JAY MCSHANN's HOOTIE BLUES
... meter changes to 5/4 for the duration of measure 8. I chose to notate it this way as I felt McShann’s phrasing here was best notated in this fashion, particularly in the context of his ruba ...
... meter changes to 5/4 for the duration of measure 8. I chose to notate it this way as I felt McShann’s phrasing here was best notated in this fashion, particularly in the context of his ruba ...
Music Theory Review Guide - Guitar
... Melodic minor scale—a natural minor scale with the sixth and seventh scale degrees raised one half step in the ascending part of the scale, and a return (or re-lowering of the sixth and seventh scale degrees one half step) of the natural minor scale in the descending part of the scale. ...
... Melodic minor scale—a natural minor scale with the sixth and seventh scale degrees raised one half step in the ascending part of the scale, and a return (or re-lowering of the sixth and seventh scale degrees one half step) of the natural minor scale in the descending part of the scale. ...
The Development of the Shared Hand Technique in the 17 and 18
... pauses in the linear motion (ex.2). However, while Buxtehude’s use of shared passagework between the hands is brief and employed for specific purposes only, J.S.Bach’s use of this technique can be observed much more consistently throughout the duration of an entire work. To reach further back into h ...
... pauses in the linear motion (ex.2). However, while Buxtehude’s use of shared passagework between the hands is brief and employed for specific purposes only, J.S.Bach’s use of this technique can be observed much more consistently throughout the duration of an entire work. To reach further back into h ...
HWM II - Composition at Bilkent
... imitating rustic music) but bears some resemblance to the more serious madrigal, one of the major forms of the century. It is light in mood, with a clear four- to six-voice texture, and is characterized by dancelike rhythms, some word painting (musical depiction of certain words like “flight” or “fi ...
... imitating rustic music) but bears some resemblance to the more serious madrigal, one of the major forms of the century. It is light in mood, with a clear four- to six-voice texture, and is characterized by dancelike rhythms, some word painting (musical depiction of certain words like “flight” or “fi ...
Jeopardy - technologytutor
... These two note parts are used by eighth notes, but not half, whole, or quarter notes. ...
... These two note parts are used by eighth notes, but not half, whole, or quarter notes. ...
16. Haydn String Quartet in E flat, Op.33 No. 2, `The Joke`: movement
... aforementioned échappée note but the resolution note on beat two of each bar is quite different – in Bar 1 Violin 1 lands on an F, the consonant fifth note of Chord V, whereas in Bar 3 Violin 1 lands on an E flat, the far more dissonant seventh of the prevailing harmony. This increase in harmonic te ...
... aforementioned échappée note but the resolution note on beat two of each bar is quite different – in Bar 1 Violin 1 lands on an F, the consonant fifth note of Chord V, whereas in Bar 3 Violin 1 lands on an E flat, the far more dissonant seventh of the prevailing harmony. This increase in harmonic te ...
Suggested Notes for 2015 piano syllabus
... - Appreciation of the half-bar anacrusis (typical of a gavotte)which is important in terms placing the main stress. - Phrasing in RH and LH may not start and end in the same place, independence of hands required - LH part is fairly repetitive, like a bass line ostinato - Observe the short but concis ...
... - Appreciation of the half-bar anacrusis (typical of a gavotte)which is important in terms placing the main stress. - Phrasing in RH and LH may not start and end in the same place, independence of hands required - LH part is fairly repetitive, like a bass line ostinato - Observe the short but concis ...
TRADITION AND INDIVIDUAL STYLE IN THE MOTETS OF J.S. BACH
... middle section is an affirmation of Christ as "the Way, the Truth and the Life" and is set in homophonic style with the addition of exuberant polyphony. In the third and final section the text speaks of the death and ascent to Heaven of the soul. The reassurance of the Lutheran faith is mirrored in ...
... middle section is an affirmation of Christ as "the Way, the Truth and the Life" and is set in homophonic style with the addition of exuberant polyphony. In the third and final section the text speaks of the death and ascent to Heaven of the soul. The reassurance of the Lutheran faith is mirrored in ...
16. Haydn String Quartet in E flat, Op.33, No. 2, `The Joke
... quartet was, however, unparalleled; he transformed the medium from the lightweight ‘background’ music found in his Opus 1 quartets to the high art form it became in his final works. With the set of six Op. 33 Quartets, we are almost at the midway point in Haydn’s string quartet output. These quartet ...
... quartet was, however, unparalleled; he transformed the medium from the lightweight ‘background’ music found in his Opus 1 quartets to the high art form it became in his final works. With the set of six Op. 33 Quartets, we are almost at the midway point in Haydn’s string quartet output. These quartet ...
Using Blackboard Systems for Polyphonic Transcription
... • Systems to date generally identify only rhythm, pitch and voice • Would like systems that also identify other notated aspects such as dynamics and vibrato • Ideal is to have system that can identify and understand parameters of music that humans hear but do not notate ...
... • Systems to date generally identify only rhythm, pitch and voice • Would like systems that also identify other notated aspects such as dynamics and vibrato • Ideal is to have system that can identify and understand parameters of music that humans hear but do not notate ...
Blues and Other Popular Styles
... The chords indicated in measure 29 begin with Eb, then change to Eb6, a chord with all the pitches of an E b major triad, plus a major sixth (C) above the root. Pitches added to triads or seventh chords are sometimes called chord extensions. This particular sonority is an added-sixth chord. There ar ...
... The chords indicated in measure 29 begin with Eb, then change to Eb6, a chord with all the pitches of an E b major triad, plus a major sixth (C) above the root. Pitches added to triads or seventh chords are sometimes called chord extensions. This particular sonority is an added-sixth chord. There ar ...
File - Miss Ausman`s Classroom
... 4. __________ is how long or short a tone is. 5. Dynamics are how _______ and _______ the music is. 6. ________ are separated by bar lines and consist of a number of beats. 7. 7. _________ separate each measure. 8. Meter Signatures determine how many ______ per measure and what type of note gets the ...
... 4. __________ is how long or short a tone is. 5. Dynamics are how _______ and _______ the music is. 6. ________ are separated by bar lines and consist of a number of beats. 7. 7. _________ separate each measure. 8. Meter Signatures determine how many ______ per measure and what type of note gets the ...
Music Theory - Fairbanks North Star Borough School District
... Suggested Pacing: second six weeks ...
... Suggested Pacing: second six weeks ...
- MusicTeachers.co.uk
... fluidity of the piece and provides magical moments such as the slip from a D majorbased chord in bar 62 into D- flat major in the following bar. The use of parallel harmonies, another feature typical of Debussy’s style, can also be found in the piece (for example, in the strings in bars 36-37 and 49 ...
... fluidity of the piece and provides magical moments such as the slip from a D majorbased chord in bar 62 into D- flat major in the following bar. The use of parallel harmonies, another feature typical of Debussy’s style, can also be found in the piece (for example, in the strings in bars 36-37 and 49 ...
to read it in Microsoft Word
... to Improvise," published in 1991 by Advance Music. It is an excellent resource laying out the traditional rules of jazz harmony and other concepts. I highly recommend it. From what I learned from Mr. Crook and others, I later derived my own system to solve certain issues that kept coming up in my im ...
... to Improvise," published in 1991 by Advance Music. It is an excellent resource laying out the traditional rules of jazz harmony and other concepts. I highly recommend it. From what I learned from Mr. Crook and others, I later derived my own system to solve certain issues that kept coming up in my im ...
Royal Liverpool Philharmonic Orchestra Programme Notes Online
... Concertantes is a delightful work whether performed in the concert hall or the theatre – not least because of the rhythmic ingenuity, the stylish melodies, the finely focused harmonies and the lucid textures characteristic of the neo-classical manner developed by Stravinsky ever since he had complet ...
... Concertantes is a delightful work whether performed in the concert hall or the theatre – not least because of the rhythmic ingenuity, the stylish melodies, the finely focused harmonies and the lucid textures characteristic of the neo-classical manner developed by Stravinsky ever since he had complet ...
Slightly Out of Tune: The Story of Musical Temperament
... good enough for the music that was being written at the time, because it was simple, and the instruments were simple. Instruments like wooden flutes could only play a simple scale in one key. Even today, there are simple instruments like that, such as the standard blues harmonica with a single diato ...
... good enough for the music that was being written at the time, because it was simple, and the instruments were simple. Instruments like wooden flutes could only play a simple scale in one key. Even today, there are simple instruments like that, such as the standard blues harmonica with a single diato ...
1. Johann Sebastian Bach lived from 1685
... piece. Similarly, Bach uses repetition of his ascending chromatic bass line, but his is basically present throughout the entire fantasia. An obvious unifying factor is the plain virtuosity and flashiness given to the organist in both pieces. Buxtehude’s features a long pedal solo, while Bach’s is s ...
... piece. Similarly, Bach uses repetition of his ascending chromatic bass line, but his is basically present throughout the entire fantasia. An obvious unifying factor is the plain virtuosity and flashiness given to the organist in both pieces. Buxtehude’s features a long pedal solo, while Bach’s is s ...
Indian Classical Music
... feels a lot more exciting than the bits that came before. The players improvise around the melody The gat or Bandish – here the raga really takes off. The tabla player comes in at last! The group plays a pre-composed piece. It’s called a ‘gat’ if it’s for instruments only and a ‘bandish’ if there’s ...
... feels a lot more exciting than the bits that came before. The players improvise around the melody The gat or Bandish – here the raga really takes off. The tabla player comes in at last! The group plays a pre-composed piece. It’s called a ‘gat’ if it’s for instruments only and a ‘bandish’ if there’s ...
Proceedings of the 14th International Conference on Music
... familiarity with Western popular music. Eighty-seven participants were undergraduate students enrolled in one or more music classes at the University of Pittsburgh. Of the other eleven participants, five were composition doctoral or master students, two were music theorists, two were instrument inst ...
... familiarity with Western popular music. Eighty-seven participants were undergraduate students enrolled in one or more music classes at the University of Pittsburgh. Of the other eleven participants, five were composition doctoral or master students, two were music theorists, two were instrument inst ...
Artistic Song Leading (Lesson 1)
... Pitch is the highness or lowness of a tone.. The term "pitch" is used in music to describe the aspect of music that is high or low (i.e. A singer can sing a high note or a low note) This should not be confused with loud or soft but instead is a description of a high pitch (like a child's voice) or a ...
... Pitch is the highness or lowness of a tone.. The term "pitch" is used in music to describe the aspect of music that is high or low (i.e. A singer can sing a high note or a low note) This should not be confused with loud or soft but instead is a description of a high pitch (like a child's voice) or a ...
Chang_ku_0099D_14289_DATA_1 - KU ScholarWorks
... important part of his compositional process. According to Laukvik, "improvisation has for me always, also today, been an important source of ideas."12 On occasion, Laukvik's improvisatory style interacts with an ostinato figure. The first movement of Triptychon, "Improvisation," begins with a short ...
... important part of his compositional process. According to Laukvik, "improvisation has for me always, also today, been an important source of ideas."12 On occasion, Laukvik's improvisatory style interacts with an ostinato figure. The first movement of Triptychon, "Improvisation," begins with a short ...
grade 11 - Department of Basic Education
... • Known as ‘Zulu Blues’, because of the cyclical, repetitive picking of strings on the guitar • The guitar strings are picked rather than strummed • Traditionally maskandi music consists of a song evolving with the singer’s, (usually a male singer) real life experiences, his daily joys, sorrows, etc ...
... • Known as ‘Zulu Blues’, because of the cyclical, repetitive picking of strings on the guitar • The guitar strings are picked rather than strummed • Traditionally maskandi music consists of a song evolving with the singer’s, (usually a male singer) real life experiences, his daily joys, sorrows, etc ...
rudiments of music
... 41. Scales may start from any note, but the use of sharps Dr fiats will be necessary in all Scales except C major, so. as to. obtain the correct order of Tones and Semitones. Majo.r and Mino.r Scales are called Diatonic because each successive note is different in name. The Chromatic Scale is so. ca ...
... 41. Scales may start from any note, but the use of sharps Dr fiats will be necessary in all Scales except C major, so. as to. obtain the correct order of Tones and Semitones. Majo.r and Mino.r Scales are called Diatonic because each successive note is different in name. The Chromatic Scale is so. ca ...
ALTO TROMBONE - irvwagner.com
... blank was inserted for space, and then the next word. You perhaps know that the Bible was the first book to be printed. It is important to imagine the box into which these bars were placed because the box had to be a specified size and the bars placed into the box had to be uniform in order for them ...
... blank was inserted for space, and then the next word. You perhaps know that the Bible was the first book to be printed. It is important to imagine the box into which these bars were placed because the box had to be a specified size and the bars placed into the box had to be uniform in order for them ...
Figured bass
Figured bass, or thoroughbass, is a kind of musical notation in which numerals and symbols indicate intervals, chords, and non-chord tones, in relation to the bass note they are placed above or below. Figured bass is closely associated with basso continuo, a historically improvised accompaniment used in almost all genres of music in the Baroque period, though rarely in modern music.Other systems for denoting or representing chords include plain staff notation, used in classical music; Roman numerals, commonly used in harmonic analysis;macro symbols, sometimes used in modern musicology; the Nashville number system; and various names and symbols used in jazz and popular music.