![Theory of Music Grade 1 - Trinity College London](http://s1.studyres.com/store/data/013194899_1-cb790fe3536060afb3568d03cf51049d-300x300.png)
Theory of Music Grade 1 - Trinity College London
... 6.2 Write a chord symbol above the last note of this piece to show that the tonic triad should accompany it. 6.3 The rest in bar 4 lasts for how many crotchet beats?________________________________________ 6.4 Circle the one-octave arpeggio hidden in this piece. 6.5 Does the arpeggio go up or do ...
... 6.2 Write a chord symbol above the last note of this piece to show that the tonic triad should accompany it. 6.3 The rest in bar 4 lasts for how many crotchet beats?________________________________________ 6.4 Circle the one-octave arpeggio hidden in this piece. 6.5 Does the arpeggio go up or do ...
M100: Music Appreciation Discussion Group Tuesday January 29
... two-beat (or four-beat) patterns, then the music is said to be in duple meter (or “quadruple meter”—for the purposes of this course quadruple meter will be treated as equal to duple meter). • If it sounds like the beats have been grouped in threebeat patterns, then the music is in triple meter. • So ...
... two-beat (or four-beat) patterns, then the music is said to be in duple meter (or “quadruple meter”—for the purposes of this course quadruple meter will be treated as equal to duple meter). • If it sounds like the beats have been grouped in threebeat patterns, then the music is in triple meter. • So ...
The Augmented Sixth Chord
... The German chord is an interesting case because its quality is that of a major-minor 7th chord (although it doesn't resolve like one in its conventional use). Composers exploited the possibility of using a Gr+6 as a pivot chord in a modulation. For instance, the Gr+6 could become a V7 just by resolv ...
... The German chord is an interesting case because its quality is that of a major-minor 7th chord (although it doesn't resolve like one in its conventional use). Composers exploited the possibility of using a Gr+6 as a pivot chord in a modulation. For instance, the Gr+6 could become a V7 just by resolv ...
Required Undergraduate Music Theory Examinations
... Notate bass/soprano lines and chord symbols of a short diatonic harmonic progression using tonic, dominant, supertonic, and subdominant chords. ...
... Notate bass/soprano lines and chord symbols of a short diatonic harmonic progression using tonic, dominant, supertonic, and subdominant chords. ...
HALLELUJAH CHORUS - From The Messiah by George F. Handel
... Though the subject of this wondrous work is obviously central to the Western Christian tradition, Messiah (along with virtually all of Handel’s “religious” oratorios) was written for the concert hall, not for the church. It was conceived musically as an alternative to opera, not to the liturgy. With ...
... Though the subject of this wondrous work is obviously central to the Western Christian tradition, Messiah (along with virtually all of Handel’s “religious” oratorios) was written for the concert hall, not for the church. It was conceived musically as an alternative to opera, not to the liturgy. With ...
program notes - Aston Magna Music Festival
... anywhere from two to eight vocal parts (usually four or five) performed by solo singers usually without accompaniment, though doubling instruments were very likely often used. ...
... anywhere from two to eight vocal parts (usually four or five) performed by solo singers usually without accompaniment, though doubling instruments were very likely often used. ...
Music Notes Beginners Class 1 :
... Notation Courtesy: Rani, www.karnatic.com and Chitraveena Ravi Kiran's book Notes from Chitra Veena Ravi Kiran's book (with some additions): Musical Phrases: It is important to first practice karvai (long notes: see the sarali varisai class) before the varishais. Gradually simple combinations of not ...
... Notation Courtesy: Rani, www.karnatic.com and Chitraveena Ravi Kiran's book Notes from Chitra Veena Ravi Kiran's book (with some additions): Musical Phrases: It is important to first practice karvai (long notes: see the sarali varisai class) before the varishais. Gradually simple combinations of not ...
Music 231 Second Species Counterpoint, Two Parts
... II. Uses of the second half note A. Passing tone 1. Moves stepwise in the same direction between two consonant verticals 2. May be consonant (CPT) or dissonant (DPT) B. Neighbor (auxiliary) tone 1. Moves stepwise away from and back to the same consonant note. 2. Use only the consonant neighbor tone ...
... II. Uses of the second half note A. Passing tone 1. Moves stepwise in the same direction between two consonant verticals 2. May be consonant (CPT) or dissonant (DPT) B. Neighbor (auxiliary) tone 1. Moves stepwise away from and back to the same consonant note. 2. Use only the consonant neighbor tone ...
1 Background - Class Home Pages
... The horizontal lines in Figure 1 represent the notes E,G,B,D,F from the bottom to the top. The spaces between the lines are used to represent the notes F, A, C, and E, again from the bottom to the top. Note that A-G only yields seven notes; the additional notes are due to changes in pitch called sha ...
... The horizontal lines in Figure 1 represent the notes E,G,B,D,F from the bottom to the top. The spaces between the lines are used to represent the notes F, A, C, and E, again from the bottom to the top. Note that A-G only yields seven notes; the additional notes are due to changes in pitch called sha ...
Set works revision - Whitworth Community High School
... A freedom in form and design; a more intense personal expression of emotion in which fantasy, imagination and a quest for adventure play an important part. Emphasis on lyrical, songlike melodies; adventurous modulation; richer harmonies , often chromatic, with striking use of discords. Denser, weigh ...
... A freedom in form and design; a more intense personal expression of emotion in which fantasy, imagination and a quest for adventure play an important part. Emphasis on lyrical, songlike melodies; adventurous modulation; richer harmonies , often chromatic, with striking use of discords. Denser, weigh ...
The Sound of It: Chords and “Sonority”
... The following terms and their definitions enable us to explain to other musicians why the drones are not a limitation, but an asset: the ...
... The following terms and their definitions enable us to explain to other musicians why the drones are not a limitation, but an asset: the ...
www.classclef.com Page 1
... Bass clef Symbol on the staff indicating relatively low pitch ranges, such as those played by a pianist’s left hand. Bass drum Percussion instrument of indefinite pitch, the largest of the orchestral drums. Bass fiddle See double bass. Basso continuo (figured bass) Baroque accompaniment made up of a ...
... Bass clef Symbol on the staff indicating relatively low pitch ranges, such as those played by a pianist’s left hand. Bass drum Percussion instrument of indefinite pitch, the largest of the orchestral drums. Bass fiddle See double bass. Basso continuo (figured bass) Baroque accompaniment made up of a ...
Chromaticism II: Tonicization/Modulation
... that lie entirely within a new key. Modulation generally employs two features: the cadential establishment of the new key; and a subsequent re-start in that new key. In music where cadential confirmation is less likely (e.g., many development sections, and much 19th-century music), modulation can be ...
... that lie entirely within a new key. Modulation generally employs two features: the cadential establishment of the new key; and a subsequent re-start in that new key. In music where cadential confirmation is less likely (e.g., many development sections, and much 19th-century music), modulation can be ...
See more information on MUS - Barbershop Harmony Society
... • When the melody is transferred to a part other than the lead, that part should predominate and should be sung with melodic quality. • Tenor melody may be used briefly. It is acceptable in tags or when some appropriate embellishing effect can be created. • When the melody lies too low for the lead ...
... • When the melody is transferred to a part other than the lead, that part should predominate and should be sung with melodic quality. • Tenor melody may be used briefly. It is acceptable in tags or when some appropriate embellishing effect can be created. • When the melody lies too low for the lead ...
to file about classical music.
... Haydn, having worked for over a decade as the music director for a prince, had far more resources and scope for composing than most, and also the ability to shape the forces that would play his music. This opportunity was not wasted, as Haydn, beginning quite early on his career, restlessly sought ...
... Haydn, having worked for over a decade as the music director for a prince, had far more resources and scope for composing than most, and also the ability to shape the forces that would play his music. This opportunity was not wasted, as Haydn, beginning quite early on his career, restlessly sought ...
Part 1 2016 AKFinal Assesment Winds
... 17. Making music interesting and unique can happen in so many different ways. What is the one element that should not vary or be interesting in a musical composition? ...
... 17. Making music interesting and unique can happen in so many different ways. What is the one element that should not vary or be interesting in a musical composition? ...
A Farewell to the Avant-garde— Krzesany by Wojciech Kilar
... normally in stepwise parallel motion, operating on the principle of, as it were, an expanded chordal grace note or notes, or a turn. The individual chords are of three-layered structure: the lowest layer is represented by open fifths in the double basses; the middle layer, by a five-note chord doubl ...
... normally in stepwise parallel motion, operating on the principle of, as it were, an expanded chordal grace note or notes, or a turn. The individual chords are of three-layered structure: the lowest layer is represented by open fifths in the double basses; the middle layer, by a five-note chord doubl ...
Musical Terms: Musicians use certain words and phrases (that may
... Harmony is the combination of two or more simultaneous sounds. Three or more notes sounding together is often called a chord (a triad is specifically a three note chord). Musicians refer to several different kinds of harmonic textures; monophony is an unaccompanied melodic line as in Gregorian chant ...
... Harmony is the combination of two or more simultaneous sounds. Three or more notes sounding together is often called a chord (a triad is specifically a three note chord). Musicians refer to several different kinds of harmonic textures; monophony is an unaccompanied melodic line as in Gregorian chant ...
20th Century Music
... • A reaction against the unpleasant sounding modern music. • Composers revisited older techniques and harmonies but still keeps some of the characteristics of modern music. • Dissonance (in parts) and unusual rhythms are characteristic of Neoclassical music. ...
... • A reaction against the unpleasant sounding modern music. • Composers revisited older techniques and harmonies but still keeps some of the characteristics of modern music. • Dissonance (in parts) and unusual rhythms are characteristic of Neoclassical music. ...
Music in the Baroque Era – 1600-1750
... were ruled by Spain or Austria, and many were small, independent states that constantly warred against each other for power and influence. The major power centers of Italy each specialized in a different aspect of musical innovation, including Rome, Naples, Venice, and Florence. Even France and Germ ...
... were ruled by Spain or Austria, and many were small, independent states that constantly warred against each other for power and influence. The major power centers of Italy each specialized in a different aspect of musical innovation, including Rome, Naples, Venice, and Florence. Even France and Germ ...
National 5 - Musical Periods and Styles
... (b) Watch the videos of Celtic rock from the PowerPoint and state the names of the instruments common to these examples. ________________________ ______________________________________________________________ (c) State the names of the two instruments associated with Indian music. __________________ ...
... (b) Watch the videos of Celtic rock from the PowerPoint and state the names of the instruments common to these examples. ________________________ ______________________________________________________________ (c) State the names of the two instruments associated with Indian music. __________________ ...
5A_SymbolicNotationCodes
... Symbolic Notation Codes All musical notation is symbolic, but many sets of symbols have been developed to represent sound. They do not all represent the same features of sound. It seems unlikely that any of them represents all features of sound, because sound has an undetermined number of parameters ...
... Symbolic Notation Codes All musical notation is symbolic, but many sets of symbols have been developed to represent sound. They do not all represent the same features of sound. It seems unlikely that any of them represents all features of sound, because sound has an undetermined number of parameters ...
Introducing the Laura Dubin Trio
... Thank You For Your Time, written for Dave Brubeck shortly after his passing, is a delightfully melodious piece, appropriately built on shifting time signatures, infectious short phrases and occasionally touching upon the baroque elements that Brubeck often incorporated into his music. ...
... Thank You For Your Time, written for Dave Brubeck shortly after his passing, is a delightfully melodious piece, appropriately built on shifting time signatures, infectious short phrases and occasionally touching upon the baroque elements that Brubeck often incorporated into his music. ...
HANDCHIMES/HANDBELLS REPORT
... We are very fortunate to have a 5-octave set of handchimes made by Malmark and are considered the best of the handchimes manufactured. When I began my job here in 1996 we had a 3-octave set of Schulmerich handbells but I did not want to work with the bells and children, as bells can be easily damage ...
... We are very fortunate to have a 5-octave set of handchimes made by Malmark and are considered the best of the handchimes manufactured. When I began my job here in 1996 we had a 3-octave set of Schulmerich handbells but I did not want to work with the bells and children, as bells can be easily damage ...
Figured bass
![](https://commons.wikimedia.org/wiki/Special:FilePath/Purcell_diatonic_chromaticism.png?width=300)
Figured bass, or thoroughbass, is a kind of musical notation in which numerals and symbols indicate intervals, chords, and non-chord tones, in relation to the bass note they are placed above or below. Figured bass is closely associated with basso continuo, a historically improvised accompaniment used in almost all genres of music in the Baroque period, though rarely in modern music.Other systems for denoting or representing chords include plain staff notation, used in classical music; Roman numerals, commonly used in harmonic analysis;macro symbols, sometimes used in modern musicology; the Nashville number system; and various names and symbols used in jazz and popular music.