Harmonic Progression - LearnMusicTheory.net
... Since the subdominant chord (IV or iv) is a fifth below the tonic, it is the third strongest harmony after tonic and dominant. Subdominant can move down a third to ii (shown above), or to leading tone, dominant, or tonic. IV to I (or iv to i) is called the plagal progression. All of these progressio ...
... Since the subdominant chord (IV or iv) is a fifth below the tonic, it is the third strongest harmony after tonic and dominant. Subdominant can move down a third to ii (shown above), or to leading tone, dominant, or tonic. IV to I (or iv to i) is called the plagal progression. All of these progressio ...
Johann Pachelbel - Me llama Brittany
... 00:57: 2nd violins start on at the beginning of the melody using quarter notes as the 1st violin is continuing through to the end of the disjunct melody. Violas continue on their scale of whole notes in harmony with the cello and the bass continues their pizzicato of quarter notes. The texture is p ...
... 00:57: 2nd violins start on at the beginning of the melody using quarter notes as the 1st violin is continuing through to the end of the disjunct melody. Violas continue on their scale of whole notes in harmony with the cello and the bass continues their pizzicato of quarter notes. The texture is p ...
Chopin PowerPoint (AoS1)
... ‘in the singing style’; the melody is to be played legato. A three part structure in ABA form in which the opening A section is repeated at the end and middle B section provides contrast. A sustained (or repeated) note(s) as the highest part in a musical texture. ...
... ‘in the singing style’; the melody is to be played legato. A three part structure in ABA form in which the opening A section is repeated at the end and middle B section provides contrast. A sustained (or repeated) note(s) as the highest part in a musical texture. ...
Maths and music - Project Jugaad
... to another. Intervals are 'measured' by the number of half steps between two pitches (the distance between any key on the keyboard on the immediate neighbour is a half step.) Knowing the number of letter names and how many half-steps there are between one note and another are what allow you to deter ...
... to another. Intervals are 'measured' by the number of half steps between two pitches (the distance between any key on the keyboard on the immediate neighbour is a half step.) Knowing the number of letter names and how many half-steps there are between one note and another are what allow you to deter ...
Automatic Chord Detection - People Pages
... As a second example, we loaded a sound recording of the first three measures of Beethoven’s Moonlight Sonata into AUDACITY.2 The score is shown at the top of Figure 4. We have put chord notations directly below the score. These chords are marked in terms of pitch classes only. For example, the first ...
... As a second example, we loaded a sound recording of the first three measures of Beethoven’s Moonlight Sonata into AUDACITY.2 The score is shown at the top of Figure 4. We have put chord notations directly below the score. These chords are marked in terms of pitch classes only. For example, the first ...
Preview Only - Allans Billy Hyde
... be present in both the melody lines and the accompaniment, as often times the underlying voices are what provide harmonic interest and color. The stylistic shift in the second section at measure 13 merits a bow style change to an almost baroque-like sprightliness. Each voice should be brought out at ...
... be present in both the melody lines and the accompaniment, as often times the underlying voices are what provide harmonic interest and color. The stylistic shift in the second section at measure 13 merits a bow style change to an almost baroque-like sprightliness. Each voice should be brought out at ...
Baroque Music and the Doctrine of Affections
... Affections governed musical composition through the musical elements of intervals, key, and tempo. ...
... Affections governed musical composition through the musical elements of intervals, key, and tempo. ...
polychoral - WordPress.com
... • The range is quite narrow. The top part, for instance has a range of a minor 10th. • If words were to be added, the music could be sung without difficulty. In the first choir the parts lie easily within the range of an SATB choir. ...
... • The range is quite narrow. The top part, for instance has a range of a minor 10th. • If words were to be added, the music could be sung without difficulty. In the first choir the parts lie easily within the range of an SATB choir. ...
Chapter 3: Color, Texture, and Form Dynamics
... • Voice: Classified by range into 4 parts – Soprano, (Mezzo soprano), Alto, Tenor, (Baritone), Bass – Each individual voice has a distinct timbre due to our uniquely constructed vocal cords – When many voices join together, they form a chorus ...
... • Voice: Classified by range into 4 parts – Soprano, (Mezzo soprano), Alto, Tenor, (Baritone), Bass – Each individual voice has a distinct timbre due to our uniquely constructed vocal cords – When many voices join together, they form a chorus ...
An Introduction to the left-handed ‘upside down’ guitar
... notice that for some chords there are two barrés: see for example the chord C4/6 that has two barrés made respectively by the first and fourth fingers. For the chords B/11 and D6/9, I tend to keep a barré even though I could get away with holding down a note with the first ...
... notice that for some chords there are two barrés: see for example the chord C4/6 that has two barrés made respectively by the first and fourth fingers. For the chords B/11 and D6/9, I tend to keep a barré even though I could get away with holding down a note with the first ...
Extra Credit assignments - Forest Hills High School
... Mr. Chen Extra Credit II 1. Every single instrument has a unique ____________________. 2. Music would be pretty boring without _____________________ because everything would have the same volume. 3. In Bach’s Little Fugue in G minor there was a total of four different voices, this makes the music __ ...
... Mr. Chen Extra Credit II 1. Every single instrument has a unique ____________________. 2. Music would be pretty boring without _____________________ because everything would have the same volume. 3. In Bach’s Little Fugue in G minor there was a total of four different voices, this makes the music __ ...
Notations used in Sound/Path/Field
... the lines connecting events). Note that some events are rests. Dynamics are given generically by the indication p-mf; therefore, each event can played with different dynamics each time by each player. b) Floating events. These are events that are played (usually once) independently by each player re ...
... the lines connecting events). Note that some events are rests. Dynamics are given generically by the indication p-mf; therefore, each event can played with different dynamics each time by each player. b) Floating events. These are events that are played (usually once) independently by each player re ...
Modern Notation for Plainchant
... The bar line normally implies a brief pause, at which a breath may be taken. The length of the pause depends on the text being sung, but the music should never come to a complete stop except at the end of a particular chant. (Rest marks are not normally used in our chant.) A double bar line marks ei ...
... The bar line normally implies a brief pause, at which a breath may be taken. The length of the pause depends on the text being sung, but the music should never come to a complete stop except at the end of a particular chant. (Rest marks are not normally used in our chant.) A double bar line marks ei ...
Article: Phrasing...Speaking in Musical Sentences.Blue Grass News
... down with the analysis before playing a note. In fact, sometimes playing through a piece slowly first in order to hear it will help us to understand its construction better. The first tool from the Analysis tray is Harmony. When preparing a piece of music for performance, we must always be aware of ...
... down with the analysis before playing a note. In fact, sometimes playing through a piece slowly first in order to hear it will help us to understand its construction better. The first tool from the Analysis tray is Harmony. When preparing a piece of music for performance, we must always be aware of ...
File - Justin T. Anders
... Notice the line connecting beat 4 of ms. 1 and beat 1 of ms. 2. This is called a tie. It adds the value of the notes together to which it is attached. So when you sing/play beat 4, you would then sustain through beat one. Also notice the rest at the end of ms. 2. Rests work just like notes, only ins ...
... Notice the line connecting beat 4 of ms. 1 and beat 1 of ms. 2. This is called a tie. It adds the value of the notes together to which it is attached. So when you sing/play beat 4, you would then sustain through beat one. Also notice the rest at the end of ms. 2. Rests work just like notes, only ins ...
Hector Berlioz (1803
... • The vitality of Berlioz’s music owes much to the clarity and boldness of his rhythmic articulation. • exploited experimental rhythms, not just unusual time signatures but also superimpositions of different rhythms. • fondness for 3/4 for music of tenderness or longing • As a conductor, too, he was ...
... • The vitality of Berlioz’s music owes much to the clarity and boldness of his rhythmic articulation. • exploited experimental rhythms, not just unusual time signatures but also superimpositions of different rhythms. • fondness for 3/4 for music of tenderness or longing • As a conductor, too, he was ...
The Baroque Concerto
... Bach’s family supplied musicians (agents) The Bach family was made up of more than 70 composers and performers in Germany from the 16th to the early 19th centuries. ...
... Bach’s family supplied musicians (agents) The Bach family was made up of more than 70 composers and performers in Germany from the 16th to the early 19th centuries. ...
MU 139 Power Point - Montgomery College
... A major scale is made of seven notes (plus the octave) in alphabetical order. The notes are all a whole step apart except: – Between 3&4, 7&8 which are half steps ...
... A major scale is made of seven notes (plus the octave) in alphabetical order. The notes are all a whole step apart except: – Between 3&4, 7&8 which are half steps ...
Definitions List for the Exam
... Clef. A symbol placed at the left end of a staff to determine the relative pitch names and range of the notes on that staff. The Treble clef is used for pitches within the range of the female singing voices and the Bass clef for a lower group of pitches, within the range of the male singing voice. T ...
... Clef. A symbol placed at the left end of a staff to determine the relative pitch names and range of the notes on that staff. The Treble clef is used for pitches within the range of the female singing voices and the Bass clef for a lower group of pitches, within the range of the male singing voice. T ...
01_front - Massey Research Online
... topics of scales, melody, voicings, harmony and rhythm are examined in separate chapters with over two hundred notated musical examples used to demonstrate the materials in their context. This thesis also seeks to explain the relationships between these elements and presents the material in a fonn a ...
... topics of scales, melody, voicings, harmony and rhythm are examined in separate chapters with over two hundred notated musical examples used to demonstrate the materials in their context. This thesis also seeks to explain the relationships between these elements and presents the material in a fonn a ...
BACH 727 - BACH on the PEDAL-HARPSICHORD
... in terms of accuracy and precision than on the organ, which provides yet another reason for employing the pedal-harpsichord as a practice instrument. A two-manual harpsichord with pedal-board in the home would afford opportunity for organ practice, as well as having the two manuals for more substant ...
... in terms of accuracy and precision than on the organ, which provides yet another reason for employing the pedal-harpsichord as a practice instrument. A two-manual harpsichord with pedal-board in the home would afford opportunity for organ practice, as well as having the two manuals for more substant ...
MSP_lecture8 - New York University
... 1. play the first row (we’ll call the “base” scale) 2. play the "harmony 1" scale simultaneously with the base scale 3. play the "harmony 2" scale simultaneously with the base scale *This is known as parallel motion ...
... 1. play the first row (we’ll call the “base” scale) 2. play the "harmony 1" scale simultaneously with the base scale 3. play the "harmony 2" scale simultaneously with the base scale *This is known as parallel motion ...
Figured bass
Figured bass, or thoroughbass, is a kind of musical notation in which numerals and symbols indicate intervals, chords, and non-chord tones, in relation to the bass note they are placed above or below. Figured bass is closely associated with basso continuo, a historically improvised accompaniment used in almost all genres of music in the Baroque period, though rarely in modern music.Other systems for denoting or representing chords include plain staff notation, used in classical music; Roman numerals, commonly used in harmonic analysis;macro symbols, sometimes used in modern musicology; the Nashville number system; and various names and symbols used in jazz and popular music.