New Harmonic Resources
... Chords may be constructed of intervals other than thirds (triadic harmony):! 3rds (tertian)! Extensions of traditional triads: ! 7th, 9th, 11th, and 13th chords.! diatonic! ...
... Chords may be constructed of intervals other than thirds (triadic harmony):! 3rds (tertian)! Extensions of traditional triads: ! 7th, 9th, 11th, and 13th chords.! diatonic! ...
Level One Benchmarks for Strings
... Proper Posture and Position Display proper posture- both sitting and standing. Display proper positioning of the cello/bass and correct bow hold. Knowledge and Maintenance of Instrument Name the parts of his/her instrument and know how to take care of it. Tone Quality and Intonation Produce ...
... Proper Posture and Position Display proper posture- both sitting and standing. Display proper positioning of the cello/bass and correct bow hold. Knowledge and Maintenance of Instrument Name the parts of his/her instrument and know how to take care of it. Tone Quality and Intonation Produce ...
The Mathematics of Musical Instruments
... We begin by writing down the ratios of frequencies of the nine notes in the willow flute’s playing scale to the first note of that scale (Table 1). These are computed by finding the relationship of each note to the flute’s first harmonic and then dividing to find their relationship to each other. Ob ...
... We begin by writing down the ratios of frequencies of the nine notes in the willow flute’s playing scale to the first note of that scale (Table 1). These are computed by finding the relationship of each note to the flute’s first harmonic and then dividing to find their relationship to each other. Ob ...
Ki ho`alu Guitar Tunings Guitar Tunings
... fifth or root and third) on the lower strings to provide the rhythmic foundation for the melody, which is played on the top strings (1-3). Other variations of an E7 chord in the first position are shown in the diagrams below. Chords played higher on the neck can be formed in the same way, using comb ...
... fifth or root and third) on the lower strings to provide the rhythmic foundation for the melody, which is played on the top strings (1-3). Other variations of an E7 chord in the first position are shown in the diagrams below. Chords played higher on the neck can be formed in the same way, using comb ...
3rd 9 weeks
... within an octave, and teacher-selected melodies. same rhythm. P ~ I can sing a three-part harmonization with all parts using the same rhythm. A ~ I can sing a four-part harmonization with all parts using the same rhythm. ...
... within an octave, and teacher-selected melodies. same rhythm. P ~ I can sing a three-part harmonization with all parts using the same rhythm. A ~ I can sing a four-part harmonization with all parts using the same rhythm. ...
Music Notation
... annotations were called Gregorian Chants. Before that time, symbols were used in conjunction with text to represent pitch. With Gregorian Chant, lines began to be used to represent pitch and the relative highness or lowness of those pitches. While the first Gregorian Chants only had one line, eventu ...
... annotations were called Gregorian Chants. Before that time, symbols were used in conjunction with text to represent pitch. With Gregorian Chant, lines began to be used to represent pitch and the relative highness or lowness of those pitches. While the first Gregorian Chants only had one line, eventu ...
AP Theory Syllabus - Pequannock Township High School
... 16. Realize a figured bass according to the rules of the Common Practice Period in major and minor utilizing diatonic triads and inversion, seventh chords and inversions, non-harmonic tones and secondary dominant and leading tones 17. Analyze a 4-part chorale using Roman and Arabic numerals to labe ...
... 16. Realize a figured bass according to the rules of the Common Practice Period in major and minor utilizing diatonic triads and inversion, seventh chords and inversions, non-harmonic tones and secondary dominant and leading tones 17. Analyze a 4-part chorale using Roman and Arabic numerals to labe ...
An Exhibition as a Tool to Approach Didactical and
... compounding ratios to compounding intervals. It is quite probable that, for cultural reasons, the Greek mathematicians, along with his contemporaries and predecessors, conceived of the theory of ratio as a generalization of music, inasmuch as the proprieties of strings and comparisons between pitche ...
... compounding ratios to compounding intervals. It is quite probable that, for cultural reasons, the Greek mathematicians, along with his contemporaries and predecessors, conceived of the theory of ratio as a generalization of music, inasmuch as the proprieties of strings and comparisons between pitche ...
Music Dictionary - Nitschmann Middle School Instrumental Music
... An air, shorter and simpler than the aria, and in one division without Da ...
... An air, shorter and simpler than the aria, and in one division without Da ...
Read More About Melody - Seycove Music Composition
... • These are five-‐note scales. They can be any five notes within an octave, but most commonly they are 1, 2, 3, 5 and 6 of a major scale. • An easy way to see a pentatonic scale on the ...
... • These are five-‐note scales. They can be any five notes within an octave, but most commonly they are 1, 2, 3, 5 and 6 of a major scale. • An easy way to see a pentatonic scale on the ...
Beyond Temperament: Non-Keyboard Intonation in the 17th and
... members of an instrumental ensemble. naturals; it implies a general system but does not indiA system that differentiates between half-steps, cate any specific temperament. Quantz wrote: according to their harmonic function, suggests refinements unknown to our ears, which have grown accus. . . the ot ...
... members of an instrumental ensemble. naturals; it implies a general system but does not indiA system that differentiates between half-steps, cate any specific temperament. Quantz wrote: according to their harmonic function, suggests refinements unknown to our ears, which have grown accus. . . the ot ...
James Sully extract
... [228] The links of association now considered appear to invest music with three kinds of representative character. First of all, by the simplest process of association, musical tones seem to typify vocal action itself, viewed as a conscious play of muscular energy. Secondly, by a further process, th ...
... [228] The links of association now considered appear to invest music with three kinds of representative character. First of all, by the simplest process of association, musical tones seem to typify vocal action itself, viewed as a conscious play of muscular energy. Secondly, by a further process, th ...
Tuning Systems
... the frequency of another note (instead of exactly 2 times), the two notes would not sound so good together. In fact, most people would nd the eect very unpleasant and would say that the notes are not "in tune" with each other. To nd other notes that sound "in tune" with each other, we look for ot ...
... the frequency of another note (instead of exactly 2 times), the two notes would not sound so good together. In fact, most people would nd the eect very unpleasant and would say that the notes are not "in tune" with each other. To nd other notes that sound "in tune" with each other, we look for ot ...
Popular Music Theory - The Academy Of Popular Music
... You can also beam 4 semiquavers together that start on a beat but you should not beam together semiquavers that belong to 2 different beats. ...
... You can also beam 4 semiquavers together that start on a beat but you should not beam together semiquavers that belong to 2 different beats. ...
Music Fundamentals Primer Lesson 4
... A triad is a group of three notes that sound at the same time. In much tonal music, chords are built by stacking thirds on top of each other, creating what is known as tertian harmony. A tertian triad is a chord with three notes that is built with thirds. Even when a chord is spread out over several ...
... A triad is a group of three notes that sound at the same time. In much tonal music, chords are built by stacking thirds on top of each other, creating what is known as tertian harmony. A tertian triad is a chord with three notes that is built with thirds. Even when a chord is spread out over several ...
Music - Manchester HEP
... exactly. For an expert musician, A♭ and G♯ are different. Some keyboards have different keys (split black notes). But they’re rare. Usually the corresponding sharp and flat are playable as the same note. 5. Consistency In the early days this was fine. Some scales could be adjusted, others were just ...
... exactly. For an expert musician, A♭ and G♯ are different. Some keyboards have different keys (split black notes). But they’re rare. Usually the corresponding sharp and flat are playable as the same note. 5. Consistency In the early days this was fine. Some scales could be adjusted, others were just ...
Document
... ________________________ 1. Avoid A2 and A4…circle and identify undesirable intervals ...
... ________________________ 1. Avoid A2 and A4…circle and identify undesirable intervals ...
I. Music in Antiquity
... b. The fingers of the left hand touched the strings, perhaps to dampen them or to create harmonics. 4. The lyre was associated with Apollo, god of light, prophecy, learning, and the arts (especially music and poetry). a. Both men and women played the lyre. b. Learning to play the lyre was a core ele ...
... b. The fingers of the left hand touched the strings, perhaps to dampen them or to create harmonics. 4. The lyre was associated with Apollo, god of light, prophecy, learning, and the arts (especially music and poetry). a. Both men and women played the lyre. b. Learning to play the lyre was a core ele ...
doc
... (a) How many cents separate a perfect third? (b) How many cents separate the A flat and G# that you calculated in your previous handout? [Hint: The frequency ratio Aflat:G# can be found by multiplying Aflat:C4 and C4:G#.] ...
... (a) How many cents separate a perfect third? (b) How many cents separate the A flat and G# that you calculated in your previous handout? [Hint: The frequency ratio Aflat:G# can be found by multiplying Aflat:C4 and C4:G#.] ...
Baroque-Era Algorithmic Composition Kevin Deisz 1st Step – Keys
... Cmaj dominant chord is Gmaj, Gmaj dominant chord is Dmaj (with an F#) ...
... Cmaj dominant chord is Gmaj, Gmaj dominant chord is Dmaj (with an F#) ...
A PRACTICAL GLOSSARY for Twentieth
... inversionally symmetrical (I-symmetrical). See degree of symmetry. synthetic scale — any scale other than the major or minor scales and the church modes that is invented for use in a particular musical composition. tetrachord — in non-tonal music, any collection of four distinct pitch classes. trich ...
... inversionally symmetrical (I-symmetrical). See degree of symmetry. synthetic scale — any scale other than the major or minor scales and the church modes that is invented for use in a particular musical composition. tetrachord — in non-tonal music, any collection of four distinct pitch classes. trich ...
Music, Mathematics and Bach --------~--------
... most other cultures. The idea of 'part singing' evolved, where different voices in a vocal ensemble sing different melodies, which in general would be a very jarring thing, but these melodies are chosen and combined in such a way as to have a pleasant overall effect. How they should be combined depe ...
... most other cultures. The idea of 'part singing' evolved, where different voices in a vocal ensemble sing different melodies, which in general would be a very jarring thing, but these melodies are chosen and combined in such a way as to have a pleasant overall effect. How they should be combined depe ...
Instrumental Music Beg 4th 9 weeks
... I can demonstrate rhythmic accuracy on whole, dotted half, half, quarter and eighth notes at a more advanced level. ...
... I can demonstrate rhythmic accuracy on whole, dotted half, half, quarter and eighth notes at a more advanced level. ...
All About Octaves - LearnMusicTheory.net
... An octave is the distance from a note up or down to the next note with the same name. For example, from the pitch A up to the next A is one octave. Octaves span eight letter names: A-B-C-D-E-F-G-A = 1-2-3-4-5-6-7-8. ...
... An octave is the distance from a note up or down to the next note with the same name. For example, from the pitch A up to the next A is one octave. Octaves span eight letter names: A-B-C-D-E-F-G-A = 1-2-3-4-5-6-7-8. ...
Outlining the prime
... the utmost aim of a scale and yet a mere new tonic of a new scale! The central subject of this essay is the phenomenon of the prime - octave polarity in relation to tonality, but paving the way for an extended tonality where such composers as Kodaly, Bartok, Hindemith and Shostakovich among others h ...
... the utmost aim of a scale and yet a mere new tonic of a new scale! The central subject of this essay is the phenomenon of the prime - octave polarity in relation to tonality, but paving the way for an extended tonality where such composers as Kodaly, Bartok, Hindemith and Shostakovich among others h ...
Microtonal music
Microtonal music or microtonality is the use in music of microtones—intervals smaller than a semitone, which are also called ""microintervals"". It may also be extended to include any music using intervals not found in the customary Western tuning of twelve equal intervals per octave.