Time Signatures Demystified
... signature later in the piece. • The numbers are written one above the other, but do not use a line between them (like fractions). • The top number refers to the number of beats in the measure (though not always directly). • The bottom number refers to the beat note (but not always directly). ...
... signature later in the piece. • The numbers are written one above the other, but do not use a line between them (like fractions). • The top number refers to the number of beats in the measure (though not always directly). • The bottom number refers to the beat note (but not always directly). ...
NCEA Level 2 Music (91276) 2012 Assessment Schedule
... Identifies the Roman numerals for a perfect cadence, and notates a perfect cadence in D minor with correct bass notes and durations, and in the upper parts no more than two of the following incorrect: raised leading note (C♯) leading note not doubled stepwise movement from leading note to toni ...
... Identifies the Roman numerals for a perfect cadence, and notates a perfect cadence in D minor with correct bass notes and durations, and in the upper parts no more than two of the following incorrect: raised leading note (C♯) leading note not doubled stepwise movement from leading note to toni ...
MLI: STEP TWO ANALYSIS The MLI`s focus is on critical analysis
... How is the piano theme related to the flute thematic material? Are there similarities between the two themes? State measure numbers where the piano is joined by the flute. Are the themes played in unison or harmonized in some way? Has the initial three-note motif been altered in any way during t ...
... How is the piano theme related to the flute thematic material? Are there similarities between the two themes? State measure numbers where the piano is joined by the flute. Are the themes played in unison or harmonized in some way? Has the initial three-note motif been altered in any way during t ...
Four Concertos Op. 3 - CCARH - CCARH Publications: Scores and
... variable notation of octave doublings. In many passages, the added lower note (not present in Vivaldi’s score but arguably sounded by an accompanying string bass) is written in the usual fashion. Yet in quite a few other instances, the octave doubling is simply written by the figure “8.” under the b ...
... variable notation of octave doublings. In many passages, the added lower note (not present in Vivaldi’s score but arguably sounded by an accompanying string bass) is written in the usual fashion. Yet in quite a few other instances, the octave doubling is simply written by the figure “8.” under the b ...
Choral Ensemble – Word
... 1 – Appropriate, contrasting program and presentation 2 – Most items well chosen and presented 3 – Generally questionable choices and presentation 4 – Consistently weak 5 - Unacceptable in most areas ...
... 1 – Appropriate, contrasting program and presentation 2 – Most items well chosen and presented 3 – Generally questionable choices and presentation 4 – Consistently weak 5 - Unacceptable in most areas ...
Serialism in the Works of Charles Ives
... are indicated by brackets, and each chord has been labeled for convenience of description. The song begins with a statement of the original chord series, chords 1-7, repeated two or three times. Chords 1-6 are fourth-chords in parallel motion, and the series culminates in chord 7 by expanding into a ...
... are indicated by brackets, and each chord has been labeled for convenience of description. The song begins with a statement of the original chord series, chords 1-7, repeated two or three times. Chords 1-6 are fourth-chords in parallel motion, and the series culminates in chord 7 by expanding into a ...
Brass Long term Plan
... Play at a reliable mf (without overblowing) Singing - songs - aural skills ...
... Play at a reliable mf (without overblowing) Singing - songs - aural skills ...
Musical Interval and Ratio
... It is necessary to understand what is interval as my subject topic analyzes ragas analyzes with reference to interval. Here I am giving only that detail about Interval which is related to my works. Different types of Interval is used in Western countries. In Indian music each artiste has their diffe ...
... It is necessary to understand what is interval as my subject topic analyzes ragas analyzes with reference to interval. Here I am giving only that detail about Interval which is related to my works. Different types of Interval is used in Western countries. In Indian music each artiste has their diffe ...
Yihyu lerotzon imrei fi (Ernest Bloch)
... U.S.), composer whose music reflects Jewish cultural and liturgical themes as well as European post-Romantic traditions. His students included Roger Sessions and Randall Thompson. Bloch studied with the noted Swiss composer Émile Jaques-Dalcroze and in Belgium with the violinist Eugène Ysaÿe. From 1 ...
... U.S.), composer whose music reflects Jewish cultural and liturgical themes as well as European post-Romantic traditions. His students included Roger Sessions and Randall Thompson. Bloch studied with the noted Swiss composer Émile Jaques-Dalcroze and in Belgium with the violinist Eugène Ysaÿe. From 1 ...
Harmonic Language in The Legend of Zelda: Ocarina of Time
... prolongation. In contrast to the large octave leaps of the first half, the second half is much more compact, using only neighbour and stepwise motion until the rising arpeggiated cadence. The second half is also harmonically contrasting, using modal mixture in mm. 5 and 6 by lowering all C’s and G’s ...
... prolongation. In contrast to the large octave leaps of the first half, the second half is much more compact, using only neighbour and stepwise motion until the rising arpeggiated cadence. The second half is also harmonically contrasting, using modal mixture in mm. 5 and 6 by lowering all C’s and G’s ...
A Field Guide to Chromaticism
... called chromatically altered chords which aren't in any of the categories we have identified so far, and which are marked by the inclusion of at least one factor which is in neither the major nor any minor scales of one key. They are defined, in part, by genuinely chromatic intervals: the augmented ...
... called chromatically altered chords which aren't in any of the categories we have identified so far, and which are marked by the inclusion of at least one factor which is in neither the major nor any minor scales of one key. They are defined, in part, by genuinely chromatic intervals: the augmented ...
Document
... • Not considered true Jazz because it is composed before it is performed • Solo style • Not improvised, but has improvised feel ...
... • Not considered true Jazz because it is composed before it is performed • Solo style • Not improvised, but has improvised feel ...
286KB - NZQA
... Transcribes the double bass part into the L.H. piano part, with: • FOUR (of 5) pitches correct • key signature • all rests • note / rest alignment correct • all stem directions correct. ...
... Transcribes the double bass part into the L.H. piano part, with: • FOUR (of 5) pitches correct • key signature • all rests • note / rest alignment correct • all stem directions correct. ...
glossary of musical terms - Western Michigan University
... legato: a smooth, connected manner of performing a melody Leitmotif: a short musical "signature tune" associated with a person or concept in a Wagnerian Musikdrama libretto: the sung/spoken text of an opera Lied: (genre) a German-texted art song (usually for one voice with piano accompaniment); plur ...
... legato: a smooth, connected manner of performing a melody Leitmotif: a short musical "signature tune" associated with a person or concept in a Wagnerian Musikdrama libretto: the sung/spoken text of an opera Lied: (genre) a German-texted art song (usually for one voice with piano accompaniment); plur ...
Haydn: London Symphony, No.104
... instrument in only 5 of the final symphonies, and they were not given very much to do! Before beginning the set work analysis, students will need to familiarise themselves with the art of score-reading (possibly starting with a piano score, then a chamber piece before attempting the orchestral score ...
... instrument in only 5 of the final symphonies, and they were not given very much to do! Before beginning the set work analysis, students will need to familiarise themselves with the art of score-reading (possibly starting with a piano score, then a chamber piece before attempting the orchestral score ...
Based Music
... Section III examined how functions can be used in an algorithm to create musical melodies, harmonies. The method of starting with an initial note-set S, applying polynomial functions in order to map to different note-sets, could potentially be used to create an entire composition. For example, with ...
... Section III examined how functions can be used in an algorithm to create musical melodies, harmonies. The method of starting with an initial note-set S, applying polynomial functions in order to map to different note-sets, could potentially be used to create an entire composition. For example, with ...
PDF text - Music Theory Online
... transformations belong to the “cross-type” category; the set class is always changed. They can also be divided into two groups according to the nature of the motion among the three moving voices: those in which the semitonal steps are in parallel motion, and those in which one voice moves contrary t ...
... transformations belong to the “cross-type” category; the set class is always changed. They can also be divided into two groups according to the nature of the motion among the three moving voices: those in which the semitonal steps are in parallel motion, and those in which one voice moves contrary t ...
The Adagio of Beethoven`s Hammerklavier Sonata
... sonata is arguably the most important one out of Beethoven's last four great works in this genre2. It was composed between 1817 and 1818, when Ludwig van Beethoven (1770 – 1827) was already profoundly deaf, and he himself considered it to be his “greatest sonata”. The great first movement has all th ...
... sonata is arguably the most important one out of Beethoven's last four great works in this genre2. It was composed between 1817 and 1818, when Ludwig van Beethoven (1770 – 1827) was already profoundly deaf, and he himself considered it to be his “greatest sonata”. The great first movement has all th ...
ANP_Paper3_MathofMusic
... By definition, every sound with a distinct frequency has a unique pitch. For the purpose of making music, it would be sensible to assign notations to sounds with specific frequencies. Let’s assign the letter “X” to all sounds with a frequency of 261.63 Hz. This frequency seems almost comically speci ...
... By definition, every sound with a distinct frequency has a unique pitch. For the purpose of making music, it would be sensible to assign notations to sounds with specific frequencies. Let’s assign the letter “X” to all sounds with a frequency of 261.63 Hz. This frequency seems almost comically speci ...
Organization of and Searching in Musical Information
... • Joint project of IU, UMass, and Kings College London • Goal: search realistic databases in all three representations • Research Tools – True polyphonic search, i.e., search polyphonic music for polyphonic pattern – Full GUI for complex music notation – Modular architecture: to let users mix and ma ...
... • Joint project of IU, UMass, and Kings College London • Goal: search realistic databases in all three representations • Research Tools – True polyphonic search, i.e., search polyphonic music for polyphonic pattern – Full GUI for complex music notation – Modular architecture: to let users mix and ma ...
Concerto for Double String Orchestra, Movement I
... players have the same melodic line). So, in the final tutti (from bar 220), the number of real parts varies from just three to six. Doubling in this movement is usually in octaves rather than at the unison; but there is also some use of parallel 3rds. Sometimes there is an intense textural clarity b ...
... players have the same melodic line). So, in the final tutti (from bar 220), the number of real parts varies from just three to six. Doubling in this movement is usually in octaves rather than at the unison; but there is also some use of parallel 3rds. Sometimes there is an intense textural clarity b ...
Music: An Appreciation by Roger Kamien 5ed
... Letter names for notes: A B C D E F G Staff Clef signs – Treble – Bass ...
... Letter names for notes: A B C D E F G Staff Clef signs – Treble – Bass ...
Stuart Greenbaum: Natural Satellite Background I: The gravitational
... Leonard Grigoryan. I had an idea to write a piece about moons; and in the ensuing discussions it was mooted that perhaps we could therefore premiere the work at the Melbourne Planetarium. We were p ...
... Leonard Grigoryan. I had an idea to write a piece about moons; and in the ensuing discussions it was mooted that perhaps we could therefore premiere the work at the Melbourne Planetarium. We were p ...
Figured bass
Figured bass, or thoroughbass, is a kind of musical notation in which numerals and symbols indicate intervals, chords, and non-chord tones, in relation to the bass note they are placed above or below. Figured bass is closely associated with basso continuo, a historically improvised accompaniment used in almost all genres of music in the Baroque period, though rarely in modern music.Other systems for denoting or representing chords include plain staff notation, used in classical music; Roman numerals, commonly used in harmonic analysis;macro symbols, sometimes used in modern musicology; the Nashville number system; and various names and symbols used in jazz and popular music.