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Transcript
Jennings and Syntax ASSIGNMENT: After reading and annotating the information on syntax, use the following Jennings poems to complete the assignment below. The chart should serve as prewriting for a statement of meaning. Be sure to look at the sample provided. “REMINISCENCE” “IDENTITY” “SONG FOR A DEPARTURE” Syntax refers to sentence structure. It is basically how words are arranged in a sentence and how a writer has created a pattern with the words. Syntax shows a writer's style by showing how he/she creates patterns of words. Use of syntax can also show a writer's skill because word patterns and sentence structures need to be modified at times to fit certain types of writing. Often writers like to experiment with syntax in their writing to provide emphasis or to create a deeper meaning using word patterns. SENTENCE TYPES A simple sentence, also called an independent clause, contains a subject and a verb, and it expresses a complete thought. A. Some students like to study in the mornings. B. Juan and Arturo play football every afternoon. C. Alicia goes to the library and studies every day. The three examples above are all simple sentences. Note that sentence B contains a compound subject, and sentence C contains a compound verb. Simple sentences, therefore, contain a subject and verb and express a complete thought, but they can also contain a compound subjects or verbs. Think of this definition when writing analytically about literature. Why would a poet/novelist choose to write a simple sentence with a compound subject, compound verb? A compound sentence contains two independent clauses joined by a coordinator. The coordinators are as follows: for, and, nor, but, or, yet, so. (Helpful hint: The first letter of each of the coordinators spells FANBOYS.) Except for very short sentences, coordinators are always preceded by a comma. A. I tried to speak Spanish, and my friend tried to speak English. B. Alejandro played football, so Maria went shopping. C. Chadwyk played football, but he went shopping. The above three sentences are compound sentences. Each sentence contains two independent clauses,(highlighted in green) joined by a coordinator with a comma preceding it. (highlighted in pink/purple) Note how the conscious use of coordinators can change the relationship between the clauses. A complex sentence has an independent clause joined by one or more dependent clauses. A complex sentence always has a subordinator such as because, since, after, although, or Page 1|6 when or a relative pronoun such as that, who, or which. A. When he handed in his homework, he forgot to give the teacher the last page. B. The teacher returned the homework after she noticed the error. C. The students are studying because they have a test tomorrow. D. After they finished studying, Juan and Maria went to the movies. E. Juan and Maria went to the movies after they finished studying. When a complex sentence begins with a subordinator such as sentences A and D, a comma is required at the end of the dependent clause. When the independent clause begins the sentence with subordinators in the middle as in sentences B, C, and E, no comma is required. Finally, sentences containing adjective clauses (or dependent clauses) are also complex because they contain an independent clause and a dependent clause. A. The woman who(m) my mom talked to sells cosmetics. B. The book that Jonathan read is on the shelf. C. The house which Abraham Lincoln was born in is still standing. D. The town where I grew up is in the United States. A compound-complex sentence is made from two independent clauses and one or more dependent clauses. (example) Although I like to go camping, I haven't had the time to go lately, and I haven't found anyone to go with. independent clause: "I haven't had the time to go lately" independent clause: "I haven't found anyone to go with" Dependent clause: "Although I like to go camping... " MORE SENTENCE TYPES Declarative sentence: simply makes a statement or expresses an opinion. In other words, it makes a declaration. This kind of sentence ends with a period. Imperative sentence: gives a command or makes a request. It usually ends with a period but can, under certain circumstances, end with an exclamation point! Interrogative sentence: asks a question. This type of sentence often begins with who, what, where, when, why, how, or do, and it ends with a question mark. Exclamatory sentence: is a sentence that expresses great emotion such as excitement, surprise, happiness and anger, and ends with an exclamation point. Page 2|6 Two sentence patterns are of major importance: The Loose Sentence The Periodic Sentence Every sentence in the English language will fit into one of these categories or will be a combination of both. Once you understand the two patterns, you can write any kind of sentence you like without the slightest fear of going astray. You can master these patterns easily if you first get a grip on one important principle: The principle of the basic statement (main idea). The following are basic statements: 1. Bells rang. 2. Love is blind. 3. The cat scratched Sally. 4. John gave his mother flowers. 5. The teacher considered him a good student. THE LOOSE SENTENCE: This sentence is a basic statement with a string of details added to it. Basic statement: Bells rang. Loose sentence: Bells rang, filling the air with their clangor, startling pigeons into flight from every belfry, bringing people into the streets to hear the news. Basic statement: The teacher considered him a good student. Loose sentence: The teacher considered him a good student, steady if not inspired, willing if not eager, responsive to instruction and conscientious about his work. THE PERIODIC SENTENCE: In this sentence, additional details are placed before the basic statement. Delay, of course, is the secret weapon of the periodic sentence. Basic statement: John gave his mother flowers. Periodic sentence: John, the tough one, the sullen kid who scoffed at any show of sentiment, gave his mother flowers. Basic statement: The cat scratched Sally. Page 3|6 Periodic sentence: Suddenly, for no apparent reason, the loveable cat scratched Sally. THE PERIODIC (INTERRUPTIVE): In this sentence, additional details are added inside the basic statement: Basic statement: Love is blind. Periodic sentence: Love, as everyone knows except those who happen to be afflicted with it, is blind. THE COMBINATION: In this sentence, additional details are added before and after the basic statement. Note: Once you have learned to recognize and use the two major sentence patterns, you can forget about adhering to them strictly. You can combine elements of both if you wish. Suppose you are working with a short, simple sentence--A sentence reduced to the barest basic statement: John was angry. Note: This short sentence may sound exactly right inside your paragraph--just short enough and sharp enough to have the force you want. In that case, leave it alone. But perhaps that nagging inner ear tells you that it isn't quite right; it needs something. Thus, you make it a shade more periodic: Periodic: John was suddenly, violently angry. Or you make it even more periodic: John, usually the calmest of men, was suddenly, violently angry. Or you decide to add detail at the end: John, usually the calmest of men, was suddenly, violently angry, so angry that he lost control completely. Now the sentence is both periodic and loose. You could shake it up still more by moving some of the detail up front: Combination of periodic and loose: Usually the calmest of men, John was suddenly, violently angry, so angry that he lost control completely. Parallel Structure What is it?-Parallel structure is repetition of the same pattern of words or phrases within a sentence or passage to show that two or more ideas have the same level of importance. Page 4|6 Why is it important?-Parallel structure helps to organize ideas, making a text or speech easier to understand. Parallel structure can also create a satisfying rhythm in the language an author uses. How do I do it?-Repeat the same pattern of words at key points in the text. Use parallel structure to organize ideas within a sentence, as in Example 1, or within a longer passage, as in Example 2. Example 1: "Friends, Romans, Countrymen, lend me your ears; I come to bury Caesar, not to praise him." —William Shakespeare, The Tragedy of Julius Caesar Sample Interpretation: The author uses parallel structure in both lines. In the first line, parallel structure equates three different groups of society: friends, Romans, and "countrymen." In the second line, the author uses parallel structure with the phrases "to bury Caesar, not to praise him." Example 2: "I have a dream that one day this nation will rise up and live out the true meaning of its creed: 'We hold these truths to be self-evident, that all men are created equal.' I have a dream that one day on the red hills of Georgia, the sons of former slaves and the sons of former slave owners will be able to sit down together at the table of brotherhood... I have a dream that my four little children will one day live in a nation where they will not be judged by the color of their skin but by the content of their character." —Martin Luther King, Jr., "I Have a Dream" speech Sample Interpretation: Here, King repeats the words "I have a dream," in order to emphasize his message and give listeners the sense that his dream can be expressed in many ways, all of which are equally important. King's repetition also creates a rhythm that works well in public speaking. This rhythm creates a lull, soothing his audience into compliance. Sample Statement of Meaning: Syntax Focus Nellie Wong’s “When I Was Growing Up” has multiple purposes; the most significant being to purge the speaker’s self-hate. The first lines of Wong’s poem, which utilizes a declarative sentence followed by an interrogative sentence, and finally a simple sentence: “I know now that I once wanted to be white. Why? Do you ask? Let me count the ways.” The order of these sentences, facilitates Wong’s honest, gut-wrenching revelations of ugly, revolting emotions the speaker struggled with as she came of age. The sentence variety reflects the countless, prejudiced circumstances people of color experience daily. The repetition of the adverbial clause, “When I was growing up,” emphasizes the detrimental effects of racial hatred, especially when self-directed. Adverbial clauses, launching intricate, complex sentences, unabashedly reveal the speaker’s severe, hurtful childhood memories. Creating an irate vengeful speaker who expresses her declaration, utilizing repetitive, complex sentences Wong reinforces a major thematic implication in the poem; pain and agony can lead to triumphant personal growth. Page 5|6 Title Sentence Sentence from Type Poem Punctuation and/or Grammatical Construction Specific Analysis of the Syntax in Relation to Meaning “Song for a Departure” “Song for a Departure” “Reminiscence” “Reminiscence” “Identity” Identity” Page 6|6