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Renaissance and Reformation The Renaissance “Rebirth” of European society and its classical Greco-Roman heritage Birthplace of the Renaissance is Italy and its city-states Why Italian city-states: More affected by the plague Prosperous, bustling commercial centers (since the Middle Ages) Greater prosperity = support for talented artists + new outlook on the world : human centered, individualistic, secular Why Italian city-states: (cont) Italy is more urban than the rest of Europe Italy located at the center of the old Roman world Republican government Petrarch 1304-1374 Peak of civilization = first 2 centuries of Roman Empire New age of intellectual achievement = rebirth OR “renaissance” The Renaissance worldview: Individualism: Renaissance men and women emphasized and celebrated humans and their achievements Began to associate themselves to the Greeks and Romans Secularism: Greater concern for aspects of the material world of humans (and not the “next” world, spiritual world) Life is to be enjoyed (rather than as a painful pilgrimage to the City of God!) Humanism: New attitude towards knowledge + human self Optimistic view of humanity Stressing self-improvement through secular and classical education Seeking to understand the causes of human + natural actions Pico della Mirandola, Oration on the Dignity of Man (1486) I once read that Abdala the Muslim, when asked what was most worthy of awe and wonder in this theater of the world, answered, "There is nothing to see more wonderful than man!" (…) After thinking a long time, I have figured out why man is the most fortunate of all creatures and as a result worthy of the highest admiration and earning his rank on the chain of being, a rank to be envied not merely by the beasts but by the stars themselves and by the spiritual natures beyond and above this world. This miracle goes past faith and wonder. And why not? It is for this reason that man is rightfully named a magnificent miracle and a wondrous creation. All was perfected, all created things stood in their proper place, the highest things in the highest places, the midmost things in the midmost places, and the lowest things in the lowest places. But God the Father would not fail, exhausted and defeated, in this last creative act. God's wisdom would not falter for lack of counsel in this need. God's love would not permit that he whose duty it was to praise God's creation should be forced to condemn himself as a creation of God. Imagine! The great generosity of God! The happiness of man! To man it is allowed to be whatever he chooses to be! As soon as an animal is born, it brings out of its mother's womb all that it will ever possess. Spiritual beings from the beginning become what they are to be for all eternity. Man, when he entered life, the Father gave the seeds of every kind and every way of life possible. Whatever seeds each man sows and cultivates will grow and bear him their proper fruit. If these seeds are vegetative, he will be like a plant. If these seeds are sensitive, he will be like an animal. If these seeds are intellectual, he will be an angel and the son of God. And if, satisfied with no created thing, he removes himself to the center of his own unity, his spiritual soul, united with God, alone in the darkness of God, who is above all things, he will surpass every created thing. Who could not help but admire this great shape-shifter? In fact, how could one admire anything else? (…). . . Pope Innocent III, On the Misery of the Human Condition, c. 1200 . . . man was formed of dust, slime, and ashes: what is even more vile, of the filthiest seed. He was conceived from the itch of the flesh, in the heat of passion and the stench of lust, and worse yet, with the stain of sin. He was born to toil, dread, and trouble; and more wretched still, was born only to die. He commits depraved acts by which he offends God, his neighbor, and himself; shameful acts by which he defiles his name, his person, and his conscience; and vain acts by which he ignores all things important, useful, and necessary. He will become fuel for those fires which are forever hot and burn forever bright; food for the worm which forever nibbles and digests; a mass of rottenness which will forever stink and reek. Renaissance Art Renaissance saw revolutions in many intellectual pursuits but is perhaps best known for its artistic developments Age of Leonardo da Vinci and Michelangelo Renaissance Art Developments: – Linear perspective – Study of human anatomy – Study of light and shadow – New fresco techniques Michelangelo and the Sistine Chapel Sistine Chapel - Michelangelo Dom. Ghirlandaio, c.a 1480 The ideal Renaissance man according to Baldesar Castiglione (1525) Cultivation of military skills, classical education, and appreciation of arts (music, painting, drawing) i.e. Leonardo di da Vinci a scientist, mathematician engineer, inventor, anatomist, painter, sculptor, architect, botanist, musician, and writer. Renaissance optimism contrasted sharply with the Christian, pessimistic conception of humanity from the Middle Ages The Renaissance outlook will spread to other regions of Europe The diffusion of the Renaissance outlook was helped by the invention of the printing press (Joannes Gutenberg, circa 1455)