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Reading Music: Getting the Rhythm Right
... This is not a class that focuses on reading pitches. We use four simple notes throughout the class so that we can focus on learning how to sing different rhythms. All the exercises are in the same clef and key. If you want help on reading pitches, look for my other class, Sight-Singing for the Non-M ...
... This is not a class that focuses on reading pitches. We use four simple notes throughout the class so that we can focus on learning how to sing different rhythms. All the exercises are in the same clef and key. If you want help on reading pitches, look for my other class, Sight-Singing for the Non-M ...
Conjecture on the Function of the Robertsbridge Codex Estampies
... of Philipe de Vitry school motets found in the Roman de Fauvel.7 Another concurrent possibility would be the use of a portative organ. Used almost without exception, outside the church walls, and therefore a more appropriate instrument than the gallery or positive, this handheld organ had developed ...
... of Philipe de Vitry school motets found in the Roman de Fauvel.7 Another concurrent possibility would be the use of a portative organ. Used almost without exception, outside the church walls, and therefore a more appropriate instrument than the gallery or positive, this handheld organ had developed ...
Analysis And Impact Of Selected Compositions That
... intervals. The point of tension is between the E4 in the canto and the D4 in the quinto. Unlike the previous examples, the dissonance is properly prepared with another D4 preparing the dissonant D4 which is resolved by descending down by step to a . This would be an example of a traditionally co ...
... intervals. The point of tension is between the E4 in the canto and the D4 in the quinto. Unlike the previous examples, the dissonance is properly prepared with another D4 preparing the dissonant D4 which is resolved by descending down by step to a . This would be an example of a traditionally co ...
What Can the Organ Partitura to Tomás Luis de Victoria`s Missae
... accompany Choir I, which is how it has sometimes been regarded, particularly by some groups recording this repertoire,6 but either to substitute for Choir I entirely or to accompany a soloist singing just one of its parts. His reference to singing with t ...
... accompany Choir I, which is how it has sometimes been regarded, particularly by some groups recording this repertoire,6 but either to substitute for Choir I entirely or to accompany a soloist singing just one of its parts. His reference to singing with t ...
Antecedent-Consequent Phrases», Part 1
... the jazz vocabulary and to analyze their individual construction. We will suggest ways to effectively connect the phrases and their different variations. The diverse elements of the vocabulary are first presented in fragmented form for analysis. Then we combine and connect these motifs with other fr ...
... the jazz vocabulary and to analyze their individual construction. We will suggest ways to effectively connect the phrases and their different variations. The diverse elements of the vocabulary are first presented in fragmented form for analysis. Then we combine and connect these motifs with other fr ...
Music 181: Inversions of Intervals, Compound Intervals
... II. Compound intervals Any interval larger than an octave (8va) is a compound interval; intervals smaller than an octave are called simple intervals. Any compound interval can be reduced to a simple interval; in most musical contexts the compound interval and its simple counterpart are functionally ...
... II. Compound intervals Any interval larger than an octave (8va) is a compound interval; intervals smaller than an octave are called simple intervals. Any compound interval can be reduced to a simple interval; in most musical contexts the compound interval and its simple counterpart are functionally ...
music notes - classesonline.mobi
... A chant to remember these is: E G B D F are the names of the lines on the treble clef. F A C E the spaces are easy. If you would rather have a mnemonic device, E G B D F could be "Elvis's Guitar Broke Down Friday" (or "Every Good Boy Does Fine") and that the spaces spell FACE. For the bass clef, the ...
... A chant to remember these is: E G B D F are the names of the lines on the treble clef. F A C E the spaces are easy. If you would rather have a mnemonic device, E G B D F could be "Elvis's Guitar Broke Down Friday" (or "Every Good Boy Does Fine") and that the spaces spell FACE. For the bass clef, the ...
music notes - classesonline.mobi
... A chant to remember these is: E G B D F are the names of the lines on the treble clef. F A C E the spaces are easy. If you would rather have a mnemonic device, E G B D F could be "Elvis's Guitar Broke Down Friday" (or "Every Good Boy Does Fine") and that the spaces spell FACE. For the bass clef, the ...
... A chant to remember these is: E G B D F are the names of the lines on the treble clef. F A C E the spaces are easy. If you would rather have a mnemonic device, E G B D F could be "Elvis's Guitar Broke Down Friday" (or "Every Good Boy Does Fine") and that the spaces spell FACE. For the bass clef, the ...
A major triad (C or CM) uses the first (root), 3rd, and 5th of a major
... A major 9th chord (C9) is made up of a major 7th chord plus the interval of a 9th. The 9th tone is one whole step above the octave and is the same as the 2nd scale degree. (In the C major scale, the 9th is D.) Note: the root is often not played in a Major 9th chord. (1)-3-5-7-9 A minor 9th chord (C ...
... A major 9th chord (C9) is made up of a major 7th chord plus the interval of a 9th. The 9th tone is one whole step above the octave and is the same as the 2nd scale degree. (In the C major scale, the 9th is D.) Note: the root is often not played in a Major 9th chord. (1)-3-5-7-9 A minor 9th chord (C ...
TAVENER The Lamb - davenantperformingarts
... approach to his ‘joy-sorrow’ chord which he treats as a double suspension with the dissonance prepared and resolved in the soprano and alto parts each time it occurs And yet the resulting rich succession of 9th and 7th chords is not like early music, nor is his use of CONSECUTIVE 5ths between the so ...
... approach to his ‘joy-sorrow’ chord which he treats as a double suspension with the dissonance prepared and resolved in the soprano and alto parts each time it occurs And yet the resulting rich succession of 9th and 7th chords is not like early music, nor is his use of CONSECUTIVE 5ths between the so ...
Partita no. 4 in D: Sarabande and Gigue JS Bach
... Johann Sebastian Bach (1685‒1750), one of the greatest of all composers, was most widely known in his own time as a performer – first and foremost as an organist, but also as a player of other keyboard instruments (harpsichord or clavichord, rather than piano – despite the Anthology recording’s bein ...
... Johann Sebastian Bach (1685‒1750), one of the greatest of all composers, was most widely known in his own time as a performer – first and foremost as an organist, but also as a player of other keyboard instruments (harpsichord or clavichord, rather than piano – despite the Anthology recording’s bein ...
Tablature is a 700 year old notation style that
... Robertsbridge Codex, is of unknown origin and has features of 14th-century Italian mensural notation, as well as some French content and the manuscript its self comes from the English Abbey. (Bent) (Dart) The music in the Robertsbridge Codex is most likely written for organ, but some scholars sugges ...
... Robertsbridge Codex, is of unknown origin and has features of 14th-century Italian mensural notation, as well as some French content and the manuscript its self comes from the English Abbey. (Bent) (Dart) The music in the Robertsbridge Codex is most likely written for organ, but some scholars sugges ...
hw4
... Problem set 4 (complete list) Mathematics and music We discussed equivalence when we studied pitch classes, which are equivalence classes of pitches sharing the same letter name. An equivalence relation is a concept that frequently appears in music—and is important in math, too. Formally, a way of a ...
... Problem set 4 (complete list) Mathematics and music We discussed equivalence when we studied pitch classes, which are equivalence classes of pitches sharing the same letter name. An equivalence relation is a concept that frequently appears in music—and is important in math, too. Formally, a way of a ...
Before You Read Sheet Music - Jess Bradshaw`s ePortfolio
... the sharpened or flattened note, so they annotate that using the symbol. (insert pictures of sharps, flats, and naturals here) Musical Keys ...
... the sharpened or flattened note, so they annotate that using the symbol. (insert pictures of sharps, flats, and naturals here) Musical Keys ...
The Four Main Musical Style Periods
... Arnold Schoenberg was the first to develop this “12-tone system” in the 1920s. Two of his students: Alban Berg and Anton Webern followed his lead by composing 12-tone music of their own. Many composers after them also used his techniques. ...
... Arnold Schoenberg was the first to develop this “12-tone system” in the 1920s. Two of his students: Alban Berg and Anton Webern followed his lead by composing 12-tone music of their own. Many composers after them also used his techniques. ...
Alois Hába`s Suite für vier Posaunen
... observations by examining how Hába uses specific triadic configurations to create a sense of prolongations of tonic harmony. Suite für vier Posaunen is a set of five miniatures scored for trombone quartet in which Hába employs in a variety of ways conventional consonant triads. In most cases, the tr ...
... observations by examining how Hába uses specific triadic configurations to create a sense of prolongations of tonic harmony. Suite für vier Posaunen is a set of five miniatures scored for trombone quartet in which Hába employs in a variety of ways conventional consonant triads. In most cases, the tr ...
Music: An Appreciation by Roger Kamien
... – Emphasis on way chords follow each other - Bass part considered foundation of the harmony ...
... – Emphasis on way chords follow each other - Bass part considered foundation of the harmony ...
Euterpea Quick Reference
... 1.0 = a whole note in 4/4 = wn (see duration values further down). PitchClass = C | Cs | Df | D | Ds | … | B f = flat, s = sharp Pitch = (PitchClass, Octave) Middle C = (C,4) ...
... 1.0 = a whole note in 4/4 = wn (see duration values further down). PitchClass = C | Cs | Df | D | Ds | … | B f = flat, s = sharp Pitch = (PitchClass, Octave) Middle C = (C,4) ...
AP Music Syllabus
... o seventh chords - major, dominant, minor, half-diminished, and diminished in all their inversions; Sing a short (8-measure) melody on sight, ...
... o seventh chords - major, dominant, minor, half-diminished, and diminished in all their inversions; Sing a short (8-measure) melody on sight, ...
The Understanding of Music - Cuyahoga Falls City School District
... The Understanding of Music Unit 2: The Baroque Era – Lecture Notes Johann Sebastion Bach (slide #23) Bach’s most important position was at the St. Thomas Church in Leipzig, Germany. One might be curious about his move to this job. After all, in the age of absolute monarchies, the best-paying and mo ...
... The Understanding of Music Unit 2: The Baroque Era – Lecture Notes Johann Sebastion Bach (slide #23) Bach’s most important position was at the St. Thomas Church in Leipzig, Germany. One might be curious about his move to this job. After all, in the age of absolute monarchies, the best-paying and mo ...
Cyclic Organization in the `Chorale` of Charles Ives` Three Quarter
... other only two. The fact that these chords divide in this way, however, should be of no surprise since i5 and i7 evenly divide the fourth and the fifth, respectively. Every newly added pitch to each of the cycles adds a new fourth or fifth, and in both cases alternating between the even and odd divi ...
... other only two. The fact that these chords divide in this way, however, should be of no surprise since i5 and i7 evenly divide the fourth and the fifth, respectively. Every newly added pitch to each of the cycles adds a new fourth or fifth, and in both cases alternating between the even and odd divi ...
Nonchord tone - Chord Melody
... music of the common practice period, but can be used in analysis of other types of tonal music as well. For example, if a piece of music is currently on a C Major chord, the notes CEG are members of that chord, while any other note played at that time is a nonchord tone. While such tones are most ob ...
... music of the common practice period, but can be used in analysis of other types of tonal music as well. For example, if a piece of music is currently on a C Major chord, the notes CEG are members of that chord, while any other note played at that time is a nonchord tone. While such tones are most ob ...
The Physics of Music - Florida State University
... where related to the mass of the hammers. As time progressed music started to take shape, and different cultures had different styles of music. Different cultures also had different intervals, which made up their notes. Western music consists of twelve notes: A, A#, B, C, C#, D, D#, E, F, F#, G, and ...
... where related to the mass of the hammers. As time progressed music started to take shape, and different cultures had different styles of music. Different cultures also had different intervals, which made up their notes. Western music consists of twelve notes: A, A#, B, C, C#, D, D#, E, F, F#, G, and ...
Music - Leaving Certificate Higher Level Marking Scheme 2002
... Any valid description, either line by line or overall. (Up to 2.5) ...
... Any valid description, either line by line or overall. (Up to 2.5) ...
Musical Terms and Definitions
... slowly, walking tempo (quarter note = approximately 55 to 70 on the metronome) a bit faster than andante, “dance-like” (quarter note = approximately 60 to 75 on the metronome) animated; suggests a faster tempo such as moderato or allegro a quick, decorative figure preceding a note the articulation o ...
... slowly, walking tempo (quarter note = approximately 55 to 70 on the metronome) a bit faster than andante, “dance-like” (quarter note = approximately 60 to 75 on the metronome) animated; suggests a faster tempo such as moderato or allegro a quick, decorative figure preceding a note the articulation o ...
Figured bass
![](https://commons.wikimedia.org/wiki/Special:FilePath/Purcell_diatonic_chromaticism.png?width=300)
Figured bass, or thoroughbass, is a kind of musical notation in which numerals and symbols indicate intervals, chords, and non-chord tones, in relation to the bass note they are placed above or below. Figured bass is closely associated with basso continuo, a historically improvised accompaniment used in almost all genres of music in the Baroque period, though rarely in modern music.Other systems for denoting or representing chords include plain staff notation, used in classical music; Roman numerals, commonly used in harmonic analysis;macro symbols, sometimes used in modern musicology; the Nashville number system; and various names and symbols used in jazz and popular music.