Download Music in the Brain: Pitch, Plasticity, Imagery and Emotion

Survey
yes no Was this document useful for you?
   Thank you for your participation!

* Your assessment is very important for improving the workof artificial intelligence, which forms the content of this project

Document related concepts

Auditory processing disorder wikipedia , lookup

Neuropharmacology wikipedia , lookup

Neuropsychopharmacology wikipedia , lookup

Dysprosody wikipedia , lookup

Auditory system wikipedia , lookup

History of neuroimaging wikipedia , lookup

Transcranial Doppler wikipedia , lookup

Cortical stimulation mapping wikipedia , lookup

Transcript
DEPARTMENT OF NEUROSCIENCE AND PHARMACOLOGY
UNIVERSITY OF COPENHAGEN
presents
Distinguished Seminars in
Neuroscience and Pharmacology
Robert J. Zatorre
Montreal Neurological Institute & BRAMS Laboratory
McGill University, Montréal, Canada
presents
“Music in the Brain: Pitch, Plasticity, Imagery and Emotion”
Wednesday, October 26th, 2011, 3:00-4:00 p.m.
Hannover Auditorium, the Panum Institute,
Blegdamsvej 3, 2200 Copenhagen N
Meet the speaker and your colleagues!
The department serves light refreshments after the lecture
Abstract
How does the brain allow us to perceive music? How do we imagine musical sounds? Why does music
elicit emotion? Neuroscientists are increasingly interested in such questions because music can be a powerful
way to reveal the inner workings of the nervous system. The lecture will touch on three topics. First, we discuss
functional and structural brain imaging data which identify specializations for pitch perception in right auditory
cortex. These specializations are relevant to plasticity because they can also be modified by musical training.
Moreover, anatomical cortical features in these same regions are predictive of behavioral performance on
melody perception tasks, suggesting that predispositions may also exist. Second, we deal with studies of
musical imagery. Using experimental tasks which require active retrieval and imagery of melodies, we can
identify auditory cortical regions recruited both by real and imagined music. The final topic, music and
emotion, is of interest because emotion is such an integral part of music. We have concentrated on musical
pleasure; findings from these studies indicate that strong positive emotion in music seems to be mediated via
the mesolimbic dopaminergic system, typically concerned with biological reward and motivation. Further, we
can dissociate distinct dorsal and ventral striatal contributions to anticipatory vs. experiential components of
music processing, respectively. Such findings raise additional questions about the broader role of music in
human experience.
Selected publications
Zatorre, R.J. and Halpern, A.R. (2005) Mental Concerts: Musical imagery and auditory cortex. Neuron, 47, 9-12; Foster, N.E.V. and Zatorre, R.J.
(2010) Cortical structure predicts success in performing musical transformation judgments. NeuroImage, 53, 26-36; Salimpoor, V.N., Benovoy, M.,
Larcher, K., Dagher, A., and Zatorre, R.J. (2011) Anatomically distinct dopamine release during anticipation and experience of peak emotion to
music. Nature Neuroscience, 14, 257-262.
NB: PhD students get 1 ECTS point for attending 8 INF seminars – respectively ½ ECTS for 5 INF seminars