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Music: An Appreciation by Roger Kamien
... – Emphasis on way chords follow each other - Bass part considered foundation of the harmony ...
... – Emphasis on way chords follow each other - Bass part considered foundation of the harmony ...
Making Musical Decisions
... Facilitate the performers interpretation of the music Make musical decisions regarding expressive matters Give visual cues to the performers Conduction requires technique and an excellent sense of rhythm They indicate the beat and meter with specific conducting ...
... Facilitate the performers interpretation of the music Make musical decisions regarding expressive matters Give visual cues to the performers Conduction requires technique and an excellent sense of rhythm They indicate the beat and meter with specific conducting ...
A Comparison of Two Versions of Creedence Clearwater Revival`s
... in the percussion, instrumentation, vocals, rhythm, and patterns in the score between the two versions of the song. We will begin with an analysis of the score to guide the discussion that follows. As can be seen in Figure 1, the chorus is in C (no sharps or flats in the key signature), and because ...
... in the percussion, instrumentation, vocals, rhythm, and patterns in the score between the two versions of the song. We will begin with an analysis of the score to guide the discussion that follows. As can be seen in Figure 1, the chorus is in C (no sharps or flats in the key signature), and because ...
0410 music - PastPapers.Co
... 25 The violin melody is incomplete in bar 27. Fill in the missing notes on the stave below. The rhythm has been given. ...
... 25 The violin melody is incomplete in bar 27. Fill in the missing notes on the stave below. The rhythm has been given. ...
Document
... Since the Baroque period harmony had been progressing and became more and more complex. In the late Romantic period composers such as Wagner, Bruckner and Strauss (Richard) were using more chromatic notes and more dissonant chords. In France composers such as Debussy (1862-1918) were part of a new w ...
... Since the Baroque period harmony had been progressing and became more and more complex. In the late Romantic period composers such as Wagner, Bruckner and Strauss (Richard) were using more chromatic notes and more dissonant chords. In France composers such as Debussy (1862-1918) were part of a new w ...
Supporting Materials - Melody, Rhythm, Accompaniment
... a. major and minor tonic-dominant The most frequent chord change implied by the melodies of many musical traditions is Major I-V. The lowest part supports the harmonic structure using Sths and octaves. The third degree of either chord will appear in the melody or other upper part. The common chord t ...
... a. major and minor tonic-dominant The most frequent chord change implied by the melodies of many musical traditions is Major I-V. The lowest part supports the harmonic structure using Sths and octaves. The third degree of either chord will appear in the melody or other upper part. The common chord t ...
jeannette sorrell, conductor and harpsichord
... city’s better classes), and was especially noted for the musical training given to its wards. (Vivaldi’s church, on the Riva degli Schiavoni, just beyond the Piazza San Marco, may still be visited, but the orphanage building itself is long gone.) To announce his creative ambitions to the wider music ...
... city’s better classes), and was especially noted for the musical training given to its wards. (Vivaldi’s church, on the Riva degli Schiavoni, just beyond the Piazza San Marco, may still be visited, but the orphanage building itself is long gone.) To announce his creative ambitions to the wider music ...
music
... I can play an altered 12-bar chord sequence. I can improvise a 12 bar melody using the C blues scale. EXTENSION: I can improvise and play the chord sequence using both hands. I can locate and name the blue notes in the blues scale on C. I can accurately play the blues scale on C. I can compose a 12- ...
... I can play an altered 12-bar chord sequence. I can improvise a 12 bar melody using the C blues scale. EXTENSION: I can improvise and play the chord sequence using both hands. I can locate and name the blue notes in the blues scale on C. I can accurately play the blues scale on C. I can compose a 12- ...
Concert Band Week 9 Map Connections 3PP.1.b Describe the uses
... Do Now: Key Signature review Pair share DOL: bass clef 2 worksheet Warmup Scales: F, Bb, Eb Whip around for “What should you think about while playing?” Golden Eagle CFU / where you thinking? In heavens air DOL: create list of 5 items Seussical after school ...
... Do Now: Key Signature review Pair share DOL: bass clef 2 worksheet Warmup Scales: F, Bb, Eb Whip around for “What should you think about while playing?” Golden Eagle CFU / where you thinking? In heavens air DOL: create list of 5 items Seussical after school ...
Composition ideas for different styles
... the first beat. The soloist could have a long flowing melody. Write a salsa style piece for Latin percussion based on the clave rhythm below. Each instrument should use repeated one or two bar patterns. The shakers could have a continuous semiquaver pattern. Woodblocks and bells could use syncopatio ...
... the first beat. The soloist could have a long flowing melody. Write a salsa style piece for Latin percussion based on the clave rhythm below. Each instrument should use repeated one or two bar patterns. The shakers could have a continuous semiquaver pattern. Woodblocks and bells could use syncopatio ...
Set Work Summaries - The Hazeley Academy
... FLUTES, 2 OBOES, 2 CLARINETS and 2 BASSOONS. Mozart only uses ONE FLUTE here and the Clarinet parts were added at a later date, following Mozart’s love of the newly-developed instrument. Mozart uses a “1” on the Clarinet part score to indicate a part where only one of the two clarinets plays, varyin ...
... FLUTES, 2 OBOES, 2 CLARINETS and 2 BASSOONS. Mozart only uses ONE FLUTE here and the Clarinet parts were added at a later date, following Mozart’s love of the newly-developed instrument. Mozart uses a “1” on the Clarinet part score to indicate a part where only one of the two clarinets plays, varyin ...
Keyboard Command Summary
... l insert/go to lower voice in measure m delete current voice (in meas. with two voices) ...
... l insert/go to lower voice in measure m delete current voice (in meas. with two voices) ...
Introduction to Scales
... work out the relationship between each of the notes with the class. When you get to the E – F they will say the relationship is a semi-tone, where it should be (according to the formula) a tone. Describe the necessity for a # in order to make this formula true. Let the class write down G Major scale ...
... work out the relationship between each of the notes with the class. When you get to the E – F they will say the relationship is a semi-tone, where it should be (according to the formula) a tone. Describe the necessity for a # in order to make this formula true. Let the class write down G Major scale ...
AP Theory Syllabus - Pequannock Township High School
... f. Harmonize a melody with appropriate chords using good voice leading. g. Analyze the chords of a musical composition by number and letter name. h. Transpose a composition from one key to another. i. Express musical ideas by composing and arranging. j. Understand and recognize basic musical forms: ...
... f. Harmonize a melody with appropriate chords using good voice leading. g. Analyze the chords of a musical composition by number and letter name. h. Transpose a composition from one key to another. i. Express musical ideas by composing and arranging. j. Understand and recognize basic musical forms: ...
NOTE - Big Lake Schools
... • The STAFF is a place where musical notes are written. • It is composted of FIVE lines and FOUR spaces. • Lower-pitched notes are written LOWER on the staff. o Higher-pitched notes are written HIGHER. • Sometimes notes are so high or so low they need to be written with LEDGER lines. • Ledger lines ...
... • The STAFF is a place where musical notes are written. • It is composted of FIVE lines and FOUR spaces. • Lower-pitched notes are written LOWER on the staff. o Higher-pitched notes are written HIGHER. • Sometimes notes are so high or so low they need to be written with LEDGER lines. • Ledger lines ...
Sarod Glossary - WordPress.com
... musical theory, however, distinguishes ten different concepts in the disposition of musical time. Madhya (laya): medium tempo. Madhyam: fourth note of seven note scale; abbreviated as ‘Ma’. Mind (meend): slide from note to note, connecting their sounds through use of microtones or shrutis; in instru ...
... musical theory, however, distinguishes ten different concepts in the disposition of musical time. Madhya (laya): medium tempo. Madhyam: fourth note of seven note scale; abbreviated as ‘Ma’. Mind (meend): slide from note to note, connecting their sounds through use of microtones or shrutis; in instru ...
A GUIDE TO THE TERMINOLOGY OF GERMAN HARMONY
... At this point German harmony still does not depart markedly from English harmony. Both traditions presume harmony to be “functional,” though the meaning of this term is less clear in English than in German. Both are ultimately descended from Rameau, though filtered through various theories of fundam ...
... At this point German harmony still does not depart markedly from English harmony. Both traditions presume harmony to be “functional,” though the meaning of this term is less clear in English than in German. Both are ultimately descended from Rameau, though filtered through various theories of fundam ...
`Honey Don`t`: Carl Perkins
... C o n t ex t • A capella • All male choir – boys would have sung two highest parts • “Mean” refers to low treble voices • 8 below vocal tenor clefs = notes sound an octave lower than printed • Oldest piece in NAM • NAM 26 reconstructed from later version of work (original version lost) made after W ...
... C o n t ex t • A capella • All male choir – boys would have sung two highest parts • “Mean” refers to low treble voices • 8 below vocal tenor clefs = notes sound an octave lower than printed • Oldest piece in NAM • NAM 26 reconstructed from later version of work (original version lost) made after W ...
Improvisation: Performer as co-composer
... faburden was a living practice and was transmitted mostly by rote. However, we do know that some treatises in the vernacular aided in the transmission of the idea. As suggested earlier, with a modern mindset that depends very much on written music, one often incorrectly assumes that treatises addres ...
... faburden was a living practice and was transmitted mostly by rote. However, we do know that some treatises in the vernacular aided in the transmission of the idea. As suggested earlier, with a modern mindset that depends very much on written music, one often incorrectly assumes that treatises addres ...
List of musical symbols - paulandersonguitar.com
... Clefs define the pitch range of the staff on which it is placed. A clef is usually the leftmost symbol on a staff. Additional clefs may appear in the middle of a staff to indicate a change in register for instruments with a wide range. In early music, clefs could be placed on any of several lines on ...
... Clefs define the pitch range of the staff on which it is placed. A clef is usually the leftmost symbol on a staff. Additional clefs may appear in the middle of a staff to indicate a change in register for instruments with a wide range. In early music, clefs could be placed on any of several lines on ...
Jazz Improvisation for Classical Musicians
... To be strictly correct, a scale is a type of mode, not the other way around. An easy way to consider what a mode is, to think of the major scale (to begin with) as you know it, and then think of that scale commencing and finishing on a different degree of the original scale. For instance, instead of ...
... To be strictly correct, a scale is a type of mode, not the other way around. An easy way to consider what a mode is, to think of the major scale (to begin with) as you know it, and then think of that scale commencing and finishing on a different degree of the original scale. For instance, instead of ...
DYNAMIC MARKS pp = pianissimo, very soft p = piano, soft mp
... Definition = Indicates the sharps or flats in any key. Appears at the beginning of each staff. ● Accidentals = sharps, flats, and naturals that are not in the key signature ● Enharmonic notes = sound same and use same fingering, but are written differently ...
... Definition = Indicates the sharps or flats in any key. Appears at the beginning of each staff. ● Accidentals = sharps, flats, and naturals that are not in the key signature ● Enharmonic notes = sound same and use same fingering, but are written differently ...
More than noise - Cambridge University Press
... plucks the string that matches the key, creating a sound, and then comes back down without touching the string. When the key comes to rest, the string’s vibrations are muffled by a piece of felt on top of the jack, called the damper. Each string in a harpsichord is wound around a tuning pin. When ro ...
... plucks the string that matches the key, creating a sound, and then comes back down without touching the string. When the key comes to rest, the string’s vibrations are muffled by a piece of felt on top of the jack, called the damper. Each string in a harpsichord is wound around a tuning pin. When ro ...
Fourth Grade Music Vocabulary
... American musical style started in New Orleans, using improvisation and syncopation Long; connected Shape of the phrase Medium loud Medium soft Medium tempo A musical theme Very soft Soft Plucking a string , ; in 4/4 time, receives one beat Four people performing together A classical form that incl ...
... American musical style started in New Orleans, using improvisation and syncopation Long; connected Shape of the phrase Medium loud Medium soft Medium tempo A musical theme Very soft Soft Plucking a string , ; in 4/4 time, receives one beat Four people performing together A classical form that incl ...
Introduction to Music: Musical Forms
... called thorough bass, and ornamentation. Both involve the difference between what the composer wrote down and what the performer played. The continuo, typically consisting of a harpsichord and a cello, provided the rhythmic and harmonic foundation of Baroque ensemble. It was usually written as a b ...
... called thorough bass, and ornamentation. Both involve the difference between what the composer wrote down and what the performer played. The continuo, typically consisting of a harpsichord and a cello, provided the rhythmic and harmonic foundation of Baroque ensemble. It was usually written as a b ...
Figured bass
![](https://commons.wikimedia.org/wiki/Special:FilePath/Purcell_diatonic_chromaticism.png?width=300)
Figured bass, or thoroughbass, is a kind of musical notation in which numerals and symbols indicate intervals, chords, and non-chord tones, in relation to the bass note they are placed above or below. Figured bass is closely associated with basso continuo, a historically improvised accompaniment used in almost all genres of music in the Baroque period, though rarely in modern music.Other systems for denoting or representing chords include plain staff notation, used in classical music; Roman numerals, commonly used in harmonic analysis;macro symbols, sometimes used in modern musicology; the Nashville number system; and various names and symbols used in jazz and popular music.