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Transcript
Chapter 20
Section 20.2
Advertising Layout
Writing Effective Headlines & Slogans
• Most are brief – many people cannot take in more than seven
words at a time.
• Every headline/slogan should have a single focus or main
idea.
• Techniques you can use when writing headlines:
– Alliteration (repeating initial consonant sounds) -- Win with
Wireless (Samsung)
– Paradox (a seeming contradiction that could be true) – It’s
an environmental movement all by itself. (Honda Insight)
– Rhyme – Bounty. The Quicker Picker-Upper
– Pun ( a humorous use of a word that suggests two or more
of its meanings or the meaning of another work similar in
sound --Beauty and the Beef (Ball Park Franks)
– Play on Words – For Soft Babies and Baby Soft Hands
Popular Ad Slogans
•
•
•
•
•
Reach out and touch someone. - AT&T
Please don't squeeze the Charmin – Charmin
Snap, Crackle, Pop - Rice Krispies
Where's the beef? - Wendy's
Plop, plop; fizz, fizz; oh, what a relief it is. –
Alka Seltzer
• Finger lickin' good. - Kentucky Fried Chicken
• Because you’re worth it. - L'Oreal
• It's everywhere you want to be – VISA
Key Terms
ad layout
advertising
proof
Advertising Layout
Objectives
 Explain the principles of preparing an ad
layout
 List advantages and disadvantages of
using color in advertising
 Describe how typefaces and sizes add
variety and emphasis to print
advertisements
Marketing Essentials Chapter 20, Section 20.2
Developing Print Advertising Layouts
 An ad layout is a sketch that shows the
general arrangement and appearance of a
finished ad.
 It clearly indicates the position of the:
•Headline
•Illustration
•Copy
•Signature
Marketing Essentials Chapter 20, Section 20.2
Components of Effective Ad Layouts
 Ad layouts should be prepared in exactly the
same size as the final advertisement.
 The illustrations should grab attention through
size, humor, or dramatic content.
 Ads that feature large visuals (60 to 70 percent
of the total ad) are the best attention-getters.
 The best ads contain a focal point and lines of
force that guide the viewer through the copy.
 One technique is to create a Z layout. The
reader’s eye will follow the path of the Z.
Marketing Essentials Chapter 20, Section 20.2
Using Color In Print Advertisements
 A color ad is usually more realistic and
visually appealing and commands the
reader’s attention more than a black-andwhite ad does.
 Although color ads are more expensive
than two-color (usually black and another
color) ads, studies have also shown
that color ads are usually more costeffective than two-color ads because
of their increased response rates.
Marketing Essentials Chapter 20, Section 20.2
Selecting Typefaces and Type Sizes for
Print Advertisements
 The look and
appearance of the
type is called the
typeface.
 A complete set of
letters in a specific
size and typeface is
called a font.
Marketing Essentials Chapter 20, Section 20.2
Selecting Typefaces and Type Sizes for
Print Advertisements
 A serif font has short crosslines at the upper and lower
ends of the letters
 Times Roman, Garamond and Palatino are
commonly used serif fonts
 Sans serif fonts do not have crosslines.
 Arial, Helvetica, and Albertus are common
sans serif fonts.
 The appearance of the typeface affects the
entire character of an advertisement.
 It is important that the font is large enough
to read.
Marketing Essentials Chapter 20, Section 20.2
Checking Advertising Proofs
 When advertisements are first created, an
advertising proof is developed.
 It shows exactly how an ad will appear
in print.
 To evaluate a proof, an advertiser will
consider these criteria:
•The ad should be bold enough to stand
out next to other ads.
•The layout should look clean and
uncluttered and should guide the reader
through the copy.
Marketing Essentials Chapter 20, Section 20.2
Ad Proof
Checking Advertising Proofs
•The font needs to be easy to read and
help to emphasize the company’s
message.
•The signature should be apparent and
distinctive.
•The intended message and image
projected must be appropriate for the
target audience.
Marketing Essentials Chapter 20, Section 20.2