CADENCES AND PHRASES
... CADENCES AND PHRASES A cadence is where the music reaches some kind of goal – often accompanied by a rhythmic pause. There are four basic types of cadences and each is defined by its specific use of harmony. The music between cadences is called a phrase. Cadences separate phrases and act very much l ...
... CADENCES AND PHRASES A cadence is where the music reaches some kind of goal – often accompanied by a rhythmic pause. There are four basic types of cadences and each is defined by its specific use of harmony. The music between cadences is called a phrase. Cadences separate phrases and act very much l ...
Musical Terms - Mrs. Serres Music Room
... because the final curl is around the second line or G pitched line. ...
... because the final curl is around the second line or G pitched line. ...
FREE - James Buckham
... bad thing. With that in mind, here is the first instalment… What is diatonic harmony? Throughout music history, many systems have been developed to organise pitch in such a way that provides a resource for creating music. Perhaps the most enduring and commonly used of these systems is that of diaton ...
... bad thing. With that in mind, here is the first instalment… What is diatonic harmony? Throughout music history, many systems have been developed to organise pitch in such a way that provides a resource for creating music. Perhaps the most enduring and commonly used of these systems is that of diaton ...
From Franz Liszt`s Late Piano Works to Analyze His
... three intervals to form chord structure to sound nervous and harsh so that few composers regard this as the primary chord to compose. In his late piano works, the augmented triad plays a very important role. For example, in Gray Clouds, the augmented triad was used to pursue the gloomy and horrible ...
... three intervals to form chord structure to sound nervous and harsh so that few composers regard this as the primary chord to compose. In his late piano works, the augmented triad plays a very important role. For example, in Gray Clouds, the augmented triad was used to pursue the gloomy and horrible ...
music
... • Ancient Greek theorists and composers thought not so much in terms of octaves, as in terms of sequences of fourths, which they called "tetrachords". ...
... • Ancient Greek theorists and composers thought not so much in terms of octaves, as in terms of sequences of fourths, which they called "tetrachords". ...
music
... • Ancient Greek theorists and composers thought not so much in terms of octaves, as in terms of sequences of fourths, which they called "tetrachords". ...
... • Ancient Greek theorists and composers thought not so much in terms of octaves, as in terms of sequences of fourths, which they called "tetrachords". ...
EXAMINATION NUMBER 00766000 1. If you`re studying the science
... A. sarabande C. chorale prelude B. concerto grosso D. Gothic motet ...
... A. sarabande C. chorale prelude B. concerto grosso D. Gothic motet ...
Chromaticism I
... on a chord by chord basis) reinforce, or are reducible to, the structural norms of a single diatonic system. However, it is possible to create harmonic units that are built out of scale-degree representatives from multiple modes. Just as the harmonic minor scale is called artificial because it is no ...
... on a chord by chord basis) reinforce, or are reducible to, the structural norms of a single diatonic system. However, it is possible to create harmonic units that are built out of scale-degree representatives from multiple modes. Just as the harmonic minor scale is called artificial because it is no ...
2 Chants Ancient Roo.. - Paul Ayick Vintage Brass
... In order to fully understand the origins of plainsong or chant, actually all of Western music, one must go back to the ancient Greeks. In approximately 500 B.C. Pythagoras, perhaps history’s first music theorist and other ancient Greek scientists developed the system of scales (modes) and division o ...
... In order to fully understand the origins of plainsong or chant, actually all of Western music, one must go back to the ancient Greeks. In approximately 500 B.C. Pythagoras, perhaps history’s first music theorist and other ancient Greek scientists developed the system of scales (modes) and division o ...
presentation source
... 1. Use just major third, divided into two equal intervals 2. This defines a wholetone interval - how many cents? (answer: 193.2 cents) ...
... 1. Use just major third, divided into two equal intervals 2. This defines a wholetone interval - how many cents? (answer: 193.2 cents) ...
Proceedings of the 14th International Conference on Music
... relatively unimportant role in music identification tasks. However, identifying music from its harmony, although a difficult task, can inform our understanding of how listeners mentally represent and remember harmony. The present study is the first to examine the ability of listeners with varying mu ...
... relatively unimportant role in music identification tasks. However, identifying music from its harmony, although a difficult task, can inform our understanding of how listeners mentally represent and remember harmony. The present study is the first to examine the ability of listeners with varying mu ...
On Serial Music
... member notes form a sequence of intervals, not a melody. This is the same as writing all the notes of a scale that has been used in a symphony, by convention the scale is written without a rhythm, usually in semibreves. As with the notes of any melody composed from its tone row and derived forms, un ...
... member notes form a sequence of intervals, not a melody. This is the same as writing all the notes of a scale that has been used in a symphony, by convention the scale is written without a rhythm, usually in semibreves. As with the notes of any melody composed from its tone row and derived forms, un ...
CREATING CHORDS
... Put your chord progression on the music staff using Finale NotePad. 1. Decide if you want your chords to be in the treble clef or bass clef. 2. Open the Finale Notepad file called chord_bass or chord_treble and save it to your server folder by renaming with your room# & name like this 217JudyChord. ...
... Put your chord progression on the music staff using Finale NotePad. 1. Decide if you want your chords to be in the treble clef or bass clef. 2. Open the Finale Notepad file called chord_bass or chord_treble and save it to your server folder by renaming with your room# & name like this 217JudyChord. ...
MHST 752: The Isorhythmic Motet
... A. Shift of focus from interrelationship of texts to architecture of piece 1. Very careful structuring of tenor voice 2. Basic principle: treating melody and rhythm as separate elements a. Each can be manipulated independently of other b. Called isorhythm c. Basically, melodic ostinato and rhythmic ...
... A. Shift of focus from interrelationship of texts to architecture of piece 1. Very careful structuring of tenor voice 2. Basic principle: treating melody and rhythm as separate elements a. Each can be manipulated independently of other b. Called isorhythm c. Basically, melodic ostinato and rhythmic ...
General Music Curriculum - Iowa City Community School District
... 1. Uses song, speech, and movement to effectively communicate, collaborate with a group, and produce a musical product. (effective communication, collaboration, creativity, productivity/accountability) a. sings alone and with others, using accurate pitches, a variety of ethnic, folk, and patriotic s ...
... 1. Uses song, speech, and movement to effectively communicate, collaborate with a group, and produce a musical product. (effective communication, collaboration, creativity, productivity/accountability) a. sings alone and with others, using accurate pitches, a variety of ethnic, folk, and patriotic s ...
African Music Vol 1 no 3(Seb)
... been developed from native airs. T. K. Phillips, organist of the Anglican Cathedral, Lagos, has composed psalm tones, antiphons and canticles in the vernacular. Olude recently produced a very popular selection of hymns. These composers, influenced, I presume, by their harmoniums and organs, used Eur ...
... been developed from native airs. T. K. Phillips, organist of the Anglican Cathedral, Lagos, has composed psalm tones, antiphons and canticles in the vernacular. Olude recently produced a very popular selection of hymns. These composers, influenced, I presume, by their harmoniums and organs, used Eur ...
consonances. (Unisons are rather hard to play on one pianot)
... F• to keep to the pattern. Ira composer were to write piece in G Major, he she would have to write a sharp sign every time an F] was required. If the piece were in C minor, the composer would have to write three flats all the time. Instead of dolng this, composers usually write the beginning of each ...
... F• to keep to the pattern. Ira composer were to write piece in G Major, he she would have to write a sharp sign every time an F] was required. If the piece were in C minor, the composer would have to write three flats all the time. Instead of dolng this, composers usually write the beginning of each ...
Intro to Music Theory - Hamden High School Music Program
... The elements of sound that are manipulated in music include pitch, rhythm, dynamics, and timbre. 1. Pitch can be generally defined as the high or low quality of a sound, where high refers to sounds in the upper frequency range (such as a flute), and low refers to sounds in the lower frequency range ...
... The elements of sound that are manipulated in music include pitch, rhythm, dynamics, and timbre. 1. Pitch can be generally defined as the high or low quality of a sound, where high refers to sounds in the upper frequency range (such as a flute), and low refers to sounds in the lower frequency range ...
Jefferson College Course Syllabus MSC101 Fundamentals of Music
... 3 semester hours credit Fundamentals of Music will involve the notation of melody, rhythm, and basic harmony, including scales, intervals, triads, and harmonization of simple melodies. The course is for both non-music majors and those preparing for Music Theory I and will partially fulfill the gener ...
... 3 semester hours credit Fundamentals of Music will involve the notation of melody, rhythm, and basic harmony, including scales, intervals, triads, and harmonization of simple melodies. The course is for both non-music majors and those preparing for Music Theory I and will partially fulfill the gener ...
Music for Small Ensemble
... over from one chord to become a dissonance in the next, then falls to become a consonance in the new harmony. The D played by part 2 in bars 3-4 is an example: it forms part of a D major chord in bar 3 and becomes a suspended 7th over an E in the bass in bar 4, falling via a decorative pair of quave ...
... over from one chord to become a dissonance in the next, then falls to become a consonance in the new harmony. The D played by part 2 in bars 3-4 is an example: it forms part of a D major chord in bar 3 and becomes a suspended 7th over an E in the bass in bar 4, falling via a decorative pair of quave ...
Set works revision - Whitworth Community High School
... Melody and accompaniment Texture This is the FIRST MOVEMENT of a SYMPHONY – a piece for orchestra which has 4 movements Music comes from the CLASSICAL PERIOD (c.1750-1820) – features of Classical music include ...
... Melody and accompaniment Texture This is the FIRST MOVEMENT of a SYMPHONY – a piece for orchestra which has 4 movements Music comes from the CLASSICAL PERIOD (c.1750-1820) – features of Classical music include ...
MUSIC 350 Lecture Notes
... 2) CULTURAL CONSIDERATIOS Music and Culture What we have talked about regarding “music” was “technical” aspects. In this sense, music is just organized sound and can be analyzed through concentration on its elements, such as melody, rhythm, phonic structure, form and so forth. However; no music exi ...
... 2) CULTURAL CONSIDERATIOS Music and Culture What we have talked about regarding “music” was “technical” aspects. In this sense, music is just organized sound and can be analyzed through concentration on its elements, such as melody, rhythm, phonic structure, form and so forth. However; no music exi ...
The Musical - Year 9 – Stage 5 Good Samaritan
... Minor Seventh Major sixth Minor sixth Perfect fifth Augmented fourth/Diminished fifth Perfect fourth Major third ...
... Minor Seventh Major sixth Minor sixth Perfect fifth Augmented fourth/Diminished fifth Perfect fourth Major third ...
The Craft of Singing
... In barbershop music, the bass is the lowest of the four voice parts - a harmony part sung below the melody. The average bass range extends from d (below middle c'} to f' (above middle c'}, occasionally extending down to C, an octave below middle c'. Since one of the primary characteristics of barber ...
... In barbershop music, the bass is the lowest of the four voice parts - a harmony part sung below the melody. The average bass range extends from d (below middle c'} to f' (above middle c'}, occasionally extending down to C, an octave below middle c'. Since one of the primary characteristics of barber ...
Traditional sub-Saharan African harmony
Sub-Saharan harmony is based on the principles of homophonic parallelism (similar chords changing simultaneously), homophonic polyphony (independent parts moving together), counter melody (secondary melody) and ostinato-variation (variations based on a repeated theme). Polyphony (contrapuntal and ostinato variation) is common in African music and heterophony (the voices move at different times) is a common technique as well. Although these principles of traditional (precolonial and pre-Arab) African music are of pan-African validity, the degree to which they are used in one area over another (or in the same community) varies. Specific techniques that used to generate harmony in Africa are the ""span process"", ""pedal notes"" (a held note, typically in the bass, around which other parts move), ""Rhythmic harmony"", ""harmony by imitation"", and ""scalar clusters"" (see below for explanation of these terms).