![Barney Childs (1926–2000) is perhaps best known for his innovative](http://s1.studyres.com/store/data/017733258_1-83fea7c48d46f95dbd043da6a25fc353-300x300.png)
Barney Childs (1926–2000) is perhaps best known for his innovative
... chalkboard eraser, felt-side down, placed over the span of G to B-flat just below middle C. The work begins with a minor third motive characteristic of many of Childs’s works, and its subsequent use of repetitions, limited pitch ranges, and irregular rhythmic patterns in single-line melodies suggest ...
... chalkboard eraser, felt-side down, placed over the span of G to B-flat just below middle C. The work begins with a minor third motive characteristic of many of Childs’s works, and its subsequent use of repetitions, limited pitch ranges, and irregular rhythmic patterns in single-line melodies suggest ...
6 Schoenberg`s `second melody`, or, `Meyer
... formal authentic cadence, the dominant leaps back to the tonic, thus creating a harmonic connection linking the two streams and purging the bass of all melodic tendencies that might generate further continuation. The simplest manifestation of this process is shown in Example 6.5, which I offer as a ...
... formal authentic cadence, the dominant leaps back to the tonic, thus creating a harmonic connection linking the two streams and purging the bass of all melodic tendencies that might generate further continuation. The simplest manifestation of this process is shown in Example 6.5, which I offer as a ...
How Music Works
... Music theory originates after composition. Composers have rarely “painted by numbers,” using music theory to create their works. Instead, music theorists throughout history researched finished compositions for recognizable patterns to document. This text book is not a manual for music composition. M ...
... Music theory originates after composition. Composers have rarely “painted by numbers,” using music theory to create their works. Instead, music theorists throughout history researched finished compositions for recognizable patterns to document. This text book is not a manual for music composition. M ...
J.S. Bach, Baroque Music and Moving the Passionate Soul
... and former chapel organist, he sings with the Portland Symphonic Choir and hosted the popular program Choral Classics on KBPS 89.9 for six years. Here is a tiny slice of Phil’s story in his own words: “I was born in Newton, Kansas right before World War II, where my Dad was a high school teacher and ...
... and former chapel organist, he sings with the Portland Symphonic Choir and hosted the popular program Choral Classics on KBPS 89.9 for six years. Here is a tiny slice of Phil’s story in his own words: “I was born in Newton, Kansas right before World War II, where my Dad was a high school teacher and ...
Using TEX to Write Polyphonic or Instrumental
... fact, with the exception of strictly monodic instruments like most orchestral wind instruments and solo voices, one should be aware that reading music is actually a matricial operation: a musician playing a chordal instrument - guitar, piano, organ or l o o l n g at more than one staff - a choir sin ...
... fact, with the exception of strictly monodic instruments like most orchestral wind instruments and solo voices, one should be aware that reading music is actually a matricial operation: a musician playing a chordal instrument - guitar, piano, organ or l o o l n g at more than one staff - a choir sin ...
History of Western Music Lecture 9: Renaissance Cultural
... pride in education. Art and music were considered as raising the social esteem and cultural prestige. Every educated person was expected to be trained in music and this was the beginning of the phenomenon of amateur musicians. Music became a favorite past time, not just to be listened to, but to be ...
... pride in education. Art and music were considered as raising the social esteem and cultural prestige. Every educated person was expected to be trained in music and this was the beginning of the phenomenon of amateur musicians. Music became a favorite past time, not just to be listened to, but to be ...
to view the program notes
... Stockhausen has provided a number of guidelines as to how to interpret them. The systems of notes are not intended to be played in the order which they appear on the page, but as defined by the rules of the particular Zyklus to which they have been attributed. Stockhausen uses 3 different symbols to ...
... Stockhausen has provided a number of guidelines as to how to interpret them. The systems of notes are not intended to be played in the order which they appear on the page, but as defined by the rules of the particular Zyklus to which they have been attributed. Stockhausen uses 3 different symbols to ...
Word Format - Years 11 and 12 - School Curriculum and Standards
... add minor pentatonic scale add major and minor 6ths 2–4 bar melodic dictations, treble and bass clef, given the first note and some rhythm and pitch pitch discrepancies: identify and correct 1–2 pitch errors in a short excerpt Chords simple chord progressions in C, F and G major, root posi ...
... add minor pentatonic scale add major and minor 6ths 2–4 bar melodic dictations, treble and bass clef, given the first note and some rhythm and pitch pitch discrepancies: identify and correct 1–2 pitch errors in a short excerpt Chords simple chord progressions in C, F and G major, root posi ...
Dissonance and Resolution
... I found that the major third interval actually had three partials that were within the critical bandwidth of the C note. The perfect fourth, on the other hand, was perfectly consonant. I concluded this must be the reason mathematically why people always preferred fourths to thirds. The fourth is pe ...
... I found that the major third interval actually had three partials that were within the critical bandwidth of the C note. The perfect fourth, on the other hand, was perfectly consonant. I concluded this must be the reason mathematically why people always preferred fourths to thirds. The fourth is pe ...
Definition - Murphy Junior High Music
... A dot after a note takes half the note’s value and adds it to the original note, making it that much longer. ...
... A dot after a note takes half the note’s value and adds it to the original note, making it that much longer. ...
lesson 1 - john p birchall
... to the change of sound initially but, nevertheless, you must get into the habit of LISTENING to the notes you play. When you listen to jazz bands or records these are the types of rhythms you will hear all the time. Because the jazz sound is idiomatic it is very important to concentrate when you lis ...
... to the change of sound initially but, nevertheless, you must get into the habit of LISTENING to the notes you play. When you listen to jazz bands or records these are the types of rhythms you will hear all the time. Because the jazz sound is idiomatic it is very important to concentrate when you lis ...
Sequential Chorus Curriculum for grades 6-8
... Discuss the historical and cultural background of the works performed by the ensemble. Identify similarities and differences in the meanings of common terms used in the various fine arts. Describe in simple terms the similarities and differences of music from different time periods: Renaissanc ...
... Discuss the historical and cultural background of the works performed by the ensemble. Identify similarities and differences in the meanings of common terms used in the various fine arts. Describe in simple terms the similarities and differences of music from different time periods: Renaissanc ...
Essay revision - bullet points
... Solos with 4 bar links inbetween Head returns after the solos Piece finished with an outro to fade ...
... Solos with 4 bar links inbetween Head returns after the solos Piece finished with an outro to fade ...
Shifted Downbeats in Classic and Romantic
... score), but the hemiola rhythm is not set against the pulse of the notated meter in any voice. The section can be effectively played and projected in 2/4 meter. Performance of the section as if in duple meter produces a charming contrast to the opening and closing material of the piece. Considering ...
... score), but the hemiola rhythm is not set against the pulse of the notated meter in any voice. The section can be effectively played and projected in 2/4 meter. Performance of the section as if in duple meter produces a charming contrast to the opening and closing material of the piece. Considering ...
Shepard Tones - Virtual Math Museum
... Instead what you heard was a sequence of notes that probably sounded rather unmusical, and may have at first appeared to keep on rising indefinitely, “one note at a time”. But soon you must have noticed that it was getting nowhere, and eventually you no-doubt realized that it was even “cyclic”, i.e. ...
... Instead what you heard was a sequence of notes that probably sounded rather unmusical, and may have at first appeared to keep on rising indefinitely, “one note at a time”. But soon you must have noticed that it was getting nowhere, and eventually you no-doubt realized that it was even “cyclic”, i.e. ...
Elements of Music
... motion or are very close to each other on the staff Disjunct – notes in melody move by large leaps. There are large spaces between the notes. Motif (like a ‘riff’ in guitar) – small building block of a melodic phrase Phrase – a musical sentence; usually 4 to 8 bars in length Ostinato - a short mel ...
... motion or are very close to each other on the staff Disjunct – notes in melody move by large leaps. There are large spaces between the notes. Motif (like a ‘riff’ in guitar) – small building block of a melodic phrase Phrase – a musical sentence; usually 4 to 8 bars in length Ostinato - a short mel ...
Powerpoint
... Composition for harpsichord rather than for piano – although music for harpsichord was still composed well into the Classical period Simple and rounded binary forms, which evolved during the Baroque, were much less commonly used later Continuous movement in short note values without ‘periodic phrasi ...
... Composition for harpsichord rather than for piano – although music for harpsichord was still composed well into the Classical period Simple and rounded binary forms, which evolved during the Baroque, were much less commonly used later Continuous movement in short note values without ‘periodic phrasi ...
Chapter G Musical Style
... research and study on your own the style of composers or schools that may not quite fit the mainstream stylistic traits put forth in our discussion. Because musical styles in the Middle Ages are quite different, in almost every aspect, from the styles we will study in this book, we will begin our di ...
... research and study on your own the style of composers or schools that may not quite fit the mainstream stylistic traits put forth in our discussion. Because musical styles in the Middle Ages are quite different, in almost every aspect, from the styles we will study in this book, we will begin our di ...
Repetitive Minimalism: A historical style or a perspective
... “Minimal” refers to the used musical material: it has to be very poor, reduced to a minimum of musical parameters (a chord, a melody with just one or a few sounds, a simple infrastructure like pentatonic or modal, basic rhythms and meter). Long melodies, motives with changing chords, twelve-tone inf ...
... “Minimal” refers to the used musical material: it has to be very poor, reduced to a minimum of musical parameters (a chord, a melody with just one or a few sounds, a simple infrastructure like pentatonic or modal, basic rhythms and meter). Long melodies, motives with changing chords, twelve-tone inf ...
L 8-‐9 Musical Scales, Chords , and Intervals, The Pythagorean and
... To fill out the Pythagorean scale, we need F. If we take 2C to be the 5th above F, then 2C= 3/2F, or F = 4/3 C ...
... To fill out the Pythagorean scale, we need F. If we take 2C to be the 5th above F, then 2C= 3/2F, or F = 4/3 C ...
Unraveling Ravel - Macro Analysis Creative Research Organization
... Formal structures of preludes in the Baroque period tended to be free and relatively monothematic. The later dances in a suite were more formally organized and often binary, but preludes were more throughcomposed, in one unit. Ravel uses a first and second ending for the first section of his Prélude ...
... Formal structures of preludes in the Baroque period tended to be free and relatively monothematic. The later dances in a suite were more formally organized and often binary, but preludes were more throughcomposed, in one unit. Ravel uses a first and second ending for the first section of his Prélude ...
Quia Tier 4 powerpoint from class
... What solfege syllable is a third above DO? What solfege syllable is a fourth above DO? ...
... What solfege syllable is a third above DO? What solfege syllable is a fourth above DO? ...
Teaching Solfege Through Anchored Media
... Assessment can take place throughout the lesson by observation from the teacher. Assessment can also take place at the end of class by asking the students to sing the scale while using the syllables and gestures. Assessment can take place by the teacher calling on students individually and asking th ...
... Assessment can take place throughout the lesson by observation from the teacher. Assessment can also take place at the end of class by asking the students to sing the scale while using the syllables and gestures. Assessment can take place by the teacher calling on students individually and asking th ...
Haydn: Symphony No. 26 in D minor, `Lamentatione`: Movement I
... The main melody of the first subject (bars 1–8, violins) is much more varied. Each of the first three phrases has repeated notes in syncopated rhythm, then an upward leap, including a striking major 6th in bar 4, leading to a stepwise descent that creates suspensions against the bass. The contrastin ...
... The main melody of the first subject (bars 1–8, violins) is much more varied. Each of the first three phrases has repeated notes in syncopated rhythm, then an upward leap, including a striking major 6th in bar 4, leading to a stepwise descent that creates suspensions against the bass. The contrastin ...
ARRANGING FOR STRINGS Part 2
... another. In a large string ensemble, you must be careful to have enough strings on hand to achieve a proper balance. I try to have a minimum of three violins on a part, two violas on a part, and at least one cello on a part. A string ratio that works well is: two violins =one viola two violas = one ...
... another. In a large string ensemble, you must be careful to have enough strings on hand to achieve a proper balance. I try to have a minimum of three violins on a part, two violas on a part, and at least one cello on a part. A string ratio that works well is: two violins =one viola two violas = one ...
Figured bass
![](https://commons.wikimedia.org/wiki/Special:FilePath/Purcell_diatonic_chromaticism.png?width=300)
Figured bass, or thoroughbass, is a kind of musical notation in which numerals and symbols indicate intervals, chords, and non-chord tones, in relation to the bass note they are placed above or below. Figured bass is closely associated with basso continuo, a historically improvised accompaniment used in almost all genres of music in the Baroque period, though rarely in modern music.Other systems for denoting or representing chords include plain staff notation, used in classical music; Roman numerals, commonly used in harmonic analysis;macro symbols, sometimes used in modern musicology; the Nashville number system; and various names and symbols used in jazz and popular music.