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2 – First Species Counterpoint
... and 6ths are by far the most prevalent. But even so at no point do more than three thirds or three sixths occur in a row. If too many parallel 3rds or 6ths occur in succession it undermines the sense of two independent voices and sounds like one melody with another in parallel harmony. You will also ...
... and 6ths are by far the most prevalent. But even so at no point do more than three thirds or three sixths occur in a row. If too many parallel 3rds or 6ths occur in succession it undermines the sense of two independent voices and sounds like one melody with another in parallel harmony. You will also ...
e-Workbook TECHNIQUES AND MATERIALS OF MUSIC Part I
... Before doing these exercises, it will be important to study with care the matching explanatory pages in Techniques and Materials of Music, and the corresponding examples found in Music for Analysis (7th edition, Oxford University Press). In each exercise, carefully analyze the given material in term ...
... Before doing these exercises, it will be important to study with care the matching explanatory pages in Techniques and Materials of Music, and the corresponding examples found in Music for Analysis (7th edition, Oxford University Press). In each exercise, carefully analyze the given material in term ...
A Derivation of the Rules of Voice-leading from Perceptual Principles
... In other words, tonal fusion is most salient when co-modulation is precise with respect to log-frequency and the frequencies of the two tones are harmonically related. Tonal fusion is next most salient when co-modulation is precise with respect to logfrequency and the frequencies of the two tones ar ...
... In other words, tonal fusion is most salient when co-modulation is precise with respect to log-frequency and the frequencies of the two tones are harmonically related. Tonal fusion is next most salient when co-modulation is precise with respect to logfrequency and the frequencies of the two tones ar ...
Music Notation Guide - Delta Academies Trust Arts
... Therefore, we can tell that a song written with a 4/4 time signature is made up of bars (musical units a song is divided up into) which contain 4 quarter note long beats. Here are some examples of Time Signatures and notes contained within their measures: ...
... Therefore, we can tell that a song written with a 4/4 time signature is made up of bars (musical units a song is divided up into) which contain 4 quarter note long beats. Here are some examples of Time Signatures and notes contained within their measures: ...
The Overtone Series
... An instrument that has weaker overtones will sound more pure (flute). The stronger overtones account for the greater penetrating ability of the oboe but also for its reduced ability to blend with other instruments. ...
... An instrument that has weaker overtones will sound more pure (flute). The stronger overtones account for the greater penetrating ability of the oboe but also for its reduced ability to blend with other instruments. ...
0 - Squarespace
... ADVANCED STUDENT ASSIGNMENT Given one pitch and its scale degree, complete the major scale in each exercise by adding the other pitches in their appropriate places. Fill in the scale name. Remember that scales follow the pattern: WWHWWWH. ...
... ADVANCED STUDENT ASSIGNMENT Given one pitch and its scale degree, complete the major scale in each exercise by adding the other pitches in their appropriate places. Fill in the scale name. Remember that scales follow the pattern: WWHWWWH. ...
Worksheet - Bellevue City Schools
... a. distance between two measures b. distance between pitches c. distance between clefs ...
... a. distance between two measures b. distance between pitches c. distance between clefs ...
Romantic and impressionist harmony
... mass) a nice example with the remarkable progressions of F major, F# minor, C# major, D major, Eb minor, Bb major, B major, C minor and F major. The leading tone then becomes more important and enables the chromatic world of Liszt and Wagner with their complex chords and fast key interactions (which ...
... mass) a nice example with the remarkable progressions of F major, F# minor, C# major, D major, Eb minor, Bb major, B major, C minor and F major. The leading tone then becomes more important and enables the chromatic world of Liszt and Wagner with their complex chords and fast key interactions (which ...
Lesson_QQQ_-_Advance..
... Roman numerals are a convenient means of notating harmonic analyses. They very concisely deliver a large amount of information. The ordinal expressed by a Roman numeral corresponds with the scale degree on which the chord is built. “I” indicates a chord built on 1, “ii” a chord built on 2, and so on ...
... Roman numerals are a convenient means of notating harmonic analyses. They very concisely deliver a large amount of information. The ordinal expressed by a Roman numeral corresponds with the scale degree on which the chord is built. “I” indicates a chord built on 1, “ii” a chord built on 2, and so on ...
Sample Tests Answer Key
... 1. The historical period represented is the Baroque period. 2. An Allemande is a dance in moderate 2/4 or 4/4 tempo; the first movement of a Baroque suite. (accept any reasonable answer) 3. Identify the key and mode of the piece. a minor 4. The formal structure is: ___ sonata X binary ___ ...
... 1. The historical period represented is the Baroque period. 2. An Allemande is a dance in moderate 2/4 or 4/4 tempo; the first movement of a Baroque suite. (accept any reasonable answer) 3. Identify the key and mode of the piece. a minor 4. The formal structure is: ___ sonata X binary ___ ...
Дисциплина «Профессиональное общение на иностранном языке
... 5) “Prelude and Fugue” is the highest manifestation of such qualities of independent movements of the musical composition as contrast and unity. In this cyclic twomovement form there are no clear thematic links. Movements are united by tonality, constructive polyphonic fugue. Their contents are quit ...
... 5) “Prelude and Fugue” is the highest manifestation of such qualities of independent movements of the musical composition as contrast and unity. In this cyclic twomovement form there are no clear thematic links. Movements are united by tonality, constructive polyphonic fugue. Their contents are quit ...
Required Graduate Music Theory Examinations
... 2. Triads: Select the quality and inversion for the triad played. 3. Seventh chords: Select the quality for the seventh chord played. ...
... 2. Triads: Select the quality and inversion for the triad played. 3. Seventh chords: Select the quality for the seventh chord played. ...
A GUIDE TO THE TERMINOLOGY OF GERMAN HARMONY
... Riemann. The name of each secondary triad connects it with a primary triad, and so with one of Riemann’s three functional categories. The relationship supporting this connection, what the Germans call the “parallel” relation, is known in English as the “relative” relation: the association of major a ...
... Riemann. The name of each secondary triad connects it with a primary triad, and so with one of Riemann’s three functional categories. The relationship supporting this connection, what the Germans call the “parallel” relation, is known in English as the “relative” relation: the association of major a ...
modern jazz techniques
... increasing complexity from its inception at the beginning of the twentieth century until the early 1960s when Free Jazz experiments were underway. What had taken 200 years in Western art music had taken roughly 50 years in jazz: a development from basic diatonic structure to one of extreme chromatic ...
... increasing complexity from its inception at the beginning of the twentieth century until the early 1960s when Free Jazz experiments were underway. What had taken 200 years in Western art music had taken roughly 50 years in jazz: a development from basic diatonic structure to one of extreme chromatic ...
document - Far Western District
... In conjunction with the Far Western District’s efforts to provide MORE variety at our FWD conventions (in addition to the contests), Keith Eckhardt invited me to facilitate a one-hour class on “How To Read Music”. I had previously facilitated a series of one-hour classes for my fellow chapter membe ...
... In conjunction with the Far Western District’s efforts to provide MORE variety at our FWD conventions (in addition to the contests), Keith Eckhardt invited me to facilitate a one-hour class on “How To Read Music”. I had previously facilitated a series of one-hour classes for my fellow chapter membe ...
Kamavardhini and the Blues scale – just one step and one note
... The 51st melakarta raga, has the following notes (ascend and descend) ārohaṇa: S R1 G3 M2 P D1 N3 S avarohaṇa: S N3 D1 P M2 G3 R1 S ...
... The 51st melakarta raga, has the following notes (ascend and descend) ārohaṇa: S R1 G3 M2 P D1 N3 S avarohaṇa: S N3 D1 P M2 G3 R1 S ...
Semester Exam Review
... A B C D E F G are the musical alphabet. When writing the letter names of a scale, each letter should be listed; do NOT double letters. ...
... A B C D E F G are the musical alphabet. When writing the letter names of a scale, each letter should be listed; do NOT double letters. ...
skefis – a symbolic (midi) key finding system - Music
... proposed was that a correct answer would get one point, an answer that was the perfect fifth of the correct one would get 0.5 points, and the relative major/minor and parallel major/minor errors would get 0.3 and 0.2 points respectively. Given that 30 seconds of music are provided for each piece, an ...
... proposed was that a correct answer would get one point, an answer that was the perfect fifth of the correct one would get 0.5 points, and the relative major/minor and parallel major/minor errors would get 0.3 and 0.2 points respectively. Given that 30 seconds of music are provided for each piece, an ...
UNIT 1: Intervals and Scales
... Doubling for Secondary chords in first inversion Double any triad factor that facilitates smooth voice leading. Favored notes are the soprano(most often) and bass. Never double the leading tone. Treat each first inversion triad in relation to surrounding chords. (There is not a preferred ...
... Doubling for Secondary chords in first inversion Double any triad factor that facilitates smooth voice leading. Favored notes are the soprano(most often) and bass. Never double the leading tone. Treat each first inversion triad in relation to surrounding chords. (There is not a preferred ...
Harvard
... minor can be seen as a composite of two different tetrachords of the pattern 2-1-22-1-2-2. In solfege "Do-Re-Mi-Fa-Sol-La-Ti-Do." All of non-folk Western harmony from the somepoint in the late Renaissance up to the late nineteenth century is based upon these two objects and the unique relationships ...
... minor can be seen as a composite of two different tetrachords of the pattern 2-1-22-1-2-2. In solfege "Do-Re-Mi-Fa-Sol-La-Ti-Do." All of non-folk Western harmony from the somepoint in the late Renaissance up to the late nineteenth century is based upon these two objects and the unique relationships ...
The Classical Indian Just Intonation Tuning System
... (81/80): + or - 21.5 cents. The two additional septimal accidentals > and < raise / lower the pitch by a Septimal Comma (64/63): + or - 27.3 cents. ...
... (81/80): + or - 21.5 cents. The two additional septimal accidentals > and < raise / lower the pitch by a Septimal Comma (64/63): + or - 27.3 cents. ...
presentation
... selection from tonic soprano vector; generate soprano melody via random walk (unless its value corresponds to leading tone, in which case it must go up) ...
... selection from tonic soprano vector; generate soprano melody via random walk (unless its value corresponds to leading tone, in which case it must go up) ...
UNVIERSIDAD NACIONAL DE QUILMES
... of the musical alphabet. In ……………………………….music theory, scales tend to be measured or compared to the Major scale, so this is an important one to know. Another scale you hear frequently is the minor scale. Since the minor scale has a different tonality than the Major scale, it has a different pattern ...
... of the musical alphabet. In ……………………………….music theory, scales tend to be measured or compared to the Major scale, so this is an important one to know. Another scale you hear frequently is the minor scale. Since the minor scale has a different tonality than the Major scale, it has a different pattern ...
Scale Degrees - Co
... forms of the minor scales but that will be a different lesson. Just note that the 7 degree scale name in minor scales is Subtonic. The Roman Numerals Scales Degrees are also described using Roman Numerals. While they do range from 1-7, the Roman Numerals serve another purpose. Nathan described in h ...
... forms of the minor scales but that will be a different lesson. Just note that the 7 degree scale name in minor scales is Subtonic. The Roman Numerals Scales Degrees are also described using Roman Numerals. While they do range from 1-7, the Roman Numerals serve another purpose. Nathan described in h ...
Physics of Music PHY103 Worksheet #4 Setup for fretted monochord
... Pitches are commonly measured with respect to the frequencies of the tempered scale with a concert A of 440Hz. These frequencies are listed in the table below. Tuners usually give the nearest note on the tempered scale and the difference between this not and the one you played. This difference is gi ...
... Pitches are commonly measured with respect to the frequencies of the tempered scale with a concert A of 440Hz. These frequencies are listed in the table below. Tuners usually give the nearest note on the tempered scale and the difference between this not and the one you played. This difference is gi ...
Circle of fifths
In music theory, the circle of fifths (or circle of fourths) is a visual representation of the relationships among the 12 tones of the chromatic scale, their corresponding key signatures, and the associated major and minor keys. More specifically, it is a geometrical representation of relationships among the 12 pitch classes of the chromatic scale in pitch class space.