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Transcript
TOWARD THE RENAISSANCE RENAISSANCE DID NOT HAPPEN ALL AT ONCE THE LAMENTATION ARTIST: GIOTTO—made a remarkable break through 1305---original use of space—composed as though it is on stage depicting psychological and emotional reactions of his subjects TRINITY WITH THE VIRGIN, ST. JOHN THE EVANGELIST AND DONORS Masaccio--transformed the art of painting ---age 24 yrs. Form a triangular composition Masaccio—nicknamed “Sloppy Joe” neglected his appearance—in his pursuit of art THE RENAISSANCE MIDDLE AGES—PAINTERS—SKILLED CRAFTSMAN—LEVEL OF A CARPENTER ITALY RENAISSANCE—PAINTERS WERE CALLED DIVINE BROUGHT VAST CHANGES TO THE ART WORLD RENAISSANCE RENAISSANCE MEANS “REBIRTH” REFERS TO REVIVAL OF INTEREST IN GREEK AND ROMAN ART---KEY CHARACTERISTIC ARTIST STUDIED THE NATURAL WORLD AND PRODUCED IT AS ACCURATELY AS POSSIBLE STUDING THE EFFECTS OF LIGHT TECHNIQUES DEVELOPED CHIAROSCURO—LIGHTS AND DARKS LINEAR PERSPECTIVE ATMOSPHERIC PERSPECTIVE NUDES REAPPEARED IN ART STUDIED ANATOMY SOUGHT IDEALIZED BEAUTY ROMANS RUINS WERE STUDIED IN DETAIL ALL OF THESE ESTABISHED PAINTING, SCULPTURE AND ARCHITECTURE IN THE RENAISSANCE ST. MARK –1411-13-MARBLE ARTIST: DONATELLOFirst generation of Renaissance artists----25 yrs old New idea the body provides the framework on which the fabric drapes Draped clay soaked linen to create garments Sculptures so life like the artist said “Speak, speak, or the plague take you” The Story of Jacob and Esau from the “Gates of Paradise” 1435—gilt bronze--20 years to complete--won competition at 23 years 2nd set of doors commissioned 20 years later Teacher was Donatello THE BIRTH OF VENUS ARTIST—BOTTICELLI—1480—TEMPERA ON CANVAS---6’7 X 9’ 2” Renaissance artists also turned towards stories of Greek and Roman gods and goddesses for subject matter HIGH RENAISSANCE 1500 TO ABOUT 1525 “RENAISSANCE MAN”---VERY GOOD AT DOING MANY DIFFERENT AND UNRELATED THINGS RENAISSANCE MAN LEONARDO DA VINCI— CONSIDER TO BE THE TRUE RENAISSANCE MAN ARCHITECT, ENGINEER, SCIENTIST, MUSICIAN AND ALL AROUND INTELLECTUAL ABSORBED BY THE PROBLEM OF HOW THINGS WORK MIRROR WRITING STUDY OF FLIGHT ANF HUMAN PROPORTIONS LINER PERSPECTIVE LEONARD DA VINCI MOST VERSATILE GENIUSES IDEAS IN HIS NOTEBOOKS— ENGINEERING, ASTRONOMY, MATH, NATURAL HISTORY, MUSIC, SCULPTURE, ARCHITECTURE, PAINTING DISCOVERIES—AIR CURRENTS, PRINTING PRESS, TELESCOPE PORTABLE, PARACHUTE, BOMBS, ETC PERFECT DA VINCI BUT HANDSOME COULD SING DIVINELY CHARMING AVID MOUNTAIN CLIMBER FASCINATED WITH FLIGHT BUT ONE FLAW—HE WAS “FICKLE” Constantly distracted—incomplete projects—less than 20 works today survive On his death bed he said”he had offended God and mankind by not working at his art as he should of MONA LISA 1804—Hung in Napoleon's bedroom until moving to the Louvre---New York—1.6 million people viewed it in 7 weeks Tokyo viewers allowed 10 sec. She was nobody special—wife of Florentine merchant Mona means Madonna or Mrs.— “SFUMATO” technique (Italian word for “smoke”)—layer upon layer of translucent glazes produced a hazy atmosphere MICHELANGELO FATHER BEAT HIM CARED FOR BY A WET NURSE—HUSBAND STONECUTTER MEDICI—LORENZO—RECOGNIZED HIS TALENT—15 YEARS PRICE FOR GIFT –SOLITUDE EMOTIONAL-ROUGH—HAPPY ONLY WHEN PRODUCING ART THE PAINTER: THE SISTINE CHAPEL1508-12 A FEW VINES ON A BLUE BACK-GROUND—ALL POPE JULIUS II WANTED 340 FIGURES(10’-18’) 4YRS TO COMPLETE ½ THE LENGTH OF FOOTBALL FIELD 10,000SQ. FT. ROOF LEAKED—7 STORY SCAFFOLD TORSOS MORE EXPRESSIVE THAN FACES THE ARCHITECT— SUPERVISED— RECONSTUCTION OF Rome’s St. Peter’s Cathedral in his seventies---didn’t live to see it finished ST. FRANCIS IN THE DESERT— ARTIST—BELLINIpainter of Venice –they were interested in color and light ----St. Francis---Holy monk—born in the town of Assisi --- 12th century—he was able to converse with the animals—his goodness was so profound that god bestowed upon him same marks and wounds of Christ TITIAN FROM THE VENETIAN SCHOOL—1490-1576--DOMINATED THE ART WORLD FOR 60 YEARS— USED STRONG COLORS— AS HIS MAIN EXPRESSION DEVICE—est. oil on canvas— most favorite portrait –12 year old boy ”Portrait of Ranuccio Farnese—1542grandson of Pope Paul 111 expression shy and endearing— he would be a cardinal in 3 years CHARACTERTICS SISTINE CHAPEL RAPHAEL, DA VINCI AND MICHELANGLO REBIRTH LINEAR PERSPECTIVE CHIAROSCURO ATMOSPHERIC PERSPECTIVE STUDIED ANATOMY ROMAN AND GREEKS WERE STUDIED The Northern Renaissance LOOKED TOWARD NATURE NORTHERN COUNTRIES WESTERN EUROPE)—SWITZERLAND—GERMANYNORTHERN FRANCE—NETHERLANDS ENTRANCED WITH DETAILS PAINTED REALITY EXACTLY HOW IT APPEARED USED OILS AND ATMOSPHERIC PERSPECTIVE TO SUGGEST DEPTH LIMBOURG BROTHERSFEBRUARY—FROM “THE VERY RICH HOURS” FIRST KNOWN SNOW SCAPE— MINIATURE ONLY 9” HIGH— APPREICATE DETAILS Isenheim Altarpiece—1515— 8’10” x 10 ‘1 ”—originally hung in a hospital devoted to treatment of illnesses afflicting the skin-- THE AMBASSADORS 1533-0IL—HANS HOLBEIN THE YOUNGER—KNOWN AS ONE OF THE GREATEST PORTRIATISTS EVER---- painting objects symbolizing –music, arithmetic, geometry and astronomy— strangest element is the diagonal shape— WHAT COULD IT BE? “REMEMBER YOU MUST DIE” HOLBEIN ACKNOWLEDGED THIS WITH A HUMAN SKULL-skull is painted to come in focus when the painting is viewed up close and at an angle THE HARVESTERS—OIL 1565—PEASANTS HAVE PAUSED FOR THEIR MIDDAY MEAL IN THE SHADE—BACK DROP PRINCIPAL THEME CHARACTERISTICS HANS HOLBEIN THE YOUNGER BRUEGEL SWITZERLAND,GERMANY,NO. FRANCE AND NETHERLANDS ENTRANCED WITH DETAILS OF THE VISIBLE WORLD JAN VAN EYCK MANNERISM END OF HIGH RENAISSANCE WITH THE DEATH OF RAPHEAL—1520 MANNERISM (ITALIAN WORD FOR “STYLE”) ARTIST ABANDONED REALISM AND EXAGGERATED IDEAL BEAUTY UNREAL LIGHTING THE CHESS GAME— SOFONISBA ANGUISSOLA—1555— OIL—FIRST WOMAN ARTIST KNOWN TO HAVE ACHIEVED CELEBRITY AMONG HER COMTEMPORARIES— ELDEST OF 6 SISTERS—22 YR.ADMIRING ATTENTION OF MICHELANGELO THE LAST SUPPER— TINTORETTO--ART ENCOURAGED BY THE COUNTERREFORMATION— DRAMATIC LIGHTING EFFECTS---EXAGGERATED AND EMOTIONAL The Resurrection El Greco CHACTERISTICS EXAGGERATED AND EMOTIONAL UNREAL LIGHTING ELONGATED BODIES ARTIST ABANDONED REALISM DIFFERENT STYLES TINTORETTO