KS4 Booklet 2012 - St Michael`s Catholic Academy
... the key of the 5th chord. E.g. music in C major would modulate to G major. G is the 5th chord of C major. ...
... the key of the 5th chord. E.g. music in C major would modulate to G major. G is the 5th chord of C major. ...
Voc Music Baseline
... A. diaphragm B. larynx C. vocal cord 2. The pitch distance between two tones is ______. A. chord B. Accent C. Interval 3. The number of notes a particular voice can sing is called_____. A. Range B. natural C. Scale 4. Intervals that are sung simultaneously are called______ A. Harmonic Interval B. Di ...
... A. diaphragm B. larynx C. vocal cord 2. The pitch distance between two tones is ______. A. chord B. Accent C. Interval 3. The number of notes a particular voice can sing is called_____. A. Range B. natural C. Scale 4. Intervals that are sung simultaneously are called______ A. Harmonic Interval B. Di ...
Consonance in Music and Mathematics: Application
... Definition 1 (Interval). An interval is a combina- x(t) = A sin(ωt + φ) where ω is the angular veloc−1 tion of two notes at different or equal pitch. It can ity or frequency of the movement, in rad s , and be represented by the ratio between their frequen- φ is the initial phase, in rad. So we we mu ...
... Definition 1 (Interval). An interval is a combina- x(t) = A sin(ωt + φ) where ω is the angular veloc−1 tion of two notes at different or equal pitch. It can ity or frequency of the movement, in rad s , and be represented by the ratio between their frequen- φ is the initial phase, in rad. So we we mu ...
Helen Jane Long
... Released: May 3, 2010 No performances found Influence: Written for her father while he was in a coma ...
... Released: May 3, 2010 No performances found Influence: Written for her father while he was in a coma ...
Tonic and Dominant
... CONNECTING I-V AND V- I • The bass takes the root of the second chord • The common tone is retained in the same voice • The remaining voices move by stepwise motion to the nearest tones of the second chord ...
... CONNECTING I-V AND V- I • The bass takes the root of the second chord • The common tone is retained in the same voice • The remaining voices move by stepwise motion to the nearest tones of the second chord ...
file here.
... (3:2)4 give us the next ascending perfect fifth (in our example, from “A” up to “E”), which works out to 81:16. But to find this pitch within our original “C” to “C” octave we must reduce it. When we reduced (3:2)2 to find our major second we reduced it by one octave, or 2:1. But here we must bring ...
... (3:2)4 give us the next ascending perfect fifth (in our example, from “A” up to “E”), which works out to 81:16. But to find this pitch within our original “C” to “C” octave we must reduce it. When we reduced (3:2)2 to find our major second we reduced it by one octave, or 2:1. But here we must bring ...
a database for persian music - School of Electronic Engineering and
... (music of the large cities) and ethnic music (music of the different ethnic groups living in smaller cities, villages, and mountainous areas). The first uses more ornamentations and free rhythms. The second uses simple melodies, which are more preserved and are closer to the ancient tradition. Both ...
... (music of the large cities) and ethnic music (music of the different ethnic groups living in smaller cities, villages, and mountainous areas). The first uses more ornamentations and free rhythms. The second uses simple melodies, which are more preserved and are closer to the ancient tradition. Both ...
View printable PDF of 6.4 AdditionalContemporaryScales
... For instance, the whole tone scale can only be transposed 1 half-step without repeating pitches. The composer Olivier Messiaen used them. See 6.11 Set Theory: Symmetric Sets. Microtonal scales = Scales that use intervals smaller than half steps. Common in non-Western music. Synthetic scale = A scale ...
... For instance, the whole tone scale can only be transposed 1 half-step without repeating pitches. The composer Olivier Messiaen used them. See 6.11 Set Theory: Symmetric Sets. Microtonal scales = Scales that use intervals smaller than half steps. Common in non-Western music. Synthetic scale = A scale ...
Tone and Voice: A Derivation of the Rules of Voice
... The coherence of an auditory stream is maintained by close pitch proximity in successive tones within the stream. Pitch-based streaming is assured when pitch movement is within van Noorden’s fission boundary (region 1 - normally 2 semitones or less for tones less than 700 ms in duration). When pitch ...
... The coherence of an auditory stream is maintained by close pitch proximity in successive tones within the stream. Pitch-based streaming is assured when pitch movement is within van Noorden’s fission boundary (region 1 - normally 2 semitones or less for tones less than 700 ms in duration). When pitch ...
Tone and Voice: A Derivation of the Rules of Voice
... D – traditional derived musical rule [D] – non-traditional derived musical rule ...
... D – traditional derived musical rule [D] – non-traditional derived musical rule ...
Word Doc
... Some passages usage of the usage of the include incorrect or articulation articulation unclear demands of the demands of the ...
... Some passages usage of the usage of the include incorrect or articulation articulation unclear demands of the demands of the ...
Musical Elements and Compositional Devices
... A form of musical shorthand used by composers in the Baroque period. The numbers underneath the bass line told the performer which chords to play (rather like guitar chords above the music do today. The bass part was called the continuo. Translating the figured bass numbers and symbols into an accom ...
... A form of musical shorthand used by composers in the Baroque period. The numbers underneath the bass line told the performer which chords to play (rather like guitar chords above the music do today. The bass part was called the continuo. Translating the figured bass numbers and symbols into an accom ...
Gamelan Questions
... Kendang Gending (Drum) Gambang (similar to a xylophone) Suling (type of flute) Celempung (harp) Rebab (2 string fiddle) 2. Gamelan is a type of cyclical music. What does this mean? It repeats in a cycle. In Gamelan the cycle is 16 beats long. ...
... Kendang Gending (Drum) Gambang (similar to a xylophone) Suling (type of flute) Celempung (harp) Rebab (2 string fiddle) 2. Gamelan is a type of cyclical music. What does this mean? It repeats in a cycle. In Gamelan the cycle is 16 beats long. ...
mitzrab/p
... Approximately 3.5 octave range (average) • 26 courses x 3 strings each course = 78 strings total • Each course = 1 full 100 cent tone in equal temperament • Mandals used to divide each course/tone into 4 or 6 units (octaves divided from semitones to quarter and sixth tones) • 72-tone tuning (related ...
... Approximately 3.5 octave range (average) • 26 courses x 3 strings each course = 78 strings total • Each course = 1 full 100 cent tone in equal temperament • Mandals used to divide each course/tone into 4 or 6 units (octaves divided from semitones to quarter and sixth tones) • 72-tone tuning (related ...
Music Ecademy Music Theory Curriculum CONTENTS
... Designed for younger learners to introduce them to music theory slowly and clearly. ...
... Designed for younger learners to introduce them to music theory slowly and clearly. ...
study guide - Junior High Band
... a. Movement between guide tones should be either by half or whole step. (Occasionally there will be places where you need to use a chord tone other than a third or seventh to keep the movement of the line within a step or half step.) b. Thirds of one chord often become the seventh (sometimes altered ...
... a. Movement between guide tones should be either by half or whole step. (Occasionally there will be places where you need to use a chord tone other than a third or seventh to keep the movement of the line within a step or half step.) b. Thirds of one chord often become the seventh (sometimes altered ...
The Renaissance 4/4 Other Features of the Style
... At the end of the 1500s, experiments were made with re-tuning keyboard instruments from just intonation (which tuned a key perfectly) to equal temperament (which ‘tweaked’ certain pitches so that it became possible to modulate to any key without it sounding as if the new key was out of tune). ...
... At the end of the 1500s, experiments were made with re-tuning keyboard instruments from just intonation (which tuned a key perfectly) to equal temperament (which ‘tweaked’ certain pitches so that it became possible to modulate to any key without it sounding as if the new key was out of tune). ...
Statistical analysis of a music database to investigate historical
... vocal polyphony from seven centuries (13th to 19th). Method: We found electronic scores in the internet, assigned all pitches to the 12-tone chromatic scale, and used the Humdrum Toolkit (Huron) to count pitch patterns, labeling them as pitch-class sets (Forte). For simultaneous tones, we considered ...
... vocal polyphony from seven centuries (13th to 19th). Method: We found electronic scores in the internet, assigned all pitches to the 12-tone chromatic scale, and used the Humdrum Toolkit (Huron) to count pitch patterns, labeling them as pitch-class sets (Forte). For simultaneous tones, we considered ...
HOLY CROSS HIGH SCHOOL CHORAL 90, 10, 20, 30 MUSICAL
... Soprano: Timbre tends to be light and bright, although there are also many full-voiced sopranos. Vocal Range: G, below middle C, to Anywhere Above high C. Mezzo Soprano: Timbre tends to be rich and creamy. Vocal Range: E, below middle C, to at least high C. Alto (or Contralto): Timbre tends to be he ...
... Soprano: Timbre tends to be light and bright, although there are also many full-voiced sopranos. Vocal Range: G, below middle C, to Anywhere Above high C. Mezzo Soprano: Timbre tends to be rich and creamy. Vocal Range: E, below middle C, to at least high C. Alto (or Contralto): Timbre tends to be he ...
Introduction Local Boundary Detection Model Study of Expressive Timing (LBDM)
... Proximity Rule (PR): If two consecutive intervals are different, the boundary introduced on the larger interval is proportionally stronger. ...
... Proximity Rule (PR): If two consecutive intervals are different, the boundary introduced on the larger interval is proportionally stronger. ...
Understanding Temperaments
... A tuning is laid out with nothing but pure intervals, leaving the comma to fall as it must. A temperament involves deliberately mistuning some intervals to obtain a distribution of the comma that will lead to a more useful result in a given context. Solutions can be grouped into three main classes: ...
... A tuning is laid out with nothing but pure intervals, leaving the comma to fall as it must. A temperament involves deliberately mistuning some intervals to obtain a distribution of the comma that will lead to a more useful result in a given context. Solutions can be grouped into three main classes: ...
Fundamentals of Music G9-12
... There are fifteen different major scales-seven that use flatted notes, seven that use sharped notes, and one natural scale. Another way to think of major scales is as two tetra chords; that is, as two fournote patterns. As long as you reproduce the whole/half step pattern, you create a major scale f ...
... There are fifteen different major scales-seven that use flatted notes, seven that use sharped notes, and one natural scale. Another way to think of major scales is as two tetra chords; that is, as two fournote patterns. As long as you reproduce the whole/half step pattern, you create a major scale f ...
A - The sixth note of the diatonic major scale of C
... Augmented - The term for a major or perfect interval which has been enlarged by one half-step, e.g. c-g , (an augmented fifth,) or c-d , (an augmented second). Also used for a triad with an augmented fifth, e.g. the augmented tonic triad in C major, C+, c-e-g . Balance - The harmonious adjustment of ...
... Augmented - The term for a major or perfect interval which has been enlarged by one half-step, e.g. c-g , (an augmented fifth,) or c-d , (an augmented second). Also used for a triad with an augmented fifth, e.g. the augmented tonic triad in C major, C+, c-e-g . Balance - The harmonious adjustment of ...
Instrumental Music Interm 2nd 9 weeks
... Big Ideas/Key Concepts: Students will expand their ranges and begin playing more difficult music. Students should be exposed to a variety of cultural and historical time periods. 1.0 Singing 7.IM.1.1.2 Sing a melody in unison with pitch-accuracy. ...
... Big Ideas/Key Concepts: Students will expand their ranges and begin playing more difficult music. Students should be exposed to a variety of cultural and historical time periods. 1.0 Singing 7.IM.1.1.2 Sing a melody in unison with pitch-accuracy. ...
Public Understanding of Chemistry
... for a posthumous Tony award from his music used in a Broadway musical some two-thirds of a century after his death. He is also credited, along with Charles Wurtz [2], with independent co-discovery of the aldol condensation in 1872 while working with Emil Erlenmeyer. During Borodin’s time in Germany, ...
... for a posthumous Tony award from his music used in a Broadway musical some two-thirds of a century after his death. He is also credited, along with Charles Wurtz [2], with independent co-discovery of the aldol condensation in 1872 while working with Emil Erlenmeyer. During Borodin’s time in Germany, ...
Microtonal music
Microtonal music or microtonality is the use in music of microtones—intervals smaller than a semitone, which are also called ""microintervals"". It may also be extended to include any music using intervals not found in the customary Western tuning of twelve equal intervals per octave.