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Analysis - Cary Academy
... The Clarninet Concertino is, as apparent from the sheet music, written in a polyphonic form with a homophonic textured accompaniment. Although it is seen here as a clarinet-piano duet, the piece can be adapted into an orchestral unit. The piece is in c minor. The accompaniment does not deviate vary ...
... The Clarninet Concertino is, as apparent from the sheet music, written in a polyphonic form with a homophonic textured accompaniment. Although it is seen here as a clarinet-piano duet, the piece can be adapted into an orchestral unit. The piece is in c minor. The accompaniment does not deviate vary ...
File
... subject group. Balanced phrases do occur (eg. the pair of 2 bar phrases at the beginning), with antecedent and consequent. Appoggiaturas and accented passing notes are essentially a harmonic feature but they do form an essential characteristic of the melody line. Even the first note is really an ...
... subject group. Balanced phrases do occur (eg. the pair of 2 bar phrases at the beginning), with antecedent and consequent. Appoggiaturas and accented passing notes are essentially a harmonic feature but they do form an essential characteristic of the melody line. Even the first note is really an ...
Using an Evolutionary Algorithm to Generate Four-Part
... which not only would cripple the algorithm, but also would slow down the overall process so tremendously as to make it basically untenable to achieve meaningful results. Potential uses for an algorithm of this type include verification of previously written chorales (including grading student effort ...
... which not only would cripple the algorithm, but also would slow down the overall process so tremendously as to make it basically untenable to achieve meaningful results. Potential uses for an algorithm of this type include verification of previously written chorales (including grading student effort ...
NON-SERIAL ATONALITY ATONAL MUSIC
... respectively); a type of "fixed do" notation; use numbers so that we can add and subtract intervals (to transpose a melody or sequence of notes to another pitch level). mod(ulo) 12 -- a numerical system that contains only the numbers 0-11 (12 numbers). Therefore, -12 = 0 = 12 = 24 and -13 = -1 = 23 ...
... respectively); a type of "fixed do" notation; use numbers so that we can add and subtract intervals (to transpose a melody or sequence of notes to another pitch level). mod(ulo) 12 -- a numerical system that contains only the numbers 0-11 (12 numbers). Therefore, -12 = 0 = 12 = 24 and -13 = -1 = 23 ...
CADENCES AND PHRASES
... pause. There are four basic types of cadences and each is defined by its specific use of harmony. The music between cadences is called a phrase. Cadences separate phrases and act very much like grammatical periods while musical phrases are like grammatical sentences. These devices are important in m ...
... pause. There are four basic types of cadences and each is defined by its specific use of harmony. The music between cadences is called a phrase. Cadences separate phrases and act very much like grammatical periods while musical phrases are like grammatical sentences. These devices are important in m ...
In the Style of: George Benson Blues!
... To really get into the essence of George Benson's playing style, listen to as much of his playing as possible. A wonderful example of his jazz blues style playing is a famous recording from his 1968 album Giblet Gravy entitled Billies Bounce (a tune originally by Charlie Parker). Be sure to check ou ...
... To really get into the essence of George Benson's playing style, listen to as much of his playing as possible. A wonderful example of his jazz blues style playing is a famous recording from his 1968 album Giblet Gravy entitled Billies Bounce (a tune originally by Charlie Parker). Be sure to check ou ...
A Small Selection from among the Many Things that I Still Do Not
... slightly earlier years are so similar that I was surprised to find that no one seems to have noticed or asked questions about this. I do hint at a connection in my book,7 but I feel that the whole area needs to be researched with this issue in mind. After all, Lutheran composers adapted to their use ...
... slightly earlier years are so similar that I was surprised to find that no one seems to have noticed or asked questions about this. I do hint at a connection in my book,7 but I feel that the whole area needs to be researched with this issue in mind. After all, Lutheran composers adapted to their use ...
history of Western music
... about 1450 until about 1550 most of the important musical posts in Europe were held by composers born in present-day Holland, Belgium, and the adjoining French territories. These composers are often called Netherlanders after the name of their native region. In general, the Netherlanders preferred a ...
... about 1450 until about 1550 most of the important musical posts in Europe were held by composers born in present-day Holland, Belgium, and the adjoining French territories. These composers are often called Netherlanders after the name of their native region. In general, the Netherlanders preferred a ...
LE CARNAVAL DES ANIMAUX (THE CARNIVAL OF
... makes or characterizing the way it moves or carries itself. The piece is scored for the following instruments: • Two Solo Pianos • Flute/piccolo • Clarinet • Violin • Viola • Cello • Double bass • Glass harmonica • Xylophone At the time that he wrote The Carnival of the Animals, Saint-Saëns was a fa ...
... makes or characterizing the way it moves or carries itself. The piece is scored for the following instruments: • Two Solo Pianos • Flute/piccolo • Clarinet • Violin • Viola • Cello • Double bass • Glass harmonica • Xylophone At the time that he wrote The Carnival of the Animals, Saint-Saëns was a fa ...
New Proposals 2016 Neapolitan Sacred Music in the time of Pergolesi
... that has been totally ignored until now. there are, in fact, very few compositions on this gospel text before the famous bach setting, and even less in southern italy where only Alessandro Scarlatti’s johannes passion was available for modern audience. The two scores, as discovered by the musicologi ...
... that has been totally ignored until now. there are, in fact, very few compositions on this gospel text before the famous bach setting, and even less in southern italy where only Alessandro Scarlatti’s johannes passion was available for modern audience. The two scores, as discovered by the musicologi ...
A Periodicity-Based Approach on Harmony Perception Including
... e.g. major and minor triads, differently with respect to their sonority. These judgements of listeners have a strong psychophysical basis. Therefore, harmony perception often is explained by the notions of dissonance and tension, focussing on the sonority of intervals and triads, i.e. chords only. I ...
... e.g. major and minor triads, differently with respect to their sonority. These judgements of listeners have a strong psychophysical basis. Therefore, harmony perception often is explained by the notions of dissonance and tension, focussing on the sonority of intervals and triads, i.e. chords only. I ...
Orchestral Texture and Unison Composition
... flute playing an octave higher, although the flute is playing in its prominent register and carries further, the clarinet provides a warmth and fuller tone than if the flute was played solo. Example 3 introduces an idea where I demonstrate the use of a quiet tone of the clarinet and then in example ...
... flute playing an octave higher, although the flute is playing in its prominent register and carries further, the clarinet provides a warmth and fuller tone than if the flute was played solo. Example 3 introduces an idea where I demonstrate the use of a quiet tone of the clarinet and then in example ...
Minor Thirds
... (Akutagawa, 1971) is that the minor key is critically different from the major key due to its short distance ...
... (Akutagawa, 1971) is that the minor key is critically different from the major key due to its short distance ...
Travis Christensen
... evaluated below is chosen for its importance in SAW2 as well. Development in Music for 18 Musicians is different in many ways from SAW2. Whereas over half of the pieces that make up SAW2 significantly progress in melody and rhythm, Music for 18 Musicians functions with only a vague notion of directi ...
... evaluated below is chosen for its importance in SAW2 as well. Development in Music for 18 Musicians is different in many ways from SAW2. Whereas over half of the pieces that make up SAW2 significantly progress in melody and rhythm, Music for 18 Musicians functions with only a vague notion of directi ...
Lecture 14a: Additional Remarks on Tuning Systems In previous
... systems involving ratios up to and including p (where p is a prime number) “p-limit systems”. For example, we could get a 7-limit system by using the interval of 7/4, which might be called a just minor seventh, and comes from taking the 7th harmonic transposed down two octaves. The “major 7th chord” ...
... systems involving ratios up to and including p (where p is a prime number) “p-limit systems”. For example, we could get a 7-limit system by using the interval of 7/4, which might be called a just minor seventh, and comes from taking the 7th harmonic transposed down two octaves. The “major 7th chord” ...
8th Grade Planned Course Guide - Penn
... 9. Perform small ensemble music with fewer people on each voice part. 10. Perform music while standing “mixed.” 11. Perform music with accompaniment and without accompaniment (a cappella). 12. Perform with other singers to achieve a blended ensemble sound characteristic of the music being performed ...
... 9. Perform small ensemble music with fewer people on each voice part. 10. Perform music while standing “mixed.” 11. Perform music with accompaniment and without accompaniment (a cappella). 12. Perform with other singers to achieve a blended ensemble sound characteristic of the music being performed ...
Grunge Music In Bloom: Musical Analysis of Nirvana`s Hit
... Ken Stephenson states that "in rock, the mode of the piece depends on nothing but the tonic triad" (Stephenson, 2002). Since a BbM triad (with the third) appears when the guitar enters in the middle of the verse (bar 25), and the refrain's melody has an unfolded BbM triad, I see Bb major as the mode ...
... Ken Stephenson states that "in rock, the mode of the piece depends on nothing but the tonic triad" (Stephenson, 2002). Since a BbM triad (with the third) appears when the guitar enters in the middle of the verse (bar 25), and the refrain's melody has an unfolded BbM triad, I see Bb major as the mode ...
Sheet Music - Murray High School, Lavington
... • Monophonic – Single melodic line (flute) • Homophonic – single melodic line and harmonic accompaniment (voice and guitar chords) • Polyphonic – two or more melodic lines player together. • Heterophonic – two or more lines played at the same time with variations of the melody ...
... • Monophonic – Single melodic line (flute) • Homophonic – single melodic line and harmonic accompaniment (voice and guitar chords) • Polyphonic – two or more melodic lines player together. • Heterophonic – two or more lines played at the same time with variations of the melody ...
Who`s Who in Early Music - Lorraine Sherry`s New Home Page
... greatly influenced. The first of his 115 operas, Gli equivoci nel sembiante (1679) won him the protection of Queen Christina of Sweden, for whom he wrote L’honestà negli amori (1680) and in whose service he remained until 1684. He traveled throughout Italy, holding many important posts. He is chiefl ...
... greatly influenced. The first of his 115 operas, Gli equivoci nel sembiante (1679) won him the protection of Queen Christina of Sweden, for whom he wrote L’honestà negli amori (1680) and in whose service he remained until 1684. He traveled throughout Italy, holding many important posts. He is chiefl ...
The Orchestra - wichitasymphony.org
... family of the orchestra. They are good for keeping the beat or rhythm and making special sounds. There are two kinds of percussion instruments: instruments that have a definite pitch and those with no pitch. The word percussion means “to strike.” The instruments in this family are played by hitting, ...
... family of the orchestra. They are good for keeping the beat or rhythm and making special sounds. There are two kinds of percussion instruments: instruments that have a definite pitch and those with no pitch. The word percussion means “to strike.” The instruments in this family are played by hitting, ...
MUSICAL ELEMENTS
... -- The listener expects to hear certain sounds that complete the musical pattern. ...
... -- The listener expects to hear certain sounds that complete the musical pattern. ...
J. S. Bach and the meaning of learned counterpoint
... How does Bach distance this canon from abstract, cryptic, ‘difficult’ canons, such as Bach’s own enigmatically notated canon, BWV 1074, published in 1728 in Telemann’s musical magazine Der getreue MusicMeister (‘The faithful music master’), and written out (solved) by Mattheson in Der volkommene Kap ...
... How does Bach distance this canon from abstract, cryptic, ‘difficult’ canons, such as Bach’s own enigmatically notated canon, BWV 1074, published in 1728 in Telemann’s musical magazine Der getreue MusicMeister (‘The faithful music master’), and written out (solved) by Mattheson in Der volkommene Kap ...
Figured bass
![](https://commons.wikimedia.org/wiki/Special:FilePath/Purcell_diatonic_chromaticism.png?width=300)
Figured bass, or thoroughbass, is a kind of musical notation in which numerals and symbols indicate intervals, chords, and non-chord tones, in relation to the bass note they are placed above or below. Figured bass is closely associated with basso continuo, a historically improvised accompaniment used in almost all genres of music in the Baroque period, though rarely in modern music.Other systems for denoting or representing chords include plain staff notation, used in classical music; Roman numerals, commonly used in harmonic analysis;macro symbols, sometimes used in modern musicology; the Nashville number system; and various names and symbols used in jazz and popular music.