Chapter 7 – Notes CHORDS A chord is a group of three or more
... When root is on the bottom, the chord is in root position. Sometimes the root of the chord is not on the bottom! If the 3rd of the chord is on the bottom, the chord is in 1st inversion. If the 5th is on the bottom, the chord is in 2nd inversion. (weaker than root of 1st inversion ...
... When root is on the bottom, the chord is in root position. Sometimes the root of the chord is not on the bottom! If the 3rd of the chord is on the bottom, the chord is in 1st inversion. If the 5th is on the bottom, the chord is in 2nd inversion. (weaker than root of 1st inversion ...
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prelude
... 19. The major and minor scales each contain the same number of half and whole steps. a. true b. false [a] 20. The arrangement of half and whole steps is the same in both the major and minor scales. a. true b. false [b] 21. The tonic is the __________ note of a diatonic scale. a. first b. second c. f ...
... 19. The major and minor scales each contain the same number of half and whole steps. a. true b. false [a] 20. The arrangement of half and whole steps is the same in both the major and minor scales. a. true b. false [b] 21. The tonic is the __________ note of a diatonic scale. a. first b. second c. f ...
notes from guest lecturer from the
... Harmony- simultaneous sounding of tones. made up of triads or chords. major chords are upbeat, bright and happy. minor chords sad and somber. consonance-pleasing tones sounded together dissonance-displeasing tones sounded together played Ivor Stravinski's Right of Spring musical texture-transparent, ...
... Harmony- simultaneous sounding of tones. made up of triads or chords. major chords are upbeat, bright and happy. minor chords sad and somber. consonance-pleasing tones sounded together dissonance-displeasing tones sounded together played Ivor Stravinski's Right of Spring musical texture-transparent, ...
Music 11, 7/20/06 Texture: Homophony and Polyphony Homophony
... the chord members for any given bass note, but common practice has led us to a kind of shorthand. For now, the above list should be memorized. In future lessons on functional harmony, these numbers might take on a more meaningful definition… Seventh Chords Seventh chords have four members: root, thi ...
... the chord members for any given bass note, but common practice has led us to a kind of shorthand. For now, the above list should be memorized. In future lessons on functional harmony, these numbers might take on a more meaningful definition… Seventh Chords Seventh chords have four members: root, thi ...
Power Point presentation: basics of music
... – Riff = motive with a distinct rhythm that repeats throughout piece ...
... – Riff = motive with a distinct rhythm that repeats throughout piece ...
Musical Terms - Rogers State University
... accompaniment, two or more melodies, layering of different rhythms, nonmelodic ...
... accompaniment, two or more melodies, layering of different rhythms, nonmelodic ...
Music Fundamentals Primer Lesson 4
... A triad is a group of three notes that sound at the same time. In much tonal music, chords are built by stacking thirds on top of each other, creating what is known as tertian harmony. A tertian triad is a chord with three notes that is built with thirds. Even when a chord is spread out over several ...
... A triad is a group of three notes that sound at the same time. In much tonal music, chords are built by stacking thirds on top of each other, creating what is known as tertian harmony. A tertian triad is a chord with three notes that is built with thirds. Even when a chord is spread out over several ...
Augmented Sixth Chords
... Augmented Sixth Chords like that moment of incredible tension just before the hero finally kisses the leading lady, the half-step is the go-to interval for creating tension in music of the common practice period. it drives the entire style! ...
... Augmented Sixth Chords like that moment of incredible tension just before the hero finally kisses the leading lady, the half-step is the go-to interval for creating tension in music of the common practice period. it drives the entire style! ...
1 Terms and Definitions Characteristics of Modern and Postmodern
... Chromatic harmony: harmony utilizing chords built on the five chromatic notes of the scale in addition to the 7 diatonic ones; producing rich harmonies Impressionism and Impressionist Music (See textbook and lecture notes) Modernism and Modernist Music (see textbook and lecture notes) Tone cluster: ...
... Chromatic harmony: harmony utilizing chords built on the five chromatic notes of the scale in addition to the 7 diatonic ones; producing rich harmonies Impressionism and Impressionist Music (See textbook and lecture notes) Modernism and Modernist Music (see textbook and lecture notes) Tone cluster: ...
musical texture
... Another common chord is the minor chord, which contains a root, a minor third (one and a half tones above the root) and a perfect fifth (three and a half tones above the root). ...
... Another common chord is the minor chord, which contains a root, a minor third (one and a half tones above the root) and a perfect fifth (three and a half tones above the root). ...
Inversions
... useful rule applying to all intervals (that is those of one octave or less). The number of any interval and the number of its inversion always add up to nine. Thus a fifth (number 5) and its inverse or complement, a fourth (number is 4) add up to 9. Do not forget that chord quality is still a factor ...
... useful rule applying to all intervals (that is those of one octave or less). The number of any interval and the number of its inversion always add up to nine. Thus a fifth (number 5) and its inverse or complement, a fourth (number is 4) add up to 9. Do not forget that chord quality is still a factor ...
File
... Including: Seventh chords – a triad with an added seventh Inversions – changing the order of notes in the chord by changing what note is in the bass Cluster chords – a chord with at least three notes adjacent in the scale A sequence of tones that are all perfect fifths above each other. C maj – no s ...
... Including: Seventh chords – a triad with an added seventh Inversions – changing the order of notes in the chord by changing what note is in the bass Cluster chords – a chord with at least three notes adjacent in the scale A sequence of tones that are all perfect fifths above each other. C maj – no s ...
Defintions - WordPress.com
... Bar/Measure- a group set off by bar lines, containing a fixed number of beats Bar linesBeats- a recurrent pulsation that divides music into equal units of time BinaryBrass- instrument made of brass, air instrument, funnel shaped mouth piece. Cadence- progression giving a sense of conclusion Chromati ...
... Bar/Measure- a group set off by bar lines, containing a fixed number of beats Bar linesBeats- a recurrent pulsation that divides music into equal units of time BinaryBrass- instrument made of brass, air instrument, funnel shaped mouth piece. Cadence- progression giving a sense of conclusion Chromati ...
Lecture 5
... Texture is often described in regards to the density, or thickness, and range, or width between lowest and highest pitches, in relative terms as well as more specifically distinguished according to the number of voices, or parts, and the relationship between these voices A piece's texture may be ...
... Texture is often described in regards to the density, or thickness, and range, or width between lowest and highest pitches, in relative terms as well as more specifically distinguished according to the number of voices, or parts, and the relationship between these voices A piece's texture may be ...
Harmony from the Inside
... Key = overall sense of ‘home’ Barbershop Sevenths: Only barbershoppers call them this! (Others call them: dominant sevenths or major-minor sevenths.) Like a major triad, but with an extra note on top. Called ‘7th chord’ because of number of steps between root and the top note. There are different ty ...
... Key = overall sense of ‘home’ Barbershop Sevenths: Only barbershoppers call them this! (Others call them: dominant sevenths or major-minor sevenths.) Like a major triad, but with an extra note on top. Called ‘7th chord’ because of number of steps between root and the top note. There are different ty ...
MSP_lecture8 - New York University
... 2. play the "harmony 1" scale simultaneously with the base scale 3. play the "harmony 2" scale simultaneously with the base scale *This is known as parallel motion ...
... 2. play the "harmony 1" scale simultaneously with the base scale 3. play the "harmony 2" scale simultaneously with the base scale *This is known as parallel motion ...
The Elements of Music
... • The arrangement of these building blocks determines the color, texture, and form of every musical composition. ...
... • The arrangement of these building blocks determines the color, texture, and form of every musical composition. ...
Four-Part Harmony
... Stems for the soprano and tenor always point up. Stems for the alto and bass always point down. This helps to make it clear which notes to follow when two parts share a staff. Each voice or part contributes to a note in the chord, with one note in the chord doubled (since most chords only need three ...
... Stems for the soprano and tenor always point up. Stems for the alto and bass always point down. This helps to make it clear which notes to follow when two parts share a staff. Each voice or part contributes to a note in the chord, with one note in the chord doubled (since most chords only need three ...
Harmony
In music, harmony is the use of simultaneous pitches (tones, notes), or chords. The study of harmony involves chords and their construction and chord progressions and the principles of connection that govern them. Harmony is often said to refer to the ""vertical"" aspect of music, as distinguished from melodic line, or the ""horizontal"" aspect. Counterpoint, which refers to the interweaving of melodic lines, and polyphony, which refers to the relationship of separate independent voices, are thus sometimes distinguished from harmony.In popular and jazz harmony, chords are named by their root plus various terms and characters indicating their qualities. In many types of music, notably baroque, romantic, modern, and jazz, chords are often augmented with ""tensions"". A tension is an additional chord member that creates a relatively dissonant interval in relation to the bass. Typically, in the classical common practice period a dissonant chord (chord with tension) ""resolves"" to a consonant chord. Harmonization usually sounds pleasant to the ear when there is a balance between the consonant and dissonant sounds. In simple words, that occurs when there is a balance between ""tense"" and ""relaxed"" moments.