Scales - University of Rochester
... musical compositions on a musical scale tuned in just intonation and based on the 11-limit tonality diamond, played on instruments he designed and built himself to be played in that tuning. The number of notes varied for a time from about 29 to 55, until he finally settled on a scale of 43 tones to ...
... musical compositions on a musical scale tuned in just intonation and based on the 11-limit tonality diamond, played on instruments he designed and built himself to be played in that tuning. The number of notes varied for a time from about 29 to 55, until he finally settled on a scale of 43 tones to ...
Ostinato - violinsection
... The music from Miles Davis's modal period (c.1958-63) was based on improvising songs with a small number of chords. The jazz standard "So What" uses a vamp in the two-note "Sooooo what?" figure, regularly played by the piano and the trumpet throughout. Jazz scholar Barry Kernfeld calls this music "V ...
... The music from Miles Davis's modal period (c.1958-63) was based on improvising songs with a small number of chords. The jazz standard "So What" uses a vamp in the two-note "Sooooo what?" figure, regularly played by the piano and the trumpet throughout. Jazz scholar Barry Kernfeld calls this music "V ...
WRITING MUSIC DOWN
... could learn it was by listening to other singers and copying them. This is why it took approximately 50 years for Charlemagne’s command to take effect across the whole empire. Once they had learned the Plainchant, the singers had to be able to remember it. Because they relied on their memories so mu ...
... could learn it was by listening to other singers and copying them. This is why it took approximately 50 years for Charlemagne’s command to take effect across the whole empire. Once they had learned the Plainchant, the singers had to be able to remember it. Because they relied on their memories so mu ...
On Ben Johnston`s Notation and the Performance
... has inspired various attempts to find appropriate notations for them. ...
... has inspired various attempts to find appropriate notations for them. ...
Chapter 3: Alto Clef
... What is the purpose of the range? ....................................................................................................... 31 How long does it take to learn how to read sheet music? ................................................................... 31 What do the numbers behind the l ...
... What is the purpose of the range? ....................................................................................................... 31 How long does it take to learn how to read sheet music? ................................................................... 31 What do the numbers behind the l ...
the Curriculum Map
... historical period, composer, musicians perform, cite music performed musical works and explain the and title) a varied body of representative individuals characteristics that cause each exemplary (that is, high- who have functioned in each quality and characteristic) role, and describe their work to ...
... historical period, composer, musicians perform, cite music performed musical works and explain the and title) a varied body of representative individuals characteristics that cause each exemplary (that is, high- who have functioned in each quality and characteristic) role, and describe their work to ...
5. Debussy Prélude à l`après-midi d`un faune
... In Bar 3 the melody expands to cover the range of an octave and it could be viewed as either diatonic or as a minor pentatonic on C#. The arrival of A# in Bar 4 then gives a suggestion of modal influences in that these two bars could be regarded as being in Dorian mode on C#. In his compositions Deb ...
... In Bar 3 the melody expands to cover the range of an octave and it could be viewed as either diatonic or as a minor pentatonic on C#. The arrival of A# in Bar 4 then gives a suggestion of modal influences in that these two bars could be regarded as being in Dorian mode on C#. In his compositions Deb ...
Tonal Music
... What is Tonality?: The word tonic simply refers to the most important note in a piece or section of a piece. Music that follows this principle is called tonal music, whereas music that does not have one note more important than another is called atonal music, or literally without tonic. However, fro ...
... What is Tonality?: The word tonic simply refers to the most important note in a piece or section of a piece. Music that follows this principle is called tonal music, whereas music that does not have one note more important than another is called atonal music, or literally without tonic. However, fro ...
Major Scales - LearnMusicTheory.net
... The lower tetrachord and the upper tetrachord each follow the major tetrachord pattern: W-W-h, with a whole step between them. To visualize the whole step/half step pattern shown above, review 1.2 The Chromatic Scale and the Piano. Remember that E to F and B to C are natural half steps (no accidenta ...
... The lower tetrachord and the upper tetrachord each follow the major tetrachord pattern: W-W-h, with a whole step between them. To visualize the whole step/half step pattern shown above, review 1.2 The Chromatic Scale and the Piano. Remember that E to F and B to C are natural half steps (no accidenta ...
A PRACTICAL GLOSSARY for Twentieth
... “atonal” to refer specifically to non-serial music, such as that written by Schoenberg between 1909 and 1923. axis of symmetry (also known as axis of inversion) — the pitch (or pitches) around which a composition (or part of a composition) is inversionally symmetrical. bimodality — the use of two mo ...
... “atonal” to refer specifically to non-serial music, such as that written by Schoenberg between 1909 and 1923. axis of symmetry (also known as axis of inversion) — the pitch (or pitches) around which a composition (or part of a composition) is inversionally symmetrical. bimodality — the use of two mo ...
chamber music origins - Concert Hall Research Group
... cult of the instrumental virtuosi. Instrumentalists developed playing techniques such as tremolo, vibrato, pizzicato, and other tonal enhancements specific to their instruments. Music composition mirrored the abilities of performers. Ornamentation, such as dotted rhythms, major and minor tonalities, ...
... cult of the instrumental virtuosi. Instrumentalists developed playing techniques such as tremolo, vibrato, pizzicato, and other tonal enhancements specific to their instruments. Music composition mirrored the abilities of performers. Ornamentation, such as dotted rhythms, major and minor tonalities, ...
Composing for Japanese Instruments
... However, traditional shakuhachi music doesn’t use only these five fundamental pitches, it also uses half-holed notes to play other notes from the chromatic scale. These half-holed notes have a very soft sound. For example, a commonly-used pentatonic scale is D, Eb, G, A, Bb. Here the Eb and the Bb w ...
... However, traditional shakuhachi music doesn’t use only these five fundamental pitches, it also uses half-holed notes to play other notes from the chromatic scale. These half-holed notes have a very soft sound. For example, a commonly-used pentatonic scale is D, Eb, G, A, Bb. Here the Eb and the Bb w ...
A player`s handbook
... levels, but it can also be slow, soft and lyrical. Gong kebyar has a complex texture when all the instruments are playing at once, with many different parts moving at different rhythmic densities some quickly, some slowly. The lowest pitched instruments tend to play the most sparsely, and th ...
... levels, but it can also be slow, soft and lyrical. Gong kebyar has a complex texture when all the instruments are playing at once, with many different parts moving at different rhythmic densities some quickly, some slowly. The lowest pitched instruments tend to play the most sparsely, and th ...
PDF text - Music Theory Online
... harmonic framework. Example 4b indicates this by showing the F-minor harmony (Chord 2) as an embellishment of the plagal harmonies of G (Chord 1) and E -minor 7th (Chord 3). The first measure of Example 4b regularizes the octave displacements, showing the voice-leading of the three-note chords as ei ...
... harmonic framework. Example 4b indicates this by showing the F-minor harmony (Chord 2) as an embellishment of the plagal harmonies of G (Chord 1) and E -minor 7th (Chord 3). The first measure of Example 4b regularizes the octave displacements, showing the voice-leading of the three-note chords as ei ...
Intervals and Pitch
... corresponds to human perception. Twelve units of pitch equals one octave. There are two ways to notate pitch: either using a note name (a letter from A-G) and a number to indicate the octave, or using MIDI notation, in which each key on the piano corresponds to a whole number from 21 to 108. Here is ...
... corresponds to human perception. Twelve units of pitch equals one octave. There are two ways to notate pitch: either using a note name (a letter from A-G) and a number to indicate the octave, or using MIDI notation, in which each key on the piano corresponds to a whole number from 21 to 108. Here is ...
File - Music with Mrs. Fash
... M5GM.1 - Singing, alone and with others, a varied repertoire of music 1.a - Sing melodies expressively using appropriate head voice accompanied and unaccompanied. 1.b - Sing and perform with others speech canons, rounds, ostinati, descant, multiple stanzas, partner songs and simple two-part songs. 1 ...
... M5GM.1 - Singing, alone and with others, a varied repertoire of music 1.a - Sing melodies expressively using appropriate head voice accompanied and unaccompanied. 1.b - Sing and perform with others speech canons, rounds, ostinati, descant, multiple stanzas, partner songs and simple two-part songs. 1 ...
AP Theory Syllabus - Chelmsford Public Schools
... Course Objectives: At the end of this course, students should be able to: a. Notate pitch and rhythm in accordance with standard notation practices b. Read melodies in treble, bass, and movable C clefs c. Write, sing, and play major scales and all three forms of minor scales d. Recognize by ear and ...
... Course Objectives: At the end of this course, students should be able to: a. Notate pitch and rhythm in accordance with standard notation practices b. Read melodies in treble, bass, and movable C clefs c. Write, sing, and play major scales and all three forms of minor scales d. Recognize by ear and ...
A Comparison between Genetic and Memetic Algorithm
... chromosome will correct out of scale note to the scale. For example to compose a C Major song, the note C# does not belong to C Major scale. C# will be raised to be D or lowered to be C depending on the random Boolean value. While createMotif() function randomly chooses one bar in the chromosome exc ...
... chromosome will correct out of scale note to the scale. For example to compose a C Major song, the note C# does not belong to C Major scale. C# will be raised to be D or lowered to be C depending on the random Boolean value. While createMotif() function randomly chooses one bar in the chromosome exc ...
Performance Practice: Issues of Authentic
... textural clarity. Text underlay in early' sixteenth-century music becomes much more specific, since composers and scribes were more direct in their notation of underlay. Consequently, modem editors are free to move beyond how the text was set and can exam ine how the text was reflected in the music ...
... textural clarity. Text underlay in early' sixteenth-century music becomes much more specific, since composers and scribes were more direct in their notation of underlay. Consequently, modem editors are free to move beyond how the text was set and can exam ine how the text was reflected in the music ...
Chapter Seven: Melody, Harmony, and Form
... Computer Accompaniment with MIDI - Musical Instrument Digital Interface ...
... Computer Accompaniment with MIDI - Musical Instrument Digital Interface ...
Molly on the Shore for Secondary music students (pdf 1.94 MB)
... Children’s March (Over the Hills and Far Away). Vision of children from around the world and though all eras. ...
... Children’s March (Over the Hills and Far Away). Vision of children from around the world and though all eras. ...
Mathematical Properties of the Melodic M[...]
... I was unable to find much reference to the history of this scale on the internet under its own name. What I did discover is listed in paragraphs 4 and 5 of this section. However, searching the Lydian Dominant or 4th mode of the melodic minor uncovered a wealth of information. This mode of the scale ...
... I was unable to find much reference to the history of this scale on the internet under its own name. What I did discover is listed in paragraphs 4 and 5 of this section. However, searching the Lydian Dominant or 4th mode of the melodic minor uncovered a wealth of information. This mode of the scale ...
Chords symbols and their chords
... underlying reason for this seemingly strange result is that when we are figuring out the size of an interval by counting notes up a scale, we call the lower note note one instead of note zero.] More arithmetic! Notice that the note an octave higher than the first is the eighth, and that 8 is seven m ...
... underlying reason for this seemingly strange result is that when we are figuring out the size of an interval by counting notes up a scale, we call the lower note note one instead of note zero.] More arithmetic! Notice that the note an octave higher than the first is the eighth, and that 8 is seven m ...
SYMPHONY NO.5 Anton Bruckner was fated never to hear at all his
... corresponding section of Beethoven's Ninth has thus drawn us magically and imperceptibly into Bruckner' s ...
... corresponding section of Beethoven's Ninth has thus drawn us magically and imperceptibly into Bruckner' s ...
Figured bass
Figured bass, or thoroughbass, is a kind of musical notation in which numerals and symbols indicate intervals, chords, and non-chord tones, in relation to the bass note they are placed above or below. Figured bass is closely associated with basso continuo, a historically improvised accompaniment used in almost all genres of music in the Baroque period, though rarely in modern music.Other systems for denoting or representing chords include plain staff notation, used in classical music; Roman numerals, commonly used in harmonic analysis;macro symbols, sometimes used in modern musicology; the Nashville number system; and various names and symbols used in jazz and popular music.