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Modern Western Tuning System - Digital Commons @ Kent State
... In my course of education the fields of Music and Math have fascinated me by their separation in description, math being considered a science and music a subject of art. However I now see them both as an art and a science. I am a cellist, pianist, and trumpeter and in my pursuit to master these in ...
... In my course of education the fields of Music and Math have fascinated me by their separation in description, math being considered a science and music a subject of art. However I now see them both as an art and a science. I am a cellist, pianist, and trumpeter and in my pursuit to master these in ...
Contrapuntal Techniques in Schoenberg`s Fourth String
... row) into four three-note cells, or trichords: (D-C-A), (B-F-E), (E-C-A), and (G-F-B). Since these four chords have distinct sonorities that reappear throughout the piece, they are labeled with chord names rather as pitch-class sets with Forte names or as cells with regard to their appearance i ...
... row) into four three-note cells, or trichords: (D-C-A), (B-F-E), (E-C-A), and (G-F-B). Since these four chords have distinct sonorities that reappear throughout the piece, they are labeled with chord names rather as pitch-class sets with Forte names or as cells with regard to their appearance i ...
250KB - NZQA
... • rhythm – swung in both choruses / walking bass rhythm is the same • metre – the metre is common time / Dd in both choruses • tempo – the speed of the beat does not change. Elements that are different: • rhythm – the bass solo is in a regular rhythm, and the trumpet solo is more ...
... • rhythm – swung in both choruses / walking bass rhythm is the same • metre – the metre is common time / Dd in both choruses • tempo – the speed of the beat does not change. Elements that are different: • rhythm – the bass solo is in a regular rhythm, and the trumpet solo is more ...
Incantation and Dance Unit Study
... only time the chord progression breaks away from the three chords of Bb, Ab, and G is at the end of each two bar chunk. Rhythm The idea of “fragmentation” is found throughout the dance portion of the piece. This concept is a line that is broken up between instruments, or certain instruments may only ...
... only time the chord progression breaks away from the three chords of Bb, Ab, and G is at the end of each two bar chunk. Rhythm The idea of “fragmentation” is found throughout the dance portion of the piece. This concept is a line that is broken up between instruments, or certain instruments may only ...
The Renaissance
... 1750) saw composers beginning to rebel against the styles that were prevalent during the High Renaissance. This was a time when the many monarchies of Europe vied in outdoing each other in pride, pomp and pageantry. Many monarchs employed composers at their courts, where they were little more than s ...
... 1750) saw composers beginning to rebel against the styles that were prevalent during the High Renaissance. This was a time when the many monarchies of Europe vied in outdoing each other in pride, pomp and pageantry. Many monarchs employed composers at their courts, where they were little more than s ...
Symphony no - Life Learning Cloud
... Music reaches E minor. A staccato counter melody (new tune which fits with another) is played with the theme. Changes of keys are a big feature of the development. E min – A min – D min – G min - C- F- B flat maj. Dominant pedal ‘A’ in (D minor). Texture reduced. Three note motif from 1st subject is ...
... Music reaches E minor. A staccato counter melody (new tune which fits with another) is played with the theme. Changes of keys are a big feature of the development. E min – A min – D min – G min - C- F- B flat maj. Dominant pedal ‘A’ in (D minor). Texture reduced. Three note motif from 1st subject is ...
Ben Johnston Pantonality Generalized
... followed by a motor-sound, roughness, maximum dissonance. Then, quite magically, a deep soft bass-tone rises from imperceptibility hand-in-hand with increasing smoothness, as two points resolve while in the background their interaction produces shadows, combination tones creating a multiplicity of ...
... followed by a motor-sound, roughness, maximum dissonance. Then, quite magically, a deep soft bass-tone rises from imperceptibility hand-in-hand with increasing smoothness, as two points resolve while in the background their interaction produces shadows, combination tones creating a multiplicity of ...
NCEA Level 2 Music (91275) 2015 Assessment Schedule
... rhythm – swung in both choruses / walking bass rhythm is the same metre – the metre is common time / Dd in both choruses tempo – the speed of the beat does not change. Elements that are different: rhythm – the bass solo is in a regular rhythm, and the trumpet solo is more ...
... rhythm – swung in both choruses / walking bass rhythm is the same metre – the metre is common time / Dd in both choruses tempo – the speed of the beat does not change. Elements that are different: rhythm – the bass solo is in a regular rhythm, and the trumpet solo is more ...
Benward Chapter 6
... Organized in scales, with key signatures that show immediately what tonal materials can be expected in a piece of music and placed together simultaneously to produce intervals or chords ...
... Organized in scales, with key signatures that show immediately what tonal materials can be expected in a piece of music and placed together simultaneously to produce intervals or chords ...
9.2-jacobs
... Meter (metric): global vision of temporal structures, usually dependent on style Harmony: the chords, subject to “grammatical” rules of progression ...
... Meter (metric): global vision of temporal structures, usually dependent on style Harmony: the chords, subject to “grammatical” rules of progression ...
Der Kranke Mond - Pierrot Lunaire Schoenberg
... others seem much closer to speech. The pitch range is large, as much as two octaves, ranging from E, a 10th above middle C (bar 8) down to E below middle C (bar 15). As well as some conjunct (stepwise) music in the first vocal phrase, there are some wide, angular leaps, like the diminished 8ve betwe ...
... others seem much closer to speech. The pitch range is large, as much as two octaves, ranging from E, a 10th above middle C (bar 8) down to E below middle C (bar 15). As well as some conjunct (stepwise) music in the first vocal phrase, there are some wide, angular leaps, like the diminished 8ve betwe ...
Lesson_LLL_-_Mixture..
... typical case of a borrowed chord since D natural appears in neither C major nor C minor. Furthermore, there is no such thing as a major diatonic II chord. This particular sonority, bII, nonetheless appears quite frequently. It is commonly referred to as a Neapolitan chord and typically appears in fi ...
... typical case of a borrowed chord since D natural appears in neither C major nor C minor. Furthermore, there is no such thing as a major diatonic II chord. This particular sonority, bII, nonetheless appears quite frequently. It is commonly referred to as a Neapolitan chord and typically appears in fi ...
doc Art of Listening Midterm Notes
... - a polyphonic musical texture in which the various melodic lines use approximately the same themes, - results when the various lines sounding together use the same or fairly similar melodies, with one coming in shortly after another. - Non-imitative polyphony occurs when the melodies are essentiall ...
... - a polyphonic musical texture in which the various melodic lines use approximately the same themes, - results when the various lines sounding together use the same or fairly similar melodies, with one coming in shortly after another. - Non-imitative polyphony occurs when the melodies are essentiall ...
rtf
... immediate right of C4 is called C-sharp (and written C#) and produces a sound of frequency 277.2 Hz; it may also be termed D-flat, since it is to the immediate left of D4. “Sharp” notes are slightly higher than their white key namesakes; a “flat” note is a slightly lower frequency than its namesake. ...
... immediate right of C4 is called C-sharp (and written C#) and produces a sound of frequency 277.2 Hz; it may also be termed D-flat, since it is to the immediate left of D4. “Sharp” notes are slightly higher than their white key namesakes; a “flat” note is a slightly lower frequency than its namesake. ...
Notorious Notes
... The stories have been around for thousands of years and are so popular that they have even been made into movies like this one. The music used in this game is from the first movement: The Sea and Sinbad’s Ship. The first music heard is the powerful & threatening theme of the Sultan, played by the br ...
... The stories have been around for thousands of years and are so popular that they have even been made into movies like this one. The music used in this game is from the first movement: The Sea and Sinbad’s Ship. The first music heard is the powerful & threatening theme of the Sultan, played by the br ...
MT Test 1140 sample questions
... C. A large work that combines Vocal soloists, chorus, orchestra, featuring numbers called recitatives, arias, duets. The words or script is called a libretto and the musical drama is often contained in Three, Four or Five Acts. ...
... C. A large work that combines Vocal soloists, chorus, orchestra, featuring numbers called recitatives, arias, duets. The words or script is called a libretto and the musical drama is often contained in Three, Four or Five Acts. ...
Claude Debussy
... Debussy (1862-1918) was in many ways a radical composer; in other words, he made fundamental and far-reaching changes in his approach to composing music. He is often labelled ‘impressionist’ – a term derived from painting, in which outlines are blurred and delicate shades of colour are used. By anal ...
... Debussy (1862-1918) was in many ways a radical composer; in other words, he made fundamental and far-reaching changes in his approach to composing music. He is often labelled ‘impressionist’ – a term derived from painting, in which outlines are blurred and delicate shades of colour are used. By anal ...
Middle School WorkBook
... or 9 (compound) in the upper figure of the time signature, with 3/4 and 9/8 being the most common examples. 24. Key Signature - is a series of sharp symbols or flat symbols placed on the staff, designating notes that are to be consistently played one semitone higher or lower than the equivalent natu ...
... or 9 (compound) in the upper figure of the time signature, with 3/4 and 9/8 being the most common examples. 24. Key Signature - is a series of sharp symbols or flat symbols placed on the staff, designating notes that are to be consistently played one semitone higher or lower than the equivalent natu ...
doc - Philharmonia Orchestra
... Turangalîla, Messiaen uses it rather like he uses the other instruments with durations – the cymbals, the tam-tam – unlike the woodblock and definitely unlike the tambourine. Example And in the same way as the cymbals, the snare drum, the tam-tam, he allocates rhythms, very specific rhythms to the t ...
... Turangalîla, Messiaen uses it rather like he uses the other instruments with durations – the cymbals, the tam-tam – unlike the woodblock and definitely unlike the tambourine. Example And in the same way as the cymbals, the snare drum, the tam-tam, he allocates rhythms, very specific rhythms to the t ...
Latin Polyphony in the Early Spanish Baroque
... antiphonal techniques in a primarily homorhythmic texture. In addition, the reciprocal influences between the polychoral techniques in the Latin works and the numerous villancicos of the period should be closely examined. Capitán's polychoral works exemplify the 'new style' of Latin polyphony in the ...
... antiphonal techniques in a primarily homorhythmic texture. In addition, the reciprocal influences between the polychoral techniques in the Latin works and the numerous villancicos of the period should be closely examined. Capitán's polychoral works exemplify the 'new style' of Latin polyphony in the ...
Shostakovich 1
... • What are the RH chords? • What is the chord in 263? • Therefore what type of cadence is it? ...
... • What are the RH chords? • What is the chord in 263? • Therefore what type of cadence is it? ...
MUSIC THEORY BASIC Jonathan Harnum HOW TO READ, WRITE, AND
... divisi, div. (It): Indication for separate parts written on one staff. To be played by two or more performers. do: The first note (tonic) of a diatonic scale. dodecaphonic: Twelve-tone music. doit: A jazz technique used on brass instruments where a note is bent upwards. dominant: Fifth degree of a m ...
... divisi, div. (It): Indication for separate parts written on one staff. To be played by two or more performers. do: The first note (tonic) of a diatonic scale. dodecaphonic: Twelve-tone music. doit: A jazz technique used on brass instruments where a note is bent upwards. dominant: Fifth degree of a m ...
Composing In the Flesh: Perceptually
... source of dissonance. The roughness caused by rapid beating is difficult to describe in words, but is easily recognized when heard. If one plays the interval of a perfect fifth above middle C on the piano, for example, very little roughness is perceived. The interval of a minor second above the same ...
... source of dissonance. The roughness caused by rapid beating is difficult to describe in words, but is easily recognized when heard. If one plays the interval of a perfect fifth above middle C on the piano, for example, very little roughness is perceived. The interval of a minor second above the same ...
VAN TECH MUSIC MUSIC THEORY LEARNING GUIDE Level IIA
... F♯ C♯ and G♯, then one semitone up from G♯ is A and therefore the key signature would be A Major. ...
... F♯ C♯ and G♯, then one semitone up from G♯ is A and therefore the key signature would be A Major. ...
Figured bass
![](https://commons.wikimedia.org/wiki/Special:FilePath/Purcell_diatonic_chromaticism.png?width=300)
Figured bass, or thoroughbass, is a kind of musical notation in which numerals and symbols indicate intervals, chords, and non-chord tones, in relation to the bass note they are placed above or below. Figured bass is closely associated with basso continuo, a historically improvised accompaniment used in almost all genres of music in the Baroque period, though rarely in modern music.Other systems for denoting or representing chords include plain staff notation, used in classical music; Roman numerals, commonly used in harmonic analysis;macro symbols, sometimes used in modern musicology; the Nashville number system; and various names and symbols used in jazz and popular music.