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MUSIC OFFICE - SONGWRITING SESSIONS SESSION 1 – HARMONY Introduction
... You can also modulate to unrelated chords. It is fun to experiment with these, and finding ways to get from one to another – it may be that to get from C to Ab you go through the cycle of fifths, creating a series of V -> I progressions until finally landing in your new unrelated key. Chord modulati ...
... You can also modulate to unrelated chords. It is fun to experiment with these, and finding ways to get from one to another – it may be that to get from C to Ab you go through the cycle of fifths, creating a series of V -> I progressions until finally landing in your new unrelated key. Chord modulati ...
22. Mozart Piano Sonata in B flat, K. 333: movement I
... 1-10: The 1st subject is in B flat. The short main theme begins on the upbeat and ends with a perfect cadence in the tonic. 10-22: The transition stage uses B flat-F. The transition (or bridge section) modulates (changes key) to the dominant (F major). 23-63: The second subject section is in F (domi ...
... 1-10: The 1st subject is in B flat. The short main theme begins on the upbeat and ends with a perfect cadence in the tonic. 10-22: The transition stage uses B flat-F. The transition (or bridge section) modulates (changes key) to the dominant (F major). 23-63: The second subject section is in F (domi ...
REVIEW FOR FINAL EXAM
... 2. Count each line and space 3. The number that the higher note is counted as is the size of the interval. (2nd, 3rd, 4th, etc.) ...
... 2. Count each line and space 3. The number that the higher note is counted as is the size of the interval. (2nd, 3rd, 4th, etc.) ...
In modern day, music from the baroque era can be heard all over
... The oratorio grew popular in other countries such as Germany. In Protestant Germany, composed music at that time for the Lutheran church gradually merged with elements of oratorio. A few of the famous composers associated with oratorio are Giocomo Carissimi, Alessandro Scarlatti, and Antonio Vivaldi ...
... The oratorio grew popular in other countries such as Germany. In Protestant Germany, composed music at that time for the Lutheran church gradually merged with elements of oratorio. A few of the famous composers associated with oratorio are Giocomo Carissimi, Alessandro Scarlatti, and Antonio Vivaldi ...
Music Theory Part 2 - The Interval
... Key: ½ step = one half step (next closest note) ½ step + ½ step = one whole step (two half steps) The pattern for the major scale is: Whole step, whole step, 1/2 step, whole step, whole step, whole step, 1/2 step Beginning on C ...
... Key: ½ step = one half step (next closest note) ½ step + ½ step = one whole step (two half steps) The pattern for the major scale is: Whole step, whole step, 1/2 step, whole step, whole step, whole step, 1/2 step Beginning on C ...
dotted eighth notes - Introduction to Music Theory
... are in. When a melody is rewritten into another key with the exact same sequence of notes and intervals, it is called TRANSPOSITION. This raises or lowers the notes to make a melody easier to sing or play, or so it can be played by an instrument in a different key. The easiest way to transpose i ...
... are in. When a melody is rewritten into another key with the exact same sequence of notes and intervals, it is called TRANSPOSITION. This raises or lowers the notes to make a melody easier to sing or play, or so it can be played by an instrument in a different key. The easiest way to transpose i ...
dotted eighth notes - Introduction to Music Theory
... are in. When a melody is rewritten into another key with the exact same sequence of notes and intervals, it is called TRANSPOSITION. This raises or lowers the notes to make a melody easier to sing or play, or so it can be played by an instrument in a different key. The easiest way to transpose i ...
... are in. When a melody is rewritten into another key with the exact same sequence of notes and intervals, it is called TRANSPOSITION. This raises or lowers the notes to make a melody easier to sing or play, or so it can be played by an instrument in a different key. The easiest way to transpose i ...
VAN TECH MUSIC THEORY Package – IA
... E: Enharmonic Names - Every pitch has the possibility of more than one name. Even though the sound of pitch doesn’t change, its additional name(s) are called enharmonic names. For example, using the piano keyboard we can easily see that between the white keys for G and A, there exists a black key. T ...
... E: Enharmonic Names - Every pitch has the possibility of more than one name. Even though the sound of pitch doesn’t change, its additional name(s) are called enharmonic names. For example, using the piano keyboard we can easily see that between the white keys for G and A, there exists a black key. T ...
Playing the Piano
... between two tones played at the same time. There are several ways of classifying them. One of them is known as a major interval, and it is determined by measuring a major second, third, sixth or seventh, by matching the second, third, sixth, or seventh notes on the major scale, and counting half st ...
... between two tones played at the same time. There are several ways of classifying them. One of them is known as a major interval, and it is determined by measuring a major second, third, sixth or seventh, by matching the second, third, sixth, or seventh notes on the major scale, and counting half st ...
Rhythm PPT 2
... • Follow the following week for an excellent example on guitar • http://www.youtube.com/watch?v=VzxtFo0 Syncopation XZns ...
... • Follow the following week for an excellent example on guitar • http://www.youtube.com/watch?v=VzxtFo0 Syncopation XZns ...
the clarinet - Richard Nunemaker
... clarinet. Published in 1985, I still remember standing in awe after listening to it for the very first time. The work is written for 11 clarinets, including three bass clarinets. Ten clarinet parts are recorded by the soloist who then performs the eleventh part “live” with the recording, although it ...
... clarinet. Published in 1985, I still remember standing in awe after listening to it for the very first time. The work is written for 11 clarinets, including three bass clarinets. Ten clarinet parts are recorded by the soloist who then performs the eleventh part “live” with the recording, although it ...
Throbbing Analysis - MLC Music eJournal
... Throbbing is a piece for a chamber orchestra which incorporates a form of serialism in order to organize pitch material – that is, numbers are used in various ways to devise the choice of musical ...
... Throbbing is a piece for a chamber orchestra which incorporates a form of serialism in order to organize pitch material – that is, numbers are used in various ways to devise the choice of musical ...
For Unit 6: Further Musical Understanding
... discovered that many of the pieces were not in fact by Pergolesi after all. Only the ‘Vivo’ in this selection is by him – from the last movement of a cello sonata. The Sinfonia is from a Trio Sonata by the Venetian composer Gallo, while the Gavotta is from a keyboard piece by Monza. The ballet score ...
... discovered that many of the pieces were not in fact by Pergolesi after all. Only the ‘Vivo’ in this selection is by him – from the last movement of a cello sonata. The Sinfonia is from a Trio Sonata by the Venetian composer Gallo, while the Gavotta is from a keyboard piece by Monza. The ballet score ...
A Simple Musical (and some Technology) Glossary
... Staff or Stave: 5 lines used in the western tradition. Higher notes are written higher on the lines, lower ones lower. Different shapes of notes mean different lengths. Graphic: Literally a picture of the shape of the music (numbers of instruments, direction of pitch, larger shapes meaning louder mu ...
... Staff or Stave: 5 lines used in the western tradition. Higher notes are written higher on the lines, lower ones lower. Different shapes of notes mean different lengths. Graphic: Literally a picture of the shape of the music (numbers of instruments, direction of pitch, larger shapes meaning louder mu ...
Babbitt`s Theorem - Theorem of the Day
... below). Of the major-key fugues in the 48, the majority have subjects using 6 of the 7 notes in the major scale. If the missing note value is 5 or 11 then the interval class vector is (1 4 3 2 5 0), as found here for the C major fugue (the one that follows that prelude); Babbitt’s Theorem then guara ...
... below). Of the major-key fugues in the 48, the majority have subjects using 6 of the 7 notes in the major scale. If the missing note value is 5 or 11 then the interval class vector is (1 4 3 2 5 0), as found here for the C major fugue (the one that follows that prelude); Babbitt’s Theorem then guara ...
Complex Chords Table of Content
... Four note chords are build the same way as triads, but they contain one more (major or minor) third, and therefore there are twice as much possible combinations as for triads. Not all these possible combinations are really useful in practice; in fact, some chords that do not consist exclusively of i ...
... Four note chords are build the same way as triads, but they contain one more (major or minor) third, and therefore there are twice as much possible combinations as for triads. Not all these possible combinations are really useful in practice; in fact, some chords that do not consist exclusively of i ...
Scales, Modes, and Chord/Cluster Concepts for 20th
... All whole steps (only 7 notes in an octave) Octatonic Scale (in C D Eb F Gb Ab A B C The most common ones alternate whole-step/half-step or halfjazz, this is called a C Db Eb E F# G A Bb C step/whole-step to create 9 notes in an octave "Diminished" Scale) (in jazz, these are the two options for a "d ...
... All whole steps (only 7 notes in an octave) Octatonic Scale (in C D Eb F Gb Ab A B C The most common ones alternate whole-step/half-step or halfjazz, this is called a C Db Eb E F# G A Bb C step/whole-step to create 9 notes in an octave "Diminished" Scale) (in jazz, these are the two options for a "d ...
Music Theory 101 (Basic)
... such a way as to make musical sense and coherence. In short, the musical tune. Harmony- is the pleasing combination of tones in a chord. It forms the structure of a musical and vocal arrangement or chord progression. The other musical symbols that we will see on the Grand Staff are: 1. Key Signature ...
... such a way as to make musical sense and coherence. In short, the musical tune. Harmony- is the pleasing combination of tones in a chord. It forms the structure of a musical and vocal arrangement or chord progression. The other musical symbols that we will see on the Grand Staff are: 1. Key Signature ...
Pitch Pitch: A tone sounding in a particular octave (scientifically
... Double Flats (bb) and Double Sharps (x) rarely occur in music but are the last two types of accidentals. They either lower or raise the note two half steps (one whole step). ...
... Double Flats (bb) and Double Sharps (x) rarely occur in music but are the last two types of accidentals. They either lower or raise the note two half steps (one whole step). ...
Quick reference guide to Musical Terms
... Twice the distance of a semitone or the distance between two adjacent white notes on the piano (apart from E-F and B-C) Accidental A symbol altering the pitch of a note Sharp Accidental altering pitch of note upwards by a semitone Flat Accidental altering pitch of note downwards by a semitone Natura ...
... Twice the distance of a semitone or the distance between two adjacent white notes on the piano (apart from E-F and B-C) Accidental A symbol altering the pitch of a note Sharp Accidental altering pitch of note upwards by a semitone Flat Accidental altering pitch of note downwards by a semitone Natura ...
Baroque Music
... influential people including the brother of the Elector of Hanover (later King George I of England). Handel visited Hanover in 1710 and was appointed Kapellmeister to the Elector. George immediately sent him on a year’s leave to visit England. George Louis was naturalized in 1705 by an Act of Pa ...
... influential people including the brother of the Elector of Hanover (later King George I of England). Handel visited Hanover in 1710 and was appointed Kapellmeister to the Elector. George immediately sent him on a year’s leave to visit England. George Louis was naturalized in 1705 by an Act of Pa ...
Grade 9 Music Exam Review
... Staff - five lines on which music is written Grand staff – treble staff and bass staff attached by a brace Bar (measure) – a unit of division of the staff based on the time signature. Divided by vertical lines called bar lines Ledger line (how do we name them) – lines that extend the staff both abov ...
... Staff - five lines on which music is written Grand staff – treble staff and bass staff attached by a brace Bar (measure) – a unit of division of the staff based on the time signature. Divided by vertical lines called bar lines Ledger line (how do we name them) – lines that extend the staff both abov ...
(Answers and Exam Piece).
... Staff - five lines on which music is written Grand staff – treble staff and bass staff attached by a brace Bar (measure) – a unit of division of the staff based on the time signature. Divided by vertical lines called bar lines Ledger line (how do we name them) – lines that extend the staff both abov ...
... Staff - five lines on which music is written Grand staff – treble staff and bass staff attached by a brace Bar (measure) – a unit of division of the staff based on the time signature. Divided by vertical lines called bar lines Ledger line (how do we name them) – lines that extend the staff both abov ...
Figured bass
![](https://commons.wikimedia.org/wiki/Special:FilePath/Purcell_diatonic_chromaticism.png?width=300)
Figured bass, or thoroughbass, is a kind of musical notation in which numerals and symbols indicate intervals, chords, and non-chord tones, in relation to the bass note they are placed above or below. Figured bass is closely associated with basso continuo, a historically improvised accompaniment used in almost all genres of music in the Baroque period, though rarely in modern music.Other systems for denoting or representing chords include plain staff notation, used in classical music; Roman numerals, commonly used in harmonic analysis;macro symbols, sometimes used in modern musicology; the Nashville number system; and various names and symbols used in jazz and popular music.