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Introduction II 1. Basic Characteristics of Greek and Roman Deititis 2. Nature of Roman Myths 3. 2. the Cultural Context – the GraecoRoman World BASIC CHARACTERISTICS OF GRECO-ROMAN DEITIES Divinities are anthropomorphic – Resemble humans in appearance and behavior Graceo-Roman Religion is polytheistic – There are multiple deities (in contrast: Judaeo-Christian religion has one god = monotheistic) Greek and Roman Deities are immortal but not eternal – Greek gods have a theogonis or birth, but they do not die. Gods are part of nature and created by nature –in contrast - the Judaeo-Christian god stands outside of nature and creates the world Graeco-Roman Deities continued Greek and Roman gods are not omnipotent – they are not all powerful and they are not omniscient –they do not know all. Not Universal – Deities have specific functions and often the particular functions/responsibilities of the same deities vary from place to place For Example: Jupiter/Zeus is responsible for sky and weather Venus/Aphrodite – responsible for physical love and desire, Deities are concerned with cult offerings and not so much with conduct of humans – the ritual (honouring the deity) is central, not a personal relationship Basic Characteristics of Greek Myths Highly literary – while they have a long oral history – they all came down to us in their final written versions Highly Fluid – we have multiple versions of the same myth (i.e. Athena’s status as the patron deity of Athens) Anthropocentric – Humanity is at the centre of all myth while gods are peripheral forces Socially and Culturally Embedded – Greek myth is a reflection of Greek society and culture, i.e. family hierarchy – Zeus/Jupiter = father of the gods, the others have to consult him Basic Characteristics of Roman Myths Most are legends concerned with Rome’s foundation and early history Very closely associated with politics Many associated with particular prominent Roman families (i.e. Julian line connected to Iulus (son of Aeneas who was the son of Venus (Aphrodite) Many are aetiological Many serve as examples for Roman ideals and virtues The Nature of Roman Myth Many Greek myths made their way to Italy and were reworked for Roman contexts Distinctively Roman myths and elements were interpolated with Greek myths: example the story of Aeneas and Latinus – events after landing in Italy Roman myths are much more closely and obviously tied into Roman political life than Greek myths were in Greek politics For example: Ovid (27 BCE – 14 CE) Metamorphoses; Virgil, (70 BCE – 19 BCE), The Aeneid) The Cultural Context: Rome and Italy Before the Romans (the Archaeological evidence) Early Italy was home to many different cultures speaking many different languages Site of Rome shows evidence of habitation since ca. 1600 BCE (Pastoral Economy; Buried their dead) Between 1000 and 900 BCE Immigrants from the south of Rome inhabited the Palatine Hill (Latin speakers, cremated their dead, practiced agriculture) Cultural Geography of Early Italy http://www.arcaini.com/ITALY/ItalyHistory/AncientLanguagesLatest2.jpg Greek Influences (and the Etruscans) Greeks had settled Sicily and Southern Italy (Magna Graecia) since ca. 780 BCE) Greeks influenced Etruscans and Greek colonies through trade, diplomacy, and warfare (i.e. art and architecture; hoplite warfare; anthropomorphized gods; writing; myth and literature) Much Greek influence came to Rome through the Etruscans , some directly from Greek colonies Early Italian Gods The earliest Roman gods were Indo-European gods Earliest Roman religion heavily influenced by the Etruscans Original Roman gods were not anthropomorphized and there were no myths about them Roman gods became associated with Greek gods through Etruscan influence Myths and anthropomorphic images were applied to Roman gods only gradually (many gods with no Greek counterparts never acquired a mythology) i.e. Janus (god shown with two faces the god Janus Italian Deity: looking forward and back at the same time (one face bearded, the other clean shaven) Month of Ianuarius (January) Also god of entrances and exits, connected with water (bridges, crossings) Temple of Janus in Roman Forum – doors closed in times of peace A few legends exist (when Sabines had captured the Capital, they were prevented from entering the Forum by Janus who had water gushed out. Mars (Mavor) Italian Deity – more important than the Greek god Ares. Originally agricultural deity in Italy Associated with spring (time of growth) – hence use of his name for March (beginning of Roman year before Iulian calendar) Myths exists about him As Romans became wore involved in warfare, Mars became a god of war – more important aspect than his agricultural aspect – sacrifices before and after battle, and spoils of war were dedicated to Mars Temple of Mars Ultor (Mars the Avenger) in Rome Campus Martius – open field outside gates – military practice area Jupiter Italian sky-god, form of a name that identifies him as an Indo-European sky god (like Zeus and other sky gods) 509 BCE temple of Jupiter Optimus Maximums built on Capitoline Hill in Rome received temple and statue like a Greek city god. Temple was shared with Juno, chief Italian goddess, and Minerva, Italian fertility and war goddess = the Captioline triad Jupiter had many names and responsibilities, often associated with particular cults in particular Italian regions Rome and the Etruscans Etruscans conquered parts of Latium (including Rome itself) Campania in the 7th and 6th centuries (several Roman kings were Etruscans, including the last one King Tarquinius Superbus) Many Roman religious traditions derive from Etruscan origins (pontifices, augury, haruspicia, tripartite temples – Juno, Jupiter, Minerva; Cult of Aeneas) Greek genealogists/mythographers routinely located foreign peoples within the context of Greek myth Romans routinely connected their traditions and mythic past to Greek mythic traditions By 200 BCE this fusion was more or less complete Etruscan Mirror Depicting Hercules and Athena http://www.vroma.org/images/mcmanus_images/herc_mirror.jpg Greek and Roman Myths Greek and Roman traditions not separate Cultural contacts through Greek Colonists, explorers, merchants – who brought Greek stories to Italy, where over time they received Italian components and became part of the Italian tradition. The Travels of the Greek hero Herakles The first 6 of his 12 labours situated on Peloponnese in Greece 1. The Nemean lion; 2. The Lernean Hydra (water snake; 3. The Ceryneian Hind; 4. The Erymanthian Boar; 5. The Auegean Stables; 6. Stymphalian Birds The next 6 labours outside the Peloponnese: 7.The Cretan Bull; 8. The Mares of Diomedes in Thrace; 9. The Girdle of Hippolyta, queen of the Amazons; 10. The cattle of Geryon (in Italy where he killed Cacus; 11. The Apples of Hesperides; 12 . Cerberus (underwold) Herakles (Hercules) travels Roman Conquests and Greek cultural influences Roman expansion in Italy ca. 350 BCE – 272 BCE brought more direct contact with Greek city states in Italy and Sicily Roman expansion beyond Italy from 263 BCE – subsequent conquest of the Greek east (Sack of Corinth 140 BCE) brought Romans again into direct contact Wave of Hellenization of Roman culture via: large number of Greek slaves poured into Rome, Romans sacked Greek works of art and brought it to Rome; Greek literary forms became the vogue in Rome; educated Roman were expected to be bilingual and well versed in Greek literature, philosophy and art Roman tendency to incorporate conquered subjects into social, political, and cultural fabric of Roman life. Adopted and adopted whatever they liked and found useful and beneficial Greek Myths in Rome Ovid, (Publius Ovidius Naso) b. 43 BCE the Metamorphoses: a poem telling the story of gods and humans down to his own days. Greek myths with a very Roman spin Ovid’s sources for the early books: Hesiod, c. 700 BCE The Theogony: story of gods (and man) down to present generation of Olympian gods Hesiod’s Version “First came the Chasm, and then broad-breasted Earth, secure seat for ever of all the immortals who occupy the peak of snowy Olympus; the misty Tartara in a remote recess of the broad-pathed earth, and Eros, the most handsome among the immortal gods, dissolver of flesh who overcomes the reason and purpose in the breasts of all gods and all men. Out of the Chasm came Erebos and dark Night, and from Night in turn came Bright Air and Day, whom he bore in shared intimacy with Erebos. Earth bore first of all one equal to herself, starry Heaven, so that he should cover her all about, to be a secure seat for ever for the blessed gods, and she bore …. Ovid’s version of the Cosmogony (1,1-20) I want to speak about bodies changed into new forms. You, gods, since you are the ones who alter these, and all other things, inspire my attempt, and spin out a continuous thread of words, from the world's first origins to my own time. Before there was earth or sea or the sky that covers everything, Nature appeared the same throughout the whole world: what we call chaos: a raw confused mass, nothing but inert matter, badly combined discordant atoms of things, confused in the one place. There was no Titan yet, shining his light on the world, or waxing Phoebe renewing her white horns, or the earth hovering in surrounding air balanced by her own weight, or watery Amphitrite stretching out her arms along the vast shores of the world. Though there was land and sea and air, it was unstable land, unswimmable water, air needing light. Nothing retained its shape, one thing obstructed another, because in the one body, cold fought with heat, moist with dry, soft with hard, and weight with weightless things. Ovid continued 1. 21-31, This conflict was ended by a god and a greater order of nature, since he split off the earth from the sky, and the sea from the land, and divided the transparent heavens from the dense air. When he had disentangled the elements, and freed them from the obscure mass, he fixed them in separate spaces in harmonious peace. The weightless fire, that forms the heavens, darted upwards to make its home in the furthest heights. Next came air in lightness and place. Earth, heavier than either of these, drew down the largest elements, and was compressed by its own weight. The surrounding water took up the last space and enclosed the solid world. The story of Herakles killing the bandit Caucus serves as an aetiological myths explaining the origins of the cult of Hercules in Italy and its adoption by Romulus Livy, ab urbe condita 1.7 Roman Versions of Greek Gods Zeus Hera Demeter Poseidon Hades Aphrodite Ares Hephaestus Hermes Dionysus Apollo Athena Hestia Herakles Jupiter Juno Ceres Neptune Pluto Venus Mars Vulcan Mercury Bacchus Apollo Minerva Vesta Hercules Periodization of Roman History Traditional Foundation Date = 753 BCE 753 BCE – 510 BCE – The Regal Period 509 BCE – 49 BCE – The Republic 49 BCE – 27 BCE – The Revolutionary Period 27 BCE – 193 CE – The Principate 193 CE – 284 CE – The Soldier Emperors 284 CE – 476 CE – The Dominate 476 CE – Fall of Rome in the West Note: Roman myth and religion was profoundly affected by Roman history and the cultural geography of Italy Founding of Rome at the Tiber Iron Age “Hut Urns” http://www.vroma.org/images/jwalker_images/jw-13.jpg Settlers Wanted: Prime Location – Downtown Rome - Affordable Housing