e-Workbook TECHNIQUES AND MATERIALS OF MUSIC Part I
... All exercises are presented with the necessary blank staves. In the early units, choral voicing or keyboard voicing is specified; in later units the student or instructor is given the choice of voicing. For the sake of simplicity, all the basic part-writing exercises have been notated with stems up ...
... All exercises are presented with the necessary blank staves. In the early units, choral voicing or keyboard voicing is specified; in later units the student or instructor is given the choice of voicing. For the sake of simplicity, all the basic part-writing exercises have been notated with stems up ...
Concerto grosso
... in contrast to the concerto which features a single solo instrument with the melody line, accompanied by the orchestra. The form developed in the late seventeenth century, although the name was not used at first. Alessandro Stradella seems to have written the first music in which two groups of diffe ...
... in contrast to the concerto which features a single solo instrument with the melody line, accompanied by the orchestra. The form developed in the late seventeenth century, although the name was not used at first. Alessandro Stradella seems to have written the first music in which two groups of diffe ...
protestant hymnody: shapenote traditions
... 2000-Present Sacred Harp music included in several major movies set in historic south New conventions founded across country Older, regional community expands to modern national scale ...
... 2000-Present Sacred Harp music included in several major movies set in historic south New conventions founded across country Older, regional community expands to modern national scale ...
Creative Practice as Research
... The chordal language of Movement Three encompasses the dichotomy between classical and jazz interpretations of harmony. The string quintet sections of minuet and trio display classically voiced harmonisations of thematic material. The minuet is set in the key of D major with the trio modulating to t ...
... The chordal language of Movement Three encompasses the dichotomy between classical and jazz interpretations of harmony. The string quintet sections of minuet and trio display classically voiced harmonisations of thematic material. The minuet is set in the key of D major with the trio modulating to t ...
Musical Terminology and Symbols ACCIDENTAL ARTICULATIONS
... METER: The organization of notes in a composition or passage, with respect to time, in such a way that a regular pulse made up of BEATS can be perceived and the duration of each note can be measured in terms of these beats. The beats are grouped regularly into larger units called BARS or MEASURES. M ...
... METER: The organization of notes in a composition or passage, with respect to time, in such a way that a regular pulse made up of BEATS can be perceived and the duration of each note can be measured in terms of these beats. The beats are grouped regularly into larger units called BARS or MEASURES. M ...
How to Dissect Modes to Create New Melodic Material
... the different textures we can create by ‘thinking’ intervals instead of scales. 3-Note Triads In Part One, we used triads to form chords. One triad is 3 skipped 3rds, e.g. C – E – G. However, we do not have to play them simultaneously as a chord. If we play the notes one after another we generate m ...
... the different textures we can create by ‘thinking’ intervals instead of scales. 3-Note Triads In Part One, we used triads to form chords. One triad is 3 skipped 3rds, e.g. C – E – G. However, we do not have to play them simultaneously as a chord. If we play the notes one after another we generate m ...
Unit 1 - Carroll County Schools
... *meter signature *@ time *bar line *measure *question and answer song/phrases Standards Addressed: *AH-EP-1.1.1.a.1.: Rhythm – bar lines, measures, whole notes, half notes, quarter notes (aurally and visually) *AH-EP-1.1.1.a.3: Melody – notes, lines and spaces on treble staff (visually) *AH-P-SA-S-M ...
... *meter signature *@ time *bar line *measure *question and answer song/phrases Standards Addressed: *AH-EP-1.1.1.a.1.: Rhythm – bar lines, measures, whole notes, half notes, quarter notes (aurally and visually) *AH-EP-1.1.1.a.3: Melody – notes, lines and spaces on treble staff (visually) *AH-P-SA-S-M ...
Grade 4 Module 2
... 1. RHYTHM: We can write, read and perform rhythmic notation. Knowledge Understand and read rhythmic notation • Notes: (symbols for sound) o Quarter note (ta) o Eighth notes (ti-ti) - double and single o Half note (ta-a or two--) o Dotted half note (ta-a-a or three--) o Whole note (ta-a-a-a or four-- ...
... 1. RHYTHM: We can write, read and perform rhythmic notation. Knowledge Understand and read rhythmic notation • Notes: (symbols for sound) o Quarter note (ta) o Eighth notes (ti-ti) - double and single o Half note (ta-a or two--) o Dotted half note (ta-a-a or three--) o Whole note (ta-a-a-a or four-- ...
Boland _1
... composer takes care to control the accumulation of all chromatic pitches over the three octave range of the piece. Over the span of the first page, all pitches but one are sounded, from the notated Gb in the clarinet’s chalumeau register to the G# in the clarino register (we don’t hear the pitch B i ...
... composer takes care to control the accumulation of all chromatic pitches over the three octave range of the piece. Over the span of the first page, all pitches but one are sounded, from the notated Gb in the clarinet’s chalumeau register to the G# in the clarino register (we don’t hear the pitch B i ...
Intervals Perfect Intervals
... Intervals An Interval is the distance between two notes. In level one we learned to name intervals by number: ...
... Intervals An Interval is the distance between two notes. In level one we learned to name intervals by number: ...
The figures of Musica poetica in Buxtehude`s Passacaglia in D minor
... showcased in these concerts, but his organ music is the best known today. He wrote pieces in many genres for the organ including canzone, ostinato works, praeludia, chorale settings, chorale fantasias, chorale preludes, chorale variations, suites, and secular variations. This document will focus on ...
... showcased in these concerts, but his organ music is the best known today. He wrote pieces in many genres for the organ including canzone, ostinato works, praeludia, chorale settings, chorale fantasias, chorale preludes, chorale variations, suites, and secular variations. This document will focus on ...
CURRICULUM GUIDE VISUAL/PERFORMING ARTS DEPT
... Unit 1: Fundamentals of Music Notation, Pitch and the Keyboard Unit 2: Note Values and Rhythmic Organization Unit 3: Time Signatures, Dotted Notes, Ties and Slurs Unit 4: Repeat Signs, 1st and 2nd Endings; Eighth Notes/Rests and Dotted Quarter Note Unit 5: Dynamic Signs, Tempo Marks, Articulation an ...
... Unit 1: Fundamentals of Music Notation, Pitch and the Keyboard Unit 2: Note Values and Rhythmic Organization Unit 3: Time Signatures, Dotted Notes, Ties and Slurs Unit 4: Repeat Signs, 1st and 2nd Endings; Eighth Notes/Rests and Dotted Quarter Note Unit 5: Dynamic Signs, Tempo Marks, Articulation an ...
Dictionary of Musical Terms
... swing rhythm......... Eighth notes played in a long-short pattern; dotted eighth notes connected to 16th notes...................... ________ ________ (Eng.) SWING rithm ...
... swing rhythm......... Eighth notes played in a long-short pattern; dotted eighth notes connected to 16th notes...................... ________ ________ (Eng.) SWING rithm ...
POTTER VOICE STUDIO INTERVALS , SCALES , KE Y
... Other Useful Scales Chromatic Scales are made up entirely of half steps. When ascending, the scale uses sharps, when descending it uses flats. ...
... Other Useful Scales Chromatic Scales are made up entirely of half steps. When ascending, the scale uses sharps, when descending it uses flats. ...
Uri Golomb Rhetoric in the Performance of Baroque
... pervasive influence, it is no surprise that it affected music. Many 17th- and 18thcentury theoreticians compared the acts of composition and performance to the creation and delivery of verbal oratory, with reference to the same stages: Inventio (the creation of appropriate thematic materials); Dispo ...
... pervasive influence, it is no surprise that it affected music. Many 17th- and 18thcentury theoreticians compared the acts of composition and performance to the creation and delivery of verbal oratory, with reference to the same stages: Inventio (the creation of appropriate thematic materials); Dispo ...
Good Melodic Writing
... Period: 2-phrase unit where the 2nd one ends more conclusively than the 1st one. (Phrase 1 ends on V; phrase 2 end on I.) Parallel period (a a’), Contrasting period (a b) Symmetrical (e. g. 4 + 4) and asymmetrical (e. g. 3 + 5) periods Three-phrase period (a b c) Double period: 4-phrase unit where t ...
... Period: 2-phrase unit where the 2nd one ends more conclusively than the 1st one. (Phrase 1 ends on V; phrase 2 end on I.) Parallel period (a a’), Contrasting period (a b) Symmetrical (e. g. 4 + 4) and asymmetrical (e. g. 3 + 5) periods Three-phrase period (a b c) Double period: 4-phrase unit where t ...
Cadences - AState.edu
... A cadence is a musical punctuation that signals the end of a section of music. Cadences mark formal seams and confirm the tonality. At a cadence there may be a break in the rhythmic flow as well as the reaching of a harmonic goal. A cadence usually consists of 2 chords. Cadences differ considerably ...
... A cadence is a musical punctuation that signals the end of a section of music. Cadences mark formal seams and confirm the tonality. At a cadence there may be a break in the rhythmic flow as well as the reaching of a harmonic goal. A cadence usually consists of 2 chords. Cadences differ considerably ...
LISTENING GUIDE
... (Based on opening of hymn melody.) Tenors and basses; cadence overlaps with entry of altos. Sopranos enter before final cadence. (Based on lines 3 and 4 of hymn melody.) Paired imitation, ...
... (Based on opening of hymn melody.) Tenors and basses; cadence overlaps with entry of altos. Sopranos enter before final cadence. (Based on lines 3 and 4 of hymn melody.) Paired imitation, ...
An Analysis of Automatic Chord Recognition Procedures for Music
... Music Theory – Chord (cont’d) • By looking at the number of distinct notes which xompose a chord, we categorize the chord as triad, seventh, ninth ,etc. ...
... Music Theory – Chord (cont’d) • By looking at the number of distinct notes which xompose a chord, we categorize the chord as triad, seventh, ninth ,etc. ...
PDF text - Music Theory Online
... as the starting point for two related activities: 1) realization as block chords represented by figured-bass symbols, and 2) a two-voice texture, with a polyphonic melody in the right hand projecting the harmony implied by the figures. This was done both with given motives composed by the present au ...
... as the starting point for two related activities: 1) realization as block chords represented by figured-bass symbols, and 2) a two-voice texture, with a polyphonic melody in the right hand projecting the harmony implied by the figures. This was done both with given motives composed by the present au ...
A Musical Scale Generated from the Ratio of Consecutive Primes
... musical parameters involve prime numbers [4]. The composer’s main aesthetic goal was to saturate the pitch and rhythmic domains with perceivable prime number proportions that over the course of the work become gradually more complex as higher order primes are explored. In that sense, it is a musical ...
... musical parameters involve prime numbers [4]. The composer’s main aesthetic goal was to saturate the pitch and rhythmic domains with perceivable prime number proportions that over the course of the work become gradually more complex as higher order primes are explored. In that sense, it is a musical ...
Write like Mozart – lecture notes Table of Contents
... Parallel period form.......................................................................................................................45 Using a deceptive cadence.............................................................................................................46 Melodic writing...... ...
... Parallel period form.......................................................................................................................45 Using a deceptive cadence.............................................................................................................46 Melodic writing...... ...
Music Chapter 7 new whole chapter New edit 2014sp
... Established a series of notes based on mathematical proportions which became the basis for our modern scale ...
... Established a series of notes based on mathematical proportions which became the basis for our modern scale ...
Playing Musical Tiles - SJU
... produce elements of the scale.2 An alternate technique, an example of just intonation, is to generate a scale with fifths and major thirds (5:4). Although he did not originate just intonation, Euler [9] was the first to represent it as an infinite lattice, a portion of which appears in Figure 2 (lef ...
... produce elements of the scale.2 An alternate technique, an example of just intonation, is to generate a scale with fifths and major thirds (5:4). Although he did not originate just intonation, Euler [9] was the first to represent it as an infinite lattice, a portion of which appears in Figure 2 (lef ...
Pitch Drift in Choral Music - CCRMA
... of four fifths was sung in the just intonation, it would cause a pitch fall of a syntonic comma. However, almost forty years later, Printz praised a fifth tempered by a quarter-comma as “pleasant beating.” Rameau in 1737, stated that “an accompanied singer is guided by the temperament of the instrum ...
... of four fifths was sung in the just intonation, it would cause a pitch fall of a syntonic comma. However, almost forty years later, Printz praised a fifth tempered by a quarter-comma as “pleasant beating.” Rameau in 1737, stated that “an accompanied singer is guided by the temperament of the instrum ...
Figured bass
Figured bass, or thoroughbass, is a kind of musical notation in which numerals and symbols indicate intervals, chords, and non-chord tones, in relation to the bass note they are placed above or below. Figured bass is closely associated with basso continuo, a historically improvised accompaniment used in almost all genres of music in the Baroque period, though rarely in modern music.Other systems for denoting or representing chords include plain staff notation, used in classical music; Roman numerals, commonly used in harmonic analysis;macro symbols, sometimes used in modern musicology; the Nashville number system; and various names and symbols used in jazz and popular music.