Musica Ficta and
... when one of the parts proceeds by step, this step will in practice, be a semitone (ex. 1a; if both proceed by step, only one will be a semitone), Several theorists added that these rules should be effected where possible without resort to musica ficta – if the interval or progression can be correcte ...
... when one of the parts proceeds by step, this step will in practice, be a semitone (ex. 1a; if both proceed by step, only one will be a semitone), Several theorists added that these rules should be effected where possible without resort to musica ficta – if the interval or progression can be correcte ...
AN INTRODUCTION TO MUSIC THEORY Revision A
... with a displeasing blend are dissonances. Helmholtz gave a more mathematical definition of these terms: When two musical tones are sounded at the same time, their united sound is generally disturbed by the beats of the upper partials, so that a greater or less part of the whole mass of sound is brok ...
... with a displeasing blend are dissonances. Helmholtz gave a more mathematical definition of these terms: When two musical tones are sounded at the same time, their united sound is generally disturbed by the beats of the upper partials, so that a greater or less part of the whole mass of sound is brok ...
Music Theory 101
... usually indicated in beats per minute (BPM). This means that a particular note value (for example, a quarter note or crotchet) is specified as the beat, and the marking indicates that a certain number of these beats must be played per minute. The greater the tempo, the larger the number of beats tha ...
... usually indicated in beats per minute (BPM). This means that a particular note value (for example, a quarter note or crotchet) is specified as the beat, and the marking indicates that a certain number of these beats must be played per minute. The greater the tempo, the larger the number of beats tha ...
On Interpreting Bach - Engineering Class s
... • The concept of “accent”is extended to metrical units as well as to individual notes. A metrical Unit is “marked for accent” if a note begins at the beginning of a unit, and ...
... • The concept of “accent”is extended to metrical units as well as to individual notes. A metrical Unit is “marked for accent” if a note begins at the beginning of a unit, and ...
T-SYSTEM Savio Santoro* The Brazilian composer Tacuchian (b
... not work, but they did work, thanks to this system” (TACUCHIAN, 2005). The next major piece to employ both the T-chord and T-scale was the symphonic ballet Hayastan, his final doctoral project at the University of Southern California. Perceiving the positive aural results produced in these works as ...
... not work, but they did work, thanks to this system” (TACUCHIAN, 2005). The next major piece to employ both the T-chord and T-scale was the symphonic ballet Hayastan, his final doctoral project at the University of Southern California. Perceiving the positive aural results produced in these works as ...
Tonal structure and scales - Jacobs University Mathematics
... Notes of the diatonic scale show higher fitness than nonscale note Notes considered musically important (the tonic and its octave, the perfect fifth, the major third, and the major second) show fitness measures roughly equal to their 1 = very bad to 7 = very good importance in Western music A.Di ...
... Notes of the diatonic scale show higher fitness than nonscale note Notes considered musically important (the tonic and its octave, the perfect fifth, the major third, and the major second) show fitness measures roughly equal to their 1 = very bad to 7 = very good importance in Western music A.Di ...
Mathematical Properties of the Octatonic “Diminished
... The octatonic or diminished scale is thought to have been first discovered by the early Persian culture in the 7th century AD. It was not, however, used in Western music until at least the 1730s (Scarlatti) and was not recognised or written about until 1797. Composers only started to deliberately us ...
... The octatonic or diminished scale is thought to have been first discovered by the early Persian culture in the 7th century AD. It was not, however, used in Western music until at least the 1730s (Scarlatti) and was not recognised or written about until 1797. Composers only started to deliberately us ...
Notation
... Look like ties, but they connect two or more different pitches Indicate that the performer must move smoothly from one note to the next, with no gap in the sound ...
... Look like ties, but they connect two or more different pitches Indicate that the performer must move smoothly from one note to the next, with no gap in the sound ...
rudiments of music
... (b) Name the order in which the Tones and Semitones occur in Major Scales. (c) Between which degrees of Maier Scales do. Semitones o.ccur? (d) Why is a Majo.r Scale so. called? (e) What is a Tetrachord, and how many are there in a Majo.r Scale? (J) In starting Scales from any other note than C what ...
... (b) Name the order in which the Tones and Semitones occur in Major Scales. (c) Between which degrees of Maier Scales do. Semitones o.ccur? (d) Why is a Majo.r Scale so. called? (e) What is a Tetrachord, and how many are there in a Majo.r Scale? (J) In starting Scales from any other note than C what ...
La Monte Young`s The Well-Tuned Piano Kyle Gann Perspectives of
... remember that intervals had ever been any other sizes. Note, too, that the tuning exists as a theoretical possibility, and the pitches are neither equal in importance nor all used in every performance. On the Gramavision recording, the 4411256 C# occurs only on the fifth compact disc, in the section ...
... remember that intervals had ever been any other sizes. Note, too, that the tuning exists as a theoretical possibility, and the pitches are neither equal in importance nor all used in every performance. On the Gramavision recording, the 4411256 C# occurs only on the fifth compact disc, in the section ...
Benward Chapter 9
... Each member of the triad is named in relation to the tone on which the chord is constructed, which is the root of the triad. The note a third above the root is called the third of the triad. The fifth above the root is the fifth of the triad. Triads are named by the root and the quality of sound: th ...
... Each member of the triad is named in relation to the tone on which the chord is constructed, which is the root of the triad. The note a third above the root is called the third of the triad. The fifth above the root is the fifth of the triad. Triads are named by the root and the quality of sound: th ...
rhythm / duration / metre
... a) Improvise question and answer phrases b) Accompany a short piece by clapping the pulse c) Echo melodic phrases by singing and playing (steps and leaps) d) Accompany a short piece by clapping the pulse e) Identify when a string is sharp or flat a) Play using crescendo ...
... a) Improvise question and answer phrases b) Accompany a short piece by clapping the pulse c) Echo melodic phrases by singing and playing (steps and leaps) d) Accompany a short piece by clapping the pulse e) Identify when a string is sharp or flat a) Play using crescendo ...
image by Hans-Christoph Steiner based on Grey, JM 1979, JASA
... Four complex tones in which all partials have been removed by filtering (Butler Example 2.5) One is a French horn, one is a violin, one is a pure sine, one is a piano (but out of order) ...
... Four complex tones in which all partials have been removed by filtering (Butler Example 2.5) One is a French horn, one is a violin, one is a pure sine, one is a piano (but out of order) ...
Music Theory: Exploring The 432Hz Tuning Debate
... many of his findings here. Greek philosopher and mathematician, Pythagoras (570–495 BC), is often credited with identifying musical harmonic ratios related to scientific pitch and the birth of 432 Hz tuning with his instrument called the monochord. It is believed, however, that instruments built accor ...
... many of his findings here. Greek philosopher and mathematician, Pythagoras (570–495 BC), is often credited with identifying musical harmonic ratios related to scientific pitch and the birth of 432 Hz tuning with his instrument called the monochord. It is believed, however, that instruments built accor ...
7th Grade Planned Course Guide - Penn
... Perform music with rhythms that contain whole, half, quarter, and eighth, and sixteenth notes in 4/4, 3/4, 2/4, and 6/8. 7. Perform music in foreign languages. 8. Perform music in multiple voice parts. 9. Perform music with accompaniment and without accompaniment (a cappella). 10. Perform with other ...
... Perform music with rhythms that contain whole, half, quarter, and eighth, and sixteenth notes in 4/4, 3/4, 2/4, and 6/8. 7. Perform music in foreign languages. 8. Perform music in multiple voice parts. 9. Perform music with accompaniment and without accompaniment (a cappella). 10. Perform with other ...
Shostakovich 1
... • 58-61 bar 1 stated 4 times in a row! What does this suggest? • E.g. bar 66 soprano part looks quite like bar 4 ...
... • 58-61 bar 1 stated 4 times in a row! What does this suggest? • E.g. bar 66 soprano part looks quite like bar 4 ...
THE BLUES SCALE Phillip Pedler This scale is so often overlooked
... from the late 19th century, the time when scholars believe the blues first evolved." (p. 9) Unfortunately, the portable recording device had not yet been invented, so we are left with some inaccurate transcriptions. The 12 notes found within the tempered European octave cannot describe the pitch of ...
... from the late 19th century, the time when scholars believe the blues first evolved." (p. 9) Unfortunately, the portable recording device had not yet been invented, so we are left with some inaccurate transcriptions. The 12 notes found within the tempered European octave cannot describe the pitch of ...
ARRANGING FOR STRINGS Part 2
... Observe that the imitation in measure two begins on a consonant interval of a sixth with the melody. Notice in measure three how the entering imitative note begins on a consonant chord tone of a tenth below the melody. Notice that the string bass is tacet until the final note, where it adds depth t ...
... Observe that the imitation in measure two begins on a consonant interval of a sixth with the melody. Notice in measure three how the entering imitative note begins on a consonant chord tone of a tenth below the melody. Notice that the string bass is tacet until the final note, where it adds depth t ...
CHAPTER 8
... century organized into relatively simple, triple meter units. • It is also the basis mensural notation (symbolspecific notation), in which each symbol, be it long, breve, or semibreve, has its own specific value. ...
... century organized into relatively simple, triple meter units. • It is also the basis mensural notation (symbolspecific notation), in which each symbol, be it long, breve, or semibreve, has its own specific value. ...
12_6_Deeper_Reading_Scales_and_Tuning
... perfect fifth. If we start at any note in the scale, call it number 1, and count up five notes the second note is said to be a "fifth" higher, in the sense that it lies five notes up the scale from the starting point. Just vs Equal Temperament The "Just Scale" (sometimes referred to as "harmonic tun ...
... perfect fifth. If we start at any note in the scale, call it number 1, and count up five notes the second note is said to be a "fifth" higher, in the sense that it lies five notes up the scale from the starting point. Just vs Equal Temperament The "Just Scale" (sometimes referred to as "harmonic tun ...
Musical Scales and Tuning
... perfect fifth. If we start at any note in the scale, call it number 1, and count up five notes the second note is said to be a "fifth" higher, in the sense that it lies five notes up the scale from the starting point. Just vs Equal Temperament The "Just Scale" (sometimes referred to as "harmonic tun ...
... perfect fifth. If we start at any note in the scale, call it number 1, and count up five notes the second note is said to be a "fifth" higher, in the sense that it lies five notes up the scale from the starting point. Just vs Equal Temperament The "Just Scale" (sometimes referred to as "harmonic tun ...
pitch powerpoint
... described in terms of small integer ratios. • All other intervals are tempered slightly from the small integer ratio (e.g. the fifth is tempered slightly less than pure, the fourth is slightly greater than pure and the major third is greater than pure). ...
... described in terms of small integer ratios. • All other intervals are tempered slightly from the small integer ratio (e.g. the fifth is tempered slightly less than pure, the fourth is slightly greater than pure and the major third is greater than pure). ...
Pitch Perception - University of Limerick
... described in terms of small integer ratios. • All other intervals are tempered slightly from the small integer ratio (e.g. the fifth is tempered slightly less than pure, the fourth is slightly greater than pure and the major third is greater than pure). ...
... described in terms of small integer ratios. • All other intervals are tempered slightly from the small integer ratio (e.g. the fifth is tempered slightly less than pure, the fourth is slightly greater than pure and the major third is greater than pure). ...
Microtonal music
Microtonal music or microtonality is the use in music of microtones—intervals smaller than a semitone, which are also called ""microintervals"". It may also be extended to include any music using intervals not found in the customary Western tuning of twelve equal intervals per octave.