called the ‘frequency’. This is measured in Hertz (abbrevia ...
Music Structure
... notes or tones of the musical scale and accompanying half tones. Do-Re-Me-Fa-So-La-Ti are seven basic tones of the musical scale. The “Do” at each end of the scale make an octave. Harmony – The combination of two or more tones played at the same time. It can create dissonance (unpleasant to the ear) ...
... notes or tones of the musical scale and accompanying half tones. Do-Re-Me-Fa-So-La-Ti are seven basic tones of the musical scale. The “Do” at each end of the scale make an octave. Harmony – The combination of two or more tones played at the same time. It can create dissonance (unpleasant to the ear) ...
Traditional sub-Saharan African harmony
Sub-Saharan harmony is based on the principles of homophonic parallelism (similar chords changing simultaneously), homophonic polyphony (independent parts moving together), counter melody (secondary melody) and ostinato-variation (variations based on a repeated theme). Polyphony (contrapuntal and ostinato variation) is common in African music and heterophony (the voices move at different times) is a common technique as well. Although these principles of traditional (precolonial and pre-Arab) African music are of pan-African validity, the degree to which they are used in one area over another (or in the same community) varies. Specific techniques that used to generate harmony in Africa are the ""span process"", ""pedal notes"" (a held note, typically in the bass, around which other parts move), ""Rhythmic harmony"", ""harmony by imitation"", and ""scalar clusters"" (see below for explanation of these terms).