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Glossary - terms used in music analysis
... C is the root of the chord C-E-G. In root position, the root is the lowest note of the chord. Secondary dominant seventh chord - a chromatic chord which temporarily functions as a dominant 7th to a chord that is not the tonic. For example, in C major, the chord D-F#-A-C could be used as a secondary ...
... C is the root of the chord C-E-G. In root position, the root is the lowest note of the chord. Secondary dominant seventh chord - a chromatic chord which temporarily functions as a dominant 7th to a chord that is not the tonic. For example, in C major, the chord D-F#-A-C could be used as a secondary ...
Music Theory 171 Questions on Chapters 3A, 3B and 3C 3A
... 2. What does this say about the relationship between the fifth, the fourth and the octave? 3. What is created between the fifth and the fourth, and what is its ratio? 4. The notes of the major, minor, Phrygian and Middle Eastern tetrachords and listed on this page. Transpose them to the key of D and ...
... 2. What does this say about the relationship between the fifth, the fourth and the octave? 3. What is created between the fifth and the fourth, and what is its ratio? 4. The notes of the major, minor, Phrygian and Middle Eastern tetrachords and listed on this page. Transpose them to the key of D and ...
October 1, 2010 - ALIAS Chamber Ensemble
... In 1996-97, Robert Freemen (the then director of the Eastman School of Music) made a decree that all recitals and concerts at the school should include a work by an Eastman affiliated composer in honor of the school’s seventy-fifth anniversary. I was inspired to write Vim-Hocket, Calm to perform the ...
... In 1996-97, Robert Freemen (the then director of the Eastman School of Music) made a decree that all recitals and concerts at the school should include a work by an Eastman affiliated composer in honor of the school’s seventy-fifth anniversary. I was inspired to write Vim-Hocket, Calm to perform the ...
The History of Music, Second Edition
... amateur and semi-professional ensembles sprouted in towns all over Europe. Instrumental music began to develop its own forms and styles. Brass ensembles played canzones and suites—pieces consisting of short movements in alternating moods and tempos, drawn from popular dance music. Stringed instrumen ...
... amateur and semi-professional ensembles sprouted in towns all over Europe. Instrumental music began to develop its own forms and styles. Brass ensembles played canzones and suites—pieces consisting of short movements in alternating moods and tempos, drawn from popular dance music. Stringed instrumen ...
6/26/06 Introduction We all have a mental/aural image of “music
... (proportion) to the fundamental. The proportions between wavelengths (and thus frequencies) of tones produced by a single string are the same as those among pitches in the diatonic scale, beginning on a pitch, arbitrarily chosen and named: C ...
... (proportion) to the fundamental. The proportions between wavelengths (and thus frequencies) of tones produced by a single string are the same as those among pitches in the diatonic scale, beginning on a pitch, arbitrarily chosen and named: C ...
Definition - Murphy Junior High Music
... This is a BASS CLEF. The bass clef is used to indicate notes in a lower ...
... This is a BASS CLEF. The bass clef is used to indicate notes in a lower ...
Lesson I: Applications with Music
... in Hz of C above middle C. 8. Refer to the information in Example 2 and the answer you found in Exercise 6. a. How many half steps are there from A above middle C to C above middle C? b. Find the constant of proportionality p to the nearest hundredth, relating each half step from A above middle C to ...
... in Hz of C above middle C. 8. Refer to the information in Example 2 and the answer you found in Exercise 6. a. How many half steps are there from A above middle C to C above middle C? b. Find the constant of proportionality p to the nearest hundredth, relating each half step from A above middle C to ...
Wolfgang Amadeus Mozart (1756 – 1791)
... He began composing pieces as a child, mostly teaching himself musical theory through reading books and experimenting - he didn't have any lessons in composition until his late teens. When he started writing music professionally towards the end of the 19th century, he wrote in the style of the late R ...
... He began composing pieces as a child, mostly teaching himself musical theory through reading books and experimenting - he didn't have any lessons in composition until his late teens. When he started writing music professionally towards the end of the 19th century, he wrote in the style of the late R ...
GEMNOTES: A REALTIME MUSIC NOTATION SYSTEM FOR PURE
... sends object-creation commands (figure 1) to a [$0voice] subwindow within a [$0-canvas] subwindow, whereby notation abstractions may be linked to a stave abstraction(s) outside [makevoice], so that their positions may be organised relative to the stave. The reason for the nested subwindows is so tha ...
... sends object-creation commands (figure 1) to a [$0voice] subwindow within a [$0-canvas] subwindow, whereby notation abstractions may be linked to a stave abstraction(s) outside [makevoice], so that their positions may be organised relative to the stave. The reason for the nested subwindows is so tha ...
Bach`s Prelude in E-flat Major, BWV 552I
... The continuity from the first fugue into ritornello A2 becomes even more striking from a reduction of m. 94 (towards the ‘end’ of the fugue) to m. 101 (where the ritornello arrives on A-flat major). Bach only seemingly interrupts the sequence of ‘interlocked seventh chords’ in mm. 98-99 for a brief ...
... The continuity from the first fugue into ritornello A2 becomes even more striking from a reduction of m. 94 (towards the ‘end’ of the fugue) to m. 101 (where the ritornello arrives on A-flat major). Bach only seemingly interrupts the sequence of ‘interlocked seventh chords’ in mm. 98-99 for a brief ...
Basic Music Theory
... A, A#, B, C, C#, D, D#, E, F, F#, G, G# Same thing written with flats (enharmonic equivalent): A, Bb, B, C, Db, D, Eb, E, F, Gb, G, Ab Pitch: the frequency of a note; how high or deep it sounds; other words that are equivalent for beginning theory are: pitch = note = tone = specific vibration. In wr ...
... A, A#, B, C, C#, D, D#, E, F, F#, G, G# Same thing written with flats (enharmonic equivalent): A, Bb, B, C, Db, D, Eb, E, F, Gb, G, Ab Pitch: the frequency of a note; how high or deep it sounds; other words that are equivalent for beginning theory are: pitch = note = tone = specific vibration. In wr ...
File - Harris Ac Music
... Diminished Chords A diminished chord is a triad consisting of 2 MINOR THIRDS stacked on top of each other. The word diminish means to decrease, so if we turn a major chord into an diminished one, we are decreasing the distance between the root and the third and the third and the fifth of the chord. ...
... Diminished Chords A diminished chord is a triad consisting of 2 MINOR THIRDS stacked on top of each other. The word diminish means to decrease, so if we turn a major chord into an diminished one, we are decreasing the distance between the root and the third and the third and the fifth of the chord. ...
7th Grade Planned Course Guide - Penn
... 8. Perform music in multiple voice parts. 9. Perform music with accompaniment and without accompaniment (a cappella). 10. Perform with other singers to achieve a blended ensemble sound characteristic of the music being performed at the level. C. Describe, analyze, and create music. The student will: ...
... 8. Perform music in multiple voice parts. 9. Perform music with accompaniment and without accompaniment (a cappella). 10. Perform with other singers to achieve a blended ensemble sound characteristic of the music being performed at the level. C. Describe, analyze, and create music. The student will: ...
Clef Reading - WordPress.com
... written notation and the pitch. In that case, they may want to keep the pitch that they are given so that they are given more time to recognize the pitch that they have through more repetition of the exercise with their classmates. I believe the randomness of mixing students up and seeing what melod ...
... written notation and the pitch. In that case, they may want to keep the pitch that they are given so that they are given more time to recognize the pitch that they have through more repetition of the exercise with their classmates. I believe the randomness of mixing students up and seeing what melod ...
Ask Hohner`s Harmonica Tech
... This applies to double reed models such as Tremolo and Octave tuned as well as to single reed models such as the Marine Band type. These harmonicas were originally designed to play melody notes along with chord accompaniment. This is called “Richter Tuning,” attributed to Mr. Richter who established ...
... This applies to double reed models such as Tremolo and Octave tuned as well as to single reed models such as the Marine Band type. These harmonicas were originally designed to play melody notes along with chord accompaniment. This is called “Richter Tuning,” attributed to Mr. Richter who established ...
Math and Music Worksheet - The Saga of Mathematics: A Brief History
... 11. In the 1930's, music theorist Joseph Yasser published a book, Theory of Evolving Tonality, exploring the idea of using a19-tone scale instead of 12-tone scale. Write a short paper discussing his ideas, the connection with the Fibonacci numbers, and possible reasons why the 19-tone scale never ca ...
... 11. In the 1930's, music theorist Joseph Yasser published a book, Theory of Evolving Tonality, exploring the idea of using a19-tone scale instead of 12-tone scale. Write a short paper discussing his ideas, the connection with the Fibonacci numbers, and possible reasons why the 19-tone scale never ca ...
\\peabody01\Ensemble Office\Composition\comp reading guidelines
... 4 flutes (1 may play piccolo; 1 may play alto flute) 4 oboes (1 may play English horn) 4 clarinets (1 may play e-flat clarinet; 1 may play bass clarinet) 3 bassoons (1 may play contrabassoon) 4 horns 4 trumpets 2 tenor trombones 1 bass trombone 1 tuba 1 harp 1 keyboard (piano and/or celeste, but onl ...
... 4 flutes (1 may play piccolo; 1 may play alto flute) 4 oboes (1 may play English horn) 4 clarinets (1 may play e-flat clarinet; 1 may play bass clarinet) 3 bassoons (1 may play contrabassoon) 4 horns 4 trumpets 2 tenor trombones 1 bass trombone 1 tuba 1 harp 1 keyboard (piano and/or celeste, but onl ...
2016 Chief Assessor`s Report
... correctly. Students could consider producing two copies of their arrangement at the completion of the arranging process: one that plays back in the desired manner, and can be used to create the recording; and one that reads correctly, with chord symbols for guitar and correct drum mapping, which is ...
... correctly. Students could consider producing two copies of their arrangement at the completion of the arranging process: one that plays back in the desired manner, and can be used to create the recording; and one that reads correctly, with chord symbols for guitar and correct drum mapping, which is ...
Glossary of Common Musical Terms and Concepts
... harmonic minor scale - a minor scale with the 7th note raised one semitone melodic minor scale - a minor scale with the 6th and 7th notes raised a semitone when ascending, and put back to normal when descending minor pentatonic scale - a major pentatonic scale starting on the 6th degree; or, a scale ...
... harmonic minor scale - a minor scale with the 7th note raised one semitone melodic minor scale - a minor scale with the 6th and 7th notes raised a semitone when ascending, and put back to normal when descending minor pentatonic scale - a major pentatonic scale starting on the 6th degree; or, a scale ...
Music Notation
... were used in conjunction with text to represent pitch. With Gregorian Chant, lines began to be used to represent pitch and the relative highness or lowness of those pitches. While the first Gregorian Chants only had one line, eventually a system was expanded to include four lines. However, more line ...
... were used in conjunction with text to represent pitch. With Gregorian Chant, lines began to be used to represent pitch and the relative highness or lowness of those pitches. While the first Gregorian Chants only had one line, eventually a system was expanded to include four lines. However, more line ...
AP Music Theory Syllabus
... 8. Notate, hear, and identify all perfect, major, minor, diminished, and augmented intervals inclusive of an octave. 9. Notate, hear, and identify triads and seventh chords including inversions. 10. Define and identify common tempo and expression markings. 11. Analysis of motivic treatment and devel ...
... 8. Notate, hear, and identify all perfect, major, minor, diminished, and augmented intervals inclusive of an octave. 9. Notate, hear, and identify triads and seventh chords including inversions. 10. Define and identify common tempo and expression markings. 11. Analysis of motivic treatment and devel ...
GROVE - Instrumentation and orchestration
... regularly performing together on composed polyphony; when it happened, the instruments were usually those of the loud band for church music, and the lute and/or harp for secular songs. In the 16th century these categories persisted, but they became increasingly blurred as instrumental music develope ...
... regularly performing together on composed polyphony; when it happened, the instruments were usually those of the loud band for church music, and the lute and/or harp for secular songs. In the 16th century these categories persisted, but they became increasingly blurred as instrumental music develope ...
Figured bass
![](https://commons.wikimedia.org/wiki/Special:FilePath/Purcell_diatonic_chromaticism.png?width=300)
Figured bass, or thoroughbass, is a kind of musical notation in which numerals and symbols indicate intervals, chords, and non-chord tones, in relation to the bass note they are placed above or below. Figured bass is closely associated with basso continuo, a historically improvised accompaniment used in almost all genres of music in the Baroque period, though rarely in modern music.Other systems for denoting or representing chords include plain staff notation, used in classical music; Roman numerals, commonly used in harmonic analysis;macro symbols, sometimes used in modern musicology; the Nashville number system; and various names and symbols used in jazz and popular music.