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Renaissance Art Renaissance Art Samples of the works that created a rebirth of Art in Italy and Europe. Renaissance Art Evident Characteristics: Renaissance Art Evident Characteristics: Mathematical Applications – Perspective Renaissance Art Evident Characteristics: Mathematical Applications – Perspective Love of Nature Renaissance Art Evident Characteristics: Mathematical Applications – Perspective Love of Nature Love of the Classics, including the Bible Renaissance Art Evident Characteristics: Mathematical Applications – Perspective Love of Nature Love of the Classics, including the Bible Love of Youth Renaissance Art Evident Characteristics: Mathematical Applications – Perspective Love of Nature Love of the Classics, including the Bible Love of Youth Study of Anatomy Fiorenza Birthplace of the Renaissance Massacchio • 1401 - 1428 • The “Father of Florentine Painting” • Introduced Massacchio • 1401 - 1428 • The “Father of Florentine Painting” • Introduced – Perspective Massacchio • 1401 - 1428 • The “Father of Florentine Painting” • Introduced – Perspective – Chiaroscuro Massacchio • 1401 - 1428 • The “Father of Florentine Painting” • Introduced – Perspective – Chiaroscuro – Classical Studies Massacchio • 1401 - 1428 • The “Father of Florentine Painting” • Introduced – Perspective – Chiaroscuro – Classical Studies – Use of Mathematics in Designs “Tribute Money” Filippo Brunelleschi • 1377 – 1446 Filippo Brunelleschi • 1377 – 1446 • Studied Classical forms and ideas Filippo Brunelleschi • 1377 – 1446 • Studied Classical forms and ideas • Used perspective in architecture Filippo Brunelleschi • • • • 1377 – 1446 Studied Classical forms and ideas Used perspective in architecture Loved mathematical applications Filippo Brunelleschi • • • • • 1377 – 1446 Studied Classical forms and ideas Used perspective in architecture Loved mathematical applications Used the above ideas in creating the two octagonal vaults that make up the Dome of the church of Santa Maria del Fiore Il Duomo Il Duomo Lorenzo Ghiberti • • • • 1378 – 1455 Influence of Humanist ideas Worked with Brunelleschi Applied for contract to create the 2nd and 3rd sets of Baptistry doors for the church of Santa Maria del Fiore Gates of Paradise Lorenzo Ghiberti Donatello • 1386 – 1466 • Student of Ghiberti • Learned about the importance of the classics from Massacchio • Primarily interested in sculpture David Andrea del Verrocchio • 1435 – 1488 • Ran an important school, in which many famous Renaissance artists studied. • Was awarded many important projects, many of which were partially done by his students. The Annointment of Jesus Sandro Botticelli • 1445 – 1510 • Apprentice to Verrocchio • Very popular with society – a commercial success • Lots of allegorical work La Primavera The Three Graces ~ by Raphael La Primavera The Birth of Venus Leonardo daVinci • • • • • • 1452-1519 Apprentice to Verrocchio until c.1478 Many “unfinished” works of art Service to Ludovico Sforza, Duke of Milan Service to Cesare Borgia, Duke of Romagna Service to King Louis XII of France (Milan) Leonardo daVinci • Innovations: – “Atmospheric” backgrounds with much scenery – Stylistic groupings of figures – Emotional, evocative characters – Sfumato – Hazy transitions between colors – Chiaroscuro – Use of light and shading to create depth – Detailed use of anatomy and mechanical knowledge – Knowledge of classical styles and principles Leonardo daVinci • Innovations: – Scientific Knowledge – Precise observations, detailed notes and drawings, Mirror script • • • • • • • • • Circulation of Blood (Capillary Action) Eye Function Tidal Action Continent Formation Fossil Studies Hydraulic studies Canalization of Rivers Underwater Diving Suit Helicopters, Tanks, Planes, Weapons, etc. The Vitruvian Man La Gioconda (Mona Lisa) The Last Supper Self-Portrait Albrecht Dürer • • • • • 1471 – 1528 German influence in art Humanistic & Experimental Development of Woodcut art Dramatic visions Michelangelo Buonarotti • • • • 1475 – 1564 Apprentice to Ghirlandaio Excellent painter and sculptor Sculpted the image he perceived “inside the marble” he was using • Known for larger-than-life-size works The Sistine Chapel “The Creation” “The Expulsion” David David (Close-up) The Pieta Raphael de Santi • 1483 – 1520 • Worked on paintings in the Sistine Chapel • Fascinated with depicting the Madonna “School of Athens” The “Sistine Madonna” The “Alba Madonna” The “Garvagh Madonna” The Madonna of the Chair Renaissance Art Evident Characteristics: Mathematical Applications – Perspective Love of Nature Love of the Classics, including the Bible Love of Youth Study of Anatomy Renaissance Art Remains the standard for perfection in subject, style, and execution of painting.