Baroque music - WordPress.com
... teachings became prominent in the classical and romantic eras as composers rediscovered the harmonic and melodic subtleties of his works. Georg Philipp Telemann was the most famous instrumental composer of his time, and massively prolific— even by the standards of an age where composers had to produ ...
... teachings became prominent in the classical and romantic eras as composers rediscovered the harmonic and melodic subtleties of his works. Georg Philipp Telemann was the most famous instrumental composer of his time, and massively prolific— even by the standards of an age where composers had to produ ...
Analysis and Comparison of two Thematically Similar Chamber
... At the time of writing this paper, only a guitar arrangement of the Cello Suite was available for analysis and reference. The excerpts have been transposed to the key of D major to accommodate the guitar. In the paper, I will refer to any chords or notes as they would be written in the key of G and, ...
... At the time of writing this paper, only a guitar arrangement of the Cello Suite was available for analysis and reference. The excerpts have been transposed to the key of D major to accommodate the guitar. In the paper, I will refer to any chords or notes as they would be written in the key of G and, ...
Benward Chapter 9
... After the Middle Ages, composers avoided writing successions of perfect intervals. However, at the end of the nineteenth century, composers such as Debussy again became fascinated with the sounds of fifths. ...
... After the Middle Ages, composers avoided writing successions of perfect intervals. However, at the end of the nineteenth century, composers such as Debussy again became fascinated with the sounds of fifths. ...
1 Basic Tuning for the Autoharp Introduction Setting The Foundation
... Scales starting on re or mi, etc., are "modes" within a key and may often result in the key being referred to as the name of the triad which can be formed at the first step of the scale rather than its major key, e.g., E minor (Aeolian mode starting on la (6th step) from within the G major key). Key ...
... Scales starting on re or mi, etc., are "modes" within a key and may often result in the key being referred to as the name of the triad which can be formed at the first step of the scale rather than its major key, e.g., E minor (Aeolian mode starting on la (6th step) from within the G major key). Key ...
IGCSE Music Prescribed Works Wolfgang Amadeus Mozart Piano
... London in 1764. The concertos were written 8 years later in 1772. In all seven of these concertos the piano part is the original sonata movement. Mozart added his own orchestral accompaniment and wrote his own orchestral ritornellos. The first movements (binary form) have four ritornellos: One at ...
... London in 1764. The concertos were written 8 years later in 1772. In all seven of these concertos the piano part is the original sonata movement. Mozart added his own orchestral accompaniment and wrote his own orchestral ritornellos. The first movements (binary form) have four ritornellos: One at ...
Introduction Local Boundary Detection Model Study of Expressive Timing (LBDM)
... Seven complete Mozart Sonatas were performed by a professional musician and monitored by computer. The LBDM and timing deviation curves were ...
... Seven complete Mozart Sonatas were performed by a professional musician and monitored by computer. The LBDM and timing deviation curves were ...
Russians in Paris
... Russians in Paris: Alexander Scriabin (1872‐1915) Scriabin was a musical descendent of the “Russian Five” (Rimsky‐Korsakov, Mussorgsky, Borodin, Balakirev, Cui), especially Balakirev. He wrote mostly piano or orchestral works; early piano works show influence of Chopin. He was very interested i ...
... Russians in Paris: Alexander Scriabin (1872‐1915) Scriabin was a musical descendent of the “Russian Five” (Rimsky‐Korsakov, Mussorgsky, Borodin, Balakirev, Cui), especially Balakirev. He wrote mostly piano or orchestral works; early piano works show influence of Chopin. He was very interested i ...
NCEA Level 1 Music (91094) 2011 Assessment Schedule
... short and detached / given less than its full duration. ...
... short and detached / given less than its full duration. ...
a PDF version of this work.
... are fairly rare as they are static, and do not advance the individual line. It is rather unusual to see them paired together and placed on the strong portion of the beat. Chopin uses them here as an expressive gesture. They project the melody, which is more important than aligning the harmonies on t ...
... are fairly rare as they are static, and do not advance the individual line. It is rather unusual to see them paired together and placed on the strong portion of the beat. Chopin uses them here as an expressive gesture. They project the melody, which is more important than aligning the harmonies on t ...
LISTEN!
... Accompaniment often for full orchestra An aria tends to focus on one emotion • Elements of music used methodically to express that emotion ...
... Accompaniment often for full orchestra An aria tends to focus on one emotion • Elements of music used methodically to express that emotion ...
The Circle of 5ths and Chord Progressions
... around the circle. At the key of F# or C# it becomes easier to use flats instead of sharps. The keys of Gb and F# are called “enharmonic”. The pitch is the same. Only the nomenclature is different. Db and C# are enharmonic. So are B and Cb. The order of keys on the Circle of 5ths reveals an interest ...
... around the circle. At the key of F# or C# it becomes easier to use flats instead of sharps. The keys of Gb and F# are called “enharmonic”. The pitch is the same. Only the nomenclature is different. Db and C# are enharmonic. So are B and Cb. The order of keys on the Circle of 5ths reveals an interest ...
Bernstein - Fulford School : VLE
... Begins in a bluesy F, moves to Bb from b.13 (note pedal F) From b.20-61 tied down to a sort of G minor, because of the repetition of G-Bb in the lower timpani/piano. Note entry of 2nd timpani a tritone higher in b.26 Sax tune is based around G (=E on sax) with bluesy inflections and repeated a major ...
... Begins in a bluesy F, moves to Bb from b.13 (note pedal F) From b.20-61 tied down to a sort of G minor, because of the repetition of G-Bb in the lower timpani/piano. Note entry of 2nd timpani a tritone higher in b.26 Sax tune is based around G (=E on sax) with bluesy inflections and repeated a major ...
João Bosco: mar de criatividade
... myself: where does it come from the sea of creativity that flows into his songs? It is most interesting that such melodic and harmonic creativity should sound so natural. I am also struck by the fact that João, who never studied music theory or harmony, should have mastered such technique and practi ...
... myself: where does it come from the sea of creativity that flows into his songs? It is most interesting that such melodic and harmonic creativity should sound so natural. I am also struck by the fact that João, who never studied music theory or harmony, should have mastered such technique and practi ...
Baroque Theory Quiz
... Identify the genre of each excerpt you hear. 16. [Listen to the excerpt.] a. overture b. recitative c. aria d. chorus 17. [Listen to the excerpt.] a. overture b. recitative c. aria d. chorus 18. [Listen to the excerpt.] a. gigue b. sarabande c. minuet d. allemande 19. [Listen to the excerpt.] a. gig ...
... Identify the genre of each excerpt you hear. 16. [Listen to the excerpt.] a. overture b. recitative c. aria d. chorus 17. [Listen to the excerpt.] a. overture b. recitative c. aria d. chorus 18. [Listen to the excerpt.] a. gigue b. sarabande c. minuet d. allemande 19. [Listen to the excerpt.] a. gig ...
Sound Performing Media
... Louis Armstrong, nicknamed Satchmo or Pops, was an American jazz trumpeter and singer from New Orleans, Louisiana. Coming to prominence in the 1920s as an "inventive" trumpet and cornet player, Armstrong was a foundational influence in jazz, shifting the focus of the music from collective improvisa ...
... Louis Armstrong, nicknamed Satchmo or Pops, was an American jazz trumpeter and singer from New Orleans, Louisiana. Coming to prominence in the 1920s as an "inventive" trumpet and cornet player, Armstrong was a foundational influence in jazz, shifting the focus of the music from collective improvisa ...
supplementaryMaterial_08Dec15
... piano, beginning on C, form a Major scale (C, D, E, F, G, A, B, C). The scale degrees form a hierarchy of stability (the tonal hierarchy), enabling notes to be used for different structural purposes throughout a musical piece (e.g., highly stable notes are more likely to occur at boundaries than uns ...
... piano, beginning on C, form a Major scale (C, D, E, F, G, A, B, C). The scale degrees form a hierarchy of stability (the tonal hierarchy), enabling notes to be used for different structural purposes throughout a musical piece (e.g., highly stable notes are more likely to occur at boundaries than uns ...
6th Grade Planned Course Guide - Penn
... 9. Perform music in multiple voice parts. 10. Perform music with accompaniment and without accompaniment (a cappella). 11. Perform with other singers to achieve a blended ensemble sound characteristic of the music being performed at the level. C. Describe, analyze, and create music. The student will ...
... 9. Perform music in multiple voice parts. 10. Perform music with accompaniment and without accompaniment (a cappella). 11. Perform with other singers to achieve a blended ensemble sound characteristic of the music being performed at the level. C. Describe, analyze, and create music. The student will ...
Music - Tom Newby School
... Hallelujah – Lou Reid (from Shrek) Christmas Song – Alvin and the Chipmunks (http://www.youtube.com/watch?v=whY9MKlvisI) ...
... Hallelujah – Lou Reid (from Shrek) Christmas Song – Alvin and the Chipmunks (http://www.youtube.com/watch?v=whY9MKlvisI) ...
CMS
... elements of music through study of notation systems 1.3.5.B.1 Study notation systems in treble and bass clefs 1.3.5.B.4 Analyze the use of rhythmic notation in musical scores 1.1.5.B.1 Explain the function of a time signature and how it affects the music that it relates to 1.1.5.B.1 Explain how flat ...
... elements of music through study of notation systems 1.3.5.B.1 Study notation systems in treble and bass clefs 1.3.5.B.4 Analyze the use of rhythmic notation in musical scores 1.1.5.B.1 Explain the function of a time signature and how it affects the music that it relates to 1.1.5.B.1 Explain how flat ...
Introducing Triads - LearnMusicTheory.net
... LearnMusicTheory.net High-Yield Music Theory, Vol. 1: Music Theory Fundamentals ...
... LearnMusicTheory.net High-Yield Music Theory, Vol. 1: Music Theory Fundamentals ...
Vocabulary List for Music and Movies
... Motif – a short repeating pattern within music, which can include rhythmic and/or melodic material. Mode – music is generally written in major or minor mode, but there are also other modes, known as medieval modes (see below). Interval – the distance between two notes Texture – the density of the mu ...
... Motif – a short repeating pattern within music, which can include rhythmic and/or melodic material. Mode – music is generally written in major or minor mode, but there are also other modes, known as medieval modes (see below). Interval – the distance between two notes Texture – the density of the mu ...
There are three basic musical textures: monophony, polyphony, and
... (1839-1881) was inspired by an exhibition of paintings by his close friend, Victor Hartmann (1834-1873). Samuel Goldenberg and Schmuyle, a movement from this piece, portrays two men discussing a debt. One of them, Goldenberg (represented as Theme 1), is rich and powerful while the other, Schmuyle (T ...
... (1839-1881) was inspired by an exhibition of paintings by his close friend, Victor Hartmann (1834-1873). Samuel Goldenberg and Schmuyle, a movement from this piece, portrays two men discussing a debt. One of them, Goldenberg (represented as Theme 1), is rich and powerful while the other, Schmuyle (T ...
Frivolity Considered one of history`s greatest xylophone players
... proclaimed “the fastest, most artistic, and most wonderful xylophonist and soloist in this country or abroad.” He was one of the most popular artists in recorded history, acting as soloist, composer, arranger, and as part of various groups including All Star Trio, Green Brothers’ Xylophone Orchestra ...
... proclaimed “the fastest, most artistic, and most wonderful xylophonist and soloist in this country or abroad.” He was one of the most popular artists in recorded history, acting as soloist, composer, arranger, and as part of various groups including All Star Trio, Green Brothers’ Xylophone Orchestra ...
example - davenantperformingarts
... which is similar to my piece however mine also uses a bass guitar. The piano part plays chords with use of ad libbing also which I also do in my composition. Chariot also begins with a short piano introduction before the other instruments join in however when all the instruments begin to play the ...
... which is similar to my piece however mine also uses a bass guitar. The piano part plays chords with use of ad libbing also which I also do in my composition. Chariot also begins with a short piano introduction before the other instruments join in however when all the instruments begin to play the ...
Figured bass
Figured bass, or thoroughbass, is a kind of musical notation in which numerals and symbols indicate intervals, chords, and non-chord tones, in relation to the bass note they are placed above or below. Figured bass is closely associated with basso continuo, a historically improvised accompaniment used in almost all genres of music in the Baroque period, though rarely in modern music.Other systems for denoting or representing chords include plain staff notation, used in classical music; Roman numerals, commonly used in harmonic analysis;macro symbols, sometimes used in modern musicology; the Nashville number system; and various names and symbols used in jazz and popular music.