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OUTSIDE MULLINGAR | 3
NEXT
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“A STORY THAT HITS HOME TO
JUST ABOUT EVERY LIVING,
BREATHING HUMAN ON EARTH.”
- P H I L AD E L P H I A W E E K LY
JAN 20 thru
FEB 21
EVERYMAN
THEATRE G REAT STO R IE S,
W E LL TO LD.
PRODUCTION MEDIA SPONSOR
EVERYMAN THEATRE | 4
PRODUCTION CO-SPONSORS
E. LEE
AND BEA
ROBBINS
PAUL AND
KATHLEEN
CASEY
PRODUCTION MEDIA SPONSORS
CAST AND DESIGNERS
EVERYMAN THEATRE
presents
VINCENT M. LANCISI, Founding Artistic Director
JONATHAN K. WALLER, Managing Director
OUTSIDE MULLINGAR
Playwright JOHN PATRICK SHANLEY
Director DONALD HICKEN
In order of speaking
Anthony...............................................................................................TIM GETMAN*
Tony.......................................................................................................... WIL LOVE*
Aoife.................................................................................................HELEN HEDMAN*
Rosemary.............................................................................................BETH HYLTON*
Set Design
DANIEL ETTINGER
Props Master
JILLIAN MATHEWS
Lighting Design
JESSE BELSKY
Wig Design
ANNE NESMITH
Costume Design
BEN ARGENTA KRESS
Dialects
GARY LOGAN
Sound Design/Music
PHILLIP OWEN
Stage Manager
AMANDA M. HALL*
The setting is a cattle and sheep farm outside Killucan, in Ireland.
This production will be performed in one act with no intermission.
PLEASE TURN OFF ALL CELL PHONES. NO TEXTING. NO EATING IN THE THEATRE.
Outside Mullingar is presented by special arrangement with Dramatists Play Service, Inc., New York.
It was originally produced by Manhattan Theatre Club, Lynne Meadow, Artistic Director.
The videotaping or making of electronic or other audio and/or visual recordings of this production or
distributing recordings on any medium, including the internet, is strictly prohibited, a violation of
the author’s rights and actionable under United States copyright law.
*Member of Actors’ Equity Association, the Union of Professional Actors and Stage Managers in the
United States.
PRODUCTION SPONSORS
VIC AND
NANCY
ROMITA
PRODUCTION MEDIA SPONSORS
The
Henry and Ruth Blaustein Rosenberg
Foundation
315 W. FAYETTE ST. BALTIMORE, MD 21201 • 410.752.2208 • EVERYMANTHEATRE.ORG
OUTSIDE MULLINGAR | 5
ARTISTIC DIRECTOR’S WELCOME
VINCENT M. LANCISI
Founding Artistic Director
T
HIS IS MY FAVORITE TIME OF YEAR TO GO TO THE THEATRE.
The holiday season is in full swing. Life is
busy, hectic even. The hustle and bustle
of this time of year makes me look for
opportunities to get away from the rat
race and seek shelter in a theatre. I love to come
inside and get lost in a story that is far away from
the realities of my day. And if the play is funny or
warm and it engages me, I am delighted. That was
my desire for you in selecting Outside Mullingar
for this time of year.
Playwright John Patrick Shanley may be
American but he really captures his Irish background
in Outside Mullingar.
It’s a valentine to the love for our family,
love for our land, and of course the decades-long
unrequited love found among neighbors. You can
practically smell the peat fire and rain. There’s
something warm, even magical about this play.
I look for that certain special something in
every play I produce. I’m currently in full season
planning mode for next year. I have a long list of
great plays that I’m whittling down in my pursuit
of a rewarding theatrical journey for Everyman
subscribers. I think about the nearly 5,000
subscribers who will see all six productions. I
think about the thousands of audience members
EVERYMAN THEATRE | 6
who will discover Everyman for the first time. I
examine the voices of playwrights writing today
and those of yesterday whose stories bear repeating
or resound anew in the light of contemporary life
and society. I think of Baltimore, of the world, of
me and you.
So far, this season is off to a record-breaking
start. Fences is now the best selling play in
Everyman’s history. When I think of all the new
people who saw that play it makes me smile. If you
could see our high school matinee students’ faces
as they discovered the story, you’d be excited for
them. Their reactions were priceless. They were
engrossed. They found theatre, many for the first
time. Subscribers and new audience members
joined together to bear witness to these two great
plays that resounded to everyone as fascinating,
relevant, eye opening, truthful, important. As
Shakespeare would say, these plays “held the
mirror up to nature.”
We can’t continue to produce fantastic plays
like An Inspector Calls and Fences and offer free
high school matinees and pay-what-you-can
previews and special discounts so everyone can
attend without your help. Please consider a gift to
Everyman Theatre this holiday season.
Everyman in the snow in January 2015
A contribution from you today can make a
real difference for the future. Your gift helps to
keep downtown Baltimore vibrant with cultural
life available to everyone.
MANAGING DIRECTOR’S WELCOME
JONATHAN K. WALLER
Managing Director
T
HANK YOU FOR READING OUR PROGRAM. IT’S MY HOPE
that when you do, you discover something
interesting or new about us or the play
or the neighborhood. So, in that spirit,
I’d like to offer you 25 things for our 25th
Anniversary I bet you didn’t know about Everyman:
1. We drink Zeke’s coffee in the staff lounge, bar
and green room.
2. We have 23 full-time and 84 seasonal production
employees.
3. We prefer to say the color on our walls is
aubergine, not purple.
4. There are 632 individuals, 38 foundations, 11
corporations that together with the city and state
government contributed $18.5 million towards the
capital campaign that made our new home a reality.
5. Over the years, we have provided over 32,000
free tickets to Baltimore City High School students.
6. We have partnered 4 times with Baltimore
School for the Arts and have featured its students
in casts alongside professional actors.
7. We have a robust YouTube channel with 19
original video trailers and 14 behind-the-scenes
videos called "Inside Looks".
8. We believe professional theatre should be
affordable and accessible to everyone.
9. We raise money year-round to keep our ticket
prices about half of what commercial (Broadway)
prices can be.
10. We have “pay-what-you-can” performances
for every play we produce on the Tuesday before
the first performance.
11. Vinny’s middle name is Michael; my middle
name is Kennedy.
12. Our last production, August Wilson’s Fences,
broke all box office records and is our highestselling show to date.
13. We offered 14 classes, 9 off-site residencies and
4 professional development workshops this fall.
14. Vinny selects and tastes every single wine we
serve at Vinny’s bar.
15. Everyman patrons buy more red wine than
white wine.
16. Our resident company is one of only a handful of
professional resident companies left in the country.
17. We love our subscribers.
18. You can throw a wedding (or any event, really)
in our building.
19. There are 28 sconces with Everyman actors
on them seen throughout the building.
20. The parquet floor designed by Tim Mackabee
for An Inspector Calls consisted of about 2,000
individual wooden tiles, all cut and installed by hand.
21. In order to save time during changes from one
production to the next, the floor for the Outside
Mulllingar set was finished in July 2015 and was
then covered over with the floors for Fences and
An Inspector Calls.
22. You can come to our annual gala at The Lord
Baltimore Hotel on January 9, 2016 and celebrate
our silver anniversary and the incredible public
relations maven, Edie Brown.
23. The “E” you see outside on the apex of our
building was discovered when we were restoring
our historic facade. Though you might think it’s
always stood for Everyman, it actually dates back
a hundred years, when this was a vaudeville house
called the Empire Theatre.
24. We cannot do what we do without donations
from you. Please consider a year-end gift of any
amount.
25. We wish you the happiest, warmest holiday
season!
OUTSIDE MULLINGAR | 7
CELEBRATING THE 25TH ANNIVERSARY
A TURNING POINT: 2000-2005
Megan Anderson in
Everyman’s production of
Proof by David Auburn from
the 2003-04 Season
25 YEARS OF EVERYMAN
A TURNING POINT:
2000-2005
By LAURA WEISS
Associate Marketing Director
The 2015-16 Season marks the 25th Anniversary Season for Everyman Theatre. To
celebrate this landmark year, we will be dedicating a space in each program to the
creation of the company in five year segments, each from a different perspective of key
members of the Everyman family. Read past segments online at www.everymantheatre.org
T
WO OF EVERYMAN’S LONGEST-STANDING PRODUCTION
team members are individuals that
audiences would probably not recognize.
While they are not physically on the stage
every night, their work is certainly seen by
everyone. Bill Jamieson is the theatre’s
Technical Director, responsible for executing all
designs for each production. And Mandy Hall is
the theatre’s Resident Stage Manager. If you look
behind you into the control booth of the theatre,
you will likely see Mandy calling the sound, light
and actor cues to execute the show seamlessly
in front of you. I recently sat down with Bill and
EVERYMAN THEATRE | 8
Mandy to talk about some of their most formative
memories from 2001 to 2005.
“2001 was a hard year,” says Mandy.
“Unfortunately we were hit with two devastating
events within a few months of each other.”
The first event was the tragic passing of
Resident Company Member Elauna Griffin
during the production of Pearl Cleage’s Blues for
An Alabama Sky. Elauna was just 28 years old;
she suffered an acute asthma attack and died
between the matinee and evening performances
on a Saturday.
“The whole cast had gone over to a sound
CELEBRATING THE 25TH ANNIVERSARY
A TURNING POINT: 2000-2005 (cont...)
board operator’s house for dinner between shows,”
says Mandy, tearing up at the memory. “I was
in my office and I got the worst phone call I had
ever received.”
"Elauna's passing devastated everyone at
Everyman," says Founding Artistic Director
Vincent M. Lancisi. "She was such a bright light
to everyone around her."
The cast, along with director Jennifer Nelson
and Vinny, gathered to talk about what they were
to do next. “We decided that we really needed to
go on. We needed to be with each other, grieve
together,” said Mandy. The production resumed
several days later with actress Michelle Rogers
stepping into Elauna's role.
Despite the terrible tragedy, the 2000-01 Season
ended with the critically acclaimed production of
Visiting Mr. Green, starring Stan Weiman and
Kyle Prue. The production was hugely popular
with audiences.
The beginning of the 2001-02 Season was
another hard time—not only for the Everyman
family, but for the country as a whole. The season
opener, Lillian Hellman’s Watch on the Rhine,
was being performed when the September 11
attacks occurred.
“I remember coming in that morning for a
student matinee performance,” says Mandy. “One
of the students who was in the show, Elias, came
in and said ‘Did you hear about the plane hitting
the Tower?’ None of us knew what he meant, and
at that time you didn’t just turn to your phone.”
She remembers digging out an old television in
the dressing room area to find out what was going
on. “I remember watching the Tower fall live on
TV and then having to start the show.”
The performance ended up being stopped
at intermission; students were sent home. The
next day, the evening performance went on as
scheduled. “I think people wanted to have a sense
of being together to get through this horrible
event,” remembers Mandy. “There’s a sense of
community at the theatre. And this particular
show—with themes about war and duty—really
resonated in a way we could have never expected.”
In the winter of 2002, Bill joined the staff
full time as the new Technical Director. His first
day on the job was the beginning of Tech Week
for August Wilson’s Fences on Charles Street. “I
just remember having to jump right in!” says Bill.
Daniel Ettinger designed the set, which included
incorporating the control booth into the design
of the Pittsburgh landscape.
Deborah Hazlett in Everyman’s
production of Hedda Gabbler by
Henrik Ibsen from the 2003-04 Season
“Back in those early days, we didn’t have a
consistent core group for our tech crews,” says
Bill. “So when it came time to breakdown a set,
I rallied up a group of my friends and we took
it all apart.”
Throughout the season, Robin Witt,
Everyman’s Education Director, continued to
grow the educational offerings seen at the theatre.
In the summer of 2002, Everyman offered its
OUTSIDE MULLINGAR | 9
CELEBRATING THE 25TH ANNIVERSARY
A TURNING POINT: 2000-2005 (cont...)
long-standing High School Summer Intensive
program for the first time.
In the winter of 2003, Everyman produced
Moss Hart’s comedy Light Up the Sky, which
marked the first Everyman appearance of current
Resident Company Member Dawn Ursula.
The 2003-04 Season began with a production
of Ibsen’s Hedda Gabler, with Resident Company
Member Deborah Hazlett in the title role. After
performances in My Children! My Africa!, Taking
Sides, The Crucible, 5th of July and The Last Night
of Ballyhoo, Megan Anderson officially joined the
Resident Company at the beginning of the season,
as well. Then in the winter of 2004, something
big happened.
“Proof stands out as one of my favorites,”
says Bill. “I remember Proof being the first show
that I could hear audible gasps from audience
members at the end of the first act,” says Mandy. The
Pulitzer Prize-winning play Proof took Everyman
by storm. “It was packed. Everyone wanted to see
it,” remembers Mandy.
The cast featured Megan Anderson as
Catherine, Deborah Hazlett as her sister Claire,
Robert McClure as Hal, and current Resident
Company Member Carl Schurr as her father,
Robert (his first Everyman role). The production
broke all box office records and extended for
additional performances, a real turning point in
Everyman’s history.
“Funny story about Proof,” laughs Bill. “Being
a show about extremely complicated proofs, we
had a math consultant that we hired as part of
the production team. On opening night, I heard
a woman in the lobby say ‘The show was amazing,
but the math is wrong on the set.’ I went up to her
and told her we had a consultant, it can’t be wrong.
She turned around and said ‘I am the consultant
and it's wrong.’” Turns out that in painting the
set, which included many chalkboards full of
proofs, some of the math was copied wrong. The
crew completely re-painted the set to ensure that
everything was correct.
The 2003-04 Season ended with another
first for Everyman—the first musical. Jacques
Brel is Alive and Well And Living In Paris ran
EVERYMAN THEATRE | 10
in May and June of 2004. “We didn’t know what
we were doing!” laughs Mandy. “This was such a
different world for us.”
Through trial and error, the production team
made the theatre into a beautiful cabaret setting,
complete with tables, candles and wine that could
be ordered throughout the show. The show was
a huge success.
The 2004-05 Season began with Uncle Vanya.
Brand new Resident Company Member Bruce
Nelson was then featured in the next production,
The Drawer Boy. The Children’s Hour marked the
third collaboration with The Baltimore School for
the Arts, allowing students to perform alongside
professional actors in the cast.
2004 also marked the beginning of a
relationship we are still proud to have today: we
began a partnership with The Library for the Blind
and Physically Handicapped. Cast members would
bring scenes from select shows to the Library and
had audio describers talk about what’s going on
in the scenes. Today, members of The Library
come to the theatre annually for a “Touch Tour”
of the set, where they are invited to explore the set,
props and costumes of a production by feeling the
texture and shapes of what is featured on the stage.
By the end of 2004, there began to be whispers
about wanting to move into a new building. The
space down the street at the old Chesapeake
Restaurant was considered for a time. Even at
that point, we had grown out of the space we once
held on Charles Street.
“This period was very formative for us. Shows
like Proof really announced that we had made it
to a new level,” says Mandy. “I remember when
having 8 people in the audience was a huge success!
It’s incredible to think about that now when we
have so much to be proud of.”
“Even when looking back to these early years,
when we were cramped into a small shop or in
a theatre that wasn’t meant to be a theatre, we
always had a core set of values that centered on
the artists and making the best work we possibly
could,” says Bill. “These values informed the way
we work and continue to shape who we are as an
organization today.”
OUTSIDE MULLINGAR | 11
DRAMATURGY
Director Donald Hicken
at the first rehearsal of
Outside Mullingar alongside
Everyman Founding Artistic
Director Vincent M. Lancisi.
AN INTERVIEW WITH
DIRECTOR DONALD HICKEN
By LAURA WEISS
Associate Marketing Director
B
efore the start of rehearsals, I sat down
with Donald Hicken, director of the
upcoming production of John Patrick
Shanley's Irish romantic comedy Outside
Mullingar. Donald let me in on what to
expect with the next show.
Laura Weiss: How do you approach a script?
Donald Hicken: I read it over and over and over
again. I really need to get inside it, and every
time I read it I feel a deeper connection with it. I
discover something new. Then I begin to see the
actors in the roles, I’m beginning to think of how
they move and where they go. How do they work
with the set that Daniel [Ettinger, set designer of
Outside Mullingar] has designed?
EVERYMAN THEATRE | 12
LW: What is Outside Mullingar about?
DH: Outside Mullingar is about your heritage. It’s
about belonging to your land and a sense of giving
your life to something. I was thinking about the
play as I drove from one side of Massachusetts to
the other—from the ocean to the mountains—and
I felt that real sense of belonging to your land. I
think my country home helps me to understand
this connection to land and where you come from.
LW: Why Outside Mullingar for you this year?
DH: Outside Mullingar was a real surprise for me.
I didn’t know it. I was sent the script and asked
‘What do you think of this?’ and I just loved it! It
was so funny, I was laughing out loud as I first read
the script. It’s a really unique love story, which I
DRAMATURGY (cont...)
find very appealing. It’s about two generations of
people and asks us, how do we relate to each other?
These people communicate in such a genuine way.
They communicate without boundaries. Truly,
reading this script was love at first sight. It’s a
really lovely piece.
This is the first time I’ll have worked with [Resident
Company Member] Beth Hylton. I’ve admired her
work for many years now and I have such respect
for her. I’m really looking forward to diving into
this piece with her.
LW: John Patrick Shanley wrote both the 1989
romantic comedy Moonstruck and Outside
Mullingar. How are they similar?
DH: Both Moonstruck and Outside Mullingar are
about unlikely couples. And I like that! I think it’s
interesting. In both stories, there are these two
people who might not be perfect for each other but
it works. They find a way to discover themselves
throughout each other.
LW: Why should audiences come see Outside
Mullingar during the holiday season?
DH: Outside Mullingar isn’t a traditional holiday
story, but it’s a heartwarming story. It’s a story
about looking to friends and family and neighbors
for connection. The characters are on a journey
towards unity. There’s a sense of wanting to bond
and spend time together over the holidays, so I
think it’s a lovely fit for that time of year.
LW: Tell us about your recent Tony nomination
for Excellence in Theatre Education.
DH: To say it was a whirlwind would be an
understatement! I’ve never been one for celebrity
or flashy awards or anything like that, but this was
truly an honor to have been a part of. I love that
they created this award to celebrate teachers. At a
reception that they threw for [the three finalists],
it was incredible to look around and see all of
these theatre stars talking about the teachers that
influenced them the most. This is a category about
inspiration and I think that’s incredible.
(From top to bottom) The cast of Outside Mullingar
at their first rehearsal: Wil Love (playing Tony),
Helen Hedman (Aoife), Tim Getman (Anthony),
Beth Hylton (Rosemary).
OUTSIDE MULLINGAR | 13
DRAMATURGY (cont...)
FARMING IN
THE IRISH
COUNTRYSIDE
By LAURA WEISS
Associate Marketing Director
F
Medieval days all the way through World War I.
A group of families would partner and rent land
together. They would divide the land that they
rented and would maintain their respective fields
and pastures. The living area was referred to as a
“clachan,” which was a small cluster of cottages.
Today, Irish agriculture is primarily a grassbased industry. In 2011, there were 6.5 million
cattle, 4.8 million sheep and 1.65 million pigs
living throughout Ireland. There are approximately
99,500 overall farms throughout the country.
Sheep and cattle grazing tend to be seen in the
central and western parts of the country. Dairying
tends to be in the south and small dairy and cattle
farms in the north.
Westmeath County, where Mullingar is
located, tends to feature large farms with very
fertile soil. The chief crops are oats, potatoes,
wheat, barley and clover. Oxen are generally used
in ploughing. Dairy farms aren’t seen as frequently
in this region due to the superior soil, but some
ARMING HAS TRADITIONALLY BEEN A MAJOR INDUSTRY IN
Ireland and continues to be an important
industry for the Irish population. The
agri-food sector currently accounts
for almost 10% of employment for the
Emerald Isle.
While many might immediately
think of potatoes when it comes to Irish farming,
potatoes were actually not native to
Ireland. Spanish explorers brought
potatoes back to Europe from Peru in
the 1500s. Potato farming thrived in
the Irish climate and the potato became
an essential crop, particularly for the
regions of Ireland that were struck
with high poverty. Potatoes played
a vital role in Ireland’s agriculture
until the potato famine killed over a
Mullingar, Ireland
million men, women and children in
the mid-1800s. Over a million Irish
emigrated from Ireland during this period, as well. of the highest quality Irish butter comes from
However, even after the Great Famine ended, the this county. For over 150 years, the Mullingar
Agricultural Show—featuring cattle and sheep
potato remained Ireland’s most important crop.
There are several different types of farms and showing, horse and pony showing, and a large dog
farmers that have been seen throughout Ireland's show—has supported the agricultural industry in
Westmeath and throughout the Midlands.
history. The cottiers were mainly farm laborers or
“peasant farmers.” The cottiers existed largely in
the 18th and 19th century. A cottier farmer would
typically rent a small house on a small plot of land;
the rent was often paid in labor to the larger land
that he lived on. The cottier class disappeared
shortly after the Famine.
The Rundale was a system of farming that
called back to ancient Celtic roots. The type
of farming was seen throughout Ireland from
EVERYMAN THEATRE | 14
Keep Reading Learn more about the world of
Outside Mullingar at www.everymantheatre.org,
including articles on...
A History of Mullingar Did you know Bruce
Springsteen has roots in Mullingar? Find out more
about this part of the Irish countryside.
Romantic Comedies Through The Ages What
do Shakespeare, Shaw and Pretty Woman all have
in common? Rom Coms! Find out more about the
evolution of the genre.
DRAMATURGY (cont...)
Playwright John Patrick Shanley
FROM THE STAGE TO
HOLLYWOOD AND BACK AGAIN
By LAURA WEISS
Associate Marketing Director
P
LAYWRIGHT. SCREENWRITER. PULITZER PRIZE-WINNER.
Irish. All of these words could be used
to describe John Patrick Shanley. The
accomplished writer for both stage and
screen has written over 20 plays and 10
movies throughout his career.
Born in 1950, Shanley grew up in the Bronx
in a Catholic family. He was the youngest of five
children; his mother was a telephone operator and
his father, an Irish immigrant, was a meat packer.
In a 2008 NPR interview he described his “rough”
working-class neighborhood as “largely Roman
Catholic and Irish and Italian…with some Jews that
kind of kept a low profile.” He also revealed to The
New York Times Magazine that his neighborhood
was “extremely anti-intellectual and extremely
racist and none of this fit me.”
EVERYMAN THEATRE | 16
Shanley found himself rebelling against the
strict rules at Cardinal Spellman School. After
many years of detention and punishment, he left
his home in the Bronx and attended the Thomas
Moore School in New Hampshire. It was there
that his teachers began to recognize his talents
in writing. Shanley was accepted into New York
University but he only attended for one year. He
enlisted with the Marine Corps and served in
Vietnam. He did eventually return to NYU after
his service. At the age of 27, he graduated and was
valedictorian of his class.
Just a few years after graduating, Shanley
had written several plays. In 1982, Welcome to the
Moon was produced; the piece, focusing of themes
of love, featured several of his one-act plays put
together. The production was not received well by
DRAMATURGY (cont...)
critics. Danny and the Deep Blue Sea was produced
in Connecticut in 1983. The show went on to see
productions in London and later at The Louisville
Festival. The play again focused on themes of
love and the cast included John Turturro, now a
Hollywood and indie film darling, in the lead role.
Savage in Limbo was first produced as a staged
reading by the Eugene O’Neill Memorial Theatre
Center in 1984; the play premiered in New York
as a “concert play” in 1985.
With his growing success, Shanley was awarded
a grant from the National Endowment for the
Arts; this allowed him to focus solely on writing.
He began to shift his focus from writing for the
stage to writing for the screen. The familiar voices
of his Italian neighborhood began to find their
way into a screenplay he called The Bride and the
Beast. The script was later re-titled Moonstruck.
The film, a critical and commercial success
and now a romantic comedy classic, featured Cher
and Nicolas Cage. Shanley went on to win the 1987
Academy Award for Best Original Screenplay.
Despite his success with Moonstruck, his next
two movies—The January Man and Joe Versus the
Volcano—were panned by critics and audiences.
Throughout the 1990s, Shanley continued
to write screenplays but he also returned to the
stage. Kissing Christine and Missing Marisa both
debuted at the Louisville Festival and eventually
found their way to New York’s LAByrinth Theater
Company, where he is a company member. Dirty
Story, which premiered with LAB, was written in
2003 and was a political allegory about Israel and
Palestine set in a post-9/11 world. Also premiering
with LAB, Sailor’s Song was a romance that focused
on choosing love in the face death and was set to
Johann Stauss’s famous waltzes. The piece, which
received a nomination for a Drama Desk Award,
was written after Shanley’s mother, father and
eldest sister all died within an 18-month period.
It wasn’t until 2004 that Shanley found
critical success again in his smash hit Doubt, a
parable. The play centered on a Catholic School
in the 1960s. Sister Aloysius, the school principal,
suspects Father Flynn of molesting the school’s
first African American student. The topical themes
of the play were close to Shanley’s heart. “A child
in my family was molested by a priest,” he said in a
2004 interview. The show began its off-Broadway
run at the Manhattan Theatre Club in the fall of
2004 and moved to Broadway the following March.
The play won the 2005 Pulitzer Prize for Drama
and the Tony Award for Best Play.
Shanley later adapted his script for Doubt
into a film, which starred Meryl Streep, Philip
Seymour Hoffman, Amy Adams and Viola Davis.
Shanley also directed the film. His screenplay was
nominated for an Academy Award. The film was
dedicated to Sister Margaret McEntee, Shanley’s
first grade teacher after whom he modeled the
role of Sister James.
In 2012, Shanley wrote the libretto for an
operatic adaptation of Doubt; Douglas J. Cuoma
composed the music. The piece premiered at the
Minnesota Opera.
Storefront Church also made its Off-Broadway
debut in 2012 at the Atlantic Theater Company.
The play takes place in another familiar location
for Shanley—the Bronx. The story centers on a
Scrooge-like character during the holidays and the
idea of redemption and rebirth. The show was well
received in New York and later in San Francisco
at the San Francisco Playhouse.
His next play, Outside Mullingar, was
originally produced by the Manhattan Theatre
Club and made its Broadway debut in January,
2014. The original cast included Debra Messing
and Brian F. O’Byrne. He wrote the play as he
neared his 60th birthday; he said that he decided
he wanted to write about family and love. The play
was nominated for the Tony Award for Best Play.
Shanley has said that he is uninterested in
returning to Hollywood. Regarding fame and fortune,
he told New York Times Magazine that “money is
like heroin, and I grew up in a neighborhood that
was destroyed by heroin. I’ve watched addiction
all my life. Celebrity is like heroin. And constant
praise is like heroin. And, you know, no one can
resist constant praise. I had to get out.”
OUTSIDE MULLINGAR | 17
EVERYMAN THEATRE | 18
BIOGRAPHIES
CAST BIOGRAPHIES
TIM GETMAN (Anthony): Everyman
Theatre: God of Carnage (Alan),
All My Sons (George Deever),
Two Rooms (Walker Harris),
Exonerated. Regional: Arena
Stage: Death of a Salesman,
View from the Bridge, Christmas
Carol:1941; Folger Elizabethan
Theatre: A Midsummer Night’s
Dream, Elizabeth the Queen; Ford’s Theatre: The Guard;
Olney Theatre Center: Night Must Fall, An Enemy of
the People, Somewhere in the Pacific; Rep Stage: A
Lie of the Mind, In the Heart of America (Helen Hayes
Nomination, Outstanding Ensemble); Rorschach Theatre,
Artistic Partner: Dead City, Birds, Behold!, Master and
Margarita, JB; Signature Theatre: …in the absence of
spring…, The Lieutenant of Inishmore; Theater J: Our Class
(Helen Hayes Nomination), History of Invulnerability,
After the Fall, The Chosen; Woolly Mammoth: Zombie,
Appropriate, Detroit, Gruesome Playground Injuries,
The Unmentionables, The Distance from Here; The Hub
Theatre: The Pavilion; Shakespeare Theatre Company:
Merchant of Venice, Camino Real; Round House Theatre:
Rapture, Blister, Burn, Fool for Love, The Retreat from
Moscow; Centerstage: Ah! Wilderness; Source: Corpus
Christi. Education: Macalester College, Trinity College,
Dublin. Awards: Mary Goldwater.
HELEN HEDMAN (Aoife): Everyman
Theatre: Blithe Spirit, Pygmalion,
The School for Scandal, The Cripple
of Inishmaan. Regional: Lyric
Theatre of Oklahoma: An Inspector
Calls, The Glass Menagerie;
Round House Theatre: Rapture,
Blister, Burn; Ford’s Theatre: A
Christmas Carol (2010-2015),
Sabrina Fair; Arena Stage: Long Day’s Journey Into
Night, A Delicate Balance. Signature Theatre: Show Boat,
Beaches (world premiere); The Studio Theatre: The Year
of Magical Thinking; MetroStage: Ghost-Writer; Olney
Theatre Center: Triumph of Love, Piaf (Helen Hayes
nomination); Rep Stage: Mrs. Farnsworth.
BETH HYLTON (Rosemary):
Everyman Theatre (Resident
Company Member): Blithe
Spirit (Elvira), Deathtrap
(Myra Bruhl), The Understudy
(Roxanne), By the Way, Meet
Vera Stark (Gloria), Crimes of the
Heart (Lenny), August: Osage
County (Ivy Weston), Time Stands Still (Sarah), All My
Sons (Ann), Filthy Rich (Anne Scott), And A Nightingale
Sang (Helen). New York: NYC Fringe Fest; Vital Theatre
Company; Gorilla Rep; Ground Floor Theatre Lab. Regional:
Round House Theatre: Rapture, Blister, Burn; Woolly
Mammoth: Appropriate (Rachael), Martha Josie and the
Chinese Elvis (Josie); Center Stage: Clybourne Park (Bev/
Kathy), Beneatha’s Place (Harriet); Maltz Jupiter: The 39
Steps (The Woman); Delaware Theatre Company: Blithe
Spirit (Elvira); Weston Playhouse: Death of a Salesman
(Miss Forsythe); Public Theatre of Maine: The Cocktail
Hour (Nina), On Golden Pond (Chelsea); Pittsburgh Irish
and Classical Theatre: House and Garden (JoAnna),
Private Lives (Amanda), An Ideal Husband (Lady
Chiltern); Gulfshore Playhouse: A Doll’s House (Nora),
Life (x) 3 (Sonia), Blithe Spirit (Ruth); Olney Theatre
Center: Hay Fever (Myra), The Savannah Disputation
(Melissa), The Heiress (Marian); PlayMakers Rep: Hay
Fever (Sorel), The School For Wives (Georgette), Look
Homeward, Angel (Laura); The Hipp: Suddenly Last
Summer (Catherine), Up (Helen); Hot Summer Nights at
the Kennedy: Skylight (Kyra); Ford’s: The Heavens Are
Hung In Black (Mrs. Winston), Member of the Wedding
(Janice); Kennedy Center: Mister Roberts (Lieutenant
Girard); co-producer and co-founder, The Actors Salon.
TV/Film: House of Cards, One Life To Live, As The World
Turns, Shrink Rap (dir. Chusy Jardine). Education: MFA
Acting, Professional Actor Training Program/UNC-Chapel
Hill. www.bethhylton.com
WIL LOVE (Tony): Everyman
Theatre (Resident Company
Member): Deathtrap (Porter
Milgrim), By The Way, Meet
Vera Stark (Frederick Slasvick/
Brad Donovan), The Dresser
(Geoffrey Thornton), August:
Osage County (Charlie Aiken),
Heroes (Gustave), You Can’t
Take It With You (Mr. DePinna, Grandpa), Pygmalion
(Doolittle), Our Town (Stage Manager), The Cherry
Orchard (Pishchik), Much Ado About Nothing (Dogberry),
School for Scandal (Sir Oliver), The Cripple of Inishmaan
(Johnnypateenmike). National Tours: Daisy Mayme, The
Show-off (both with Jean Stapleton). Regional Theatre:
Baltimore’s Center Stage (31 productions), Repertory
Theatre of St. Louis (25 productions), Detroit’s Meadow
Brook Theatre (18 productions), Philadelphia’s Walnut
Street Theatre, Buffalo Studio Arena, Seattle Repertory
Theatre, Pennsylvania’s Totem Pole Playhouse (43
seasons as resident actor; 25 seasons as Associate Artistic
Director). Over 250 performances as Ebenezer Scrooge
in A Christmas Carol adapted from the story by him and
Carl Schurr. TV/Film: Better Living Through Chemistry,
OUTSIDE MULLINGAR | 19
BIOGRAPHIES (cont...)
Veep, Something the Lord Made, Homicide: Life on the
Street, PBS Trifles, Once Upon A War, Mr. Magister,
Crabs. Education: MFA from Wayne State University.
Member of Actor’s Equity Association since 1967.
PLAYWRIGHT BIOGRAPHY
JOHN PATRICK SHANLEY is from the
Bronx. He was thrown out of St.
Helena’s kindergarten. He was
banned from St. Anthony’s hot
lunch program for life. He was
expelled from Cardinal Spellman
High School. He was placed on
academic probation by New
York University and instructed
to appear before a tribunal if he wished to return. When
asked why he had been treated in this way by all these
institutions, he burst into tears and said he had no idea.
Then he went into the United States Marine Corps. He
did fine. He’s still doing okay.
DIRECTOR AND DESIGNER BIOGRAPHIES
JESSE BELSKY (Lighting Design): Everyman Theatre:
Blithe Spirit, Deathtrap. Recent designs include Animal
(Studio Theater), The 39 Steps, Pump Boys & Dinettes,
Shipwrecked and Kingdom of Earth (Triad Stage), the
world premiers of Lee Breuer's opera Antigone (Athens,
Greece) and his new play Glass Guignol (Provincetown
Theater Festival). NYC design’s include The Body Politic
(59E59), puppet works Lysistrata and Women of Troy
(La Mama Annex), and My Trip Down The Pink Carpet
(starring Leslie Jordan). Regional theater credits include
Managing Maxine (Asolo Repertory Theater), Lydia and
Rough Crossing (Yale Repertory Theater) and The Year of
Magical Thinking (Playmakers Repertory Theater). His
lighting for Bang On A Can/Asphalt Orchestra's Unpack
The Elephant can be seen on tour around the country.
Recent dance lighting includes Tommy DeFrantz's Cane,
MOTION Dance Theater (Asheville, NC) and several
productive years designing for the Duke University Dance
Program. He has taught lighting design at Connecticut
College and UNC Greensboro. MFA Yale School of Drama.
www.jessebelsky.com
DANIEL ETTINGER (Set Design): Everyman Theatre (Resident
Set Designer): Blithe Spirit, Ghosts, The Understudy, By
The Way, Meet Vera Stark, Red, The Glass Menagerie,
The Beaux’ Stratagem, August: Osage County, Time
Stands Still, You Can’t Take It With You, The Brothers
Size, Private Lives, Pygmalion, All My Sons, Shipwrecked!
An Entertainment. The Amazing Adventures of Louis
de Rougemont (As Told By Himself), Our Town, Two
EVERYMAN THEATRE | 20
Rooms, Rabbit Hole, Soul Collector, I Am My Own Wife,
Filthy Rich, Viva La Vivienne! (Background Design), Gem
of the Ocean, Much Ado About Nothing, Sight Unseen,
Betrayal, Going to St. Ives, School for Scandal, Proof,
Nude With Violin, Red Herring, A Number. Off-Broadway:
The Blue Angel Theatre: Pageant; Roundabout Theatre
Company: A Man For All Seasons, Room Service; The
York Theatre Company: Talley’s Folly, Luv. Regional:
Woolly Mammoth: You for Me for You, Eclipsed, Vigils,
Recent Tragic Events, Kiki and Herb, Starving, The
Mineola Twins; Theatre J: The Disputation; Rep Stage:
Boeing, Boeing, God’s Ear, Mrs Warren’s Profession;
Barter Theatre: Thoroughly Modern Millie, She Loves Me,
and over 100 other productions. Teaching: Coordinator,
Towson University Design Program.
AMANDA M. HALL (Stage Manager): Everyman Theatre
(Resident Stage Manager): Over 40 productions,
including An Inspector Calls, Blithe Spirit, Deathtrap,
The Understudy, Tribes, The Dresser, Red, Topdog/
Underdog, August: Osage County, Time Stands Still,
You Can’t Take It With You, The Brothers Size, A Raisin
in the Sun, Stick Fly, Shooting Star, All My Sons, Our
Town, The Mystery of Irma Vep, Filthy Rich, Art, Sight
Unseen, Betrayal, Opus, The Last Five Years, Uncle
Vanya, Proof, Red Herring, The Pavilion, Fences, The
Glass Menagerie; Regional: MD Stage Company, The
Guthrie Theatre, Rep Stage.
DONALD HICKEN (Director): Everyman Theatre: Ghosts,
Red, Heroes, Fifty Words, Shooting Star, Our Town,
I Am My Own Wife, The Turn of the Screw, Betrayal,
The Cripple of Inishmaan, The Children’s Hour, Jacques
Brel…, My Children! My Africa!, Watch on the Rhine,
The Road to Mecca, The Glass Menagerie, The Lion in
Winter. Regional: The Berkshire Theatre Festival: The
Belle of Amherst; The Baltimore Shakespeare Festival:
All’s Well That Ends Well, The Kenyon Festival Theatre;
Round House Theatre: The Glass Menagerie (Helen Hayes
Award–Outstanding Resident Production 2000), Rep Stage:
The Children’s Hour; The Pennsylvania Stage Company:
A Moon for the Misbegotten; The Columbia Festival of the
Arts (Artistic Director 1989-1998). Awards: Finalist for
the 2015 Tony Award Excellence in Theatre Education;
2010 Broadway League Apple Educators Award; 2000
Helen Hayes Award for Outstanding Director Resident
Production, The Glass Menagerie. Education: BA Speech
and Theatre, MacMurray College, MFA Acting and
Directing, The Catholic University of America. Teaching:
The Baltimore School for the Arts (Dept. Head of Theatre
since 1979), Everyman Theatre, The Berkshire Theatre
Festival, Center Stage (Director of Training 1976-1981),
The Actors’ Conservatory.
OUTSIDE MULLINGAR | 21
CELEBRATE THE
HOLIDAYS IN THE
BROMO ARTS
DISTRICT
FIND A GIFT
Misfit Toys at RandallScott Projects, 216 W. Read Street
December 10-20, 10 am-8 pm: Purcahse artist-made Christmas gifts from artists including Cara Ober,
Sarah Jacobs, Erin Fostel, Alex Ebstein, Bobby Coleman, Kyle Baure, Amy Boone-Mccreesh, Tim
Horjus, Lisa Dillin, Elena Volkova, Stewart Watson, Jessie and Katey
www.randallscottprojects.com
Affordable Art Sale at the Maryland Art Place, 218 W. Saratoga Street
Friday, December 11, 6-10 pm & Saturday, December 12, 11 am-4 pm: Join for a first-come, firstserved opportunity to purchase affordable and original works of art featuring the work of Baltimore
and surrounding area artists at a price point of $500 or less. At the ticketed opening on Friday,
December 11, guests can expect to mingle with other artists, collectors, patrons and general art
enthusiasts with an open wine and beer bar, along with light tastings with a holiday twist.
www.mdartplace.org/exhibitions
SEE A SHOW
Hippodrome Theatre at the France Merrick Performing Arts Center, 12 N. Eutaw Street
December 8-13: The Sound of Music
December 18-19: Moscow Ballet’s Great Russian Nutcracker
www.france-merrickpac.com
EMP Collective, 307 W. Baltimore Street
December 10, 8 pm: Pulse:salon, performance art salon and event series featuring Bobby English, Jr.,
Sarah Ergle, Amanda McCormick, and Tracy Dimond.
December 11-12, 8 pm: The Swan, a new dance theater piece from collective member Alex D'Agostino.
www.empcollective.org
Psychic Readings Company, 219 Park Avenue
December 18-19, 10 pm: Late Night Theatre Series are short pieces produced by the Psychic Readings
Company at Psychic Readings in Bromo Arts District. All pieces will be guest directed in the Psychic
style, five different directors, all works original or stagings of obscure and/or rarely produced pieces!
The first series will be directed by Bonnie Jones.
www.psychicreadings.church
BIOGRAPHIES (cont...)
BEN ARGENTA KRESS (Costume Design): Everyman Theatre
(Assistant Costume Designer): An Inspector Calls, Blithe
Spirit, Ghosts, Ruined. Regional: Center Stage (Assistant
Costume Designer): Next to Normal; Rep Stage (Costume
Designer): Technicolor Life; Bay View Music Festival
(Costume Designer): Ragtime. Opera: Bay View Music
Festival: La Boheme. Collegiate: Kenyon College (Assistant
Costume Designer): Arabian Nights; Kenyon College
(Costume Designer): Macbeth, Oleanna, Miss Julie,
Marie Antoinette: the Color of Flesh.
GARY LOGAN (Dialects): Everyman Theatre (Resident
Dialect Coach): An Inspector Calls, Blithe Spirit, Ruined,
Tribes, The Dresser, The Beaux’ Stratagem, August:
Osage County, Private Lives, Pygmalion, Our Town,
Doubt, Much Ado About Nothing, And a Nightingale
Sang. Regional: Kennedy Center: Master Class (with
Tyne Daly); Signature Theatre: I Am My Own Wife; Arena
Stage: Frankie and Johnny in the Clair de Lune; Studio
Theatre: Jumpers for Goalposts, Belleville, Tribes, Venus
in Fur, Frozen, Crestfall; Ford’s Theatre: Shenandoah
(with Scott Bakula), State of the Union, A Christmas Carol;
Folger: Henry V, Othello, Henry VIII, Much Ado About
Nothing; Shakespeare Theatre Company: The Tempest,
The Importance of Being Earnest, As You Like It, Design
for Living, The Way of the World, An Enemy of the People,
Julius Caesar; Chautauqua Theater Company: Clybourne
Park, Macbeth, Love’s Labour’s Lost, The Winter’s Tale,
The Just; Denver Center Theatre Company: Romeo
and Juliet, Misalliance, Wit, The Winter’s Tale, Valley
Song, The Tempest (over 50 others); International: The
Royal Shakespeare Company and Denver Center Theatre
Company: Tantalus (Sir Peter Hall, director); Stratford
Festival of Canada: Twelfth Night and The School for
Scandal (with Brian Bedford), The Miser, The Night of the
Iguana. Author: The Eloquent Shakespeare (University
of Chicago Press).
VINCENT M. LANCISI (Director/Founding Artistic Director)
founded Everyman Theatre in October of 1990 and has
directed over 35 productions including Blithe Spirit,
Deathtrap, Tribes, The Glass Menagerie, The Beaux’
Stratagem, August: Osage County, You Can’t Take It
With You, Stick Fly, All My Sons, Two Rooms, Rabbit
Hole, The Cherry Orchard, Doubt, Much Ado About
Nothing, The Cone Sister, And a Nightingale Sang, The
School for Scandal, A Number, Amadeus, Cat on a Hot
Tin Roof, Buried Child, The Last Night of Ballyhoo, A
Delicate Balance, Hedda Gabler, Proof, Uncle Vanya
and The Last Five Years. In addition to his work at
Everyman, he has taught acting and directing at Towson
University, University of Maryland, Catholic University,
Howard Community College, and at Everyman Theatre.
He is a member of the Society of Stage Directors and
Choreographers. Vincent was recently named the President
of the Bromo Tower Arts & Entertainment District board.
He is also on the Market Center Merchants Board. In the
past, he has sat on panels for the Maryland State Arts
Council and boards of the Baltimore Theatre Alliance
and the Greater Baltimore Cultural Alliance. Vincent
holds his undergraduate degree in Theatre from Boston
College and his master’s degree in Directing from The
Catholic University of America.
PHILLIP OWEN (Sound Design/Original Music): Everyman
Theatre: Debut. Regional: Triad Stage (Greensboro, NC):
Anna Christie, Kingdom of Earth, Common Enemy; Alley
Theatre (Houston): Alley All New (new play festival);
Stages Rep (Houston): Stupid F^%#ing Bird, The
Whipping Man, Dollhouse, Steel Magnolias; Stonington
(Maine): Cymbeline, Antony & Cleopatra, Measure for
Measure, A Midsummer Night’s Dream; Yale Rep, La Jolla
Playhouse, & Baryshnikov Arts Center, NYC: Notes from
Underground; Yale Rep: Rough Crossing; Yale Cabaret:
original composition Waking; Broadway: Assistant to the
composer on A Steady Rain (Schoenfeld Theatre). He
currently serves as Lecturer in Sound Design at Texas
State. MFA, Yale School of Drama. www.phillipowen.com
Actors’ Equity Association was founded
in 1913 to protect Actors from severe
mistreatment that permeated the industry
at the time. The 40,000 member
association consists of distinguised stars
and other professional actors and stage
managers who work nationwide, from
New York’s Broadway to Los Angeles,
from Minneapolis to Miami Beach, in
regional, stock and dinner theatre,
and in theatre for young audiences which build audiences for
tomorrow. The actors and stage managers are committed to
working in the theatre as a profession, not an avocation, and
bring to you the finest professional training and experience.
By presenting Equity productions, this theatre offers to
you, our audience, the best entertainment presented by the
finest quality actors and stage managers that your admission
dollars can buy.
The Scenic Designer is represented
by United Scenic Artists, Local USA
829 of IATSE
Everyman Theatre is a member of
the Theatre Communications Group.
Everyman Theatre is a member of
the Bromo Arts and Entertainment
District.
OUTSIDE MULLINGAR | 23
OUTSIDE MULLINGAR | 25
UPCOMING
CLASSES AND
WORKSHOPS
MON, JAN 11 | 6:30-9:30 PM | AGES 18+
RESIDENT MASTER CLASS SERIES: HEADSHOTS
101 WITH CLINTON BRANDHAGEN
Your headshot can and should be more than just
a flattering photo. This master class will provide
participants with all the basics: what is a headshot
and why do you need one as a professional
actor? What should you look for when choosing a
photographer? How should you prepare for the
session and, most importantly, what should you
do when in front of the camera?
SAT, JAN 23 | 10 AM-1 PM | AGES 18+
COMEDY TONIGHT! A PLAYWRITING MASTER
CLASS WITH UNDER THE SKIN PLAYWRIGHT
MICHAEL HOLLINGER
Making funny in the theatre is serious business.
This hands-on workshop explores comedy
writing from concept to curtain, considering
how humor works through character, situation,
spectacle, and dialogue. Playwrights, directors,
and theatre practitioners of all levels are
invited to participate in the exciting inquiry
into writing comedy.
MON, JAN 25 | 6:30-9:30 PM | AGES 18+
RESIDENT MASTER CLASS SERIES: SUZUKI
METHOD WITH ERIC BERRYMAN
Developed by internationally acclaimed
director Tadashi Suzuki and The Suzuki
Company of Toga, the Suzuki Method for
Actor training draws from Ballet, Martial
Arts, and Noh and Kabuki theater. Attention
is on the lower body and a vocabulary
of footwork, sharpening the actor's
concentration and stage presence.
FOR FURTHER DETAILS
OR TO REGISTER
EVERYMANTHEATRE.ORG/CLASSES
or 443.615.7055 x7142
EVERYMAN EDUCATI ON
EVERYMAN THEATRE | 26
A TENNESEE WILLIAMS' FESTIVAL
See three classic plays by this iconic American playwright!
THE GLASS
MENAGERIE
CAT ON A
HOT TIN ROOF
A STREETCAR
NAMED DESIRE
Ford’s
Theatre
Round House
Theatre
Everyman
Theatre
Jan 22-Feb 21
Mar 30-Apr 24
Apr 13-June 12
www.fords.org
www.roundhousetheatre.org www.everymantheatre.org
USE CODE WILLIAMS TO SAVE 20% ON SELECT TICKETS!
OUTSIDE MULLINGAR | 27
EVERYMAN THEATRE RESIDENT ARTISTS AND BOARD OF DIRECTORS
RESIDENT ACTING COMPANY
MEGAN ANDERSON
ERIC BERRYMAN
DANNY GAVIGAN
DEBORAH HAZLETT
BETH HYLTON
WIL LOVE
BRUCE RANDOLPH NELSON
CARL SCHURR
DAWN URSULA
STAN WEIMAN
RESIDENT ARTISTS
DANIEL ETTINGER
CHAS MARSH
DAVID BURDICK
GARY LOGAN
JAY A. HERZOG
LEWIS SHAW
SUSAN W. FLANIGAN
ALAN BERNSTEIN, JR.
EDIE BROWN
DIANE CHO
CORIE GODINE
GINA HIRSCHHORN
LISA HARRIS JONES
VINCENT M. LANCISI
JOHNNIE E. LEWIS
JOHN MCLEAN
Scenic Designer
Costume Designer
Lighting Designer
BOARD OF DIRECTORS
President
W. BRYAN RAKES
Vice President
VIC ROMITA
Vice President
MARK PAUL LEHMAN
Secretary
EILEEN M. O’ROURKE
Treasurer
EVERYMAN THEATRE | 28
Sound Designer
AMANDA M. HALL
Stage Manager
Dialects Coach
Fight Choreographer
NEIL MELTZER
DR. STANLEY MILLER
PETER NACHTWEY
SUSAN L. NEHRA
BETSY NELSON
FRANK ROSENBERG
JAMES RYAN
LAWRENCE J. YUMKAS
EVERYMAN THEATRE STAFF
EVERYMAN THEATRE STAFF
ADMINISTRATION
JESSICA LANZILLOTTI General Manager
MIKE WATSON Operations Manager
SHAMMAH MOORE Porter
PAT BRENT Bookkeeper
BETH BRENNER ROSE Rentals Coordinator
ARTISTIC
JOHANNA GRUENHUT Artistic Associate
KYLE PRUE Director of Production
AMANDA M. HALL Associate Director of
Production
BILL JAMIESON Technical Director
RICK GERRIETS Asst. Technical Director
ANDREW GAYLIN Audio Engineer
JUAN JUAREZ Master Electrician
JILLIAN MATHEWS Properties Master
AMY KELLETT Scenic Charge
REN BRAULT, PATRICK SQUIBB Resident Carpenters
JOE MARTIN, MICHAEL RASINSKI, MASON ROSS House Carpenters
J. R. SCHROYER Deck Chief
LUCY WAKELAND Wardrobe Supervisor
DEVELOPMENT
ALEXANDRA PRICE Director of Development
CAROLINE ALEXANDER Corporate & Foundation
Relations Manager
DUSTIN MORRIS Development Assistant
EDUCATION
NORA STILLMAN BURKE Director of Education
JULIA BRANDEBERRY Interim Director of
Education
ABBY GRIMSLEY Education Programs Manager
MELANI DOUGLASS Community Engagement
Manager
LINDSEY BARR Intern
MEGAN ANDERSON, MARIANNE ANGELELLA, TONYA BECKMAN, JASMINE BLANKS, NORA STILLMAN BURKE, TARA CARIASO, SANDI CARROLL, CHRISTINE DEMUTH, APRIL FOILES,
DEBORAH HAZLETT, SUZANNE HERBERT-FORTON,
NICK HORAN, BETH HYLTON, RACHEL HYNES,
STEPHANIE LAVARDERA, GARY LOGAN, BRUCE RANDOLPH NELSON, KYLE PRUE, JOSEPH RITSCH, JUDY SELLMAN-HRYBYK, LEWIS SHAW, SABRINA SIKES THORNTON, DAWN THOMAS REIDY, ANN TURIANO, Teaching Artists
VINCENT M. LANCISI Founding Artistic Director
JONATHAN K. WALLER Managing Director
FRONT OF HOUSE
MATTHEW SHEA Audience Services Manager
NADINE KLATT Box Office Manager
DAVID BRASINGTON, MICHELLE BURKE, MAGGIE DIER,
RACHEL KNOBLAUCH, JESSIE POOLE, DANIEL ROMEO,
Bartenders
SARAH CHMIELOWIEC, EDDY N. COLLETT, MAGGIE DIER,
ANNA-MARIE EPPS, CIERRA HARMAN,
JONATHAN JACOBS, JAMIL JOHNSON, THOM PURDY,
MATTHEW SCHLEIGH, ERIKA WILLIAMS
Box Office Assistants
KATE APPIAH-KUBI, LINDSEY BARR, MAGGIE DIER,
JONATHAN JACOBS, RACHEL KNOBLAUCH,
DANIEL ROMEO, AMBER WRIGHT House Managers
DANIEL GUGLIUZZA Volunteer Services
Coordinator
MARKETING
MICHELE ALEXANDER Director of Marketing
LAURA WEISS Associate Director of Marketing & Media Relations
KIIRSTN PAGAN Creative Content Manager
MATTHEW SHEA Social Media Coordinator
JEFF ROGERS 2015-16 Season Show Art Design
2015-16 SEASON PRODUCTION STAFF
AMANDA M. HALL, JULIE DEBAKEY SMITH, CAT WALLIS,
BRIDGET WOODBURY Stage Managers
JUSTINE CERRUTO, JANICE RATTIGAN, KAYLA WHISMAN
Assistant Stage Managers
JEREMY BENNETT, DOUG JOHNSON, KELLY RICE
Painters
BEN KRESS, JOSH SCHUMAN Design Assistants
TORI MUÑOZ, J. R. SCHROYER Light Board Operators
KATIE SALVI, REESE SIEDLECKI Sound Board Operators
KELSEY SCHNEIDER Captioning Operator
JOSH SCHUMAN Light Board Programmer
PAIGE ESPENSHADE, DARRELL HAIRSTON, JR., DOUG JOHNSON, KEVIN O’MEARA,
KELSEY SCHNEIDER, J.R. SCHROYER, REESE SIEDLECKI, ZACHARY YAROSZ Carpenters
CHRIS ALLEN, CARA ANTICO, JEREMY BENNETT, ALLISON BURRIS, MATTHEW CASELLA, ANGELA DELP, TYLER GAHS, AARON HAAG, JESSE HERCHE, TORI MUÑOZ, KATIE SALVI, KELSEY SCHNEIDER, JOSH SCHUMAN, KATIE SMITH-MORSE Electricians
OUTSIDE MULLINGAR | 29
EVERYMAN’S 2015-16 SEASON IS MADE POSSIBLE WITH
THE SUPPORT OF OUR GENEROUS DONORS
Sponsors listed as of November 16, 2015
SEASON MEDIA SPONSORS
MAJOR SUPPORT FROM
WILLIAM G. BAKER, JR.
MEMORIAL FUND, CREATOR OF
THE BAKER ARTIST AWARDS,
WWW.BAKERARTISTAWARDS.ORG
ADDITIONAL SUPPORT
EXPRESS MENU
Rosemore, Inc. and The Henry and Ruth
Blaustein Rosenberg Foundation are very
pleased to support great and significant
theatre for the every day man and woman.
The
Henry and Ruth Blaustein Rosenberg
Foundation
One South Street, Suite 2900 Baltimore MD 21202 | www.blaufund.org
EVERYMAN THEATRE | 30
ANNUAL FUND
GOVERNMENT, FOUNDATION, FUND, CORPORATION SUPPORT
THANK
YOU
to all our generous annual
fund donors. Your support
is essential and allows us to
present the very best in live
professional theatre. Gifts
listed here were received
from donors between
July 1, 2014 and
November 16, 2015.
GOVERNMENT,
FOUNDATIONS,
FUNDS, AND
CORPORATIONS
ANGEL
$20,000+
Paul M. Angell Family Foundation
William G. Baker, Jr. Memorial
Fund
Bank of America Foundation
Jacob and Hilda Blaustein
Foundation, Inc.
Hecht-Levi Foundation
The France-Merrick Foundation
Legg Mason Corporate Citizenship
Maryland State Arts Council
The Shubert Foundation
RESIDENT COMPANY
SPONSOR
$10,000 - $19,999
Baltimore County Commission on
Arts and Sciences
Helen S. And Merrill L. Bank
Foundation
The Eddie C. and C. Sylvia Brown
Family Foundation
Bunting Family Foundation
Goldsmith Family Foundation
J. Mayo Greenberg Theatre Fund
Legg Mason Corporate Citizenship
LifeBridge Health
Lockhart Vaughan Foundation
Lord Baltimore Capital
Corporation
Joseph and Harvey Meyerhoff
Family Charitable Funds
The Aaron Straus and Lillie Straus
Foundation
SunTrust
T. Rowe Price Foundation
Talcott-Gran Charitable Trust
University of Maryland Medical
Center
Venable Foundation
Yumkas, Vidmar, Sweeney &
Mulrenin, LLC
EXECUTIVE PRODUCER
$5,000 - $9,999
American Trading and Production
Corporation
Creative Baltimore Fund
Helen Pumphrey Denit Trust
Exelon Foundation
Helen M. Hughes Trust
Benno and Elayne Hurwitz Family
Foundation
The John J. Leidy Foundation
Muller Charitable Foundation, Inc.
PNC
Wells Fargo Foundation
PRODUCER
$2,500 - $4,999
Anonymous (1)
Campbell Foundation
Charlesmead Foundation
Cho Benn Holback + Associates
Margaret O. Cromwell Family
Fund
Susan Sachs Fleishman Fund
Herschel and Judith Langenthal
Philanthropic Fund
The Macht Fund of The Associated
The Harvey M. Meyerhoff Fund
The Howard C. and Marguerite E.
Muller Charitable Foundation
Rosemore, Inc.
The Henry and Ruth Blaustein
Rosenberg Foundation
The M. Sigmund And Barbara K.
Shapiro Philanthropic Fund
Earle and Annette Shawe Family
Foundation
Jean and Sidney Silber Foundation
Stevenson University
Towson University
The Wolman Family Foundation
Miriam and Robert Zadek
Charitable Gift Fund
ASSOCIATE PRODUCER
$1,000 - $2,499
The Marilyn R. and Robert C.
Levin Philanthropic Fund
The Dr. Frank C. Marino
Foundation
Harbor Bank
Mary Jean and Oliver Travers
Foundation
PLAYWRIGHT
$250 - $999
Abell Foundation, Inc.
Actors’ Equity Foundation
Mr. and Mrs. Raymond L. Bank
Family Fund
Jaye and Dr. Ted Bayless Fund
Cantler Fulwiler Family Fund
Doctrow Family Fund
Gabbay Family Fund
Goldseker Foundation
The Himmelrich Fund
Jencks Family Fund
The Krometis Family
Richard Manichello and Margo
Halle/Ram Films Inc
No Worries IT
Norfolk Southern Foundation
Matching Gifts Program
Open Society Institute
Ransome-Wilcox Family Fund
Barbara K. Scherlis Fund
Eugene and Alice Schrieber
Philanthropic Fund
Jacob S. Shapiro Foundation
Sinsky-Kresser-Racusin Memorial
Foundation
Taylor Family Foundation
OUTSIDE MULLINGAR | 31
ANNUAL FUND
INDIVIDUAL SUPPORT
INDIVIDUALS
ANGEL
+ deceased
$20,000+
Bunny and Alan Bernstein
Jane W. Daniels
Susan W. Flanigan
Gina and Dan Hirschhorn
John and Susan Nehra
George Roche
Vic and Nancy Romita
RESIDENT COMPANY
SPONSOR
$10,000 - $19,999
Mark Paul Lehman and Kurt Davis
Baroness Ghislaine Godenne+
Stan and Laurie Miller
David and Betsy Nelson
Bryan and Jennifer Rakes
Dr. E. Lee and Bea Robbins
Lawrence Yumkas and Miriam Fisher
EXECUTIVE PRODUCER
$5,000 - $9,999
Anonymous (3)
Ed and Ellen Bernard
Mary Catherine Bunting
Paul and Kathleen Casey
Jack Condliffe and Judy Shub-Condliffe In memory of Vivienne Shub
Debra and Maurice Furchgott
Alan and Niki Harris
Bridget and John Horner, Jr.
Ronnie Kleiman
Sandy and Mark Laken In memory of Shawn Laken
Lee and Claire Miller
Elizabeth K. Moser
Diane and Pete Nachtwey
Frank and Ann Rosenberg
Wil Love and Carl Schurr
Bob and Jackie Smelkinson
Bob and Terri Smith
PRODUCER
$2,500 - $4,999
Anonymous (3)
William and Pat Bettridge
Stan and Edie Brown
Lynn and Tony Deering
Stephen and Julie Gottlieb
Howard and Barbara Gradet
Sandra and Thomas Hess
In memory of Shawn Laken
June and George Higgins
Shirley A. Kaufman
Ann and David Koch
Paul Konka and Susan Dugan-Konka
Francine and Allan Krumholz
Mark Paul Lehman and Kurt Davis
Bernard and Steffi Liberman
Kathleen Liparini
Sam and Suzie Macfarlane
Joesph and Jane Meyer
Charlie and Marcia Moylan
ASSOCIATE PRODUCER
Andrew and Sharon Nickol
$1,000 - $2,499
Ruth Nolan
George and Frances Alderson
Thomas L. and Leslie V. Owsley
Anonymous
Robert R. Bair and Dorothy D. Bair Frank R. Palmer
Harriet Roberts
Joel Balsham
Sarah S. Robinson
Marci Gordon and Andrew
Grant and Elissa Roch
Barnstein
Robert and Lelia Russell
Bruce and Polly Behrens
Monica and Arnold Sagner
Dr. Elizabeth Burin and
Dr. and Mrs. Albert B. Shackman
Dr. Avishai Ben-David
Gilda B. Sherman
Emile A. Bendit
Rachelle and Ronnie Silverstein
Frank Eisenberg and
Susan and John Spencer
Catherine C. Blake
Joaneath A. Spicer
Patty Bond
Ruth and Chuck Spivak
Winnie and Neal Borden
Steve and Sue Sternheimer
Suzanne F. Cohen
JoAnn Tracey
James C. Storey and
Karen and Jim Trennepohl
Janice L. Collins
Jack and Nanny Warren
Betty and Stephen Cooper
Michael Borowitz and Barbara Crain Peter Cohen and Ann Watson
Mike Plaisted and Maggie Webbert
Harlan and Jean Cramer
Brenda K. Ashworth and
Drs. Lawrence Cheskin and
Donald F. Welch
Lisa Davis
William Marshall and
Diane E. Cho and David W. Benn
Camille Wheeler
Walter B. Doggett III and
Barbara Coleman White
Joanne Doggett
William C. Jacob and
Donald M. and Dorothy W.
Jennifer S. Williams
Gundlach
Dr. Laurie S. Zabin
Nelson and Sara Fishman
Dennis X. Flynn
Elborg and Robert Forster
DIRECTOR
Jason and Laurie Frank
$500 - $999
Charlton G. C. Friedberg
Ronald and Baiba Abrams
Richard Friedler
James and Ellen Adajian
Jill and Ira Gansler
Anonymous (3)
Jonathan Sagner and Bonnie Glick
Taunya L. Banks
Judith and Charlie Goedeke
Jean Savina and Gayle Barney
Herbert and Harriet Goldman
Florence and Benjamin Berdann
George Goodale
George and Deborah Bittar
Louis B. Thalheimer and
Juliet A. Eurich
Dr. Larry and Nancy Fishel
Shaun Carrick and Ronald Griffin
Shirley T. Hollander
Phyllis and Joe Johnson
Sara Lombardo and James
MacNicholl
Barbara Zadek and Tom Moses
Brian and Eileen O’Rourke
John and Marsha Ramsay
Fred and Joan Steffens
Vincent Lancisi and Robin Vanscoy
EVERYMAN THEATRE | 32
ANNUAL FUND
INDIVIDUAL SUPPORT (cont...)
Dr. and Mrs. Mordecai Blaustein
Grace Blood LLC
Harriet and Bruce Blum
Eva and Warren Brill
Glenn and Catharine Brown
Arnold D. and Joyce Ann Bruckner
Jennifer Burdick
Glenda Chernoff
Irv and Joan Cohen
Suzanne F. Cohen
Barbara Cornman
Michael and Judith DeHaemer
Rosemary Eck
Vera Case and Adam Ehart
Neil and Deborah Eisenberg
Patricia A. Yevics-Eisenberg
Jennifer Engel
Susie and Bob Fetter
Fran and John Flanigan
Nancy Freyman
Stanley and Marilyn Gabor
Sandra Levi Gerstung
Sonny and Laurie Glassner
Terri and David Goldbloom
Hannah Gould
Richard B. Gross
Stephen P. and Jacquelyn M. Hall
James and Catherine Hammond
Richard R. and Beverly A. Harden
Dr. Rhoda Harrison
James F. Hart In honor of Bruce R. Nelson
Barbara L. Hecht
Pam and Sam Himmelrich In honor of Stan and
Laurie Miller
Michael Hirschhorn In honor of Gina B. Hirschhorn
Samuel Hoi
Irene Hornick
Dave and Katherine Hurst
Ruth B Hurwitz
David A. Hutzler
Dr. and Mrs. Iredell W. Iglehart III
Lois and Joseph Johnson, Jr.
Gisela and Edwin Jules
Ann H. Kahan
Bruce Sholk and Beth Kaplan
Drs. Mary O’Connor and
Charles King
Harriet and Jay Kramer
Rosalind and Alfred Kronthal In memory of
Herbert Kronthal, M.D.
Stanford and Lynne Lamberg
Susan Leviton and Jeffrey Lauren
Bob and Myra Lawrence
Harry and Beth Lebow
Greg Lehne
Howard and Peggy Levinton
Vernon and Doris Lidtke
Patrick Martyn and Eric Lomboy
Marc and Elaine Lowen
Ken and Elizabeth Lundeen
Hank Bullwinkel and Teri Majewski
Charles Henck and Karen Malloy
Linda Matheson
Hans and Judy Mayer
Dennis G. McGough
Business | Litigation | Insolvency
www.yvslaw.com
Proud to support Everyman Theatre
OUTSIDE MULLINGAR | 33
ANNUAL FUND
INDIVIDUAL SUPPORT
John and Mary Messmore
Michael Meyers
Stephanie F. Miller
Linda Nevaldine
Steve and Sherri O’Donnell
Joan W. Orso
Dr. and Mrs. Lawrence C. Pakula
Justine and Ken Parezo
William and Susan Paznekas
Fred and Grazina Pearson
Dale and Dorothy Piper
Celeste Pushkin
Scott and Gwyneth Radloff
Reid Reininger
Mary Ellen Rinehardt
Larry Koppelman and Liz Ritter
Domingo and Karen Rodriguez
Rona and Arthur Rosenbaum
Leslie and Jay Rosenthal
Bette Rothman
Andrea Rutledge
David and Sarah H. Shapiro
Pat Thompson and Ed Sledge
Peter and Cheryl Snyder
Joaneath A. Spicer
Dr. and Mrs. Elam Sprenkle
Mende Lerner and Harriett Stein
Ellen and William Stifler
Damie and Diane Stillman
Lynne Stuart
Sheldon Switzer
Charlotte Modly and Paul Tarantino
Carly Troyer
Bonnie Binder and Bob Tucker
Karen Ray and Howard Turk
Debbie and Ken Vogelstein In honor of Gina B. Hirschhorn
John and Mary Lou Walker
Dr. and Mrs. Peter Warschawski
Peter Cohen and Ann Watson In honor of Stan and
Laurie Miller
Stan and Martha Weiman
Michael and Helen Weiss
Marvin and Cindy Zelkowitz
PLAYWRIGHT
$250 - $499
Walter and Rita Abel
Brad and Lindsay Alger
Anonymous (2)
Dr. Wendy Matt and
Dr. Sukumar Balachandran
Taunya L. Banks
Mr. and Mrs. Steven Bloom
Jan Boyce
Julia and Charles Bryan
Ronald and Peggy Cohen
Will Cooke
Joan S. Cornblath
Ken Davies
Roger and Mary Davis
Albert DeLoskey and Lawrie Deering
Ross and Michele Donehower
Marcy Resnick Emmer
Susi Ettinger
Tony and Jaymee Farinacci
Edgar and Faith Feingold
John and Dorothy Foellmer
Kenneth Frohling and Stephen Ford
Joseph and Teresa Freed
Megan M. Gillick
Mr. and Mrs. David Glickman
Barbara Glynn
Dr. and Mrs. Stanley Goldberg
Judith A. Gottlieb
Robert and Cheryl Guth
Louise A. Hager
Fritzi K. and Robert J. Hallock
Thomas and Rebecca Hamer
Gary C. Harn
Larry and Linda Harvey
Ken and Ellen Himmelstein
Donald P. Horton
Ro Hotkowski
Harriet S. Iglehart
Donald H. Hooker, Jr.
Townsend and Bob Kent
Melissa and Steven Kravet In honor of Kevin Wingate and
Stephen Sisson
Ron Kreitner
Peter Levy and Diane Krejsa
Ms. Dorothy B. Krug
James Stofan and William Law
Jonna and Fred Lazarus
Kenneth B. and Bonny M. Lewis
Barry Linkner
Frank and Joyce Margolis
Jeanne E. Marsh
Eric Buckner and Shelley Mazer
Anna and George Lazar M.D.
Rima Namek
Ted Niederman and Ricka Neuman
Gene and Sabine Oishi
Richard Baum and
Kathleen Petersen
Leslie and Gary Plotnick
EVERYMAN THEATRE | 34
Dr. Ronald S. Pototsky
Dorothy Powe
Alan and Pamela Ray
Jane and Ron Reifler
Dr. Mary Anne Facciolo and
Dr. Michael Repka
Zelig and Linda Robinson
Jon Greenberg and
Connie Rosemont
Robert and Ellen Rosen
Dr. and Mrs. Alfred Rosenstein
William S. and Narka K. Ryan
Dr. and Mrs. Steven Sandler
Richard and Kayleen Saucier
Susan Scheidle
Carla Rosenthal and Alan Schwartz
Joel and Robin Shaivitz
Francie Weeks and Scott Shane
Margaret and Steven Sharfstein
Stephen and Gail Shawe
Lisa Simonson
Terry E. Singer
Paul R. Sisson In honor of Stephen Sisson and
Kevin Wingate
Dr. Jonas Rappeport and
Alma Smith
Eric Snyder
S Spector
Robert and Ellen Rosen
Thomas M. Scott III
Judy and Carl Sterling
Hugh and Kitty Stierhoff
Ellen M. Heller and Shale D. Stiller
Brad and Suzanne Stillman
Elizabeth Trimble
Debra and Henry Tyrangiel
Eli Velder
Joanne Wallach
Bill and Salli Ward
Lissa Abrams and Abe Wasserberger
Drs. S. James and Eva Zinreich
Sally Gold and Elliot Zulver
Please bring any errors or
omissions to our attention by
contacting Dustin Morris at
[email protected]
or 443-615-7055 x 7122.