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Harmonic Analysis 1: Homophonic Texture
... The third harmony in the example above is ambiguous, because there are only two pitches: C and E. The missing note of the triad could be either G (for CEG, a I chord) or A (for ACE=vi). To resolve ambiguities like this one: 1. Consider the harmonic progressions from section 5.3. Sometimes this will ...
... The third harmony in the example above is ambiguous, because there are only two pitches: C and E. The missing note of the triad could be either G (for CEG, a I chord) or A (for ACE=vi). To resolve ambiguities like this one: 1. Consider the harmonic progressions from section 5.3. Sometimes this will ...
Music Theory Vocabulary - Trinity Bend Performing Arts
... A tone (usually the lowest), starting as a chord tone, becomes an NCT as the harmonies around it change, and finally ends up as a chord tone when the harmony is once more in agreement with it. The note which precedes (sets up) a suspension. The tone following a suspension and lying a 2nd below it. ...
... A tone (usually the lowest), starting as a chord tone, becomes an NCT as the harmonies around it change, and finally ends up as a chord tone when the harmony is once more in agreement with it. The note which precedes (sets up) a suspension. The tone following a suspension and lying a 2nd below it. ...
Elementary Music Glossary
... G-Clef: Signifies the treble clef or notes of the upper half of the piano, indicates the G-line in the treble staff. Harmony: two or more pitches sounding at the same time. Head Voice: Refers to singing notes that resonate in the head (higher range). Interval: The distance between two pitches. The ...
... G-Clef: Signifies the treble clef or notes of the upper half of the piano, indicates the G-line in the treble staff. Harmony: two or more pitches sounding at the same time. Head Voice: Refers to singing notes that resonate in the head (higher range). Interval: The distance between two pitches. The ...
DCVLE - AP Central - The College Board
... 3. Overlapping or crossed voices. (See DCVLE, numbers 7 and 8.) 4. A chordal seventh approached by a descending leap. C. Award no points for voice leading between two correctly realized chords if any of the following statements is true: 1. Parallel octaves, fifths, or unisons occur (immediately succ ...
... 3. Overlapping or crossed voices. (See DCVLE, numbers 7 and 8.) 4. A chordal seventh approached by a descending leap. C. Award no points for voice leading between two correctly realized chords if any of the following statements is true: 1. Parallel octaves, fifths, or unisons occur (immediately succ ...
Music Vocabulary Accelerando – gradually increase the tempo
... Tempo – Speed of Music Tenuto – a line placed above or below note meaning to sustain for full value Texture – the character of a composition as determined by the relationship of its melodies, countermelodies, and/or chords Tie – Curved Line that connects two notes of the same pitch; tied notes a ...
... Tempo – Speed of Music Tenuto – a line placed above or below note meaning to sustain for full value Texture – the character of a composition as determined by the relationship of its melodies, countermelodies, and/or chords Tie – Curved Line that connects two notes of the same pitch; tied notes a ...
Serial Music - Toot Hill School
... home note in the music. Bitonal music is when the composer uses 2 different key signatures (ie 2 different home notes), in two different parts, at the same time. Whole tone music Whole tone music is based on the whole tone scale. This is a scale made up of whole tones only, eg. C D E F# G# A# C. Mel ...
... home note in the music. Bitonal music is when the composer uses 2 different key signatures (ie 2 different home notes), in two different parts, at the same time. Whole tone music Whole tone music is based on the whole tone scale. This is a scale made up of whole tones only, eg. C D E F# G# A# C. Mel ...
scottish - Gryffe Music
... Dotted Quaver - A note that lasts for ¾ of a beat. A dot after a note increases the length of the note by half of its original length, so without the dot this note lasts for ½ beat, adding the dot means it is ½ + ¼ = ¾ beats. ...
... Dotted Quaver - A note that lasts for ¾ of a beat. A dot after a note increases the length of the note by half of its original length, so without the dot this note lasts for ½ beat, adding the dot means it is ½ + ¼ = ¾ beats. ...
Music Theory 101
... If the key signature has sharps, look at the position of the last sharp and raise it by a half-step to get the key. For example, if the last sharp is C, raise it a half step which is D, the key is D major. When the key signature has flats, look at the second to the last flat and you get the key. So ...
... If the key signature has sharps, look at the position of the last sharp and raise it by a half-step to get the key. For example, if the last sharp is C, raise it a half step which is D, the key is D major. When the key signature has flats, look at the second to the last flat and you get the key. So ...
Major Diatonic Chords
... chord (that is, a V7 chord with a major-minor structure). A jazz musician would take the top two notes (the G and D) as part of the overall chord, which then becomes an F13 chord. In classical music, the bottom four notes form the dominant F 7th chord, but the top two notes are classified as non-cho ...
... chord (that is, a V7 chord with a major-minor structure). A jazz musician would take the top two notes (the G and D) as part of the overall chord, which then becomes an F13 chord. In classical music, the bottom four notes form the dominant F 7th chord, but the top two notes are classified as non-cho ...
Introduction - Dartmouth Math Home
... as possible. They want to be able to use every degree of a scale in any key that they would want to use. Musicians want some kind of consistency so that they can play pieces by different composers without having to retune, or having a different instrument for each piece. Two approaches to the tuning ...
... as possible. They want to be able to use every degree of a scale in any key that they would want to use. Musicians want some kind of consistency so that they can play pieces by different composers without having to retune, or having a different instrument for each piece. Two approaches to the tuning ...
Appendix 1 Musical Terms
... Melodic minor scale In the ascending melodic minor, the sixth and seventh tones of the natural minor scale are raised a half step, resulting in half steps between 2 and 3 and between 7 and 8. In the descending form, the sixth and seventh notes are lowered a half step, resulting in a return to the na ...
... Melodic minor scale In the ascending melodic minor, the sixth and seventh tones of the natural minor scale are raised a half step, resulting in half steps between 2 and 3 and between 7 and 8. In the descending form, the sixth and seventh notes are lowered a half step, resulting in a return to the na ...
Confutatis from Mozart`s Requiem One of the most renowned and
... To evaluate the chord progressions for this piece requires an understanding of more complex music theory, and I won’t go too deep into detail. The piece begins on a minor i chord in A-minor, made up of A, C, and E. It then sequences into a chord containing G#, most likely a version of a Major V chor ...
... To evaluate the chord progressions for this piece requires an understanding of more complex music theory, and I won’t go too deep into detail. The piece begins on a minor i chord in A-minor, made up of A, C, and E. It then sequences into a chord containing G#, most likely a version of a Major V chor ...
The Augmented Sixth Chord
... The augmented sixth chord was born in the Baroque period but occurs with greater frequency in the Romantic period. The aug. sixth chord may be understood as being derived from chromatic alterations of the iiº7 or iv7 chords. They do not function as subdominants, however, but function as predominants ...
... The augmented sixth chord was born in the Baroque period but occurs with greater frequency in the Romantic period. The aug. sixth chord may be understood as being derived from chromatic alterations of the iiº7 or iv7 chords. They do not function as subdominants, however, but function as predominants ...
Night in Tunisia thoughts,
... natural 9, and b13, which we have other scales to handle (maybe another thread for this). 4) the four triads the dim scale can be resequenced into a series of major triads whose roots are a minor third apart. For the dim scale associated with C7: C E G / Eb G Bb / F# A# C# / A C# E This makes for so ...
... natural 9, and b13, which we have other scales to handle (maybe another thread for this). 4) the four triads the dim scale can be resequenced into a series of major triads whose roots are a minor third apart. For the dim scale associated with C7: C E G / Eb G Bb / F# A# C# / A C# E This makes for so ...
MUSICAL TERMS AND DEFINITIONS
... 2. I can tell the meaning of this. 3. I can write this, draw it, and tell the meaning. 4. I can find examples of this in real music and teach it to a friend. 5. I knew this all last time and I still remember it without being ...
... 2. I can tell the meaning of this. 3. I can write this, draw it, and tell the meaning. 4. I can find examples of this in real music and teach it to a friend. 5. I knew this all last time and I still remember it without being ...
Artistic Song Leading (Lesson 7)
... The major scale consists of seven different pitches. There are half steps between the third and fourth and seventh and eighth scale degrees; whole steps exist between all other steps. Below is the C major scale. The pattern of whole and half steps is the same for all major scales. The Shape of the n ...
... The major scale consists of seven different pitches. There are half steps between the third and fourth and seventh and eighth scale degrees; whole steps exist between all other steps. Below is the C major scale. The pattern of whole and half steps is the same for all major scales. The Shape of the n ...
Aspects of mathematics and music in Ancient Greece
... the naked glory of the diatonic octave” [9]. Measuring smaller intervals than the fourth was of capital importance in ancient Greek music considering both the facts that the tetrachord was the unit of construction of musical scales and that the different modalities of tetrachord’s subdivision define ...
... the naked glory of the diatonic octave” [9]. Measuring smaller intervals than the fourth was of capital importance in ancient Greek music considering both the facts that the tetrachord was the unit of construction of musical scales and that the different modalities of tetrachord’s subdivision define ...
Appendix 1
... Melody The horizontal succession of pitches. Additional elements include rhythm and the shape or contour formed by ascending or descending pitches. Meter The recurring division of the pulse into a pattern of strong and weak beats; for example, duple, triple or quadruple. Mezzo forte (mf) It. A dynam ...
... Melody The horizontal succession of pitches. Additional elements include rhythm and the shape or contour formed by ascending or descending pitches. Meter The recurring division of the pulse into a pattern of strong and weak beats; for example, duple, triple or quadruple. Mezzo forte (mf) It. A dynam ...
Mathematical Music Theory 2 Grade level: 7-12 Math - SUPER-M
... Goal: Use modular addition to replace the concept of subtraction and apply this to lowering a key. Then use modular arithmetic to study scales. In the last lesson we only considered transposing by adding. This is essentially equivalent to raising the key. What if we want to lower the key? That is, w ...
... Goal: Use modular addition to replace the concept of subtraction and apply this to lowering a key. Then use modular arithmetic to study scales. In the last lesson we only considered transposing by adding. This is essentially equivalent to raising the key. What if we want to lower the key? That is, w ...
Playing the Piano
... A circle of fifths is a chart that organizes all the keys into a system that can be used to relate them with one another. To use it, the twelve notes are arranged in the same order as that of a clock. Starting with a C and going clockwise, five keys are counted to arrive at a G. Starting again with ...
... A circle of fifths is a chart that organizes all the keys into a system that can be used to relate them with one another. To use it, the twelve notes are arranged in the same order as that of a clock. Starting with a C and going clockwise, five keys are counted to arrive at a G. Starting again with ...
Lecture Set 07
... Like Plato and Pythagoras, Kepler believed that the world was ruled by number. He tried hard to prove that the distances of the planets from the sun were given by an arrangement of Eucid's five regular solids; by ...
... Like Plato and Pythagoras, Kepler believed that the world was ruled by number. He tried hard to prove that the distances of the planets from the sun were given by an arrangement of Eucid's five regular solids; by ...
supplementaryMaterial_08Dec15
... piano, beginning on C, form a Major scale (C, D, E, F, G, A, B, C). The scale degrees form a hierarchy of stability (the tonal hierarchy), enabling notes to be used for different structural purposes throughout a musical piece (e.g., highly stable notes are more likely to occur at boundaries than uns ...
... piano, beginning on C, form a Major scale (C, D, E, F, G, A, B, C). The scale degrees form a hierarchy of stability (the tonal hierarchy), enabling notes to be used for different structural purposes throughout a musical piece (e.g., highly stable notes are more likely to occur at boundaries than uns ...
lecture16
... • In this case we have to consider the roughness between the fundamental notes as well as between the harmonics • This is what explains why some intervals are more consonant than others • In the case of the perfect fifth the two lower harmonics coincide and the two produce frequency differences with ...
... • In this case we have to consider the roughness between the fundamental notes as well as between the harmonics • This is what explains why some intervals are more consonant than others • In the case of the perfect fifth the two lower harmonics coincide and the two produce frequency differences with ...
Music Fundamentals Primer Lesson 4
... A triad is a group of three notes that sound at the same time. In much tonal music, chords are built by stacking thirds on top of each other, creating what is known as tertian harmony. A tertian triad is a chord with three notes that is built with thirds. Even when a chord is spread out over several ...
... A triad is a group of three notes that sound at the same time. In much tonal music, chords are built by stacking thirds on top of each other, creating what is known as tertian harmony. A tertian triad is a chord with three notes that is built with thirds. Even when a chord is spread out over several ...
Circle of fifths
In music theory, the circle of fifths (or circle of fourths) is a visual representation of the relationships among the 12 tones of the chromatic scale, their corresponding key signatures, and the associated major and minor keys. More specifically, it is a geometrical representation of relationships among the 12 pitch classes of the chromatic scale in pitch class space.