TALKING TO YOUR RHYTHM SECTION Chris Sharp, Ph.D. FMEA
... We will now look at several examples of the many styles you may encounter in published compositions and arrangements. Each rhythm section excerpt is presented using the first few bars of a blues progression in the key of C in order to demonstrate how this particular chord sequence is reconciled ...
... We will now look at several examples of the many styles you may encounter in published compositions and arrangements. Each rhythm section excerpt is presented using the first few bars of a blues progression in the key of C in order to demonstrate how this particular chord sequence is reconciled ...
Johann Sebastian Bach
... Fortspinning! is a German word that describes Baroque music. It means “spun out music,” referring to an old fashioned spinning wheel which never slows or stops. ...
... Fortspinning! is a German word that describes Baroque music. It means “spun out music,” referring to an old fashioned spinning wheel which never slows or stops. ...
Johann Sebastian Bach
... Fortspinning! is a German word that describes Baroque music. It means “spun out music,” referring to an old fashioned spinning wheel which never slows or stops. Bach wrote music for the harpsichord, the organ, singers, and larger groups. J.S. Bach or “Papa Bach” Since Bach had 20 children, many of w ...
... Fortspinning! is a German word that describes Baroque music. It means “spun out music,” referring to an old fashioned spinning wheel which never slows or stops. Bach wrote music for the harpsichord, the organ, singers, and larger groups. J.S. Bach or “Papa Bach” Since Bach had 20 children, many of w ...
Johann Sebastian Bach (1685-1750) Germany Bach was a Baroque
... Fortspinning! is a German word that describes Baroque music. It means “spun out music,” referring to an old fashioned spinning wheel which never slows or stops. Bach wrote music for the harpsichord, the organ, singers, and larger groups. J.S. Bach or “Papa Bach” Since Bach had 20 children, many of w ...
... Fortspinning! is a German word that describes Baroque music. It means “spun out music,” referring to an old fashioned spinning wheel which never slows or stops. Bach wrote music for the harpsichord, the organ, singers, and larger groups. J.S. Bach or “Papa Bach” Since Bach had 20 children, many of w ...
2009 HSC Music 1 Aural Skills Sample Answers
... repeated, with the climax being on the second part of each phrase ‘am I too dirty? Am I too flirty? And ‘why don’t you like me? etc, which are both an octave above the starting melody. The second melodic section is like a bridge between the verse and chorus: It is in a minor tonality (to contrast wi ...
... repeated, with the climax being on the second part of each phrase ‘am I too dirty? Am I too flirty? And ‘why don’t you like me? etc, which are both an octave above the starting melody. The second melodic section is like a bridge between the verse and chorus: It is in a minor tonality (to contrast wi ...
music glossary - Music and the Holocaust
... Variation and contrast in loudness or softness of the music described as ...
... Variation and contrast in loudness or softness of the music described as ...
Voice & Vocal Concepts - Deans Community High School
... SPEAKING, costumes/scenery, orchestral accompaniment, often in a foreign language, old(er) CHORALE - a German hymn tune usually homophonic in texture written for SATB PASSION – tells the story of the crucifixion from the GOSPEL, singing (recitative, aria, duet, chorus), NO SPEAKING, NO COSTUMES/ ...
... SPEAKING, costumes/scenery, orchestral accompaniment, often in a foreign language, old(er) CHORALE - a German hymn tune usually homophonic in texture written for SATB PASSION – tells the story of the crucifixion from the GOSPEL, singing (recitative, aria, duet, chorus), NO SPEAKING, NO COSTUMES/ ...
Appendix 1
... Pulse The steady beat in music. Quadruple meter The recurring pattern of beats: a strong beat followed by three weak beats. Music written in 4/4 or 12/8 are examples of quadruple meter. Relative key A major and minor scale that share the same key signature but not the same tonic note; for example, C ...
... Pulse The steady beat in music. Quadruple meter The recurring pattern of beats: a strong beat followed by three weak beats. Music written in 4/4 or 12/8 are examples of quadruple meter. Relative key A major and minor scale that share the same key signature but not the same tonic note; for example, C ...
Music History 450
... a leadership role in most fields, from politics to the arts. Throughout the period, the majority of composers were associated with and supported by the church. Music was either secular (nonreligious) or sacred (religious). Sacred music was uniformly a cappella (singing without accompaniment) and sec ...
... a leadership role in most fields, from politics to the arts. Throughout the period, the majority of composers were associated with and supported by the church. Music was either secular (nonreligious) or sacred (religious). Sacred music was uniformly a cappella (singing without accompaniment) and sec ...
Major Genres and other Terms Aleatoric Music: a 20th century
... artists. Applied to French composers of a same period, notably Claude Debussy and Maurice Ravel, among others. These composers, partly in an attempt to avoid the influence of Germanic composers, developed a style of writing that featured some nontraditional forms and harmony including whole-tone sca ...
... artists. Applied to French composers of a same period, notably Claude Debussy and Maurice Ravel, among others. These composers, partly in an attempt to avoid the influence of Germanic composers, developed a style of writing that featured some nontraditional forms and harmony including whole-tone sca ...
JAZZ SINGER`S INFO
... A. AABA. In this song form, the chord changes and melody are generally the same in each “A” section, but the “B” section differs. The “B” section of an AABA tune is also known as the bridge. (The lyrics are usually different in all four sections.) Each section is typically eight measures in length, ...
... A. AABA. In this song form, the chord changes and melody are generally the same in each “A” section, but the “B” section differs. The “B” section of an AABA tune is also known as the bridge. (The lyrics are usually different in all four sections.) Each section is typically eight measures in length, ...
Voc Music Baseline
... A. diaphragm B. larynx C. vocal cord 2. The pitch distance between two tones is ______. A. chord B. Accent C. Interval 3. The number of notes a particular voice can sing is called_____. A. Range B. natural C. Scale 4. Intervals that are sung simultaneously are called______ A. Harmonic Interval B. Di ...
... A. diaphragm B. larynx C. vocal cord 2. The pitch distance between two tones is ______. A. chord B. Accent C. Interval 3. The number of notes a particular voice can sing is called_____. A. Range B. natural C. Scale 4. Intervals that are sung simultaneously are called______ A. Harmonic Interval B. Di ...
Romantic and impressionist harmony
... mass) a nice example with the remarkable progressions of F major, F# minor, C# major, D major, Eb minor, Bb major, B major, C minor and F major. The leading tone then becomes more important and enables the chromatic world of Liszt and Wagner with their complex chords and fast key interactions (which ...
... mass) a nice example with the remarkable progressions of F major, F# minor, C# major, D major, Eb minor, Bb major, B major, C minor and F major. The leading tone then becomes more important and enables the chromatic world of Liszt and Wagner with their complex chords and fast key interactions (which ...
HERE - NWSS Music
... 79. Rubato: relates to tempo, when a strict tempo is temporarily abandoned for a more flexible, emotional response to time, melody and harmony 80. scale degree: a number assigned to each note of a major scale. For example, the first note would be 1, the second 2, the third 3... 81. staccato: short d ...
... 79. Rubato: relates to tempo, when a strict tempo is temporarily abandoned for a more flexible, emotional response to time, melody and harmony 80. scale degree: a number assigned to each note of a major scale. For example, the first note would be 1, the second 2, the third 3... 81. staccato: short d ...
Elementary Music Glossary
... Interval: The distance between two pitches. These distances are referred to as half-steps (closest neighbor in chromatic scale), whole-steps (two half-steps, also called a second), or a number (such as third, fourth, fifth) based on the distance between the lower note (counts as “one”) and upper not ...
... Interval: The distance between two pitches. These distances are referred to as half-steps (closest neighbor in chromatic scale), whole-steps (two half-steps, also called a second), or a number (such as third, fourth, fifth) based on the distance between the lower note (counts as “one”) and upper not ...
CHAPTER 35
... counterpoint (episodes) and further appearances of the subject, and ends with a strong affirmation of the tonic key. ...
... counterpoint (episodes) and further appearances of the subject, and ends with a strong affirmation of the tonic key. ...
How to work out what key a piece of music is in
... How to work out what key a piece of music is in To work out the key a piece of music is in, follow the three steps below: 1) Are there sharps, flats or both? [note: if there are both, it is a minor key, and the sharp is possibly the sixth or probably the seventh note of the scale – the “leading note ...
... How to work out what key a piece of music is in To work out the key a piece of music is in, follow the three steps below: 1) Are there sharps, flats or both? [note: if there are both, it is a minor key, and the sharp is possibly the sixth or probably the seventh note of the scale – the “leading note ...
SCALES and ORNAMENTS ~ Higher Level
... a semitone ascending, and similarly lowers them descending. ...
... a semitone ascending, and similarly lowers them descending. ...
what is harmony
... between chords I and V (or V7) and many songs and pieces are based simply on these two chords. Note that chords I & V7 contain all the notes of the scale but one). A good chord to play before chord V is chord IV (remember it’s also major) and again many songs and pieces are based simply on these thr ...
... between chords I and V (or V7) and many songs and pieces are based simply on these two chords. Note that chords I & V7 contain all the notes of the scale but one). A good chord to play before chord V is chord IV (remember it’s also major) and again many songs and pieces are based simply on these thr ...
Music Theory Terms
... 4. Chords: The most common types of chords are built of successive notes that are each a third above the previous. A triad consists of three notes referred to as the root, third, and fifth—the third and fifth being that respective interval above the root. Triads are classified as either major, minor ...
... 4. Chords: The most common types of chords are built of successive notes that are each a third above the previous. A triad consists of three notes referred to as the root, third, and fifth—the third and fifth being that respective interval above the root. Triads are classified as either major, minor ...
File - tam
... This is a screenshot of the beginning of the score of Berio Sequenza III. This score is far more complex than the first two examples as the previous examples were more traditional. The piece was made this way so that each time it is performed it can vary. This is because the performer can take a dif ...
... This is a screenshot of the beginning of the score of Berio Sequenza III. This score is far more complex than the first two examples as the previous examples were more traditional. The piece was made this way so that each time it is performed it can vary. This is because the performer can take a dif ...
1345544125
... ¾ Throughout the fugue, different melodic lines (or voices) imitate the subject. ¾ Italian cantata was a vocal genre for solo singers and instrumental accompaniment based on lyric, dramatic, or narrative poetry. ¾ The sacred cantatas of north German Composer J. S. Bach were written for the Lutheran ...
... ¾ Throughout the fugue, different melodic lines (or voices) imitate the subject. ¾ Italian cantata was a vocal genre for solo singers and instrumental accompaniment based on lyric, dramatic, or narrative poetry. ¾ The sacred cantatas of north German Composer J. S. Bach were written for the Lutheran ...
grade 12 september 2012 music p1 memorandum
... Complex, sophisticated harmonies based on chords consisting of five to seven notes. Unusual chord progressions. Melody Bebop melodies were angular, and had jagged contours. They were based on new chords and progressions. The melodic phrases themselves were often varied and irregular in length. The m ...
... Complex, sophisticated harmonies based on chords consisting of five to seven notes. Unusual chord progressions. Melody Bebop melodies were angular, and had jagged contours. They were based on new chords and progressions. The melodic phrases themselves were often varied and irregular in length. The m ...
Elements of Music - la follette orchestras
... orchestra is divided into strings woodwinds, brass, and percussion. Each of these instrumental families has different colors, but there is also variation within each family. A viola sounds different than a cello even if they are playing the same pitches. The same is true for the clarinet and the obo ...
... orchestra is divided into strings woodwinds, brass, and percussion. Each of these instrumental families has different colors, but there is also variation within each family. A viola sounds different than a cello even if they are playing the same pitches. The same is true for the clarinet and the obo ...
Figured bass
Figured bass, or thoroughbass, is a kind of musical notation in which numerals and symbols indicate intervals, chords, and non-chord tones, in relation to the bass note they are placed above or below. Figured bass is closely associated with basso continuo, a historically improvised accompaniment used in almost all genres of music in the Baroque period, though rarely in modern music.Other systems for denoting or representing chords include plain staff notation, used in classical music; Roman numerals, commonly used in harmonic analysis;macro symbols, sometimes used in modern musicology; the Nashville number system; and various names and symbols used in jazz and popular music.