![Music Ecademy Music Theory Curriculum CONTENTS](http://s1.studyres.com/store/data/012919131_1-6b5369c4afe4052c27b493c089859a43-300x300.png)
Music Ecademy Music Theory Curriculum CONTENTS
... ✓ Scales and key signatures of all major and minor keys ✓ Recognising and writing C, D, F or G pentatonic major scales, A, B, D or E pentatonic minor and A, B, D or E blues scales ✓ Understanding the concept of modes and identifying music written using the Aeolian mode (natural minor) Intervals ✓ Re ...
... ✓ Scales and key signatures of all major and minor keys ✓ Recognising and writing C, D, F or G pentatonic major scales, A, B, D or E pentatonic minor and A, B, D or E blues scales ✓ Understanding the concept of modes and identifying music written using the Aeolian mode (natural minor) Intervals ✓ Re ...
File
... Ludwig van Beethoven was born in 1770 in the western German city of Bonn. As a young man he moved to Vienna in Austria, where he became known as a virtuoso pianist. ‘Virtuoso’ means displaying considerable skill and agility in difficult ‘showy’ music. Beethoven performed his own improvisations and c ...
... Ludwig van Beethoven was born in 1770 in the western German city of Bonn. As a young man he moved to Vienna in Austria, where he became known as a virtuoso pianist. ‘Virtuoso’ means displaying considerable skill and agility in difficult ‘showy’ music. Beethoven performed his own improvisations and c ...
lesson 2: musical alphabet, scale degrees and solfeggio
... Since there are seven letters in the Musical Alphabet, there are also 7 scale degrees in a major scale. ...
... Since there are seven letters in the Musical Alphabet, there are also 7 scale degrees in a major scale. ...
music notes
... melodic material, new words (if sung) and often new chords. Solo: sometimes the electric guitar, piano or saxophone will take over, playing new melodic material. Outro: some songs have a coda, or concluding section of 4-8 bars, it’s the ending of the piece. 12 bar blues form: same pattern of chords ...
... melodic material, new words (if sung) and often new chords. Solo: sometimes the electric guitar, piano or saxophone will take over, playing new melodic material. Outro: some songs have a coda, or concluding section of 4-8 bars, it’s the ending of the piece. 12 bar blues form: same pattern of chords ...
Ch11 Lecture Part I
... related to frequency • Tone chroma: A sound quality shared by tones that have the same octave interval • Musical helix: Can help visualize musical pitch • As frequency increases – Tone height increases – Tone chroma cycles ...
... related to frequency • Tone chroma: A sound quality shared by tones that have the same octave interval • Musical helix: Can help visualize musical pitch • As frequency increases – Tone height increases – Tone chroma cycles ...
Choral_Music_Glossary
... Castrato – a male whose testicles were removed in order to retain his soprano and alto range during 16th-19th centuries, during those times in which women were banded from performing and singing on stage ...
... Castrato – a male whose testicles were removed in order to retain his soprano and alto range during 16th-19th centuries, during those times in which women were banded from performing and singing on stage ...
Scales
... as time. The meter or time signature in a musical composition is indicated by a fraction, and located at the beginning of a piece of music. The lower number of the fraction tells what kind of note receives one beat. The upper number tells how many beats are in a measure. In Western music there are t ...
... as time. The meter or time signature in a musical composition is indicated by a fraction, and located at the beginning of a piece of music. The lower number of the fraction tells what kind of note receives one beat. The upper number tells how many beats are in a measure. In Western music there are t ...
Timpani
... Tuning and altering of the pitch is done through a pedal controlled by the foot. Ample time should be considered for pitch changes. Can add color, depth, and articulation to bass notes. Lower pitch fudge factor. ...
... Tuning and altering of the pitch is done through a pedal controlled by the foot. Ample time should be considered for pitch changes. Can add color, depth, and articulation to bass notes. Lower pitch fudge factor. ...
Unit 2: The Staff, Notes, and Pitches
... lines and IN the spaces (note how it is worded) They represent musical sounds, called PITCHES ...
... lines and IN the spaces (note how it is worded) They represent musical sounds, called PITCHES ...
Writing for the Pedal Harp
... would be played on the instrument. It is very hard to read an 8-note chord that is all on one staff. Leave room for pedal markings and fingerings between the two staves. (Most software does this automatically.) 19. Try to stay away from sharp keys, since the harp sounds better with the strings open. ...
... would be played on the instrument. It is very hard to read an 8-note chord that is all on one staff. Leave room for pedal markings and fingerings between the two staves. (Most software does this automatically.) 19. Try to stay away from sharp keys, since the harp sounds better with the strings open. ...
simpler list of musical terminology
... To play a note an octave higher or lower than it is written. The symbol 8va above a note means to play the note an octave higher. The same symbol below a note means to play it an octave lower. When more than one note is involved, the ottava symbol is followed by a dotted line above or below the affe ...
... To play a note an octave higher or lower than it is written. The symbol 8va above a note means to play the note an octave higher. The same symbol below a note means to play it an octave lower. When more than one note is involved, the ottava symbol is followed by a dotted line above or below the affe ...
Workshop: The 2005 Kyoto Prize in Arts and Philosophy
... Rhythm causes the most complicated questions in this music because even or equal notes are not always easy to distinguish from uneven, unequal notes. Even written 8th-notes are very often to be played uneven (exceptions: if nottes égales is written, or if dots are above the notes, or, if andante is ...
... Rhythm causes the most complicated questions in this music because even or equal notes are not always easy to distinguish from uneven, unequal notes. Even written 8th-notes are very often to be played uneven (exceptions: if nottes égales is written, or if dots are above the notes, or, if andante is ...
Elements of music - Texture, Tone Color
... combined in a piece of music, and the relationship these parts have to one another. Monophony or Monophonic Texture Music with one note sounding at a time; a melody with no harmony or accompaniment Homophony - Homophonic or “Song” Texture Music featuring a prominent melody in the upper part supporte ...
... combined in a piece of music, and the relationship these parts have to one another. Monophony or Monophonic Texture Music with one note sounding at a time; a melody with no harmony or accompaniment Homophony - Homophonic or “Song” Texture Music featuring a prominent melody in the upper part supporte ...
most of the music is cast in sonata form or closely related forms
... During the Renaissance, the relaxation of the Church’s political control over society meant that composers were allowed greater freedom to be influenced by art, classical mythology and even astronomy and mathematics. Music could be published and distributed for the first time. Most music written dur ...
... During the Renaissance, the relaxation of the Church’s political control over society meant that composers were allowed greater freedom to be influenced by art, classical mythology and even astronomy and mathematics. Music could be published and distributed for the first time. Most music written dur ...
Absolute music. Music that makes no intentional reference to a non
... the piece in which they appear and are improvisatory in style. In the Classical and Romantic periods performers were expected to improvise or provide their own cadenzas, although Mozart began the practice of providing written cadenzas for some of his piano concertos. Canon. (Latin) "Rule" The strict ...
... the piece in which they appear and are improvisatory in style. In the Classical and Romantic periods performers were expected to improvise or provide their own cadenzas, although Mozart began the practice of providing written cadenzas for some of his piano concertos. Canon. (Latin) "Rule" The strict ...
BL Answer Key
... b. alto c. tenor 27. A rest that receives 3 beats of silence in 4/4 time is a _____. a. dotted half rest b. whole rest c. eighth rest 28. The space between two bar lines is a _______. a. grand staff b. measure c. staff 29. A rest that receives a half beat of silence in 4/4 time is a__. a. eighth res ...
... b. alto c. tenor 27. A rest that receives 3 beats of silence in 4/4 time is a _____. a. dotted half rest b. whole rest c. eighth rest 28. The space between two bar lines is a _______. a. grand staff b. measure c. staff 29. A rest that receives a half beat of silence in 4/4 time is a__. a. eighth res ...
word setting over a chromatic chord sequence
... As a group, discuss students’ emotional response as well as key features of piece –e.g. pace, dynamics and instrumentation. Students should be encouraged to listen out for the chromatic chord sequence at the opening which creates tension. Play Verdi’s chromatic chord sequence Using melodic instrumen ...
... As a group, discuss students’ emotional response as well as key features of piece –e.g. pace, dynamics and instrumentation. Students should be encouraged to listen out for the chromatic chord sequence at the opening which creates tension. Play Verdi’s chromatic chord sequence Using melodic instrumen ...
Doc 2
... (octave) or more) or “small” (less than an octave) Phrase: a complete musical idea with a beginning and end. Usually between 4-8 measures. Texture: how the different melodies are put together. Can be described as “thick” (lots of notes on top of each other) or “thin” (unison (all doing the same thin ...
... (octave) or more) or “small” (less than an octave) Phrase: a complete musical idea with a beginning and end. Usually between 4-8 measures. Texture: how the different melodies are put together. Can be described as “thick” (lots of notes on top of each other) or “thin” (unison (all doing the same thin ...
Document
... When you play a C, you are also playing G, E, Bb, etc. in different amounts and in Just Intonation. ...
... When you play a C, you are also playing G, E, Bb, etc. in different amounts and in Just Intonation. ...
Name
... F sharp; G major arpeggio is GBDG; E minor arpeggio is EGBE 33. The key signature for D Major and B Minor is: F sharp & C sharp; D major arpeggio is DF#AD; B minor arpeggio is BDF#B 34. The key signature for A Major and F# Minor is: F#, C#, G#; A major arpeggio is AC#EA; F# minor arpeggio is F#AC#F# ...
... F sharp; G major arpeggio is GBDG; E minor arpeggio is EGBE 33. The key signature for D Major and B Minor is: F sharp & C sharp; D major arpeggio is DF#AD; B minor arpeggio is BDF#B 34. The key signature for A Major and F# Minor is: F#, C#, G#; A major arpeggio is AC#EA; F# minor arpeggio is F#AC#F# ...
Note Reading Guide for VIOLA
... Notes in the spaces: Memory tip for notes written in the spaces: use each note as the first letter of the words in the sentence Green Birds Do Fly. Add the A “above” the staff, and you can make the sentence Grandma Bakes Delicious Fudge Always ...
... Notes in the spaces: Memory tip for notes written in the spaces: use each note as the first letter of the words in the sentence Green Birds Do Fly. Add the A “above” the staff, and you can make the sentence Grandma Bakes Delicious Fudge Always ...
Figured bass
![](https://commons.wikimedia.org/wiki/Special:FilePath/Purcell_diatonic_chromaticism.png?width=300)
Figured bass, or thoroughbass, is a kind of musical notation in which numerals and symbols indicate intervals, chords, and non-chord tones, in relation to the bass note they are placed above or below. Figured bass is closely associated with basso continuo, a historically improvised accompaniment used in almost all genres of music in the Baroque period, though rarely in modern music.Other systems for denoting or representing chords include plain staff notation, used in classical music; Roman numerals, commonly used in harmonic analysis;macro symbols, sometimes used in modern musicology; the Nashville number system; and various names and symbols used in jazz and popular music.