presentation
... Harmony usually split into four voices, each with distinct vocal ranges: soprano, alto, tenor, and bass The “leading tone” (ti, or 7) must resolve to 1/do in the soprano ...
... Harmony usually split into four voices, each with distinct vocal ranges: soprano, alto, tenor, and bass The “leading tone” (ti, or 7) must resolve to 1/do in the soprano ...
music questions section i
... What is another name for sharps or flats? a. Accidentals What is a natural? a. When a sharp or flat is “undone” What happens when the music is notated? a. All three types of minor scales use the same key signature How many scales, major or minor, are there? a. 24 (12 major, 12 minor) Why? a. Have to ...
... What is another name for sharps or flats? a. Accidentals What is a natural? a. When a sharp or flat is “undone” What happens when the music is notated? a. All three types of minor scales use the same key signature How many scales, major or minor, are there? a. 24 (12 major, 12 minor) Why? a. Have to ...
Harmonics - Homework References
... Consonance and Dis. Consonance: occurs when a harmony, chord, or interval is considered stable and pleasant to hear Dissonance: occurs when a harmony, chord, or interval is considered instable and unpleasant to hear (needs to resolve) Pythagoras established that low or simple frequency ratios are m ...
... Consonance and Dis. Consonance: occurs when a harmony, chord, or interval is considered stable and pleasant to hear Dissonance: occurs when a harmony, chord, or interval is considered instable and unpleasant to hear (needs to resolve) Pythagoras established that low or simple frequency ratios are m ...
1 Elements of Music Olli F16
... the horizontal axis is rhythm and the vertical axis is pitch. Notes occurring at the same time – chords - are stacked vertically on top of each other because they have the same horizontal position. Besides these two most fundamental dimensions, there are many other attributes that are notated in oth ...
... the horizontal axis is rhythm and the vertical axis is pitch. Notes occurring at the same time – chords - are stacked vertically on top of each other because they have the same horizontal position. Besides these two most fundamental dimensions, there are many other attributes that are notated in oth ...
Study Sheet for Keyboards Resource on the wiki
... Rhythm-understand how time signatures function-how many beats there are in a measure (can be any #) and what types of notes get one beat (can only be half notes (2), quarter notes (4), eighths (8), sixteenths (16) and higher multiples of 16. The most common time signature is 4/4, or common time. Kno ...
... Rhythm-understand how time signatures function-how many beats there are in a measure (can be any #) and what types of notes get one beat (can only be half notes (2), quarter notes (4), eighths (8), sixteenths (16) and higher multiples of 16. The most common time signature is 4/4, or common time. Kno ...
View printable PDF of 2.2 Roman numerals
... * - These are most common chord qualities. Because of variations in the 6th and 7th scale steps in minor, the III chord is sometimes augmented, the VII (major) triad built on the subtonic note (a whole step below tonic) is sometimes used. Rarely, one sees a half-diminished chord built on raised 6 (# ...
... * - These are most common chord qualities. Because of variations in the 6th and 7th scale steps in minor, the III chord is sometimes augmented, the VII (major) triad built on the subtonic note (a whole step below tonic) is sometimes used. Rarely, one sees a half-diminished chord built on raised 6 (# ...
Don Gray - Arranging Barbershop
... 4. Basses: roots and fifths only; not below low-F, not above middle-C. ...
... 4. Basses: roots and fifths only; not below low-F, not above middle-C. ...
Music_Grade 5_2.2(Major scale, Harmony - Arts-Education-Wake
... a. Listen to song without looking at the book and see if they can identify it as from the area of the Caribbean by hearing the steel drums b. Is the movement in the melody by skips or steps mostly. (steps) c. Is this song Pentatonic? (No) Hint: Find do (indicated to the left of the treble clef) and ...
... a. Listen to song without looking at the book and see if they can identify it as from the area of the Caribbean by hearing the steel drums b. Is the movement in the melody by skips or steps mostly. (steps) c. Is this song Pentatonic? (No) Hint: Find do (indicated to the left of the treble clef) and ...
Stage 1: Desired Results Stage 2 : Assessment Evidence Stage 3
... Compose music in several distinct styles, demonstrating creativity in using the elements of music for expressive effect Arrange simple pieces for acoustic or electronic instruments Use computer and electronic te ...
... Compose music in several distinct styles, demonstrating creativity in using the elements of music for expressive effect Arrange simple pieces for acoustic or electronic instruments Use computer and electronic te ...
study guide
... AUGMENTED- interval made ½ step, larger. DIMINISHED- interval made ½ step, smaller. ROOT- First degree of the scale (tonic). INVERSION- Chords played with note other than tonics on bottom. DOT- Mark after note adding ½ of notes value. SIMPLE- 2,3 & 4 meter. COMPOUND- Meters in 6,9,12 etc. KEY- Sharp ...
... AUGMENTED- interval made ½ step, larger. DIMINISHED- interval made ½ step, smaller. ROOT- First degree of the scale (tonic). INVERSION- Chords played with note other than tonics on bottom. DOT- Mark after note adding ½ of notes value. SIMPLE- 2,3 & 4 meter. COMPOUND- Meters in 6,9,12 etc. KEY- Sharp ...
Tonal Harmony Chapter 3 Introduction to Triads and Seventh
... Keyboard player in an ensemble read from a part consisting only of a bass line and some symbols indicating the chord to be played above each bass note The symbols consisted basically of numbers representing intervals above the bass Notes could actually be played in any octave above the bass ...
... Keyboard player in an ensemble read from a part consisting only of a bass line and some symbols indicating the chord to be played above each bass note The symbols consisted basically of numbers representing intervals above the bass Notes could actually be played in any octave above the bass ...
about Barbershop style music.
... need to be accurate singers with a full, authoritative sound. All the rest of us match our harmony parts to the lead's melody. Most harmony singers hate to admit it, but the lead really IS the most important part - after all, it's the melody. The harmony part sung above the lead is the Tenor. Althou ...
... need to be accurate singers with a full, authoritative sound. All the rest of us match our harmony parts to the lead's melody. Most harmony singers hate to admit it, but the lead really IS the most important part - after all, it's the melody. The harmony part sung above the lead is the Tenor. Althou ...
The Common-Tone Diminished Seventh Chord 7
... which is the same as one of the notes of the 7 chord. Although the ct 7 chord may embellish any triad or dominant seventh˜ chord, it most often progresses to I or V7 in major (minor examples are rare). The ct 7 chord may be spelled˜ in any manner as long as one of the notes be the same as the root o ...
... which is the same as one of the notes of the 7 chord. Although the ct 7 chord may embellish any triad or dominant seventh˜ chord, it most often progresses to I or V7 in major (minor examples are rare). The ct 7 chord may be spelled˜ in any manner as long as one of the notes be the same as the root o ...
ROOTS LEVEL - Youth Music Project
... Finger Numbers on both hands Identify all of the line and space note names on the Treble Clef Play treble clef notes in c position (C, D, E, F, G) Demonstrate understanding of measure, bar lines, double bar lines, repeat, staff, treble clef Understand and demonstrate ability to follow ...
... Finger Numbers on both hands Identify all of the line and space note names on the Treble Clef Play treble clef notes in c position (C, D, E, F, G) Demonstrate understanding of measure, bar lines, double bar lines, repeat, staff, treble clef Understand and demonstrate ability to follow ...
non–chord tones - KIMBERLY CHOIRS
... • Non–chord tones (NCTs) (or non–harmonic tones) are notes that do not belong in a certain chord. • A step (ST) is equal to an interval of a generic second. • A skip (SK) is equal to an interval of a generic third or more. • A passing tone (PT) is approached by step and then continues by step in the ...
... • Non–chord tones (NCTs) (or non–harmonic tones) are notes that do not belong in a certain chord. • A step (ST) is equal to an interval of a generic second. • A skip (SK) is equal to an interval of a generic third or more. • A passing tone (PT) is approached by step and then continues by step in the ...
- Anything Goes
... jazz chords. Teachers can use ideas such as: • Comparison of the two songs: i. What melodic devices are used in each and how do they differ? e.g. “Night” is a descending chromatic scale, whereas “Gabriel” uses equal amounts of descending and ascending lines, with a lot of perfect 4ths and mi ...
... jazz chords. Teachers can use ideas such as: • Comparison of the two songs: i. What melodic devices are used in each and how do they differ? e.g. “Night” is a descending chromatic scale, whereas “Gabriel” uses equal amounts of descending and ascending lines, with a lot of perfect 4ths and mi ...
Terms cont`d. - La Salle University
... • The interweaving of melody and harmony • Monophonic - one unaccompanied melody • Homophonic - one melody with some type of accompaniment (most common texture) • Polyphonic - two or more melodies at the same time.May be with or without accompaniment. This is "the crowning achievement of Western Mus ...
... • The interweaving of melody and harmony • Monophonic - one unaccompanied melody • Homophonic - one melody with some type of accompaniment (most common texture) • Polyphonic - two or more melodies at the same time.May be with or without accompaniment. This is "the crowning achievement of Western Mus ...
Statistical analysis of a music database to investigate historical
... vocal polyphony from seven centuries (13th to 19th). Method: We found electronic scores in the internet, assigned all pitches to the 12-tone chromatic scale, and used the Humdrum Toolkit (Huron) to count pitch patterns, labeling them as pitch-class sets (Forte). For simultaneous tones, we considered ...
... vocal polyphony from seven centuries (13th to 19th). Method: We found electronic scores in the internet, assigned all pitches to the 12-tone chromatic scale, and used the Humdrum Toolkit (Huron) to count pitch patterns, labeling them as pitch-class sets (Forte). For simultaneous tones, we considered ...
Variation
... Add notes Add a harmony – drone, bass, chord 6. Retrograde – start at the end and play backwards 7. Add a counter-melody. ...
... Add notes Add a harmony – drone, bass, chord 6. Retrograde – start at the end and play backwards 7. Add a counter-melody. ...
Tonal Harmony Chapter 5 Pinciples of Voice Leading
... Full score: all or most of the parts are notated on their own individual staves Reduced score: notated at concert pitch on as few staves as possible Voicing a Single Triad The way in which a chord is spaced has a great deal of influence on its aural effect “Muddy” effect (example 5-7) Clos ...
... Full score: all or most of the parts are notated on their own individual staves Reduced score: notated at concert pitch on as few staves as possible Voicing a Single Triad The way in which a chord is spaced has a great deal of influence on its aural effect “Muddy” effect (example 5-7) Clos ...
Sample Grade 4 Theory Paper
... 7.4 How does the articulation in this piece affect the beats in the bar that are usually strong? ...
... 7.4 How does the articulation in this piece affect the beats in the bar that are usually strong? ...
SEVENTH CHORDS Every triad can be extended by adding another
... Seventh chords can be inverted. A seventh chord is inverted if the bottom-most note, the bass, is not the root of the chord. Since there are four notes (instead of 3 in a triad), there is a root position and first, second and third inversion of a seventh chord. ...
... Seventh chords can be inverted. A seventh chord is inverted if the bottom-most note, the bass, is not the root of the chord. Since there are four notes (instead of 3 in a triad), there is a root position and first, second and third inversion of a seventh chord. ...
w - Music at Hopkins
... In music, an interval is the distance between two notes. A melodic interval is the distance between two notes shich are played one at a time. A harmonic interval is the distance between two notes which are played at the same time. Melodic Intervals ...
... In music, an interval is the distance between two notes. A melodic interval is the distance between two notes shich are played one at a time. A harmonic interval is the distance between two notes which are played at the same time. Melodic Intervals ...
Harmony
In music, harmony is the use of simultaneous pitches (tones, notes), or chords. The study of harmony involves chords and their construction and chord progressions and the principles of connection that govern them. Harmony is often said to refer to the ""vertical"" aspect of music, as distinguished from melodic line, or the ""horizontal"" aspect. Counterpoint, which refers to the interweaving of melodic lines, and polyphony, which refers to the relationship of separate independent voices, are thus sometimes distinguished from harmony.In popular and jazz harmony, chords are named by their root plus various terms and characters indicating their qualities. In many types of music, notably baroque, romantic, modern, and jazz, chords are often augmented with ""tensions"". A tension is an additional chord member that creates a relatively dissonant interval in relation to the bass. Typically, in the classical common practice period a dissonant chord (chord with tension) ""resolves"" to a consonant chord. Harmonization usually sounds pleasant to the ear when there is a balance between the consonant and dissonant sounds. In simple words, that occurs when there is a balance between ""tense"" and ""relaxed"" moments.