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parodic metafiction: an approach to self-reflexive fiction in two
parodic metafiction: an approach to self-reflexive fiction in two

... break with some defining narrative elements that precede it and, mostly, as continuity with the beginnings of the experimental writing of modernism, this first wave of selfreflexive writers tried to normalize the use of this narrative mode, a practice that continues, though to a lesser extent, until ...
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... The development of the narrative is minimal and remains at a surface level because there are few details, they are not always appropriate, or they are too general. For the most part, the details contribute only marginally to the writer’s portrayal of the experience. The narrative reflects little or ...
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... overtly states the theme somewhere within the work Implicit theme - refers to the author's ability to construct a piece in such a way that through inference the reader understands the work Monologue - a dramatic convention in which a speech is given by a single character, either by himself/herself o ...
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... argument or interpretation. Most advanced academic writing is done in the persuasive mode. Persuasive writing relies primarily on logic and specific supporting examples, but it often incorporates expository, descriptive, and occasionally narrative modes as well. Persuasive writing takes many forms, ...
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... manuscript is required. There are two ways to approach the creation of your Poetry Interpretation. You can support your introduction/argument using 1 poem. A poetry program uses multiple poems to illustrate varying perspectives of one particular theme. Effective poetry programs often explore deliver ...
Is David Foster Wallace…?
Is David Foster Wallace…?

... The stories of David Foster Wallace’s that I have read contain some of the best imagery, mood, and intensity that I have encountered in my experience as a not-quite avid reader. I am simply defending the fact that I believe David Foster Wallace writes literature, and that it will endure. The truths ...
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Literary Present Tense (cont`d)
Literary Present Tense (cont`d)

... Literary Present Tense Literary works, paintings, films, and other artistic creations are assumed to exist in an eternal present. When you are writing about writers or artists as they express themselves in their work, you should stay in present tense.  However, when discussing events that are not d ...
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Symbolism
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... Symbolism in Literature • Symbolism is the practice or art of using an object or a word to represent an abstract idea. An action, person, place, word, or object can all have a symbolic meaning. When an author wants to suggest a certain mood or emotion, he can also use symbolism to hint at it, rathe ...
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MC80BS: Downrod Extension - Brushed Steel Dimensions: Material

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English 11 – EOP Page 1 of 1
English 11 – EOP Page 1 of 1

... explain the effects of a variety of literary devices and techniques, including figurative language, symbolism, parody, and irony demonstrate an understanding of the main ideas, events, or themes of a variety of increasingly complex novels, dramas, stories, poetry, other print material, and electroni ...
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... and secondary school level and using textbooks of literature. The most important is the selection of texts at primary and secondary school level. This then leads to the reader´s interest and the inspiration interpretation of literature and children will be able to work with literary texts. The chapt ...
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21557

... translation of contemporary Catalan literature.  ­  Describing   and  analysing  several  texts  from  Catalan  writers   and  translators   that  consider translation as an activity that completes the original literary creation.   The  course  shows  a  brief  history  of  the  ideas  about  transl ...
Symbolism
Symbolism

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Literature



Literature, in its broadest sense, is any written work; etymologically the term derives from Latin litaritura/litteratura ""writing formed with letters"", although some definitions include spoken or sung texts. More restrictively, it is writing that possesses literary merit, and language that foregrounds literariness, as opposed to ordinary language. Literature can be classified according to whether it is fiction or non-fiction and whether it is poetry or prose; it can be further distinguished according to major forms such as the novel, short story or drama; and works are often categorised according to historical periods or their adherence to certain aesthetic features or expectations (genre).Taken to mean only written works, literature was first produced by some of the world's earliest civilizations—those of Ancient Egypt and Sumeria—as early as the 4th millennium BC; taken to include spoken or sung texts, it originated even earlier, and some of the first written works may have been based on a pre-existing oral tradition. As urban cultures and societies developed, there was a proliferation in the forms of literature. Developments in print technology allowed for literature to be distributed and experienced on an unprecedented scale, which has culminated in the twenty-first century in electronic literature.
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