![Elements of Music](http://s1.studyres.com/store/data/000675448_1-4e2c76809e86b68ea6d443382a4cc7d7-300x300.png)
Elements of Music
... a. When the nature of a melody is such that it can be performed in two or more parts starting at different points, it is a canon or round. b. When several melodies of individual design are performed simultaneously, polyphonic or contrapuntal music results. 5. Chords are constructed and used accordin ...
... a. When the nature of a melody is such that it can be performed in two or more parts starting at different points, it is a canon or round. b. When several melodies of individual design are performed simultaneously, polyphonic or contrapuntal music results. 5. Chords are constructed and used accordin ...
Pitch vs Frequency There is a relationship between pitch and
... how close together they are, there is always some other frequency. However, for the purpose of music, this infinitude of possibilities it too great. Over the centuries, the set of all possible frequencies has been categorized into a finite set of frequencies which are used in the playing of music. T ...
... how close together they are, there is always some other frequency. However, for the purpose of music, this infinitude of possibilities it too great. Over the centuries, the set of all possible frequencies has been categorized into a finite set of frequencies which are used in the playing of music. T ...
MY TURN - Jeffrey Solow
... even if there were no doubt about the articulations that Bach wrote, how he intended them to be played would remain unresolved. (The currently popular notion that the bow must change direction with every written slur is odd and limiting. What a bowing sounds like is significant, not what it looks li ...
... even if there were no doubt about the articulations that Bach wrote, how he intended them to be played would remain unresolved. (The currently popular notion that the bow must change direction with every written slur is odd and limiting. What a bowing sounds like is significant, not what it looks li ...
intervals and scales
... An interval is the difference between two pitches; a semitone (or half step) is the smallest interval. If you imagine a piano keyboard, a semitone is the “distance” between a white piano key and an adjacent black piano key. You’ll also notice that there is no black note between E and F or between B ...
... An interval is the difference between two pitches; a semitone (or half step) is the smallest interval. If you imagine a piano keyboard, a semitone is the “distance” between a white piano key and an adjacent black piano key. You’ll also notice that there is no black note between E and F or between B ...
Untitled document.docx
... Explain how three composers of the romantic era used programme music to great effect, referring to tonality and expressive use of resources. In Berlioz’s Symphonie Fantastique, the composer uses tonality for expressive purposes, to describe the many disturbing visions of an infatuated artist. The fi ...
... Explain how three composers of the romantic era used programme music to great effect, referring to tonality and expressive use of resources. In Berlioz’s Symphonie Fantastique, the composer uses tonality for expressive purposes, to describe the many disturbing visions of an infatuated artist. The fi ...
Notes - Stanford University
... so that the horizontal axis indicates normal atmospheric air pressure without the perturbation of sound. The shape of the functions in these graphs is called the waveform. We have drawn the wave to be periodic, meaning that it is a repetition of the same pattern across space, and indeed, a musical p ...
... so that the horizontal axis indicates normal atmospheric air pressure without the perturbation of sound. The shape of the functions in these graphs is called the waveform. We have drawn the wave to be periodic, meaning that it is a repetition of the same pattern across space, and indeed, a musical p ...
the big picture: the late middle ages and early
... musical structure as the French Ballade (AAB), but the poetic pattern is distinctly different. The two A sections (occasionally a third A is added) each consist of three lines of poetry, which are then followed by a two-line ritornello, designated as B. Jacopo da Bologna’s madrigal Non al suo amante ...
... musical structure as the French Ballade (AAB), but the poetic pattern is distinctly different. The two A sections (occasionally a third A is added) each consist of three lines of poetry, which are then followed by a two-line ritornello, designated as B. Jacopo da Bologna’s madrigal Non al suo amante ...
44. Jerry Goldsmith Planet of the Apes: The Hunt (opening)
... 11-22: Piano motif in the form of a riff, now on G instead of C. Two more important motifs introduced for the first time: long held violin note with a crescendo to a discord (Bar 13) and rapid three-note figure on xylophone, flutes and piccolo. The ideas are repeated over the same riff from Bar 15, ...
... 11-22: Piano motif in the form of a riff, now on G instead of C. Two more important motifs introduced for the first time: long held violin note with a crescendo to a discord (Bar 13) and rapid three-note figure on xylophone, flutes and piccolo. The ideas are repeated over the same riff from Bar 15, ...
1 VIRGIN MUSIC (By Peter L.P. Simpson) Post Modernism Among
... Yet the piling up of notes and sounds in modern Western music is not just a matter of having many sounds coming from one and the same instrument, as in the Goldberg Variations, but also of having many sounds coming from many instruments, as in the Brandenburg Concertos. For another feature of Wester ...
... Yet the piling up of notes and sounds in modern Western music is not just a matter of having many sounds coming from one and the same instrument, as in the Goldberg Variations, but also of having many sounds coming from many instruments, as in the Brandenburg Concertos. For another feature of Wester ...
Phrase Painting and Goal Orientation In Two Late Gesualdo Madrigals
... shed some light on a number of the more unusual sonorities and chord progressions found within these madrigals by providing a new framework from which to begin analysis. For example, the idea of phrase painting can be applied in many instances to show the origin of certain non-Renaissance sonorities ...
... shed some light on a number of the more unusual sonorities and chord progressions found within these madrigals by providing a new framework from which to begin analysis. For example, the idea of phrase painting can be applied in many instances to show the origin of certain non-Renaissance sonorities ...
Evolution and Structure in Flamenco Harmony
... has been attributed primarily to Greco-Roman influence," but may well have been reinforced by Moorish music, and in particular by the popularity, past and present, of the maqiim Bayati, whose basic scale differs from the Phrygian scale only in using a neutral second degree (i.e., F half-sharp) rathe ...
... has been attributed primarily to Greco-Roman influence," but may well have been reinforced by Moorish music, and in particular by the popularity, past and present, of the maqiim Bayati, whose basic scale differs from the Phrygian scale only in using a neutral second degree (i.e., F half-sharp) rathe ...
投影片 1
... some systems of thought Does the rational pitch organisation make any sense in aural effects ...
... some systems of thought Does the rational pitch organisation make any sense in aural effects ...
Master Your Theory Grade 1
... Copy these'notes above and below the bass stave writing their names beneath. Notice that middle C may be written on the first leger line above the bass stave as well as on the first leger line below the treble stave. Remember these two different ways of writing the same ...
... Copy these'notes above and below the bass stave writing their names beneath. Notice that middle C may be written on the first leger line above the bass stave as well as on the first leger line below the treble stave. Remember these two different ways of writing the same ...
THE KEYBOARD MUSIC OF JEAN-PHILIPPE RAMEAU: IS THIS
... containing the vast Suite in A minor which ends with what is probably Rameau’s best-known keyboard work, the Gavotte and Variations. The collection also includes 9 genre pieces in G (major and minor), among these is Rameau’s other birdsong piece, La Poule (The Hen). As with the 1724 set, Rameau begi ...
... containing the vast Suite in A minor which ends with what is probably Rameau’s best-known keyboard work, the Gavotte and Variations. The collection also includes 9 genre pieces in G (major and minor), among these is Rameau’s other birdsong piece, La Poule (The Hen). As with the 1724 set, Rameau begi ...
Harmonic Techniques in Maurice Ravel`s Opera L
... belonging to the harmony set forth by the woodwinds: B♭ and D. The disparity in volume between the pizzicato strings and the blasting woodwinds result in the B♭ and D of the strings carrying relatively little impact in defining the harmony, merely adding color to the Fmaj7♯5 chord. These two notes, ...
... belonging to the harmony set forth by the woodwinds: B♭ and D. The disparity in volume between the pizzicato strings and the blasting woodwinds result in the B♭ and D of the strings carrying relatively little impact in defining the harmony, merely adding color to the Fmaj7♯5 chord. These two notes, ...
Woodwind Long term Plan
... Play at a reliable mf (without overblowing) Singing - songs - aural skills ...
... Play at a reliable mf (without overblowing) Singing - songs - aural skills ...
Reading Music The Treble Clef A treble clef symbol tells you that the
... This approximation then leads to a digital filter implementation (difference equation), whose response yields samples of an exponential curve. In addition, a gain parameter is allowed for to control the speed at which the exponential reaches the target value. The difference equation is given by a si ...
... This approximation then leads to a digital filter implementation (difference equation), whose response yields samples of an exponential curve. In addition, a gain parameter is allowed for to control the speed at which the exponential reaches the target value. The difference equation is given by a si ...
bebop
... improvisation, the only threads holding the work together being the underlying harmonies played by the rhythm section. Sometimes improvisation included references to the original melody or to other well-known melodic lines ("allusions," or "riffs"). Sometimes they were entirely original, spontaneous ...
... improvisation, the only threads holding the work together being the underlying harmonies played by the rhythm section. Sometimes improvisation included references to the original melody or to other well-known melodic lines ("allusions," or "riffs"). Sometimes they were entirely original, spontaneous ...
Musical Acoustics Interval, Scales, Tuning and Temperament
... particular “C” by one of the fractions in the table above gives the frequency of the note above that fraction. • Table on right shows the full list of frequency intervals ...
... particular “C” by one of the fractions in the table above gives the frequency of the note above that fraction. • Table on right shows the full list of frequency intervals ...
Music Theory Essay. - Guitar Master Class
... B C D E F G). The notes we usually use are made relative to a reference frequency of 440Hz. This reference frequency is given the name A. The difference between two pitches or notes is called an interval. If we play two notes of the same pitch then we say they are in unison. Doubling the frequency o ...
... B C D E F G). The notes we usually use are made relative to a reference frequency of 440Hz. This reference frequency is given the name A. The difference between two pitches or notes is called an interval. If we play two notes of the same pitch then we say they are in unison. Doubling the frequency o ...
Review of Music Rudiments
... White key mode from C to C Major Scales use this succession of Tones and Semitones starting on any pitch For Example: D Major = D, E, F#, G, A, B, C#. Key of D Major - uses this scale melodically F Major: F, G, A, Bb, C, D, E. Key of F Major uses this scale melodically Notice how in both s ...
... White key mode from C to C Major Scales use this succession of Tones and Semitones starting on any pitch For Example: D Major = D, E, F#, G, A, B, C#. Key of D Major - uses this scale melodically F Major: F, G, A, Bb, C, D, E. Key of F Major uses this scale melodically Notice how in both s ...
Chapter 8 Intervals - G Major Music Theory
... • A distance of 8 notes counted in this way is called an octave (8ve). • The notes of a 2nd are written beside each other, not on top of each other. ...
... • A distance of 8 notes counted in this way is called an octave (8ve). • The notes of a 2nd are written beside each other, not on top of each other. ...
pour La Luth ò Cembal
... The presumption that the Prelude, Fugue, and Allegro was written for the luteharpsichord immediately raises a difficult question: if Bach wrote the work for the luteharpsichord and not the lute or harpsichord, why did he not specify it that way? Bach was certainly aware of the instrument's existence ...
... The presumption that the Prelude, Fugue, and Allegro was written for the luteharpsichord immediately raises a difficult question: if Bach wrote the work for the luteharpsichord and not the lute or harpsichord, why did he not specify it that way? Bach was certainly aware of the instrument's existence ...
Figured bass
![](https://commons.wikimedia.org/wiki/Special:FilePath/Purcell_diatonic_chromaticism.png?width=300)
Figured bass, or thoroughbass, is a kind of musical notation in which numerals and symbols indicate intervals, chords, and non-chord tones, in relation to the bass note they are placed above or below. Figured bass is closely associated with basso continuo, a historically improvised accompaniment used in almost all genres of music in the Baroque period, though rarely in modern music.Other systems for denoting or representing chords include plain staff notation, used in classical music; Roman numerals, commonly used in harmonic analysis;macro symbols, sometimes used in modern musicology; the Nashville number system; and various names and symbols used in jazz and popular music.