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KCACTF SPONSORSHIP
Cape Cod Community College in association with ALPS/Advanced Lighting & Production
Services, Inc., the Town of Barnstable and the Cape Cod Chamber of Commerce/CVB,
Barnstable High School, Resort and Conference Center of Hyannis, Cape Codder Resort &
Spa, and Holiday Inn Cape Cod-Hyannis welcomes you to
The Kennedy Center American College Theater Festival 45
Region 1, January 29-February 2, 2013
Region 1 is proud to have ALPS/Advanced Lighting & Production Services, Inc.,
Boston Illumination Group and Focal Press as 2013 participating sponsors.
The Kennedy Center American College Theater Festival, part of the Rubenstein Arts Access Program, is
generously funded by David and Alice Rubenstein.
Additional support is provided by The Honorable Stuart Bernstein and Wilma E. Bernstein; Dr. Gerald and
Paula McNichols Foundation; the National Committee for the Performing Arts; The Harold and Mimi
Steinberg Charitable Trust; and Beatrice and Anthony Welters and the AnBryce Foundation.
Gifts and grants to education at the Kennedy Center are provided by
Adobe Foundation
Sandra K. & Clement C. Alpert
AnBryce Foundation
Bank of America
Bernstein Family Foundation
The Honorable Stuart Bernstein and Wilma E. Bernstein
Capital One Bank
The Carter and Melissa Cafritz Charitable Trust
The Centene Charitable Foundation
Citibank
The Charles Engelhard Foundation
Clark Charitable Foundation
Community Advisory Board
Mike and Julie Connors
CVS Caremark
The DC Commission on the Arts and Humanities
The Dr. Gerald and Paula McNichols Foundation
Fight for Children, Inc
David Gregory and Beth Wilkinson
Harman Family Foundation
The Harold and Mimi Steinberg Charitable Trust
The Harris Corporation
Hilton Worldwide
The J. Willard and Alice S. Marriot Foundation
The Jacob and Charlotte Lehrman Foundation
Mr. James V. Kimsey
The Kiplinger Foundation
The Kirstein Family Foundation
Natalie and Herb Kohler and Kohler Co
Kenneth and Lucy Lehman
The Macy’s Foundation
The Margaret A. Cargill Foundation
The Max and Victoria Dreyfus Foundation, Inc.
Jaylee M. Mead†
Linda and Tobia Mercuro
The Meredith Foundation
The Morningstar Foundation
The Morris and Gwendolyn Cafritz Foundation
The National Committee for the Performing Arts
The National Endowment for the Arts
National Trustees of the National Symphony Orchestra
Newman's Own Foundation
The Paul M. Angell Family Foundation
Park Foundation, Inc.
Mrs. Irene Pollin
The President’s Advisory Committee on the Arts
Prince Charitable Trusts
The Rose Mary Kennedy Education Fund
Dr. Deborah Rose and Dr. Jan A. J. Stolwijk
Ryna and Melvin Cohen Family Foundation
Share Fund
Mr. and Mrs. Albert H. Small
Target
Thomas W. Haas Foundation
The U.S. Department of Education
Volkswagen Group of America, Inc.
Sherry and Eddie Wachs
Washington Gas
Wells Fargo
Beatrice and Anthony Welters
The William R. Kenan, Jr. Charitable Trust
Generous contributors to the Abe Fortas Memorial Fund, and by a major
gift to the fund from the late Carolyn E. Agger, widow of Abe Fortas
KCACTF REGION 1 OFFICERS
AND EXECUTIVE COMMITTEE
Co-Chairs
Raina Ames & Cathy Hurst
Co-Vice Chairs
John Paul Devlin & Paul Ricciardi
Directing Chair
Adam Zahler
Directing Vice Chair
Peter Sampieri
Playwriting Chair
Brandt Reiter
Playwriting Vice Chair
Robin Stone
The Institute for Theatre Journalism and Advocacy Co-Chairs
Daniel Patterson & Scott R. Gagnon
Design, Technologies and Management Co-Chairs
Luke J. Sutherland & Charles Wittreich
Design, Technologies and Management Co-Vice Chairs
Jeff Modereger & Daniel Kozar
Design, Technologies and Management 2nd Co-Vice Chair
James Petty
Dramaturgy Chair
Theresa Lang
Musical Theater Initiative Chair
Ryan McKinney
Musical Theatre Initiative Vice-Chair
Bill Wilson
Arts Management Chair
Kelly Morgan
Respondents Chair
Theodore Clement
Irene Ryan Chair
Harry McEnerny
Irene Ryan Vice-Chair
Liisa Yonker
NETC Liaison to KCACTF Region 1
Pamela McDaniel
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Regional Selection Team
Raina Ames, Ted Clement, Scott Gagnon, Cathy Hurst, Georgia McGill, Ryan McKinney, Dan Patterson,
Brandt Reiter, Paul Ricciardi, Patricia Riggin, Peter Sampieri, Linda Sutherland, Adam Zahler
Festival Directors–Cathy Hurst and Raina Ames
Administrative Director and Irene Ryan Coordinator-Jennifer Ouellette
Devised Works Event Coordinator-Theresa Lang
Devised Works Respondents
Nicholette Routhier, Mauricio Salgado, Wanda Strukus
Irene Ryan Selectors
Preliminaries: Jordan Ahnquist, Tony Humrichouser, Maggie Lally, Nicholette Routhier, Stephen Russell,
Mauricio Salgado
Semi-Finals: Jerry Goralnick, Dianna Schoenborn, Tom Miller
Finals: Darren Evans, Judith Stevens-Ly, Victoria Townsend
Irene Ryan Preliminary Respondents
Thank you for lending your expertise to the Irene Ryan Preliminaries
Ted Clement, Suzanne Delle, Scott Gagnon, Anita Gonzalez, Christopher J. Jimenez, Wil Kilroy, Jo Curtis
Lester, Georgia McGill, Pamela McDaniel, Ryan McKinney, Angel Morales, Kelly Morgan, Carrie Ann Quinn,
Paul Ricciardi, Thomas Rothaker, Nancy Saklad, Stephanie Sertich, Kathleen Sills, Janet Sussman, Dale
Young
Dramaturgy Respondents
Daniel Burson, Talya Kingston
Institute of Theatre Journalism and Advocacy
Dee DeQuattro
Production Respondents
Rick Anderson, Steve Reynolds
Design, Technology and Management Respondents
Jane Childs, Jesse Dreikosen, Herrick Goldman, Julie Hennrikus, Natalie Kearns, Tina Shackleford,
and Chris Velvin
Maltby Award Vocal Coaches/Accompanists
Jessica Corbin, Stephen Purdy
Maltby Award Workshop Coaches
Russell Garrett, Tony Humrichouser, Christine Toy Johnson, Ilyse Robbins
Maltby Award Respondents & Selectors
Russell Garrett, Tony Humrichouser, Christine Toy Johnson, Richard Maltby, Jr., Ilyse Robbins
Stage Directors and Choreographers (SDC) Fellowship Program Respondents
Eric Engel, Russell Garrett, Kristen van Ginhoven, Gregg Henry
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National Playwriting Program Respondents (NPP)
Wade Hollingshaus, Gary Garrison, Christine Toy Johnson, Anne G. Morgan
National Playwriting Program Directors (NPP)
Arthur Adair, Christine Dunant, Gregory Fletcher, Tim Gleason, Gregg Henry, Tony Howarth,
Kaia Monroe Rarick, Kathleen Sills, Robin Stone, Linda Sutherland, Barbara Waldinger
Hospitality Host–Ted Clement
Host Technical Directors-Brian Rice and Kendra Murphy
Festival Technical Director Coordinator–James Dougherty
Festival Technical Directors-James Dougherty, Jesse Hoyer, Jo Nazro,
Supervisor for Resort and Conference Center of Hyannis Events-Jeff Modereger
Supervisor for DTM Expo-Daniel Kozar
KCACTF Awards Ceremony Director-Linda Sutherland
Costume Parade Emcee-Andrew Wittkamper
House Manager–Kelly Stowell
Drivers, Guides and Additional Services
Coordinator–Michael R. J. Babineau
Fitchburg State University students: Chris Gonsalves, Dan Tomasik
Stage Managers
Shanna Allison (Emerson), Jillian Brunner (Suffolk County Community College), Kasey Callaghan (Suffolk
County Community College), Anne Collins (Holyoke Community College), Katelynn Cooper (Emerson
College), Caitlin Flaherty (Siena College), Lauren Hanson (University Rhode Island), Rivka Kelly
(University of Vermont), Jennifer Leno (Southern Connecticut State), Danielle Morris (Bates College),
Laura O’Donoghue (Western Connecticut State), Stephanie Paylor (Westfield State), Samantha Ryel
(University Rhode Island), Julia Grace Scanlon (Saint Michael’s College), Jon Silva (Boston College),
Amberly Soto (Castleton), Katy Svec (Middlebury College), Matthew Terzigni (Western Connecticut
State), Lukas Theodossiou (Keene State), Catherine Velazquez (Central Connecticut State), Shana
Wallace (Bates), Alex Williams (Salem State)
Arts Management Interns
CLARK UNIVERSITY: Courtney Little; DEAN COLLEGE:
Erin Gallagher, Kayla-Rose Geyer, James
Hansen, Maya Morgentaler, Genesis Reyes, Jolene Swartz; SAINT MICHAEL’S COLLEGE: Shannon
Carroll; STONEHILL COLLEGE: Christopher Plonka; WORCESTER STATE UNIVERSITY: Edikan Brown
Technical Scholarship Support Crew
LeeAnne Brown (Westfield State), Kaisey Caputo (Community College Rhode Island), Bridget Collins
(Westfield State), Bonnie Cleverly (Johnson State College), Bridget Doyle (Salem State), Branigan
Duguay (Community College Rhode Island), Christopher Konstantinidis (Westfield State), Doug
Maffetone (Fitchburg State), Sean McCarthy (Holyoke Community College), Jacob Smith (Fitchburg
State), Patrick Storey (Fitchburg State), Elizabeth Streeter (Keene State), Melissa Troxler (SUNY New
Paltz)
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SPECIAL THANKS
ALPS
Actors’ Equity Association (AEA)
Alcone
Actors Striving To End Poverty (ASTEP)
ATHE
Barbizon
Barnstable High School
Boston Illumination Group, Inc. (Medallion Dinner Sponsor)
Broadway Theatre Project
Cape Cod Chamber of Commerce
Cape Codder Resort and Spa
Chris Velvin, Occupational Health and Safety Manager, Cirque du Soleil
David Kanyock, Barnstable High School
Ed Hyatt, Boston Illumination Group
Focal Press
Holiday Inn-Cape Cod
Literary Managers and Dramaturgs of the Americas (LMDA)
Mehron
National Partners of the American Theatre (NAPAT)
New England Section of the United States Institute for Theatre Technology
New England Theatre Conference (NETC)
Patti Lloyd, Cape Cod Chamber of Commerce
Resort and Conference Center of Hyannis, Nancy Travers and Bill Mallowes
Richard Maltby, Jr.
Rose Brand
Rui Alves
SDC
Stagecraft Institute of Las Vegas
Stagesource
USITT
VASTA
Festival Website: Red Dog Studios
Program Design: Raina Ames
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FROM THE PRESIDENT
A Warm Welcome to Participants, Volunteers, and Guests:
On behalf of Cape Cod Community College, our students, faculty,
and staff, and our many partners, welcome to this outstanding
Region One Kennedy Center American College Theater Festival.
After experiencing master classes, workshops, and performances
on our campus and at our collaborating venues, we hope you
make time to explore those places nearby that make Cape Cod
and Southeastern Massachusetts so very special. Enjoy Hyannis, its historic downtown district with
its John F. Kennedy Museum, and waterfront. Plan a trip to the islands of Nantucket and Martha's
Vineyard, or journey along The Olde Kings Highway (Rte. 6A), and imagine for just a moment
what it might have been like to travel by horse or carriage along this route or see great whaling
ships coming back to the homeports after years at sea.
It is very fitting that the Festival be held here on the Cape, where theater on so many levels is
vibrant year round.
We're home to the Cape Playhouse, America's oldest professional summer
theater; one of the most highly acclaimed high school theater programs in the country, the
Barnstable High School Drama Club; the Cape Theater Coalition, representing theaters and
producing
organizations
from Woods Hole to Provincetown, and other outstanding community
theater companies. The greats of the American stage and screen have made their homes here, and
have performed here for generations.
Cape Cod Community College is honored to be the focal point for this great Festival. Founded in 1961
to be the region's center of higher education, the College sees bringing the Festival to the Cape as an
excellent example of its role as a center for learning and culture and an economic engine for our
community.
This event is a glorious partnership among many, including the Town of Barnstable as our
community host. We express great thanks, for both the financial and the logistical support offered
by the town. Its support with that of the Cape Cod Chamber of Commerce, The Arts Foundation of
Cape Cod, and others, is gratefully acknowledged with much appreciation.
Please accept my sincerest wishes for great experiences here on Cape Cod and in Southeastern
Massachusetts, and for an outstanding and highly successful Festival.
With warmest regards,
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GENERAL FESTIVAL INFORMATION
Registration/Information Festival registration will be held in the convention lobby of the Resort and
Conference Center of Hyannis. Hours for registration/information desk are as follows:
Tues., Jan. 29
12:00 p.m.-7:00 p.m.
Wed., Jan. 30
8:00 a.m.-6:00 p.m.
Thurs., Jan. 31 & Fri., Feb. 1
9:00 a.m.-6:00 p.m.
Sat., Feb. 2
9:00 a.m.-2:30 p.m.
Festival Headquarters–Resort and Conference Center of Hyannis
A contact bulletin board to leave and receive messages will be available.
Nametags Your registration nametag is your entry to all performances, events, and workshops. Ushers
and workshop coordinators will be checking for these. You must have your nametag with you at all
times. Replacements will be $5.00.
Parking The Resort and Convention Center of Hyannis, Holiday Inn and the Cape Codder Resort and
Spa all have private parking lots. Barnstable High School has visitor parking, but during the school day,
it is limited; we recommend using the bus transportation for daytime events at the high school. Parking
at Cape Cod Community College during the day is extremely limited. Parking lots on campus are
available only for Cape Cod Community College faculty, staff, and students. We strongly encourage
Festival participants to take the shuttle bus to the events on the CCCC campus.
At CCCC: if at any time attendees park in a space marked reserved or a handicapped space
without the proper permits, vehicles will be towed at the owners expense.
Program This is your on-line guide to all of the events at the Festival. Any additions or changes will be
posted in the Resort and Convention Center hotel lobby or on the Facebook page: KCACTF Region 1.
Festival Hotels’ “Warning” Policies are in Effect We are guests of the hotels and must respect their
property, rules and schedules. If hotel security, management, or faculty must be called to your room
due to any type of disturbance (i.e. excessive late-night noise, drinking, smoking, etc.), you will be
immediately evicted from the hotel and will lose the privilege to participate in the festival for both the
current year and the next. You and your school will be held liable for any damage that may occur. As
the hotels obey Massachusetts state law, drinking under the age of 21 is prohibited and will be
STRICTLY enforced. All hotels have strict no smoking policies. Smoking is only allowed in designated
locations.
Meals There is a Starbucks in the Conference Center along with restaurants open for breakfast, lunch
and dinner. Food is available at Cape Codder for breakfast, lunch and dinner. The Holiday Inn also has
limited access to food, but the Cape Codder is within walking distance across the street from the Holiday
Inn. A list of area restaurants can be found at the end of this program.
ANNOUNCEMENTS / CHANGE OF SCHEDULES:
Check our Facebook Page for any Updates!
KCACTF Region 1: https://www.facebook.com/pages/KCACTF-Region-1/133912289958493
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EVENT VENUES
Resort and Convention
Center of Hyannis
(RCCH)
Cape Codder Resort
and Spa
(CCRS)
Holiday Inn
(HICC)
Cape Cod
Community
College
(CCCC)
Barnstable High
School
(BHS)
Barnstable Rooms I & II, III
(1st floor)
Barnstable Room
Barnstable Room Tilden Main
Theater
BPAC Main Theater
Centerville (1st floor)
Crystal Room
Hyannis Room
Knight Auditorium
Grand Ballroom (1st floor)
Emerald Room
Hyannisport 1
Orleans (1st floor)
JFK Ballroom
Hyannisport 2
Osterville A & B (1st floor)
Nantucket Board Room
Bass River (2nd floor)
Sandwich Room
Tilden Studio
Cape Cod (2nd floor)
Hyannisport East & West
**Please pay close attention to venue codes in the program as all three
hotels have similar or identical conference room names.**
EVENT CODES:
ARTS-Arts Administration
DTM-Design, Technologies and Management
ITJA-Institute for Theater Journalism and Advocacy
MT-Musical Theatre
NPP-National Playwriting Program
RYAN-Irene Ryan Acting Scholarship Auditions
SDC-Stage Directors and Choreographers Fellowship
PHOTO RELEASE
Registration for the Region 1 festival grants permission to KCACTF Region 1
and ACTF Management, Ltd., to use registrant’s image or likeness, if
captured or recorded at the festival, in print, website or other recorded
media. This does not apply to “productions” or other circumstances
already subject to reproduction restrictions by contract or directive.
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BUS SHUTTLE SCHEDULE
NOTE: Hotel loop END times are the approximate times
buses begin their last run. Buses will run a continuous loop
throughout the day with an approximate 30 minute span to
complete the loop.
TUESDAY, January 29: 2:30pm–Last Bus @ 11pm
WEDNESDAY, January 30: 7:30am-Last Bus @ 11pm
THURSDAY, January 31: 7:30am-Last Bus @ 11pm
FRIDAY, February 1: 8:30am-Last Bus @ 11pm
SATURDAY, February 2: 7am-Last bus @ 12:30am
CCCC Kennedy Center American College Theatre
Festival Parking Policy:
Parking at Cape Cod Community College during the day is extremely
limited. Parking lots on campus are available only for Cape Cod
Community College faculty, staff, and students. We strongly encourage
Festival participants to take the shuttle bus to the events on our campus.
If at any time attendees park in a space marked reserved or a
handicapped space without the proper permits, vehicles will be
towed at the owners expense.
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FESTIVAL 45 SPECIAL EVENTS
*sign ups required for some events*
DAILY FESTIVAL EVENTS WILL BE BROADCAST ON THE CONFERENCE
CENTER LOBBY TV AS WELL AS ON CHANNEL 13 IN GUEST ROOMS AT RCCH.
For faster access to information in this document, go to “Edit” , “Home” or “View”
Search key words through “Find”
KEYNOTE
TUESDAY, January 29
3:30pm
KEYNOTE: URINETOWN—THE PATH TO BROADWAY
Grand Ballroom I (RCCH)
COME HEAR ABOUT THE CREATION OF URINETOWN! Mark Hollman and Greg Kotis lay out their
journey of creating a Broadway musical, and Ralph Sevush of The Dramatists Guild of America leads a
Q & A session.
Mark Hollman is a musical-theater composer and lyricist who received the Tony Award, the National Broadway Theatre
Award, and the Obie Award for his score to Urinetown, the Musical, which itself won Outer Critics Circle, Drama League,
and Lucille Lortel Awards for best musical. In addition, Urinetown was selected as one of the season's best plays in The
Best Plays of 2000-2001: The Otis Guernsey/Burns Mantle Theatre Yearbook. From its successful run on Broadway,
Urinetown has gone on to hundreds of productions across the U.S. and throughout the world, including Japan, South
Korea, Germany, Australia, Canada, and the Philippines. The cast album of Urinetown is available from RCA Victor, and
vocal selections from the show have been published by Hal Leonard. His other musicals as composer/lyricist include
Yeast Nation (the triumph of life), which was part of the 2011 New York International Fringe Festival. Mark graduated
with a bachelor's degree in music from the University of Chicago, where he received the Louis J. Sudler Prize in the
Creative and Performing Arts. In 2004, he was honored by his Illinois high school, Belleville Township East, as one of the
first inductees of its Wall of Fame. He is a member of ASCAP, the Dramatists Guild of America, and serves on the
advisory board of the Dramatists Guild Fund. In 2010, he was elected to a three-year term on the Tony Nominating
Committee. He lives in Manhattan with his wife, Jillian, and their sons, Oliver and Tucker.
Greg Kotis is the author of The Boring-est Poem in the World, Yeast Nation (Book/Lyrics), The Truth About Santa, Pig
Farm, Eat the Taste, Urinetown (Book/Lyrics, for which he won an Obie Award and two Tony Awards), and Jobey and
Katherine. His work has been produced and developed in theaters across the country and around the world, including
Actors Theatre of Louisville, American Conservatory Theater, American Theater Company, Henry Miller's Theatre,
Manhattan Theatre Club, New York Stage and Film, Perseverance Theatre, Roundabout Theatre Company, Soho Rep,
South Coast Rep, and the Old Globe, among others. Greg is a member of the Neo-Futurists, the Cardiff Giant Theater
Company, ASCAP, the Dramatists Guild, and is a 2010-11 Lark Play Development Center Playwrights Workshop Fellow.
He grew up in Wellfleet, Massachusetts and now lives in Brooklyn with his wife Ayun Halliday, his daughter India, and his
son Milo.
Ralph Sevush, Esq., has been an attorney with The Dramatists Guild of America since 1997, and Executive Director
(now, Executive Director/Business Affairs) since June 2005. Earlier, he was with Cinema 5 films and New Line Cinema in
motion picture marketing, distribution, and script development. After admission to the NY State Bar (Cardozo Law, 1991),
he worked with Volunteer Lawyers for the Arts, Reiss Media Entertainment, International Media Investors and Sony
Pictures. Then, as Director of Business Affairs for Pachyderm Entertainment, he worked on the Broadway productions
BIG-the Musical, Fool Moon, God Said, "HA!" and the off-Broadway & L.A. productions of Blown Sideways Through Life.
He also produced his own Off-Off-Broadway revival of the Jones/Schmidt musical, Philemon.
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WEDNESDAY, January 30
9:45-11:30pm MUSICAL THEATRE CABARET
Emerald Room (CCRS)
MT, Ryan McKinney, Stephen Purdy and Jessica Corbin
COME PREPARED TO SING OR JUST TO ENJOY THOSE WHO CHOOSE TO PERFORM!
An informal event allowing all who are interested in signing up to share their musical talents.
SIGN UP AT CONVENTION CENTER REGISTRATION DESK!
SPECIAL WORKSHOP FROM DELL’ARTE: THURSDAY, January 31
9:30-11am
DEVISING WITHOUT COMPROMISE: MAKING THEATRE THROUGH
Bass River (RCCH)
VIOLENT DECISION MAKING AND UNCENSORED PLAY
ACTING/DIRECTING, Nicholette Routhier
This workshop is a presentation and physical exploration. The presentation will be followed by physical
play on the feet. For the workshop, please bring something that inspires you: an image, poem,
script, clothing item etc.
NICHOLETTE ROUTHIER (Workshop Presenter / Production Respondent / Ryan Preliminaries) is on the faculty at
Dell'Arte International School of Physical Theatre in Blue Lake, CA where she received her MFA in Ensemble Based
Physical Theatre in 2010. She is an actor, dancer, creator, director, choreographer, teacher, acrobat, Tai Chi enthusiast,
revolutionary, and clown (amongst other things.)
SPECIAL WORKSHOP FROM ASTEP (Artists Striving to End Poverty):
THURSDAY, January 31
2:30-4pm
DEVISING WITH ASTEP
JFK 3 (CCRS)
Mauricio Salgado
ASTEP artists live at the intersection of the Arts and Global Justice. In this workshop, we’ll be building
original pieces of Devised Theater using ASTEP’s unique process-oriented approach. Drawing from your
own personal experiences and ideas, a few inspiring prompts, and techniques for devising that an
ASTEP facilitator will guide you through, participants will create pieces around a common theme. Wear
comfortable clothing and come prepared to jump into the creative process!
FRIDAY, February 1
2:30-4pm
The Artist as Citizen- ASTEP
JFK 1 (CCRS)
ACTING, Mauricio Salgado
Do you believe in the power of Art to transform communities? This interactive workshop will focus on
how we can delve beyond our technical training to harness our collective power and begin to build a
space where everyone's stories can be heard. Together, we will explore how we can use our craft as a
means of ensuring the strength of our communities, our culture, and the future of the American theater.
Come and reclaim ownership of your own artistic fulfillment.
MAURICIO SALGADO, as the Director of Domestic Programming for Artists Striving to End Poverty, handles recruitment
and curriculum development for ASTEP’s domestic programs. Originally from Miami, Florida, Mauricio graduated with a
BFA from The Juilliard School. Recent appearances include Michael Kahn’s production of Love’s Labours Lost with the
Shakespeare Theatre Company, The Cenci at Ohio Theatre, the title role in the Kaai Theatre [Brussels] production of
Philoctetes, and the premiere of Marco Ramirez’ Mermaids, Monsters and the World Painted Purple at the Kennedy
Center. Mauricio has been invited by organizations around the world (the Dominican Republic, South Africa, Peru and
India) to teach the ASTEP methodology. In March of 2009, he was presented with the prestigious Martin E Segal Award
in recognition of his work with ASTEP. www.asteponline.org
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WEDNESDAY, January 30
9:45-11pm
FIVE YEARS FROM TODAY Devised Theatre Projects
Crystal Room (CCRS)
SUPPORT YOUR PEERS! Come see three different schools present the national devised theatre
project, FIVE YEARS FROM TODAY.
LeMoyne College,
Queensboro Community College,
Stonehill College
RESPONDENTS: Nicholette Routhier, Mauricio Salgado, and Wanda Strukus
THURSDAY, January 31
9am-12pm
NAPAT SPECIAL PLAY READING
Knight Auditorium (BHS)
"Hibakusha" by Jonathan Fitts, New York University, directed by Tony Howarth
THURSDAY, 4-5:30pm AND Friday, 12:30-2pm
ACTING FOR THE CAMERA—REQUIRES
PRIOR SIGN UP AT REGISTRATION TABLE
ACTING ON CAMERA
G-11 Tilden (CCCC)
ACTING, Jim Pettibone
While actors can't always win the role in an audition, they can and need to successfully demonstrate
their acting skills and thereby establish themselves as someone whom the auditioners want to see again
at future auditions. In this workshop we'll practice using the tools and techniques that help the actor
perform at his or her best in a cold reading on-camera audition where there is typically only a limited time
to prepare. Each actor's performance will be taped and played back. LIMIT 10. SIGN UP AT THE
CONFERENCE CENTER REGISTRATION DESK PRIOR TO THE WORKSHOP. (Offered 2 times)
THURSDAY, January 31
10:30-11:30pm SECOND SCENE SHOWCASE
Osterville (RCCH)
Come prepared to show your second Irene Ryan Scene; SIGN UP EARLY AT THE
REGISTRATION DESK TO MAKE SURE YOU HAVE AN OPPORTUNITY TO PERFORM.
DOUBLE SESSION SEEKING 12 ACTORS FOR INDIVIDUALIZED ACTING WORK! 12 of the same students for
both workshops must do pre-sign up AT THE REGISTRATION DESK and have a 5 minute scene or 2 minute
monologue completely memorized (with a partner if doing a scene).
FRIDAY, February 1: 2-4pm AND 4-5:30pm
THE WHOLE ACTOR: SPEAKING FROM YOUR HEART
Bass River (RCCH)
ACTING, Claudia Traub
Scene workshop focusing on breath, alignment, habitual response and its connection to emotional truth and text
we will look at warms ups that focus on breath, massage and yoga that focuses on alignment, cicely berry warm
up focusing on breath and its connection to text and then look at five minute scenes, that should already be
memorized or 2 minute monologues that should already be memorized for breathing, connection between voice,
text and physicality and how they relate to emotional truth, action and support of text.
48 HOUR PLAY SLAM! - PRESENTATION FRIDAY EVENING
SIGN UP AT THE RESORT AND CONFERENCE CENTER REGISTRATION DESK! Want to get involved, create new
work, and meet new people from other schools at Festival this year? Then be sure to participate in the 48 Hour Play
Slam!
The 48 Hour Play Slam creates teams of actors, directors, playwrights, designers, dramaturges, and stage managers
in a two day process that culminates in a celebration of new work. The goal of this fun and exciting exercise is to explore
the process of collaboration across our many theatrical disciplines. No preparation is necessary; there is no competition
involved –the entire process is students making plays together at the festival. Participants sign up at the festival on a first
-come first-served basis.
10-11:30pm
PLAY SLAM! FINAL PRESENTATIONS
Osterville (RCCH)
Come see the results of a week’s worth of collaborative efforts between actors, directors, playwrights,
designers, dramaturgs, and stage managers.
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SPECIAL EVENTS WITH RICHARD MALTBY, JR.
FRIDAY, February 1
7:30-9:30pm
The Richard Maltby, Jr. Award for Musical Theatre Excellence
MT
Tilden Main (CCCC)
The KCACTF Region 1 Richard Maltby Jr. Award for Musical Theatre Excellence recognizes
outstanding musical theatre performance by a student in higher education theatrical productions. One
student is nominated per entered production. Throughout the calendar year, KCACTF respondents
select nominees while attending Region 1 entered productions. Nominees attending the annual Region
1 festival will participate in a musical theatre performance event. One award recipient will be chosen
after the performance and announced at the Saturday evening award ceremony.
SATURDAY, February 2
2:30-3:45pm
A Conversation with Broadway Director & Writer, Richard Maltby, Jr.
MT, Richard Maltby, Jr. & Larry Nye
Hyannisport West (RCCH)
Richard Maltby’s extraordinary career has involved directing and writing for Broadway, Off-Broadway
and Regional Stages. He is the director and conceiver of two Tony Award winning musicals – Ain’t
Misbehavin’ and Fosse, as well as Ring of Fire: The Johnny Cash Musical. Among his numerous
theatre credits, he has also directed the Broadway productions of Baby and The Story of My Life, as
well as the Off-Broadway productions of Closer Than Ever and Starting Here, Starting Now. Also an
award winning writer, he is the lyricist of such musicals as Baby, Big, Closer Than Ever, Starting Here,
Starting Now and Take Flight (all of which he created with composer David Shire), as well as the colyricist of Miss Saigon and co-librettist/lyricist of The Pirate Queen (both of which he created with
Claude-Michel Schonberg and Alain Boublil). Mr. Maltby’s brilliant career as provided the theatre world
with landmark musicals that will be explored and revived for centuries to come. Please join us for a
casual conversation with Mr. Maltby to discuss his career in the American Theatre.
3:45-5pm
AUDITION TECHNIQUE & MT PERFORMANCE: RICHARD MALTBY, JR.
MT, Richard Maltby, Jr. & Jessica Corbin
Hyannisport West (RCCH)
Come perform your musical theatre repertoire and receive feedback and coaching from one of
Broadway’s leading directors and writers. Mr. Maltby will give an overview of what he looks for when
auditioning actors for his productions, followed by working sessions with students. Please bring sheet
music in the appropriate key with any cuts clearly marked.
RICHARD MALTBY, JR.(Festival Special Guest & Honoree/Musical Theatre VIP) BROADWAY: Conceived and
directed two Tony Award winning musicals: Ain't Misbehavin' (1978: Tony, NY Drama Critics, Outer Critics, Drama Desk
Awards -- also Tony Award for Best Director.) Fosse (1999, Tony, Outer Critics, Drama Desk Awards); as well as RING
OF FIRE, The Johnny Cash Musical Show (2006). With composer David Shire: director/lyricist: Baby (1983, book by
Sybille Pearson, seven Tony Award nominations); lyricist: Big (1996, book by John Weidman, Tony nomination: Best
score);lyricist/conceiver, TAKE FLIGHT (2010, book by John Weidman), with Alan Boublil and Claude-Michel
Schonberg, co-Lyricist: Miss Saigon (Evening Standard Award, 1990: Tony Nomination, Best Score 1991); cobookwriter/lyricist, THE PIRATE QUEEN (2007). Director, The Story of My Life (2009). Director co-lyricist: American
version of Andrew Lloyd Webber's Song and Dance (1986 Tony award for star, Bernadette Peters.) OFF BROADWAY:
director/lyricist Starting Here, Starting Now, (1977, Grammy nomination) and Closer Than Ever (1989, two Outer Critics
Circle Awards: Best Musical, Best Score),, both written and composed by David Shire. REGIONAL: director, MASK
(2008, Pasadena Playhouse); director, THE 60's PROJECT (2006, Goodspeed). FILM: Screenplay, MISS POTTER
(2007) about Beatrix Potter, starring Rene Zellweger and Ewan McGregor (Christopher Award, best screenplay).
15
RESPONDENT TRAINING WORKSHOP SERIES
Does your school enter productions as Associate or Participating productions? Are you a
professional in the region who wants to offer expertise to theatre departments? Are you willing to
serve Region 1 as a production respondent? Festival week affords time to learn responding
techniques through discussion as well as practical application. Workshop attendees will watch
all festival productions and then meet to practice responses and gain valuable feedback.
Attendees should plan to attend all sessions:
Wednesday, 9:30-11am, Hospitality Suite (RCCH)
Thursday, 9:30-11am, Hospitality Suite (RCCH)
Thursday, 4-5:30pm, Hospitality Suite (RCCH)
Friday, 10am-12pm, Barnstable II (RCCH)
email Wil Kilroy for details prior to festival dates:
[email protected]
SATURDAY, February 2
12-3pm
COLLEGE AND JOB FAIR
Hyannisport West, Cape Cod & Hyannisport East-Overflow (RCCH)
Looking for a four year college or job? Visit the College and Job Fair. Bring resumes if you have
them. Inquire about four year colleges as well as summer internships at Boston Commonwealth
Shakespeare Company, Saint Michael's Playhouse (AEA), Cape Cod Theatre Project, and others.
INTERNSHIP AUDITIONS FOR Commonwealth Shakespeare Company
Commonwealth Shakespeare Company will be holding auditions for their Summer Apprentice
Program at the 2013 Region 1 KCACTF festival. Located in Boston, MA, CSC is now entering its
18th season of producing Shakespeare on the Common, presenting top notch professional
Shakespeare productions to 100,000 Boston audience members free of charge each summer. The
Apprentice Program is an eight week acting intensive for the young professional including classes in
voice, acting and movement and culminating in a public final performance project. In addition,
Students are assigned a role in CSC's mainstage production on the Common through which they
are given the opportunity to enroll in Actors' Equity EMC program and earn credit towards Equity
membership.
Audition Requirements: Please bring two copies of your headshot/resume and prepare two
monologues, one contemporary and one from Shakespeare, not to exceed 4 minutes in total. For
questions regarding the Apprentice Program or to schedule an audition appointment, please contact
Apprentice Program Coordinator, Adam Sanders at [email protected], or visit CSC's
website at http://www.commshakes.org/learn/Apprentice-Program. For applicants that wish to hold
their audition at KCACTF, the letter of recommendation and the personal essay may be submitted
separately at a later date. CSC will also waive the program's application fee for any student who
applies and auditions at the festival. CSC will also award two half-tuition scholarships for Excellence
in Shakespearean Performance to students who audition at the festival. Representatives from
CSC will be onsite at the festival Wednesday, January 30th to answer questions, schedule
auditions and distribute applications. Applications will also be available during auditions
on Saturday, February 2nd from 12-3pm by the College and Job Fair.
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INVITED PERFORMANCE SCHEDULES
7pm, Tuesday
HAMLET, THE HIP HOPERA
Tufts University
Bass River (RCCH)
Trading fours and Shakespearean verse in equal measure, Hamlet, The Hip-Hopera puts a modern, still-reverent remix on the
Bard's classic.
1pm, Wednesday
A-MIRROR-CA
Rhode Island College
Main Theatre (BHS)
It will offer dance and theatre detailing the effects of the media on our lifestyles, body image and daily communication
and explores the question: How much of what you believe is shaped by the media?
7:30pm, Wednesday ERIN GO BRAGHLESS
Boston University
Tilden Main (CCCC)
John Shea’s new play tells the story of a raucous St. Patrick’s Day weekend which forever changes the lives of several
Somerville families.
1pm, Thursday
THE RECEPTIONIST
Community College of Rhode Island Tilden Studio (CCCC)
A deceptively complex work, “The Receptionist” is a dark comedy that raises disquieting, provocative questions about the
consequences of complicity with evil.
1pm, Friday
THE RECEPTIONIST
Community College of Rhode Island Tilden Studio (CCCC)
A deceptively complex work, “The Receptionist” is a dark comedy that raises disquieting, provocative questions about the
consequences of complicity with evil.
8pm, Thursday
THE FOREIGNER
Suffolk County Community College
Tilden Main (CCCC)
The play demonstrates what can happen when a group of devious characters must deal with a stranger who knows no English.
2:30pm, Saturday
MYSTERY RADIO THEATER
Emmanuel College
Bass River (RCCH)
Take a trip back to the 1930’s for Mystery Radio Theater’s “The Lost World”, based on a story by Sir Arthur Conan Doyle.
Experience the addition of genuine Foley sound effects to create the true radio show feel.
2013 INVITED PRODUCTION
1000 Planes on a Roof, Bates College
2013 ALTERNATE PRODUCTION
Moving Pictures, Stonehill College
FESTIVAL PRODUCTIONS
The Foreigner, by Larry Shue
Directed by Steven Lantz-Gefroh
Suffolk County Community College
Hamlet, The Hip-Hopera,
Tucker Delaney-Winn
Directed by John-Michael Sequeira
Tufts University
A-Mirror-Ca by Bill Wilson, Angelica Vessella, &
Jimmy Calitri
"Directed by Bill Wilson & Angelica Vessella
Rhode Island College
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Erin Go Braghless, by John Shea
Directed by Hondo Weiss-Richmond
Boston University
The Receptionist, by Adam Bock
Directed by Luke J. Sutherland
Community College of Rhode Island
Mystery Radio Theater Presents: The Lost World
Adapted by John de Lancie and Nat Segaloff from a
story by Sir Arthur Conan Doyle
"Mystery Radio Theater" created by Scott Gagnon
"Mystery Radio Theater" music by Scott Gagnon and
Tim Evans Directed by Scott Gagnon
Emmanuel College
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DTM Design Expo
For the past few years the Design, Technologies and Management
exhibit has been growing with the addition of new colleges and new
initiatives – such as poster graphic designs, dramaturgical displays
and allied crafts. We have gone from 75 entries to over 130! It is
magical to watch the students learn from each other and challenge
our imagination with their innovative 21st century approaches. Their
passion, research, process, design and technology solutions are
evidence of an exciting future in the theater arts. Please join us to
view the amazing talent of the young designers and technicians in our
region.
The exhibit is open at all times —even during responses.
Grand Ballroom I (RCCH)
NPP REHEARSAL SPACES
Assigned rooms as listed each day; contact Brandt Reiter, NPP Chair with any questions.
PLAY SLAM REHEARSAL SPACES
Peter Sampieri, SDC Vice Chair will make assignments for rehearsal space. Rooms that will be used:
RCCH: Bass River, Cape Cod, Hyannisport East
CCRS: JFK 1, JFK 2, JFK 3
HICC: Hyannisport 1, Hyannisport 2, Barnstable
SDC REHEARSAL SPACES
Adam Zahler, Directing Chair will make assignments for rehearsal space.
Rooms that are being used:
Hyannisport 1, Hyannisport 2, Barnstable Room, Hyannis Room (HICC)
POSTER DESIGNS
~ALL STUDENT POSTERS MAY BE LEFT AT
KCACTF REGISTRATION DESK FOR SUSAN SANDERS~
19
ATHE/KCACTF PRIZE FOR INNOVATIVE TEACHING
ATHE (Association for Theatre in Higher Education) and KCACTF have partnered
to create the ATHE/KCACTF Prize for Innovative Teaching. This prize will be
awarded by an ATHE representative at each KCACTF region festival to a faculty
member who demonstrates innovation in regard to student success in the area
of theatre arts.
2013 ATHE / KCACTF PRIZE FOR
INNOVATIVE TEACHING REGION 1 AWARD
RECIPIENT:
BETHANY NELSON
Director, Undergraduate Theatre Education
Emerson College
CONGRATULATIONS!
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TUESDAY, January 29 2013
12-7pm
FESTIVAL CHECK-IN
Convention Center Lobby (RCCH)
3:30pm
KEYNOTE: URINETOWN—THE PATH TO BROADWAY
Grand Ballroom I (RCCH)
COME HEAR ABOUT THE CREATION OF URINETOWN! Mark Hollman and Greg Kotis lay out their
journey of creating a Broadway musical, and Ralph Sevush of The Dramatists Guild of America leads a
Q & A session.
TECH INTERN MEETING
Barnstable II (RCCH)
5:30-6:30pm
NPP MEETING WITH URINETOWN CREATORS
5-7pm
MT Richard Maltby, Jr. Award for Musical Theatre Excellence
ORIENTATION & REHEARSAL
5:30-6:30pm
SDC STAFF MEETING
Centerville (RCCH)
7-8:30pm
HAMLET, HIP HOPERA Invited Production
Bass River (RCCH)
8:30-9:30pm
HAMLET, THE HIP-HOPERA Response
Bass River (RCCH)
8:30-9:30pm
FACULTY RESPONDENT THANK YOU RECEPTION
35 Lounge-Outside Bogey’s (RCCH)
Have you been a respondent this year or are interested in becoming a respondent? Please join us for
this get together where we will touch base with everyone on the current expectations for respondents.
9-10pm
MT MEETING WITH URINETOWN CREATORS
9-10pm
NPP ORIENTATION MEETING
9-10pm
RYAN Selector / Responder ORIENTATION MEETING
10-11pm
RYAN NOMINEE / PARTNER PRELIMINARY MEETING
Cape Cod (RCCH)
Hyannisport West (RCCH)
TUESDAY
5-7pm
Hyannisport East (RCCH)
Barnstable II (RCCH)
Cape Cod (RCCH)
Grand Ballroom I (RCCH)
WEDNESDAY, January 30 2013
8am-6pm
FESTIVAL CHECK-IN
Convention Center Lobby (RCCH)
7:45am-2pm
RYAN CALL HOLDING ROOMS
8am-2pm
RYAN PRELIMINARIES
Hyannisport West, Osterville B, Centerville (RCCH)
Hyannisport East, Osterville A, Orleans (RCCH)
Round 1, 8-9:15am
Round 2, 9:30-10:45am
Round 3, 11am-12:15pm
Round 4, 12:30-2pm
ROUND 4 FEEDBACK GIVEN 2pm
Hyannisport East Performers go to Cape Cod for feedback
Orleans Performers go to Bass River for feedback
Osterville A go to Barnstable I for feedback
8am-1pm
NPP AUDITIONS
Barnstable II (RCCH)
9:30-11am
RESPONDENT TRAINING WORKSHOP SERIES #1
Hospitality Suite-Room 104 (RCCH)
FACULTY, Wil Kilroy
First of four workshops. Does your school enter productions as Associate or Participating
productions? Are you a professional in the region who wants to offer expertise to theatre departments?
Are you willing to serve Region 1 as a production respondent? Festival week affords time to learn
responding techniques through discussion as well as practical application. Workshop attendees will
watch all festival productions and then meet to practice responses and gain valuable feedback.
Attendees should plan to attend all sessions.
9:30-11am
SCHTICK AND BITS AND GAGS
JFK 1 (CCRS)
ACTING/COMBAT, Normand Beauregard
A study of physical visual humor. Actors learn the building blocks of physical comic routines.
WEDNESDAY
9:15am-4pm RYAN FEEDBACK SESSIONS
Cape Cod, Bass River, Barnstable I (RCCH)
FEEDBACK SESSIONS ARE HELD DURING THE NEXT ROUND’S TIME SLOT IN ROOMS INDICATED
9:30-11am
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I’LL GO GET PHIL, THE NARRATIVE POWER OF SOUND
JFK 3 (CCRS)
DTM, James McNamara
There will be a brief discussion about the narrative power of sound. Participants will then be broken into
groups in order to create a short radio play. Participants are encouraged to bring computers,
instruments, random noise makers or any recording equipment they may have. A small amount of
equipment will be provided.
9:30-10:30am EDUCATOR AND AEA MEMBER ROUNDTABLE
Hyannisport 2 (HICC)
AEA, Tom Miller
Share your experiences and insights of being both educator and artist; discuss the challenges of
preparing students for a career in theatre.
10-11am
DTM TEAM MEETING
Grand Ballroom I (RCCH)
11am-5pm
DTM EXPO PRE-REGISTRATION
Grand Ballroom I (RCCH)
11am-5pm
DTM STAGE MANAGEMENT EXHIBIT SET UP
Grand Ballroom I (RCCH)
12-6pm
NPP NAPAT REHEARSAL
12:30-2pm
ANARCHISM, PACIFISM AND ARTAUD:
COLLECTIVE CREATION AND SOCIAL JUSTICE (PART ONE)
Barnstable III (RCCH)
ACTING/DIRECTING, Jerry Goralnick
This three day workshop examines the sixty year history of The Living Theatre. Often infuriating,
occasionally imprisoned and always original, The Living Theatre continues to astound audiences.
Participants in the workshop will experience exercises used for creating staging and text derived from
Meyerhold’s Bio Mechanics, Piscator’s Epic Theater and Artaud’s Theatre of Cruelty as well as wholly
original forms created by the company through its decades of research. Be prepared to move and
sing as we examine the role of the theater artist in society. It is recommended that all sessions
are attended, but if you can only make one or two, you are also welcome.
Crystal Room (CCRS)
12:30-2pm
AN ACTOR’S CAREER: THE ROLE OF THE THEATRICAL UNIONS
Hyannisport 2 (HICC)
ACTING, Tom Miller/Bill Mootos/Dona Sommers
As a career actor, you will undoubtedly become a member of Actors’ Equity Association (AEA), and
Screen Actors Guild-American Federation of Television and Radio Artists (SAG-AFTRA). This Q & A
driven discussion explains how and when to join and outlines contractual terms & benefits. The
workshop will provide career tips & insights and is designed to ease the transition from an academic
environment to a professional career.
12:30-2pm
IMPROV GAMES
JFK 1 (CCRS)
ACTING, Mike Devine
This workshop will focus on short form improv games and techniques that can be utilized not only in
improv but in other aspects of life. Studying improv can help the participant to think faster, build
confidence, improve public speaking and relieve some of life's stresses all in a fun and supportive
environment.
1-2pm
NPP CASTING
1-3:30pm
A-MIRROR-CA Invited Production
2-3pm
RYAN SELECTOR DELIBERATIONS
2-4pm
SDC FIRST ROUND
Knight Auditorium (BHS)
2-10:30pm
DTM EXPO REGISTRATION & SET
Grand Ballroom I (RCCH)
3pm
NPP CASTING ANNOUNCEMENT (also on Facebook)
2:30-4pm
THE CRAFT OF THE SCENIC MODEL
Barnstable II (RCCH)
DTM, Jessie Dreikosen
"You Can't Take It With You". But wait you can! In this workshop you will learn how to make quick white
models that you can take home with you.
2:30-3:30pm
THE DRAMATURG IN REHEARSAL: NOW WHAT DO I DO HERE?
Barnstable III (RCCH)
DRAMATURGY, Theresa Lang
This workshop will be a discussion of the role of the production dramaturg in rehearsal.
Barnstable II (RCCH)
Main Theatre (BHS)
Mulligans’ (RCCH)
Convention Center Callboard (RCCH)
WEDNESDAY
12:30-1:30pm THUMBNAIL MODELS FOR SCENIC DESIGN DEVELOPMENT
JFK 3 (CCRS)
DTM, Luke J. Sutherland
Why develop your 3-D design with a 2-D thumbnail sketch? Do not have your design lost in the
translation. Explore a fast, easy and low cost method of sculpting a "thumbnail" model made of paper
and other materials to develop the plastic space of your scenic design. Materials will be provided.
22
MUSICAL THEATRE SONG STUDY
Hyannisport (RCCH)
MT, Ryan McKinney & Jessica Corbin
This workshop will explore general principles of musical theatre acting and vocal techniques,
emphasizing a synthesis of informed acting choices, a healthy, supported vocal instrument and an
engaged physical core. The workshop will discuss these ideas theoretically and then explore them when
applied to student performance work. Students attending should bring their repertoire books or any
piece of musical theatre material to perform.
2:30-4pm
CARPENTRY AT CIRQUE DU SOLEIL'S KA
Centerville (RCCH)
DTM, Chris Velvin
This workshop will explore the creative outlets and challenges of being an operations carpenter on a
Cirque du Soleil production in Las Vegas. We will discuss how a show is delivered by the Creation
Team in Montreal and how the Operations Team then develops ways to ensure that show runs safely
and efficiently for the next 15 or 20 years.
3-4pm
VIEWPOINTS—THE BASICS!
Orleans (RCCH)
ACTING/DIRECTING, Thomas Rothaker
This is a 60 minute workshop that is movement based, beginning training for a studying actor or director.
Students must be prepared to move and to come in with focus and a positive open energy. The basis for
the workshop is to combine many if not all of the viewpoints (such as levels, tempo, architecture, change
of direction) and create a 5 step composition based on a line or lines of text. Devised theatre from
various sources such as published text to ethnodramatic interview text will be discussed and put into
effect. The text will be provided and will be chosen from an array of famous pieces of Dramatic
literature. The result or "showing" of the students work will end up being a "riff off". Students will present
their compositions created out of the text against each other. This focus will be the gist of the devising
process and how things are used or discarded in order to create a cohesive piece of theatre.
2:30-4pm
MASTER YOUR STAGE FRIGHT
Osterville (RCCH)
ACTING, Pamela Wills
Are you paralyzed by fear that keeps you from speaking or performing in front of an audience? Stage
fright, also known as performance anxiety afflicts millions. In fact, public speaking is the Number One
fear of most Americans. If you've ever wondered how to break through those fears and take your rightful
place on stage, don’t miss this workshop hosted by Certified Confidence Coach, Pamela Wills. Learn
how to stop focusing on your Self and your anxiety and focus on your presentation or performance
instead. Learn how to accept and use your fear instead of resisting and fighting it. Reach your ultimate
performance goals! Bring a notepad, an open mind and the expectation that you WILL master this fear!
2:30-4pm
MAKING CONTACT: PARTNERING FOR DEVISED THEATER
JFK 1 (CCRS)
ACTING/MOVEMENT, Wanda Strukus
This is a movement/acting workshop. Using principles taken from contact improvisation, Viewpoints
training, and Grotowski work, we will approach Devised Theater as a partnering exercise, with a
particular focus on what it means to partner with elements of the environment, including architecture, set,
prop, found object, text, light, sound. Students will devise small “duets” or scenes by partnering with
material provided. Students are also encouraged to bring in any material they are currently working with
and wish to explore. This workshop is appropriate for actors, directors, choreographers, dancers,
writers, designers, dramaturgs – anyone who is engaged in collaboratively devising new work. Please
wear clothes you can move in.
2:30-4pm
MASTER MEISNER WORKSHOP
JFK 3 (CCRS)
ACTING, Professor Brianne Beatrice
Combination of discussion and exercises that help explore the basic concepts of the Meisner approach
to Acting with a focus on creating and living in imaginary circumstances. Learn to work more
independently, improve rehearsal and research skills and strengthen vocal and movement skills.
4-5:30pm
FIRE UP – READY TO GO:
Centerville (RCCH)
BOOTS ON THE GROUND
IMPROVING YOUR SURVIVAL SKILLS FOR THEATRE
DTM, Jane Childs
ROCKET UP IMPROVING YOUR SKILL BANK. We are the sum of our experiences. If you hadn’t done
what you did you wouldn’t be where you are today. What you are looking for are options to expand your
skill bank which really just means expanding your life experiences. Adopt the skill of daring to believe
you can do what is presented to you. Learn the skill of seeing the world around you. Open your
imagination to note life around you – don’t just pass though it! The object is to bring your experience
into your art – light boards and sound track are only tools for the trade – to be learned by anyone – your
experience is the igniter of your art. Buckle up and blast off!
4-6pm
Richard Maltby, Jr. Award for Musical Theatre Excellence
Nominee Vocal Coaching w/ Jessica Corbin
Barnstable I (RCCH)
WEDNESDAY
2:30-4pm
23
4-6pm
ITJA Meeting #1
4-6pm
SDC RESPONSES
4:30-6:30pm
NPP REHEARSAL
Rooms at Hotel Venues as assigned
RCCH: W4m (Barnstable II)
CCRS: Ratings Worthy (JFK 1), Lighthouse (JFK 2), Food Play (JFK 3),
The Walpole Defender (Nauset), Programming for Language (VJ’s)
HICC: Surviving the Eye (Hyannisport 1), Absolution (Hyannisport 2),
Do Not Disturb (Barnstable Room), Rain Fell Up (Hyannis Room)
5–7pm
Richard Maltby, Jr. Award for Musical Theatre Excellence
All Nominee Rehearsal
7-9pm
NPP PLAYWRIGHTS’ DINNER
Sponsored by KNOW Theatre, Binghamton, NY
7:30-9pm
ERIN GO BRAGHLESS Invited Production
Cape Cod (RCCH)
Hyannisport West (RCCH)
Hospitality Suite-Room 104 (RCCH)
Tilden Main (CCCC)
st
PLAY SLAM! 1 MEETING
Tilden Studio (CCCC)
SIGN UP AT THE SHERATON REGISTRATION TABLE—FIRST COME, FIRST SERVED!
9-11pm
NPP REHEARSAL
Rooms at Hotel Venues as assigned
RCCH: W4m (Barnstable II)
CCRS: Ratings Worthy (JFK 1), Lighthouse (JFK 2), Food Play (JFK 3),
The Walpole Defender (Nauset), Programming for Language (VJ’s)
HICC: Surviving the Eye (Hyannisport 1), Absolution (Hyannisport 2),
Do Not Disturb (Barnstable Room), Rain Fell Up (Hyannis Room)
9:30-11:30pm MUSICAL THEATRE CABARET
Emerald Room (CCRS)
MT, Ryan McKinney, Stephen Purdy and Jessica Corbin
COME PREPARED TO SING OR JUST TO ENJOY THOSE WHO CHOOSE TO PERFORM!
An informal event allowing all who are interested in signing up to share their musical talents.
SIGN UP AT CONVENTION CENTER REGISTRATION DESK!
9:45-11pm
WEDNESDAY
9-10pm
Barnstable III (RCCH)
FIVE YEARS FROM TODAY Devised Theatre Projects
Crystal Room (CCRS)
SUPPORT YOUR PEERS! Come see three different schools present the national devised theatre
project, FIVE YEARS FROM TODAY.
11:30pm-12:30am PLAY SLAM! PLANNING
RCCH: Bass River, Cape Cod, Hyannisport East
CCRS: JFK 1, JFK 2, JFK 3
HICC: Hyannisport 1, Hyannisport 2, Barnstable
Rooms at Hotel Venues as assigned
10:30pm-1am HOSPITALITY SUITE: FACULTY AND GUESTS
Room 104 (RCCH)
THURSDAY, January 31 2013
8:30-10am
USITT BREAKFAST RECEPTION
Grand Ballroom I (RCCH)
OPEN TO THE PUBLIC! Come check out the student design displays and support your peers.
9am-6pm
FESTIVAL CHECK-IN
8:30-9:15am
A-MIRROR-CA PRODUCTION RESPONSE
9:30-10:15am ERIN GO BRAGHLESS PRODUCTION RESPONSE
Convention Center Lobby (RCCH)
Barnstable II (RCCH)
Barnstable II (RCCH)
RYAN ROUND A REHEARSAL
9am-3:15pm
RYAN HOLDING ROOM
9am-12pm
NPP NAPAT Award Nominee Reading and Response
Knight Auditorium (BHS)
“Hibakusha” by Jonathan Fitts, New York University, directed by Tony Howarth
9:15-9:45am
RYAN SELECTOR ORIENTATION
10am-12pm
RYAN ROUND A SEMI-FINALS
10am-12:30pm DTM RESPONSES ROUND 1
Osterville (RCCH)
Centerville (RCCH)
Centerville (RCCH)
Osterville (RCCH)
Grand Ballroom I (RCCH)
12-1pm
RYAN ROUND B REHEARSAL
Osterville (RCCH)
1:15-3:15pm
RYAN ROUND B SEMI-FINALS
Osterville (RCCH)
THURSDAY
8:45-9:45am
24
RESPONDENT TRAINING WORKSHOP SERIES #2
Hospitality Suite-Room 104 (RCCH)
FACULTY, Wil Kilroy
Second of four workshops. Does your school enter productions as Associate or Participating
productions? Are you a professional in the region who wants to offer expertise to theatre departments?
Are you willing to serve Region 1 as a production respondent? Festival week affords time to learn
responding techniques through discussion as well as practical application. Workshop attendees will
watch all festival productions and then meet to practice responses and gain valuable feedback.
Attendees should plan to attend all sessions.
9:30-11am
"CHICAGO - THE MUSICAL" AUDITION WORKSHOP
Bass River (RCCH)
MT, Debra McWaters
This workshop will be based on an audition for "Chicago" which will replicate the auditions conducted by
Debra McWaters when she was actively working with the revival company as Assistant Choreographer.
The actual audition dance routine will be taught but at the end, each participant will receive helpful
feedback pertaining to his or her performance during that particular mock audition. If "auditioning," you
are encouraged to wear your "best black" rehearsal wear, which can include dancewear or the most
attractive dark clothing that is conducive for doing dance moves.
9:30-11am
FOLLOWING SHAKESPEARE’S MAP
Cape Cod (RCCH)
ACTING, Suzanne Delle
Students will get on their feet and learn techniques to act Shakespeare. With little to no rehearsal time in
Elizabethan theatre, Shakespeare left clues in his scripts for his actors -- follow these clues and
characterization comes easily.
9:30-11am
PLANNING A THEATRICAL SEASON
Hyannisport (RCCH)
ARTS/DRAMATURGY, Anne G. Morgan
This workshop will introduce prospective producers, artistic directors, and literary managers to season
planning. Participants will be given hypothetical theater companies for which to select plays. How many
plays can we put on? Who is our audience? What is our mission?
9:30-11am
PREPARING FOR TENURE , PROMOTION & POST-TENURE REVIEWS
Orleans (RCCH)
FACULTY ONLY, Kelly Morgan
This workshop to assist any faculty member in the tenure, promotion or post-tenure review process.
Unique and valuable insights will be shared with regard to documentation in all forms for review by
college / university committees. Particular emphasis on materials to inform non-artistic committee
reviewers.
9:30-10:30am LAYERS OF LIGHT
Grand Ballroom II (RCCH)
DTM, Tom Littrell
Layers of Light is a presentation of LED technology specifically as a tool for stage lighting. It contrasts
the color-rendering capabilities of LEDs with traditional tungsten-halogen sources for skin tones,
costumes, and scenic elements. Common LED additive color mixing methods are presented: Red,
Green, Blue; Red, Green, Blue, Amber; and these are contrasted to more complete spectral methods
achieved by adding Orange, Cyan and Indigo LEDs to the mix. Phosphor-based white-light LEDs are
demonstrated. Dimming and other control nuances specifically relating to stage lighting are discussed
as well.
9:30-11am
KILLING ME SAFELY
JFK 1 (CCRS)
ACTING/STAGE COMBAT, Normand Beauregard
Killing Me Safely explores the fine art of playing an excellent victim. All great fight scenes require great
performances from the actor playing the victim. They complete the successful illusion of violence. More
often than not it is the biggest failing of potentially great fight scenes.
9:30-11am
AUDITION WORKSHOP
JFK 3 (CCRS)
ACTING, Eric Engel
We will observe, critique, and modify auditions pieces in preparation for professional auditions.
Participants must have one 2-4 minute monologue prepared (off-book).
9:30-11am
DEVISING WITHOUT COMPROMISE: MAKING THEATRE THROUGH
Hyannisport 1 (HICC)
VIOLENT DECISION MAKING AND UNCENSORED PLAY
ACTING/DIRECTING, Nicholette Routhier
This workshop is a presentation and physical exploration. The presentation will be followed by physical
play on the feet. For the workshop, please bring something that inspires you: an image, poem,
script, clothing item etc.
THURSDAY
9:30-11am
25
10am-12pm
Richard Maltby, Jr. Award for Musical Theatre Excellence Nominee Vocal Coaching
Stephen Purdy
Barnstable I (RCCH)
10am-12pm
ITJA Meeting #2
12:30-2pm
SCRIPT READING: HOW AND WHY NEW PLAYS GET CHOSEN
Barnstable II (RCCH)
DRAMATURGY, Daniel Burson
What happens to a play after the playwright submits it to a theater? This workshop will look to demystify
the script-reading and selection process a typical script goes through, as well as engaging participants in
a discussion of what script-readers look for from the perspectives of directors, dramaturgs, and writers.
We’ll also read short sample scripts and discuss their pros and cons in an open, practical conversation
about evaluation techniques and what makes a script stand-out from the pile.
12:30-2pm
"FROM THE EDGE" FROM THE BROADWAY SHOW, FOSSE
Bass River (RCCH)
MT, Debra McWaters
This athletic number is a deviation from what would typically be thought of as a "Fosse" piece. The
dance is based on boxing and friendly competition and is done entirely to drums. Those taking the
workshop are encouraged to wear very comfortable clothing and jazz or regular sneakers. An excellent
workshop for dancers of all levels.
12:30-2pm
DE-MYSTIFYING THE TEN MINUTE PLAY
Orleans (RCCH)
NPP, Gary Garrison
Writing the ten-minute play is no longer a flight of artistic fancy; it’s almost become a necessity for any
playwright in this country seeking production. Gary Garrison, author of the seminal books on ten-minute
plays, Perfect Ten: Writing and Producing The Ten Minute Play, and, A More Perfect Ten, will offer a lab
in writing and structuring the ten-minute play.
12:30-2pm
IMPROV GAMES
JFK 3 (CCRS)
ACTING, Mike Devine
This workshop will focus on short form improv games and techniques that can be utilized not only in
improv but in other aspects of life. Studying improv can help the participant to think faster, build
confidence, improve public speaking and relieve some of life's stresses all in a fun and supportive
environment.
12:30-2pm
INTRO TO MOVING LIGHTS ON THE EOS FAMILY CONTROL CONSOLES PART 1 Grand II(RCCH)
DTM, Paul DeRocher, Rui Alves and Ed Hyatt
This class is an introduction for moving light programming on the ETC Eos family consoles. Participants
do not need to have used moving lights before. They will work on a board and follow along with
the instructors on how to use moving lights, and make several Moving Light cues.
1-2:15pm
THE RECEPTIONIST Invited Production
Tilden Studio (CCCC)
Please stay for a 20 minute talkback led by Linda Sutherland immediately following today's
performance of THE RECEPTIONIST
1-3pm
SDC INTERVIEWS
1:30-3:30pm
Richard Maltby, Jr. Award for Musical Theatre Excellence
Nominee Vocal Coaching w/ Stephen Purdy
2:30-4pm
MINING CHARACTER SUBTEXT
NPP, Christine Toy Johnson
Barnstable III (RCCH)
Barnstable I (RCCH)
Orleans (RCCH)
A hands-on workshop with exercises meant to explore and reveal the subtext of your main and supporting
characters. Bring pen and paper, and, if you've got one, 3 copies of a 2 page, 2-character scene to be read out loud.
Exercises will include:
1. Exploring a process of “interviewing” your characters
2. Answering 7 basic questions about each character that will reveal deeper character arcs and story structure
3. Casting a scene in reverse gender to see what can be discovered
THURSDAY
Barnstable III (RCCH)
2:30-4pm
26
MUSIC THEATRE JAZZ
Bass River (RCCH)
Angelica Vessella
Angelica Vessella will be teaching a musical theatre/jazz workshop that will help the young musical
theatre performer prepare for auditions and stage work as seen in vernacular productions. A high energy
class including strength and flexibility exercises, progressions, isolations and an upbeat combination to
finish the class. Prepare to sweat! Students should wear dance attire and jazz or character shoes
are preferred.
COMMUNICATION TOOLS FOR STAGE MANAGERS
Cape Cod (RCCH)
DTM, Tina Shackleford
A discussion of the basic ways stage managers facilitate productions: written, verbal, and when each
one is useful. Brainstorming, role-playing and examples in many production situations will be included.
Bring your own concerns, questions (and answers!)
3-4:30pm
DIRECTING AND CHOREOGRAPHING FOR THE MUSICAL STAGE
Hyannisport (RCCH)
MT/SDC, Russell Garrett, Tony Humrichouser and Larry Nye
This workshop will provide insights into the challenges and unique factors that the director must consider
when directing &/or choreographing for musical theatre productions. Veteran directors will discuss their
process, their directing aesthetics and answer questions from students who are interested in learning
more about the process of directing for the musical theatre.
2:30-4pm
WHAT ARE THEY LOOKING FOR?
Barnstable I (RCCH)
ROUNDTABLE DISCUSSION ON SUBMITTING NEW WORK
NPP/DRAMATURY, Anne G. Morgan
From deciding when a play is ready to be sent to theatres to locating the right home for your work to
presenting your play in the most professional way possible, this workshop aims to equip playwrights with
some best practices for submitting their plays. Participants will also be given an inside look at what
happens to their play after it is submitted - who is reading the play and how decisions are reached.
2:30-3:30pm
LAYERS OF LIGHT
Grand Ballroom II (RCCH)
DTM, Tom Littrell
Layers of Light is a presentation of LED technology specifically as a tool for stage lighting. It contrasts
the color-rendering capabilities of LEDs with traditional tungsten-halogen sources for skin tones,
costumes, and scenic elements. Common LED additive color mixing methods are presented: Red,
Green, Blue; Red, Green, Blue, Amber; and these are contrasted to more complete spectral methods
achieved by adding Orange, Cyan and Indigo LEDs to the mix. Phosphor-based white-light LEDs are
demonstrated. Dimming and other control nuances specifically relating to stage lighting are discussed
as well.
2:30-4pm
CONTACT IMPROVISATION
JFK 1 (CCRS)
MOVEMENT/ACTING, Wanda Strukus
This is a movement workshop. Contact Improvisation is a movement practice in which the point of
physical contact between two or more people is the starting place for improvisation and exploration. It is
appropriate for actors, directors, dancers, and choreographers. In this intense form of partnerwork,
we focus on feeling and acting on the impulse, saying yes to whatever is happening (expected or not),
finding and trusting spontaneity, trusting your partner, connecting with your partner, working with breath
and momentum, working with stillness and tempo, working with different kinds of spatial relationships
and physical relationships. It is unpredictable, fun, and exhilarating! Please wear clothes you can
move in, and expect to work in bare feet or socks.
2:30-4pm
DEVISING WITH ASTEP
JFK 3 (CCRS)
Mauricio Salgado
ASTEP artists live at the intersection of the Arts and Global Justice. In this workshop, we’ll be building
original pieces of Devised Theater using ASTEP’s unique process-oriented approach. Drawing from your
own personal experiences and ideas, a few inspiring prompts, and techniques for devising that an
ASTEP facilitator will guide you through, participants will create pieces around a common theme. Wear
comfortable clothing and come prepared to jump into the creative process!
2-5:30pm
DTM RESPONSES CONT’D
3:30-4:30pm
RYAN SELECTOR DELIBERATIONS
4-6:30pm
Richard Maltby, Jr. Award for Musical Theatre Excellence
Nominee Vocal Coaching w/ Jessica Corbin
4:30pm
DRAMATURGY LMDA TEA-By Invitation Only
4:15-5:30pm
MUSICAL THEATRE TAP TECHNIQUE AND COMBINATIONS
Bass River (RCCH)
MT, Bill Wilson
Learn a Broadway-style tap routine in an Advanced-Beginner Tap class, emphasizing tap warm-ups and
across the floor exercises, culminating in the performance of a musical theatre tap routine.
Grand Ballroom I (RCCH)
TBD (RCCH)
Barnstable I (RCCH)
Mulligan’s (RCCH)
THURSDAY
2:30-4pm
27
PLAY SLAM! 2nd MEETING
Osterville (RCCH)
SIGN UP AT THE SHERATON REGISTRATION TABLE—FIRST COME, FIRST SERVED!
4-5:30pm
RESPONDENT TRAINING WORKSHOP SERIES #3
Hospitality Suite-Room 104 (RCCH)
FACULTY, Wil Kilroy
Third of four workshops. Does your school enter productions as Associate or Participating
productions? Are you a professional in the region who wants to offer expertise to theatre departments?
Are you willing to serve Region 1 as a production respondent? Festival week affords time to learn
responding techniques through discussion as well as practical application. Workshop attendees will
watch all festival productions and then meet to practice responses and gain valuable feedback.
Attendees should plan to attend all sessions.
4-5:30pm
ACTING ON CAMERA
G-11 Tilden (CCCC)
ACTING, Jim Pettibone
While actors can't always win the role in an audition, they can and need to successfully demonstrate
their acting skills and thereby establish themselves as someone whom the auditioners want to see again
at future auditions. In this workshop we'll practice using the tools and techniques that help the actor
perform at his or her best in a cold reading on-camera audition where there is typically only a limited time
to prepare. Each actor's performance will be taped and played back. LIMIT 10. SIGN UP AT THE
CONFERENCE CENTER REGISTRATION DESK PRIOR TO THE WORKSHOP. (Offered 2 times)
4-5:30pm
THEATRE EDUCATION
Barnstable III (RCCH)
Rick Anderson
This workshop will explore a career as a theatre educator. What do you need to know in order to
become an effective theatre educator. This workshop will be a professional dialogue discussing the
issues facing arts educators in an ever-changing world.
4-5:30pm
A POEM TO MY VOICE
Centerville (RCCH)
ACTING, Paul Ricciardi
This voice workshop will explore the origins of your attitudes towards your voice. Through an exploration
using drawing, movement and performance, by the end of this workshop you will have a new
understanding of your voice. Dress comfortably!
4-5pm
MAKEUP DESIGN 101
Orleans (RCCH)
DTM, Erika Grayson
This hands-on workshop will explore the process of the makeup designer and examine various
techniques to discover the outward appearance of a character. Participants will receive helpful templates
and techniques to communicate their ideas to Production team members and performers. All supplies
provided by the presenter.
4:30-6pm
RYAN SEMI-FINAL RESPONSES
4:30-6:30pm
NPP REHEARSAL
Rooms at Hotel Venues as assigned
RCCH: W4m (Barnstable II)
CCRS: Ratings Worthy (JFK 1), Lighthouse (JFK 2), Food Play (JFK 3),
The Walpole Defender (Nauset), Programming for Language (VJ’s)
HICC: Surviving the Eye (Hyannisport 1), Absolution (Hyannisport 2),
Do Not Disturb (Barnstable Room), Rain Fell Up (Hyannis Room)
6:15-7:30pm
MEDALLION DINNER (by invitation)
Hyannisport (RCCH)
Sponsored by Ed Hyatt, Principal at Boston Illumination Group, representing Electronic Theatre
Controls (ETC)
7:30-8:30pm
SDC REHEARSALS
8-10:30pm
THE FOREIGNER Invited Production
9-11pm
NPP REHEARSAL
Rooms at Hotel Venues as assigned
RCCH: W4m (Barnstable II)
CCRS: Ratings Worthy (JFK 1), Lighthouse (JFK 2), Food Play (JFK 3),
The Walpole Defender (Nauset), Programming for Language (VJ’s)
HICC: Surviving the Eye (Hyannisport 1), Absolution (Hyannisport 2),
Do Not Disturb (Barnstable Room), Rain Fell Up (Hyannis Room)
Cape Cod (RCCH)
Hyannisport 1, Hyannisport 2, Barnstable Room, Hyannis Room (HICC)
Tilden Main (CCCC)
10:30-11:30pm SECOND SCENE SHOWCASE
Osterville (RCCH)
Come prepared to show your second Irene Ryan Scene; SIGN UP EARLY AT THE
REGISTRATION DESK TO MAKE SURE YOU HAVE AN OPPORTUNITY TO PERFORM.
11:30pm-12:30am PLAY SLAM! PLANNING
RCCH: Bass River, Cape Cod, Hyannisport East
CCRS: JFK 1, JFK 2, JFK 3
HICC: Hyannisport 1, Hyannisport 2, Barnstable
11pm-1am
HOSPITALITY SUITE: FACULTY AND GUESTS
Rooms at Hotel Venues as assigned
Room 104 (RCCH)
THURSDAY
4-5pm
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FRIDAY, February 1, 2013
9am-6pm
FESTIVAL CHECK-IN
Convention Center Lobby (RCCH)
9:30-12:30am Richard Maltby, Jr. Award for Musical Theatre Excellence WORKSHOPS
Tilden Main (CCCC)
9-10am
FACULTY BREAKFAST
Mulligan’s (RCCH)
9-10am
THE FOREIGNER PRODUCTION RESPONSE
9am-12pm
DTM RESPONSES ROUND 2
9am-12pm
NPP ONE ACTS READINGS ROUND A
Knight Auditorium (BHS)
"Absolution" by Alexandra Tennant, Clark University, directed by Christine Dunant
"Rain Fell Up" by Jaclyn Villano, Boston University, directed by Robin Stone
9:30-11am
A MASTER CLASS ON THE CLASSICAL AUDITION
Bass River (RCCH)
ACTING, Steve Maler
Commonwealth Shakespeare Company Founding Artistic Director Steve Maler personally auditions
hundreds of actors every year and will offer feedback to improve your Shakespearean monologue
audition. You will also gain valuable insight while watching other actors work with Mr. Maler on their own
material. For those who wish to receive feedback, come prepared with an audition piece from
Shakespeare, about two minutes in length. Please make sure you are fully prepared. Auditions
that are read from a script will not receive feedback. In consideration for the rest of the
participants, and to ensure that you receive ample time for constructive feedback, please make
sure your monologue does not exceed two minutes.
9:30-11am
LAUNCHING A DOUBLE PHILANTHROPIC NON-PROFIT THEATRE COMPANY Hyannisport (RCCH)
ARTS, Kristen van Ginhoven
This workshop is appropriate for any participants considering starting their own theatre company. It will
chart the process of founding WAM Theatre and cover areas from applying for non-profit status to
creating a board as well as discuss building a marketing, development and creative plan.
9:30-11am
DOCUMENTARY THEATRE
Centerville (RCCH)
DRAMATURGY, Talya Kingston
A workshop for writers, directors, dramaturgs and anyone else who is interested in exploring the
potentials and problems of representing reality on stage.
Barnstable I (RCCH)
Grand Ballroom II (RCCH)
9:30-11am
HOW TO DIRECT YOUR FRIENDS!
Osterville (RCCH)
A DIRECTORS WORKSHOP ON DIRECTING YOUR PEERS
SDC, Stefanie Sertich
This workshop will discuss common issues student directors face when they need to direct their peers.
Whether the peer is an actor, stage manager or designer, Stefanie Sertich will offer a steady plan and
solutions! The workshop is open to beginning and advanced directors. This will be an interactive
workshop that will lead to discussions.
9:30-10:30am LAYERS OF LIGHT
Grand Ballroom II (RCCH)
DTM, Tom Littrell
Layers of Light is a presentation of LED technology specifically as a tool for stage lighting. It contrasts
the color-rendering capabilities of LEDs with traditional tungsten-halogen sources for skin tones,
costumes, and scenic elements. Common LED additive color mixing methods are presented: Red,
Green, Blue; Red, Green, Blue, Amber; and these are contrasted to more complete spectral methods
achieved by adding Orange, Cyan and Indigo LEDs to the mix. Phosphor-based white-light LEDs are
demonstrated. Dimming and other control nuances specifically relating to stage lighting are discussed
as well.
FRIDAY
9:30-10:30am REVOLVES ON A BUDGET / INTRODUCTION TO REVOLVES
Orleans (RCCH)
DTM, Scott Bartley
Presentation of several revolves with different construction configurations and sets. Explore the
construction techniques and cost analysis of building your own revolve. Discuss the drive possibilities
and construction requirements for different setups.
29
9:30-11am
ANATOMY OF A VIOLENT ACT
JFK I (CCRS)
ACTING/STAGE COMBAT, Normand Beauregard
Stage Combat workshop-a study of the act of playing violent repertoire. What happens to us physically
and emotionally when we truly commit to an act of violence onstage. Do we have the courage to
unleash the demons and the ability to execute without injury? Workshop will address actors' challenge of
maintaining absolute control in the face of playing extreme violence.
9:30-11am
CREATING A CAREER IN THE ARTS
Hyannisport 1 (HICC)
DTM, Julie Hennrikus
You have training, and you love the field. Now what? Julie Hennrikus will talk about creating a portfolio
career in the arts, networking, how to use your experience to get jobs in other fields, and some other
career building tools. She will also talk about the state of the theater sector, and the opportunities in the
New England area.
10am-12pm
ITJA Meeting #3
10am-12pm
RESPONDENT TRAINING WORKSHOP SERIES #4
Barnstable II (RCCH)
FACULTY, Wil Kilroy
Fourth of four workshops. Does your school enter productions as Associate or Participating
productions? Are you a professional in the region who wants to offer expertise to theatre departments?
Are you willing to serve Region 1 as a production respondent? Festival week affords time to learn
responding techniques through discussion as well as practical application. Workshop attendees will
watch all festival productions and then meet to practice responses and gain valuable feedback.
Attendees should plan to attend all sessions.
12-2pm
DRAMATURGY RESPONSES
12:30-2pm
REV UP YOUR ACTING IMAGINATION WITH MICHAEL CHEKHOV
Barnstable II (RCCH)
ACTING, Wil Kilroy
Michael Chekhov shared his techniques with such luminaries as Marilyn Monroe and Gregory Peck and
current actors such as Jack Nicholson and Anthony Hopkins also employ these creative means to
creating unique characters and strong emotion.
You'll be introduced to some of Chekhov's
'psycho-physical' tools that help you tap into your limitless potential. Participatory Workshop: Dress to
move!
12:30-2pm
ANARCHISM, PACIFISM AND ARTAUD:
COLLECTIVE CREATION AND SOCIAL JUSTICE (PART TWO)
Barnstable III (RCCH)
ACTING/DIRECTING, Jerry Goralnick
This three day workshop examines the sixty year history of The Living Theatre. Often infuriating,
occasionally imprisoned and always original, The Living Theatre continues to astound audiences.
Participants in the workshop will experience exercises used for creating staging and text derived from
Meyerhold’s Bio Mechanics, Piscator’s Epic Theater and Artaud’s Theatre of Cruelty as well as wholly
original forms created by the company through its decades of research. Be prepared to move and
sing as we examine the role of the theater artist in society. It is recommended that all sessions
are attended, but if you can only make one or two, you are also welcome.
12:30-2pm
BLOCKING MATTERS: CONNECTING IMAGE & ACTION
Bass River (RCCH)
SDC, Charles Pepiton
The workshop is intended for intermediate to advanced directors and actors, but the focus will be on the
work of the director. The problem with blocking is that all too often it has no direct connection to the rest
of the director's concept. In the end, it just becomes crowd control. This workshop utilizes physical
metaphors and tangible images to guide the director's staging in an effort to reconnect image and action
and to discover a more purposeful method of mapping the actors' movements.
Barnstable III (RCCH)
Barnstable I (RCCH)
FRIDAY
30
12:30-2pm
TELLING A STORY - What Acting in Tennessee Williams Plays
Cape Cod (RCCH)
Teaches Us About Acting in All Plays
ACTING, David Kaplan
The many plays written by Tennessee Williams offer actors special opportunities to tell stories that
reveal character, and are in the onstage telling, themselves actions. In a 90 minute lecture-demo with
in-class scene work, David Kaplan, the author of two series of textbooks (Five Approaches to Acting and
the Impolite Guides to Theater History), passes on practical techniques for telling stories in all play,
working from the principle that it's not what you say, it's how you say it - and what happens to you while
you say it. Actors telling stories begin by identifying points of views and create dramatic onstage action
while telling a story by shifting those points of view. Blanche's story of lost love in "A Streetcar Named
Desire," Tom's story in "The Glass Menagerie" of the Paradise Dance Hall across the street, and the
many stories that make up the action of the 90 one-acts Tennessee Williams wrote, are opportunities for
theater students -- and their instructors -- to stretch their imaginations and their craft.
12:30-1:30pm GOING BEYOND THE WORDS: USING PHONETICS TO DRIVE THE ACTION Centerville (RCCH)
ACTING/VOICE, Julio Agustin Matos, Jr.
Those who have studied and performed Shakespeare understand the importance of using the text to
drive the action. Yet even contemporary actors of stage and screen can benefit from a deeper
understanding of how the sounds of the English language can help to drive the actor's need! Workshop
participants can expect to explore new and exciting ways of connecting to their character's emotional
life. They will dissect and perform their monologues and scenes giving greater attention to
phonetics (consonants, vowels, and diphthongs).
"Words don't mean, people do" -- this
workshop will help you discover how!
COLLECTIVELY CREATING DOCUMENTARY THEATRE
Orleans (RCCH)
SDC/ACTING/NPP, Steve Reynolds
Together we will examine how to construct a documentary theatre production. We will review the
definition and brief history of documentary theatre beginning with Erwin Piscator’s early efforts, then
work our way through the basics such as choosing a topic, conducting interviews, gathering primary
source materials and creating or finding supporting music and visual evidence. Most importantly, we will
focus on how to structure the finished script so it takes the production team and the audience on a
meaningful journey. Bring your ideas and if there is time we will work on one specific topic.
12:30-2pm
DIRECTING FOR THE CAMERA
Osterville (RCCH)
SDC, Anita Gonzalez
Documenting performance is essential. Participants in this workshop will divide a script into action beats.
Then using a cell phone or digital camera they will stage actors in the scene and create a story board of
photos for recording the scene on camera. We will consider the difference between staging actors for a
lens and staging actors for the stage. The workshop will help both actors and directors to adapt stage
performance for the camera. Bring your cell phone or camera to the session.
12:30-1:30pm LAYERS OF LIGHT
Grand Ballroom II (RCCH)
DTM, Tom Littrell
Layers of Light is a presentation of LED technology specifically as a tool for stage lighting. It contrasts
the color-rendering capabilities of LEDs with traditional tungsten-halogen sources for skin tones,
costumes, and scenic elements. Common LED additive color mixing methods are presented: Red,
Green, Blue; Red, Green, Blue, Amber; and these are contrasted to more complete spectral methods
achieved by adding Orange, Cyan and Indigo LEDs to the mix. Phosphor-based white-light LEDs are
demonstrated. Dimming and other control nuances specifically relating to stage lighting are discussed
as well.
12:30-2pm
CELEBRATION BARN ENSEMBLE DEVISING WORKSHOP
JFK 1 (CCRS)
SDC/DRAMATURGY/ACTING/NPP, Amanda Huotari
What is unique to you, your group, and the work you’re interested in? How do you launch ideas into
action? This Ensemble Devising Workshop will introduce principles at the heart of Celebration Barn
Theater's collaborative devising process. Amanda will share tools to help students establish a physical
vocabulary that builds group cohesion and trust while encouraging risk taking. We’ll explore ideas
actively and collaboratively working through improvisational “rounds”. Come prepared to move and
play.
FRIDAY
12:30-2pm
31
IMPROV GAMES
JFK 3 (CCRS)
ACTING, Mike Devine
This workshop will focus on short form improv games and techniques that can be utilized not only in
improv but in other aspects of life. Studying improv can help the participant to think faster, build
confidence, improve public speaking and relieve some of life's stresses all in a fun and supportive
environment.
12:30-2pm
ACTING ON CAMERA
G-11 Tilden (CCCC)
ACTING, Jim Pettibone
While actors can't always win the role in an audition, they can and need to successfully demonstrate
their acting skills and thereby establish themselves as someone whom the auditioners want to see again
at future auditions. In this workshop we'll practice using the tools and techniques that help the actor
perform at his or her best in a cold reading on-camera audition where there is typically only a limited time
to prepare. Each actor's performance will be taped and played back. LIMIT 10. SIGN UP AT THE
CONFERENCE CENTER REGISTRATION DESK PRIOR TO THE WORKSHOP. (Offered 2 times)
1-2:15pm
THE RECEPTIONIST Invited Production
Tilden Studio (CCCC)
Please stay for a 20 minute talkback led by Linda Sutherland immediately following today's
performance of THE RECEPTIONIST
1-3pm
SDC FINAL PRESENTATIONS
**RYAN FINALS ANNOUNCEMENT TO FOLLOW**
Knight Auditorium (BHS)
3-4pm
SDC FINAL PRESENTATION RESPONSES
Knight Auditorium (BHS)
1:30-5:30pm
DTM RESPONSES ROUND 2
Grand Ballroom II (RCCH)
2:30-4pm
ROUNDTABLE: WHOSE PLAY IS IT ANYWAY?
Barnstable III (RCCH)
DRAMATURGY/NPP, Daniel Burson
Join professional playwrights, dramaturgs, and directors as they discuss the process of new play
development and how they approach collaboration on a new script from each of their perspectives.
2:30-4pm
THE WHOLE ACTOR: SPEAKING FROM YOUR HEART-1st SESSION
Bass River (RCCH)
ACTING, Claudia Traub
SEEKING 12 ACTORS FOR 2 SESSIONS! 12 of the same students for both workshops must do
pre-sign up AT THE REGISTRATION DESK and have a 5 minute scene or 2 minute monologue
completely memorized (with a partner if doing a scene).
Scene workshop focusing on breath, alignment, habitual response and its connection to emotional truth
and text we will look at warms ups that focus on breath, massage and yoga that focuses on alignment,
cicely berry warm up focusing on breath and its connection to text and then look at five minute scenes,
that should already be memorized or 2 minute monologues that should already be memorized for
breathing, connection between voice , text and physicality and how they relate to emotional truth, action
and support of text. (second session immediately following, 4-5:30pm)
2:30-4pm
SHAKESPEARE—FLESH BLOOD AND BONES!
Cape Cod (RCCH)
ACTING, Marya Lowry
We will explore a vocal/physical approach to Shakespeare by giving the voice a body and the body a
voice. We will find our way into the world of Shakespeare characters and ignite the imagination in new
ways. This is a physical workshop, come prepared to move and play (and, perhaps, sing your self into
the part.) This is pure fun and exploration.
2:30-4pm
SUPER FLAT ACCESSORIES
Hyannisport (RCCH)
DTM, Denise Massman
A hands-on workshop, that demonstrates a technique that creates dimensional, but flat costume
ornamentation and decorations that emulate rich and costly trims, jewelry and accessories. Attendees
will leave with an accessory created in the workshop.
2:30-4pm
MASHING UP DIGITAL AND TRADITIONAL RENDERING TECHNIQUES
Centerville (RCCH)
DTM, Kristen Morgan
This workshop will explore quick and dirty methods of creating scenic renderings using a mix of free
software and pen-and-ink illustration techniques. Students will be introduced to basic techniques in
SketchUp and GIMP, and how to flesh out and personalize base digital renderings with hand drawing.
Workshop is hands-on and materials will be provided.
FRIDAY
12:30-2pm
32
WHAT WE DO TOGETHER MAKES A DIFFERENCE
Barnstable I (RCCH)
Timothey Sullivan
It only takes one person to start a revolution for positive change. Learn how Broadway Cares/Equity
Fights AIDS has empowered college theatre students nationwide to raise money for a variety of causes.
Simply by doing what you love, you can help men, women and children across the country or across
the street. We’ll show you how.
2:30-4pm
IS THIS PLAY ACTUALLY A MOVIE?
Orleans (RCCH)
NPP, Wade Hollingshaus
Certainly, there’s nothing wrong with writing a movie…except when what you’re really trying to write is a
play. One bit of feedback that many new playwrights receive is that their play is better suited to the
screen than to the stage. But what does this really mean? In this workshop—intended for both
playwrights and dramaturgs—we will identify and discuss the practical and aesthetic differences
between playwriting and screenwriting and come to a better understanding of what it means to write for
the theatre.
2:30-4pm
INTRO TO MOVING LIGHTS ON THE EOS FAMILY CONTROL CONSOLES PART 2 Grand II(RCCH)
DTM, Paul DeRocher, Rui Alves and Ed Hyatt
This class is continuation of Part 1. We will go into more detail with the function of pallets, effects and
other more advanced functions. Participants will work on console with the instructors to create moving
light effects.
2:30-4pm
The Artist as Citizen- ASTEP
JFK 1 (CCRS)
ACTING, Mauricio Salgado
Do you believe in the power of Art to transform communities? This interactive workshop will focus on
how we can delve beyond our technical training to harness our collective power and begin to build a
space where everyone's stories can be heard. Together, we will explore how we can use our craft as a
means of ensuring the strength of our communities, our culture, and the future of the American theater.
Come and reclaim ownership of your own artistic fulfillment.
2:30-4pm
THE ACTOR FOCUSES
JFK 3 (CCRS)
ACTING, Nancy Saklad
Focusing is a technique developed by Eugene Gendlin that connects the actor to his/her inner physical
life and forges a deep connection to the actor's given circumstances. The work is new and very exciting.
A monologue either classical or contemporary is required.
2:30-5:30pm
Richard Maltby, Jr. Award for Musical Theatre Excellence WORKSHOPS G-11 & Main Theatre (CCCC)
4-5:30pm
THE WHOLE ACTOR: SPEAKING FROM YOUR HEART-2nd SESSION
Bass River (RCCH)
ACTING, Claudia Traub
SEEKING 12 ACTORS FOR 2 SESSIONS! 12 of the same students for both workshops must do
pre-sign up AT THE REGISTRATION DESK and have a 5 minute scene or 2 minute monologue
completely memorized (with a partner if doing a scene).
Scene workshop focusing on breath, alignment, habitual response and its connection to emotional truth
and text we will look at warms ups that focus on breath, massage and yoga that focuses on alignment,
cicely berry warm up focusing on breath and its connection to text and then look at five minute scenes,
that should already be memorized or 2 minute monologues that should already be memorized for
breathing, connection between voice , text and physicality and how they relate to emotional truth, action
and support of text.
4:30-6:30pm
NPP REHEARSAL
Rooms at Hotel Venues as assigned
RCCH: The Walpole Defender (Barnstable I), W4m (Barnstable II),
Programming for Language (Barnstable III)
CCRS: Ratings Worthy (JFK 1), Lighthouse (JFK 2), Food Play (JFK 3),
HICC: Surviving the Eye (Hyannisport 1), Absolution (Hyannisport 2),
Do Not Disturb (Barnstable Room), Rain Fell Up (Hyannis Room)
7:30-9:30pm
Richard Maltby, Jr. Award for Musical Theatre Excellence SHOWCASE Tilden Main Stage (CCCC)
Come support the Musical Theatre Nominees from throughout Region 1 as they perform in a
musical theatre showcase for the festival audience. ALL ARE WELCOME!
FRIDAY
2:30-4pm
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NPP REHEARSAL
Rooms at Hotel Venues as assigned
RCCH: The Walpole Defender (Barnstable I), W4m (Barnstable II),
Programming for Language (Barnstable III)
CCRS: Ratings Worthy (JFK 1), Lighthouse (JFK 2), Food Play (JFK 3),
HICC: Surviving the Eye (Hyannisport 1), Absolution (Hyannisport 2),
Do Not Disturb (Barnstable Room), Rain Fell Up (Hyannis Room)
10-11:30pm
PLAY SLAM! FINAL PRESENTATIONS
Osterville (RCCH)
Come see the results of a week’s worth of collaborative efforts between actors, directors, playwrights,
designers, dramaturgs, and stage managers.
11pm-1am
HOSPITALITY SUITE: FACULTY AND GUESTS
FRIDAY
9-11pm
Room 104 (RCCH)
SATURDAY, February 2, 2013
9am-2:30pm
FESTIVAL CHECK-IN
8am-12pm
STRIKE DTM EXHIBIT
7:30-8am
RYAN SM CALL
Tilden Main Stage (CCCC)
8-9:15am
RYAN NOMINEE ORIENTATION
Tilden Main Stage (CCCC)
9-9:30am
RYAN SELECTOR ORIENTATION
Tilden Main Stage (CCCC)
9:30-11:30am RYAN FINALS
Convention Center Lobby (RCCH)
Grand Ballroom I (RCCH)
Tilden Main Stage (CCCC)
THE RECEPTIONIST PRODUCTION RESPONSE
Barnstable I (RCCH)
9am-12pm
NPP ONE ACT READINGS ROUND B
Knight Auditorium (BHS)
"Lighthouse" by Michael S. Parsons, Boston University; directed by Barbara Waldinger
"Food Play" by Tess Jonas, Wesleyan University, directed by Kaia Monroe Rarick
9:30-11am
TALKING WITH AUDIENCES
Barnstable III (RCCH)
DRAMATURGY, Talya Kingston
A workshop for dramaturgs, directors, producers and anyone interested in how to talk to audiences. We
will discuss pre and post-production audience outreach and discussion.
9:30-11am
FREEING THE NATURAL VOICE
Cape Cod (RCCH)
VOICE/ACTING, Mellissa Baroni
This Linklater Voice-based workshop will offer an introduction to the ways that the actor's instrument
unifies to serve the speaking of Shakespeare's text. Using one of Shakespeare's speeches as a canvas,
we will research together how increased freedom in the body, breath, and vibrations of the voice affect
the thoughtful, emotional, and imaginative life contained in the text. This workshop will be physical, so
comfortable clothing that allows for freedom of movement is suggested. Text will be provided.
9:30-10:30am THEATRE CRITICISM FOR BROADCAST
Centerville (RCCH)
ITJA, Rebecca Taylor
We would like to do a brief lecture explaining how we are partnering journalists and theatre students
together to develop theatre criticism reports for broadcast. My student will display samples of his work,
and we will discuss how to develop pieces for broadcast.
9:30-11am
SO YOU WANT TO WORK WITH PROPS? THERE WILL BE BLOOD!
Art Studio A (CCCC)
DTM, Natalie Kearns
A discussion and demonstration of some of the skills needed to work as a props master or artisan in
professional theatre! We'll talk about everything from paper props to weapons to molding/casting and
we'll take a special close look at different stage blood effects! This workshop is hosted by S*P*A*M The Society of Properties Artisan Managers.
11:30-12:45pm RYAN SELECTOR DELIBERATIONS
Bogey’s Restaurant (RCCH)
12-1:30pm
MT RESPONSES
Barnstable I and Barnstable II (RCCH)
12-2pm
ITJA Meeting #4
Barnstable III (RCCH)
12-2pm
NPP 10 MINUTE PLAY OPEN RUN-THROUGH
Knight Auditorium (BHS)
SATURDAY
9-10am
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TECH OLYMPICS - Sponsored by USITT NE
Grand Ballroom II (RCCH)
DTM, Team SUNY Potsdam
Last year's winners host Festival 45's Tech Olympics. All student attendees may sign up on-site to
participate in the Tech Olympics sponsored by New England Section of USITT. Team and Individual
events may include: Hanging and focusing a lighting instrument; driving a screw into wood; knot tying
--bowline and clove hitch; reading a blueprint; fast costume changing and sewing, and guessing how
many jelly beans are in the jar. (We might be kidding about the jelly beans but something equally
improbable is equally likely.) Drop on by to see the fun. Winners will be determined by their speed,
accuracy and care. First prize is an award certificate, $50 and a package from Barbizon and
second
prize is a package from Barbizon.
12-3pm
COLLEGE AND JOB FAIR
Hyannisport West, Cape Cod & Hyannisport East-Overflow (RCCH)
Looking for a four year college or job? Visit the College and Job Fair. Bring resumes if you have
them. Four year colleges as well as summer internships at Boston Commonwealth Shakespeare
Company, Saint Michael's Playhouse (AEA), Cape Cod Theatre Project, and others.
12:30-2pm
THE MUSCLE OF PRESENCE: MILLER VOICE METHOD—
Centerville (RCCH)
A KINESTHETIC APPROACH TO VOCAL INTEGRATION
ACTING/VOICE, Scott Miller
Presence is why we are so drawn to great performers, world-class communicators and inspiring
teachers. And it all begins with the breath…In this workshop we will breakdown the elements of what
creates the phenomenon of presence and therefore be able to exercise and train an individuals
presence like any other performance skill. We will explore exercises that encourage:
1. Unmanipulated breath,
2. Authentic sound,
3. Speaking with a point of view while active in the reality of doing.
There will be an opportunity to participate if you so desire, if not you are still welcome to attend.
12:30-2pm
ANARCHISM, PACIFISM AND ARTAUD:
COLLECTIVE CREATION AND SOCIAL JUSTICE (PART THREE)
Orleans (RCCH)
ACTING/DIRECTING, Jerry Goralnick
This three day workshop examines the sixty year history of The Living Theatre. Often infuriating,
occasionally imprisoned and always original, The Living Theatre continues to astound audiences.
Participants in the workshop will experience exercises used for creating staging and text derived from
Meyerhold’s Bio Mechanics, Piscator’s Epic Theater and Artaud’s Theatre of Cruelty as well as wholly
original forms created by the company through its decades of research. Be prepared to move and
sing as we examine the role of the theater artist in society. It is recommended that all sessions
are attended, but if you can only make one or two, you are also welcome.
12:30-2pm
TAKING THE CHILL OUT OF COLD READINGS
Osterville (RCCH)
ACTING, Vana Trudeau
Cold readings can challenge an actor's ability to demonstrate their talent for creating a believable
character. In this workshop we will discuss effective techniques for working with an unknown script as
well as strategies to make strong choices and make a positive, memorable impression on directors and
casting agents. Students will have a chance to practice cold readings and be coached by the workshop
leader and their peers.
12:30-2pm
THEATRE IN THE EXTREME
JFK 1 (CCRS)
ACTING/MOVEMENT, Kate Kohler Amory
This extremely physical workshop will introduce forms from the work of Jerzy Grotowski, including
corporels and plastiques. Be prepared to move and take physical risks.
12:30-2pm
FLOW OF ACTION: BLOCKING THAT TELLS THE STORY
JFK 3 (CCRS)
SDC, Adam Zahler
Understanding character dynamics can lead to effective staging of a scene and help actors understand
their characters and the scene. This workshop for directors and actors covers how to identify the flow of
action and how to find staging that tells the story.
1:30-3pm
RYAN FINAL RESPONSES
2-5pm
NPP 10 MINUTE PLAY READINGS PERFORMANCE AND RESPONSE
Knight Auditorium (BHS)
"Ratings Worthy" by Jaclyn Villano, Boston University, directed by Kathleen Sills
"Programming for Language" by Dana Eckstein, University of Hartford, directed by Gregory Fletcher
"The Walpole Defender" by Evan Allis, Middlebury College, directed by Arthur Adair
"w4m" by MJ Halberstadt, Boston University, directed by Gregg Henry
"Surviving the Eye" by Erin Grogan, Lesley University, directed by Linda Sutherland
"Do Not Disturb" by Patrick Hume, Lesley University, directed by Tim Gleason
Hyannisport 1 (HICC)
SATURDAY
12-2:30pm
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A Conversation with Broadway Director & Writer, Richard Maltby, Jr.
Hyannisport West (RCCH)
MT, Richard Maltby, Jr. & Larry Nye
Richard Maltby’s extraordinary career has involved directing and writing for Broadway, Off-Broadway
and Regional Stages. He is the director and conceiver of two Tony Award winning musicals – Ain’t
Misbehavin’ and Fosse, as well as Ring of Fire: The Johnny Cash Musical. Among his numerous
theatre credits, he has also directed the Broadway productions of Baby and The Story of My Life, as well
as the Off-Broadway productions of Closer Than Ever and Starting Here, Starting Now. Also an award
winning writer, he is the lyricist of such musicals as Baby, Big, Closer Than Ever, Starting Here, Starting
Now and Take Flight (all of which he created with composer David Shire), as well as the co-lyricist of
Miss Saigon and co-librettist/lyricist of The Pirate Queen (both of which he created with Claude-Michel
Schonberg and Alain Boublil). Mr. Maltby’s brilliant career as provided the theatre world with landmark
musicals that will be explored and revived for centuries to come. Please join us for a casual
conversation with Mr. Maltby to discuss his career in the American Theatre.
2:30-3:45pm
3:45-5pm
AUDITION TECHNIQUE & MT PERFORMANCE: RICHARD MALTBY, JR. Hyannisport West (RCCH)
MT, Richard Maltby, Jr. & Jessica Corbin
Come perform your musical theatre repertoire and receive feedback and coaching from one of
Broadway’s leading directors and writers. Mr. Maltby will give an overview of what he looks for when
auditioning actors for his productions, followed by working sessions with students. Please bring sheet
music in the appropriate key with any cuts clearly marked.
AN INTRODUCTION TO ANIMATED OBJECT PERFORMANCE & PUPPETRY Barnstable III (RCCH)
ACTING/ED, David Lane
An introduction to the physical art of puppetry stemming from the notion that the strength of any puppet
lies in its visual application, separate from, and independent of any text. Participants should wear
comfortable clothing and be prepared to move. They should also bring an extra piece of clothing to be
used in manipulation exercises.
2:30-3:30pm
THIS AIN’T CHICAGO—CONCEPTING A CLASSIC MUSICAL
Centerville (RCCH)
SDC, Peter Sampieri
This hands-on interactive workshop and roundtable discussion will examine the challenges inherent in
confronting (and subverting) audience expectations when directing a well-known classic musical like
Cabaret.
2:30-4pm
ALL’S WELL THAT’S LIT WELL: ARCHITECTURAL VS
Orleans (RCCH)
THEATRICAL LIGHTING DESIGN
DTM, Katherine C. Abernathy LC, IALD, and Jason Rainone IALD, LEED AP BD+C
This presentation serves as an introduction to the profession of Architectural Lighting Design. It will
illustrate the many parallels which exist between Architectural and Theatrical lighting design while
pointing out some of the distinct differences between the two processes. Topics of discussion will include
the phases of an Architectural Lighting Design project, the applicability of theatrical techniques and
equipment to architectural projects, and some of the considerations which come into play in architecture
which are not often considered in theater; lamp life, luminaire aesthetics, energy savings, code
compliance, etc. The presentation will also include a table top sample demonstration of a selection of
luminaires which are based on Theatrical lighting technologies, but are intended for architectural
applications; Metal Halide ellipsoidal spotlight, exterior rated color-changing LED wash light, DMX-512
motion effects projectors, etc.
2:30-4pm
MYSTERY RADIO THEATER: THE LOST WORLD Invited Production
Bass River (RCCH)
Emmanuel College
See a radio play with authentic foley sound. Then talk to the director and cast about the production and
its genesis, largely motivated by necessity from renovations on their theatre space. Learn some creative
ideas for productions even when your resources are limited.
4-4:45pm
MYSTERY RADIO THEATER RESPONSE
5:30-7pm
COSTUME PARADE REHEARSAL
Tilden Main Stage (CCCC)
7:15-7:45pm
COSTUME PARADE
Tilden Main Stage (CCCC)
7:45-9pm
AWARDS CEREMONY
Tilden Main Stage (CCCC)
10pm-12:45am
DANCE PARTY
10:30pm-1am HOSPITALITY SUITE: FACULTY AND GUESTS
Bass River (RCCH
Grand Ballroom (RCCH)
Room 104 (RCCH)
SATURDAY
2:30-4pm
36
SUNDAY, February 3, 2013
9-11am
EXECUTIVE COMMITTEE MEETING
Cape Cod (RCCH)
THANKS FOR SUPPORTING REGION 1
TRAVEL SAFELY HOME!
SUNDAY
37
NEW! SPECIAL HIGH SCHOOL WORKSHOPS
Wednesday, January 30
2:15-3:30
Developing a Character
Taught by Kelly Morgan
CLASSROOM 2726 (BHS)
3:30-4:45
Voice for the Stage
Taught by Kelly Morgan
CLASSROOM 2726 (BHS)
Thursday, January 31
2:15-3:30
Issues Designers Confront
Taught by Cap Courdan
CLASSROOM 2726 (BHS)
3:30-4:45
Professional Rehearsal Process
Taught by Kelly Morgan
CLASSROOM 2726 (BHS)
2:15-3:30
Stage Combat
Taught by Raina Ames
MAIN THEATRE (BHS)
RAINA AMES (Region 1 Co-Chair, Regional Selection Team) MFA and author of A High School Theatre
Teacher’s Survival Guide, is Associate Professor at the University of New Hampshire. Prior to starting at
UNH, Ames served as Director of Education at TheatreVirginia, Richmond. Regionally, Ames directed A
Midsummer Night’s Dream for Manchester's Palace Youth Theatre. On campus credits: And Then They Came
For Me and Midwives by Dana Yeaton. Her latest production was Avenue Q, and this fall Ames choreographed
the stage combat for UNH’s production of Macbeth. This spring she is teaching the first stage combat class at
UNH.
CAP CORDUAN (Workshop Presenter) is currently head of the Technical Theatre Program at Fitchburg State
University and earned a BFA from Central CT State University and an MFA from the University of
Illinois. Cap was assistant TD at the Empire State Institute for Performing Arts, head of Design & Technical
Theatre at Walnut Hill School of Performing Arts and ATD and Lighting Supervisor at Mohegan Sun
Casino. Recently she helped design lighting of The Zeppelin Company in Munich, Germany and built mask for
Switzerland’s Fasnacht Festival.
KELLY MORGAN (Immediate Past Chair, Region 1 KCACTF / Workshop Presenter) Region I Co-Chair Arts
Management, Founder-Mint Theater, NYC. Directing: Theatre For a New City (Playing Sinatra) May, 2013;
Abingdon Theater (Love Drunk); Steppenwolf Theater (Uncle Bob); Mint Theater (Thornwood);
Contemporary American Theater Festival (Baby Dance); AmeriCulture Festival (A Raisin in the Sun);
Edinburgh Festival (The Laramie Project). Awards: Commonwealth Commendation for Service to the Arts,
KCACTF Directing Fellowship, KCACTF Medallion. Currently a Professor in the Communications/Media
Department at Fitchburg State University.
@barnstablehighschool
Friday, February 1
WORKSHOP PRESENTERS and SPECIAL GUESTS
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KATHERINE ABERNATHY (Workshop Presenter) Kathy’s lighting experience encompasses both architectural and theatrical lighting
design. For the last 23 years Kathy has studied and applied the Art and Sciences of the Illuminating Engineering world. These
efforts have proven successful with a portfolio that includes National and International award winning designs. The project types
Kathy has worked on throughout her career included museums – science centers, children’s museums, entertainment venues,
visitor centers, theme parks, offices, classrooms, retail, retail malls, health facilities, showrooms, convention centers, restaurants,
office facilities and exterior building lighting. Kathy holds a BFA in Stage Design from Webster University and earned a Post
Graduate Certificate from Croydon College in London, England. Kathy has taught Architectural Lighting Design at the Boston
Architectural Center in Boston, MA, Rhode Island School of Design in Providence and Wentworth Institute of Technology in Boston
as well as Theatrical Lighting Design at Rhode Island College. Other credits include guest lecturer for Theatrical Lighting Techniques
in Architectural Lighting at the Boston Design Center, the University of Missouri at Kansas City, and Specification Integrity for Build
Boston. Kathy is an active member of several professional organizations. Currently she serves as Immediate Past-President to the
International Association of Lighting Designers (IALD). Kathy is a past Chair of the Examination Committee for the National Council
on Qualification of Lighting Professions (NCQLP). She is also a member of the Illuminating Engineering Society of North America’s
(IES) New England section, the United States Institute for Theatre Technology (USITT) and the Designers Lighting Forum (DLF) of
New England. Kathy is a member of the Rhode Island Green Building Council. Kathy has been Lighting Certified (LC) since 1998.
DEBRA A. ACQUAVELLA (Workshop Presenter) is the head of BFA program in Stage & Production Management at Emerson College.
BROADWAY: PSM: Metamorphoses; Master Harold… and the boys; Jane Eyre, The Musical. OFF-BROADWAY: Falsettos at
Playwrights Horizons; The Thing About Men at the Promenade Theatre; Radio Macbeth, directed by Anne Bogart. REGIONAL:
PSM: 15 seasons Actors Theatre of Louisville; 4 seasons Baltimore’s Centerstage; 6 seasons Contemporary American Theatre
Festival; Trinity Repertory, The Shakespeare Theatre.
ARTHUR ADAIR (NPP Director) educator, SDC director, AEA actor, playwright, producer, technical director, and award-winning
designer. Known for faithful/illuminating "classically-contemporized" staged adaptations of works such as Euripides' Bacchae,
Anton Chekhov's Three Sisters, and Eugene O’Neill’s The Emperor Jones, as well as, musically-charged, original
"theatrical-installations" including Manifest the Whale, the Teacup Destiny; S-s-s-t-o-n-e-d-d-D: An American Oration; and Sound of
the Sun. Mr. Adair served Region VI as Coordinator of the SDC Directing Initiatives and is a recipient of the 2011 KCACTF National
Faculty Fellowship in Directing. From 1997- 2007 he served as artist-in-residence at La MaMa E.T.C. Mr. Adair received an M.F.A. in
Theatre Directing from City University of New York at Brooklyn College and currently serves as an adjunct lecturer CUNY/
Queensborough Community College.
JORDAN AHNQUIST (Irene Ryan Selector) is currently playing Tony Whitcomb in Boston’s long running comedy Shear Madness.
Also in Boston he has been seen in [title of show] with SpeakEasy Stage Company, Hot Mikad, and Hamlet (Hamlet) with New
Repertory Theatre, and Animal Crackers and Big River with the Lyric Stage Company. Jordan’s work in Big River earned him an IRNE
Award nomination for Best Actor in a Musical. In the Midwest he worked with Milwaukee Repertory Theatre, The Skylight,
Milwaukee Public Theatre, First Stage Children’s Theatre, The Utah Shakespearean Festival, and Montana Shakespeare in the
Parks. Favorite credits include Big River, Hamlet, Tartuffe, Heartbreak House, and Anything’s Dream by Mac Wellman in NYC. He
has also worked on local commercials, industrials, had a role in the Shonda Rhimes pilot Gilded Lillys, and recently completed
filming his first movie, MIRROR, due to be released this spring. A member of Phi Beta Kappa, Jordan holds a BA in theatre from
Muhlenberg College.
RUI ALVES (Rental Manager, ALPS/Advanced Lighting & Production Services) began his journey as a Technical Theatre major at
the University of Connecticut. After working as staff and freelance electrician at a variety of regional and summer stock theatres in
New England, he moved to Boston and landed at ALPS. Over the past ten years and in his current role as Rental Manager, Rui
draws from those years of education and experience to assist clients in selecting the best lighting solution for their particular
project.
KATE KOHLER AMORY (Workshop Presenter) is Assistant Professor of Movement and Acting for the SSU Theatre Department.
Recently, she was seen in New York performing in Refracting Miss Julie at One Arm Red and The Yellow Wallpaper at The Living
Theater. Previously, she performed in many off-Broadway theater productions including “The Spider” in the critically acclaimed
The Life of Spiders at the Culture Project. Other notable performances include Einstein's Dreams (Culture Project), Twelfth Night
and Much Ado About Nothing (Lincoln Center’s Rose Theater) and Possible Worlds (Perishable Theater). She has performed with
many regional theaters including Shakespeare & Company, New England Shakespeare Festival and Dorset Theater and starred in
the Midwest premiere of Sarah Cane’s Crave. She has written and performed numerous solo shows including PERSONA, (Women
Center Stage Festival NYC) and CounterThrust: The Persistence of Memory (Boulder International Fringe Festival). A frequent
teacher and guest artist she has taught in numerous universities including Brandeis University, AADA (NY) and Shakespeare &
Company. She holds an MFA in Contemporary Performance from Naropa University, a Masters in Text and Performance from
RADA/ Kings College London and BFA in Drama from Goldsmiths College, London. She is also a certified Somatic Movement
Educator.
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RICK ANDERSON (Region 5 Chair / Workshop Presenter /Ryan Selectors) Kirkwood Community College, Cedar Rapids, Iowa; Rick is a
graduate of Iowa Central Community College (AA) and The University of Northern Iowa (BA and MA). He has been a theatre
director and educator in the state of Iowa for 32 years, during which time he has directed more than 100 plays. Rick has also
traveled extensively as an adjudicator for the Educational Theatre Association and was elected into the Iowa Thespian Hall of Fame
in 2001. Rick continues to teach workshops at the Iowa Thespian Festival each year and has judged the Duet Musical Theatre
category at the International Thespian Festival. Rick has also been a guest critic for the Iowa High School Speech Association’s AllState Large Group Festival, All-State Individual Festival and has had the pleasure of conducting workshops for the judges of the
theatrical events. He is currently associated with Region V of the Kennedy Center American College Theatre Festival, serving as
Chair, and Chair’s Representative on the KCACTF Executive Board. Theatre at Kirkwood is a truly collaborative art form where
students learn to creatively work together and set goals in a highly disciplined performance setting.
MICHAEL J. BABINEAU (Transportation Coordinator) is a Graduate of Fitchburg State College with a B.S. in English—Theatre. He
has served as the Transportation Coordinator to KCACTF Region 1 for all of its years at FSU. Michael is currently working on
productions in the Worcester and Boston areas.
MELISSA BARONI (Workshop Presenter) Melissa is an actress and Designated Linklater Voice teacher in the Boston area. She
performs regularly on many local stages including New Repertory Theatre, Gloucester Stage Company, and Stoneham Theatre. In
addition to serving as a faculty member at Emerson College, Melissa also teaches at The Boston Conservatory and Shakespeare &
Company in Lenox, MA. She is a member of the Actor's Equity Association, as well as the Voice and Speech Trainer's Association.
Melissa received her B.S. from Skidmore College and her M.A. from Lesley University.
SCOTT BARTLEY (Workshop Presenter) graduated from UCONN with his MFA in Technical Direction. He has been the Technical
Director for the Bay Street Theatre For 6 years. Scott freelances as a technical director for several theatre companies in the region.
Scott currently teaches at Central Connecticut State University.
BRIANNE BEATRICE (Workshop Presenter) Professor Beatrice received her BFA in Acting at Salem State University and her MFA in
Acting at The Pennsylvania State University. Currently a Professor of Acting at both Salem State University and Northern Essex
Community College, Beatrice also instructs Acting for the Camera classes at Actors Workshop Boston, with Frank Storace. Brianne
was granted the opportunity to work side by side with the great playwright William Mastersimone, starring as the leading role in
his new work The Afghan Women. She has also received extensive Meisner training by Famous Actors William H. Macy and Joey
Pantoliano. Beatrice learned the Meisner method from experts Jim Wise and Brant Pope. She also studied Acting for Film at the
Professional Actors Lab, Toronto with Canadian Favorite, David Rotenberg. Brianne would like to thank David Allen George for yet
another wonderful theatrical opportunity.
NORMAND BEAUREGARD (Workshop Presenter) is a Fight Master and Stunt coordinator. As a stage combat choreographer Mr.
Beauregard has staged over 1000 fight scenes. As a teacher, trainer, guest artist and professor he has been working in college,
university and conservatory theatre programs for over 30 years. He is currently the resident fight master for The Gamm Theatre.
Some past clients include: The Public Theatre NYC, Trinity Rep. Theatre, Philadelphia Drama Guild, Asolo State Theatre, Players
State Theatre, Brown University, Providence College, MFA program at Florida State, West Point Academy, Michigan Opera, Miami
Opera to list a few.
DANIEL BURSON (Dramaturgy Respondent / Workshop Presenter) is a dramaturg and director, currently the Literary & Education
Manager of Portland Stage Company where he runs the Clauder Competition for New England Playwrights and curates the Little
Festival of the Unexpected. Dan is the Northeast region’s co-vice president for Literary Managers & Dramaturgs of the Americas,
and is a graduate of Wesleyan University.
JANE CHILDS (DTM Respondent / Workshop Presenter) is the Director of Stagecraft Institute of Las Vegas and has a varied 45 plus
year theatre past including costuming, assisting her husband Don on his scenic and lighting design projects, performing
simultaneous French translation for Ladislav Vychodil, and being the den mother to many years of theatre students. Her
managerial and development skills bode well for SILV’s partners and for her work as VP - Development with the SW Chapter of
USITT. Her studies have included Indiana University, La Sorbonne, and University of Iowa. Jane prides herself on the meshing of
good materials and good practices with good people for the best future for our industry. Jane also shares husband Don’s true
passion for theatre and teaching and his demand for integrity from those you work with be they students or collaborators which
drove his work on a daily basis.
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THEODORE CLEMENT (Respondents Chair/Hospitality Coordinator) MFA, is an Assistant Professor of Theatre at the Community
College of Rhode Island where he serves as Irene Ryan coach to all nominees. He is co-founder and artistic director of Rhode Island
based Counter-Productions Theatre Company. As Respondents Chair, Ted coordinates responses for all Region 1 productions. He
also serves as hospitality coordinator for the Region 1 festival, and was recently appointed to the Region 1 selection committee.
JESSICA CORBIN (Festival Accompanist and Maltby Award Vocal Coach) is a freelance accompanist, conductor, teacher, coach and
singer in and around New York City. She is the Founding Director of the Bella Voce Singers, a women's choir in Brooklyn, NY, and
most recently organized the first "Treble in Brooklyn" festival. A graduate of Indiana University and Duquesne University, Jessica
has also served as the Artistic Director of the Art on the Corner concert series in Brooklyn. She is currently an adjunct lecturer at
Kingsborough Community College, and has extensive teaching experience, having served as an Associate Instructor of Music
Theory at Indiana University, Director of Musical Activities at the Maryland School for the Blind, teacher in the vocal music
department at F.H. La Guardia High School of Music and Art and Performing Arts in Manhattan, and teacher of piano, chorus and
theory at the Brooklyn Conservatory of Music. She is very active in conducting and performing new music in the New York City
area, including working with the Five Words In A Line arts project. As an accompanist and vocal coach, she regularly works with
are choirs, theater groups, and vocal classes, including those at New York University and Kingsborough Community College,
including serving as Music Director for the Spring 2012 production of "Working: The Musical" at Kingsborough. Jessica resides with
her family in Brooklyn, NY.
CAP CORDUAN (Workshop Presenter) is currently head of the Technical Theatre Program at Fitchburg State University and
earned a BFA from Central CT State University and an MFA from the University of Illinois. Cap was assistant TD at the Empire
State Institute for Performing Arts, head of Design & Technical Theatre at Walnut Hill School of Performing Arts and ATD
and Lighting Supervisor at Mohegan Sun Casino. Recently she helped design lighting of The Zeppelin Company in Munich,
Germany and built mask for Switzerland’s Fasnacht Festival.
SUZANNE DELLE (Workshop Presenter) Suzanne Delle has a MFA in directing from the Catholic University of America and is an
assistant professor of theatre at Salve Regina University. She will be directing the Scottish Play in April.
DEE DeQUATTRO (ITJA Guest) is an editor, producer and writer for readio and television news with a Master’s Degree from
Providence College. She has produced an award-winning talk show, worked as a digital reporter for a news talk station and has
covered everything from local arts to politics. She currently works at WLNE, ABC6-TV in Providence, Rhode Island.
PAUL DEROCHER (ALPS Project Manager) began his lighting career at ALPS in 1995. Over the years, he worked his way up the
ranks showing his talents in both the technical and educational ends of lighting. After serving as Service Manager, Paul shifted to
the fast growing Systems Division of ALPS. As Project Manager, he uses his vast knowledge providing everything from system
design to installation and training. Paul holds certifications from Color Kinetics, Electronic Theater Controls.
MIKE DEVINE (Workshop Presenter) Mike Devine has been involved with improv for 12 years. Mike studied with Improv Boston as
well as appearing in shows. Mike performed weekly for two years professionally with The Tribe of Boston and with Acme Improv
of Metrowest for one year. Mike also taught improv in Metrowest to students ages 6-15. Upon moving to the Cape in 2008 Mike
started teaching improv to adults, high school and middle school students. He directed and performed improv shows with both
kids and adults. The adult group performed in Chatham's First Night program in 2010, 2011, and 2012. During the summer of
2010 and 2011 the adult group performed several shows on Cape Cod. In addition to improv Mike has acted in over 25 plays
throughout Massachusetts. During the summer of 2012, Mike took additional improv and writing classes at Second City in Chicago.
JOHN PAUL DEVLIN (Region 1 Co-Vice Chair) John is a 2010 Kennedy Center Gold Medallion recipient for service to the region for
his work as Co-Chair of Design, Technology and Management. He has served as a design respondent at KCACTF festivals in Region 3
(2008) and Region 2 (2013). He is an active respondent to KCACTF productions in our own region. He serves as co-treasurer for
Region 1, coordinated the workshop schedule and collaborated with Raina Ames on the schedule of events for Festival 45. John is
an Associate Professor at Saint Michael’s College where he serves as scenic and lighting designer and technical director. He is the
Resident Designer and Production Manager for the Saint Michael’s Playhouse and an Artistic Associate of Vermont Stage. In a
career spanning 32 years, he has been involved as a designer, manager or craftsman on over 370 productions. In addition to Saint
Michael’s Playhouse and Vermont Stage credits, his professional designs have been seen on stage at the Black Hills Playhouse,
Milwaukee Chamber Theatre, Milwaukee Repertory Theater, Next Act Theatre, Milwaukee Children’s Theatre, Milwaukee Ballet II,
Northern Stage, and Lost Nation Theatre.
JAMES DOUGHERTY (Festival Technical Director) is the Associate Technical Director of the Middlebury College Theatre
Department. He has worked as Facility Technical Director for several past festivals and is looking forward to the shows in this new
venue. He has also worked with the Vermont Stage Company, Middlebury College’s Bread Loaf School of English Theatre
Ensemble and the American Repertory Theatre in Cambridge MA.
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JESSEE DREIKOSEN (DTM Vice-Chair Region 4 / DTM / Workshop Presenter) is Head of Design and Production at Florida
International University in Miami, Florida. He received his MFA in scene design from Purdue University and a BFA in theatre design
from Viterbo University in La Crosse, Wisconsin. He worked as the resident set designer for three seasons at New Theatre in
Coral Gables, Florida. He has also designed professionally for The Shakespeare Theatre of New Jersey, The Texas Repertory
Theatre Company, The Texas Shakespeare Festival, The Mint Theater Company, The Red Fern Theatre Company, The Ohio Theater,
The Renaissance Theatre, and The 6th Street Playhouse in Santa Rosa, California. He is currently the Vice-Commissioner of
Education in the Scene Design & Technologies Commission for The United States Institute for Theatre Technology (USITT) and
Vice-Chair of Design, Technology and Management for The Kennedy Center American College Theatre Festival Region IV. He has
received both regional and national awards for his designs.
CHRISTINE DUNANT (NPP Director) received a Bachelor's in Theatre Arts with an emphasis in Directing from Clark University. At
Clark, Christine directed Come and Go by Samuel Beckett, Crave by Sarah Kane, and Blue Window by Craig Lucas. She also
frequently directs student-written pieces, working with playwrights and actors to explore and improve the pieces. Christine
received the Plamondon Award, Outstanding Student in the Arts in 2008. In May 2010, Christine graduated with a Master's degree
in Community Development and Planning from Clark University and currently works at the Worcester Art Museum in the Education
Department.
ERIC ENGEL (SDC Respondent / Workshop Presenter) is the Artistic Director of the Gloucester Stage Company and Director of
College Theater Venues if the Office for the Arts at Harvard University. He has directed over 85 productions for Boston area
theaters and Colleges.
DARREN EVANS (Irene Ryan Selector) has been working as a theatre artist in the Boston area for almost 20 years. In addition to
serving as the Director of Programs at the Boston Center for the Arts, he is the Artistic Director of Theatre on Fire. He helped found
the Small Theatre Alliance of Boston in 2009, was on the planning committee of the 2011 Boston Theatre Conference and the Host
Committee of the 2012 TCG National Theatre Conference, and was the 2010 recipient of the Lois Roach Award for Outstanding
Commitment to the Boston Theatre Community.
GREGORY FLETCHER (Director of Programming for Language) a graduate of California State University at Northridge with a BA in
Theater Arts, of Columbia University with an MFA in Directing, of Boston University with MA in Playwriting, and a proud member of
Dramatists Guild and Actors Equity Association, Fletcher is a proud protégé of Howard Stein and Adrian Hall. In NYC, Greg has
directed several plays Off-Off-Broadway and for local universities. Regionally, Greg has directed plays in LA, Orlando, Provincetown,
and at universities such as Bloomsburg University of Pennsylvania and Niagara University. An award winning playwright, Fletcher is
currently the Director of Theatre Arts at CUNY - Kingsborough in Brooklyn. For more info, visit www.gregoryfletcher.com.
FOCAL PRESS publishes the best Theatre books covering Acting, Costume, Makeup, Lighting, Sets, Drawing, Rendering,
Worship Technology, Scenic Art and much more. Our books are written by creative experts for creative people. http://
www.focalpress.com/theatre.aspx
SCOTT R. GAGNON (Region 1 Theatre Journalism Co-Chair, Regional Selection Team) is the Director of Theater Programs and
Assistant Professor of Theater Arts at Emmanuel College. Scott has directed shows at Turtle Lane Playhouse, the Savoyard
Light Opera Company, MIT, Emerson, the Longy School of Music, Riverside Theater Works, the Boston Center for the Arts and the
Footlight Club. He is the author of the baseball musical Black Sox, about the 1919 World Series, and this year Scott was pleased to
be named to the Board of Directors for the New England Theater Conference.
RUSSELL GARRETT (Maltby Award Workshop Coach & Respondent/Selector) is excited to be taking part in his seventh Region 1
Festival this year. Mr. Garrett has over 30 years of experience as a professional actor, director, choreographer, and regional
theatre artistic director. As a director/choreographer his work has been seen from Maine to California with several stops in
between. Some of his favorites include CHICAGO and ANYTHING GOES for Skylight Opera in Milwaukee, KISS ME, KATE for
Moonlight Stage in San Diego, and CABARET, TOMMY, and CHICAGO for the Arts Center of Coastal Carolina in Hilton Head, SC. In
the Boston area, Russell recently directed LITTLE SHOP OF HORRORS for New Repertory Theatre in Watertown and ALL SHOOK UP
for North Shore Music Theatre. He has staged BEEHIVE, SHOUT!, and HIGH SCHOOL MUSICAL for the Ogunquit Playhouse in
Maine, THE ROCKY HORROR SHOW, THE BEST LITTLE WHOREHOUSE IN TEXAS, and FALSETTOS for Foothills Theatre Company in
Worcester, and HAIRSPRAY, THE FULL MONTY, and 9 TO 5 for Theatre By The Sea in Rhode Island. As an actor his Broadway,
National, and International tours include THE SCARLET PIMPERNEL, 42ND STREET, SEVEN BRIDES FOR SEVEN BROTHERS, SHOW
BOAT, PAGEANT, MY FAIR LADY, and many productions of A CHORUS LINE. He has been seen on New England stages as Julian
Marsh in 42ND STREET and Col. Pickering in MY FAIR LADY at Stoneham Theatre, Zach in A CHORUS LINE at Reagle Players, Roger
Debris in THE PRODUCERS and Ernst in CABARET at Ogunquit Playhouse, Bob Cratchit in A CHRISTMAS CAROL at North Shore Music
Theatre, and will be appearing this spring as Emperor Joseph ll in AMADEUS at New Rep in Watertown.
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GARY GARRISON (NPP Respondent) is a playwright and author, as well as the Executive Director for Creative Affairs of the
Dramatists Guild of America. The former Artistic Director and Division Head of Playwriting for the Goldberg Department of
Dramatic Writing at the Tisch School of the Arts, he continues working with graduate playwrights each semester as an active
faculty member. As a guest artist and lecturer, he has traveled throughout the country speaking to hundreds of playwrights in
college and university programs, small and large theatres and playwrights organizations. Each summer he heads a national
playwriting intensive hosted at the Kennedy Center for the Performing Arts in Washington, D.C. In 2005, Gary was named
Outstanding Teacher of Playwriting by the Association for Theatre in Higher Education.
TIM GLEASON (10-Minute Play Director) is a Founding Member and Artistic Director of KNOW Theatre in Binghamton,NY. He has
been involved with new plays at KCACTF Region 1 for the past eight years. He has acted professionally up and down the east
coast KNOW Theatre produced the Region 1 finalists last year, and will continue this for years to come. KNOW Theatre celebrates
its twentieth anniversary this coming August.
HERRICK GOLDMAN (DTM Respondent) has been designing lighting since 1991. His work has been seen all over the world including
Brazil, India, Shanghai, London, Frankfurt, Manila, Brisbane, and other exotic locales like Boston, New York, Chicago, Philadelphia,
Houston, Dallas, El Paso, Maui, Iowa, Benton Illinois and Las Vegas. His work has been presented at Broadway’s August Wilson and
many other Off– Broadway venues and regional theaters. Herrick has been honored with the 1st Redden Award for excellence in
Theatrical Design, and nominated for a 2009 Henry Hewes award. He is also a recipient of Live Design’s Excellence award for
Theatrical Lighting. In the early 90’s Herrick was the Lighting Design Instructor for the MIT Theater Arts Department. From there he
segued into television lighting design as an associate for the firm New York City Lites, working with designers Bruce Ferri and Chuck
Noble. In 1997 Herrick continued his freelance design career finding a mix of theatrical lighting design and corporate
entertainment projects that he could lend his artistic vision to. Having found success in this venture he founded the firm HG
Lighting Design in 2006. www.hglightingdesign.com
ANITA GONZALEZ (Workshop Presenter) is director, writer, and educator whose work has appeared on PBS national television
and at Lincoln Center Out-of Doors, Dance Theater Workshop, Tribeca Performing Arts Center, and other national and
international venues. She teaches directing and theatre studies courses at SUNY New Paltz where she recently finished a
collaborative directing course with a television media professor. Gonzalez has worked for Viacom, WPIX, and WNYC –TV and
coordinated the film/video collection of Dance Collection at Lincoln Center. She is an Associate Member of the Society of Stage
Directors and Choreographers, a member of the Dramatists Guild, and a newly inaugurated member of the National Theatre
Conference.
JERRY GORALNICK (Workshop Presenter / Ryan Selector) has been a member of The Living Theatre since 1985 and has
appeared in over 25 productions performing in five languages in seven countries. He created and directed the LT street theater
play NO SIR! and has conducted workshops in over 20 colleges. In addition to his Living Theatre work Mr. Goralnick has appeared
in films, television, off-Broadway, web series and music videos. For the past year he has been an organizer with Occupy Wall
Street.
ERIKA GRAYSON (Workshop Presenter) Erika Grayson is an Assistant Professor of Theatre Art at SUNY Plattsburgh.
JULIE HENNRIKUS (StageSource Executive Director) is the Executive Director of StageSource (www.stagesource.org), an arts
service organization for the greater Boston and New England theater community. She also teaches arts management classes at
Emerson College. She tweets under @JulieHennrikus, and for @StageSourceBos.
RAINA AMES (Region 1 Co-Chair /Regional Selection Team) MFA and author of A High School Theatre Teacher’s Survival Guide, is
Associate Professor at the University of New Hampshire. Prior to starting at UNH, Ames served as Director of Education at
TheatreVirginia, Richmond. Regionally, Ames directed A Midsummer Night’s Dream for Manchester's Palace Youth Theatre. On
campus credits: And Then They Came For Me and Midwives by Dana Yeaton. Her latest production was Avenue Q, and this fall
Ames choreographed the stage combat for UNH’s production of Macbeth.
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GREGG HENRY (Artistic Director- KCACTF) Recent productions: Theatre Alliance (2012) and Hub Theatre (2011) Helen Pafumi and
Jason Lott’s Wonderful Life, the Kennedy Center- Tom Isbell’s The Mostly True Adventures of Homer P. Figg (from the Newbery
Honor book by Rodman Philbrick), Teddy Roosevelt and the Treasure of Ursa Major, Teddy Roosevelt and the Ghostly Mistletoe (in
partnership with the White House Historical Association, with songs by Mark Russell), Mermaids, Monsters and the World Painted
Purple, Dreams in the Golden Country, The Light of Excalibur, Round House Theatre- Melanie Marnich’s A Sleeping Country, WSC
Avant Bard- Julie Jensen's Two-Headed and Barbara Field's adaptation of Scaramouche. He directed the US Premieres of Girl in the
Goldfish Bowl by Morris Panych for Metro Stage and You Are Here by Daniel MacIvor for Theatre Alliance. Centerstage First Look
series: The North Pool by Rajiv Joseph. For Arena Stage Downstairs series: Biography of a Constellation by Lila Rose Kaplan and The
Near East by Alex Lewin. For Catholic University: Whales by Bob Bartlett, Miranda is Morning by Stephen Spotswood. He is artistic
associate for New Works and Commissions for Kennedy Center Theatre for Young Audiences and is director of the Kennedy
Center/Kenan Trust Performing Arts Fellowship Program. For eleven years, he has curated and co-produced the Kennedy Center
Page-to-Stage New Play Festival, a free event at the Kennedy Center, featuring concert readings and open rehearsals of new work
by the theatres in the DC and Baltimore Metro area. For these Festivals he produced special readings of Marco Ramirez’ A Million
Billion Thunders or Where Two Trees Make an X, Lee Blessing's The Scottish Play and Ken Ludwig's Baskerville, The Game’s Afoot,
Shakespeare in Hollywood, The Three Musketeers, and Treasure Island. He produces the annual MFA Playwrights’ Workshop at the
Kennedy Center in association with NNPN and the National Center for New Plays at Stanford University. Gregg has acted, directed,
and/or staged the fights with the Colorado, Iowa, Michigan, Oklahoma and Wisconsin Shakespeare Festivals. He received his MFA
in Acting from the University of Michigan and is formerly the director of theatre and an associate professor at Iowa State
University. He is proud to serve on the Board of Taffety Punk Theatre Company, on the National Advisory Board of the Literary
Managers and Dramaturgs of the Americas [LMDA], and is a member of the Dramatists Guild of America.
WADE HOLLINGSHAUS (KCACTF Region VIII National Playwriting Program Chair) is the head of Dramaturgy Studies in the
Department of Theatre and Media Arts at Brigham Young University, where he teaches courses in dramaturgy, literary and cultural
theory, theatre historiography, performance studies, and Finnish literature. Primarily, his research uses contemporary Continental
philosophy to explore and re-think various performative sites: rock and roll, media technologies, human rights, and dramaturgy, to
name a few. He is currently working on a book project entitled Philosophizing Rock Performance: Dylan, Hendrix, Bowie
(forthcoming from Scarecrow Press) and is also conducting research into the relationship between dramaturgy and education
theory. Among his dramaturgy credits are: A Christmas Carol: The Musical (2012, Pioneer Theatre Company), The Elephant Man
(2011, Brigham Young University), Peer Gynt (2003, University of Minnesota), and new plays developed by the Association for
Theatre in Higher Education and the Kennedy Center American College Theater Festival.
MARK HOLLMAN (Keynote Speaker) is a musical-theater composer and lyricist who received the Tony Award, the National
Broadway Theatre Award, and the Obie Award for his score to Urinetown, the Musical, which itself won Outer Critics Circle, Drama
League, and Lucille Lortel Awards for best musical. In addition, Urinetown was selected as one of the season's best plays in The
Best Plays of 2000-2001: The Otis Guernsey/Burns Mantle Theatre Yearbook. From its successful run on Broadway, Urinetown has
gone on to hundreds of productions across the U.S. and throughout the world, including Japan, South Korea, Germany, Australia,
Canada, and the Philippines. The cast album of Urinetown is available from RCA Victor, and vocal selections from the show have
been published by Hal Leonard. His other musicals as composer/lyricist include Yeast Nation (the triumph of life), which was part
of the 2011 New York International Fringe Festival. Mark graduated with a bachelor's degree in music from the University of
Chicago, where he received the Louis J. Sudler Prize in the Creative and Performing Arts. In 2004, he was honored by his Illinois
high school, Belleville Township East, as one of the first inductees of its Wall of Fame. He is a member of ASCAP, the Dramatists
Guild of America, and serves on the advisory board of the Dramatists Guild Fund. In 2010, he was elected to a three-year term on
the Tony Nominating Committee. He lives in Manhattan with his wife, Jillian, and their sons, Oliver and Tucker.
TONY HOWARTH (Workshop Presenter/NPP) is a poet, playwright, director, teacher. His poetry has appeared in several
magazines, including Pearl and The Naugatuck River Review. His chapbook, As the Glider Glides is scheduled for publication this
month by the Last Automat Press. Playwrighting credits include a dozen one-act plays; three musicals; full-length plays include
Thornwood, produced at several colleges, including Fitchburg State College, off-Broadway, across the U.S., in Tanzania and
Amsterdam, made into an award-winning indie film. As playwright-in-residence at the Mint Theatre, New York City, from 1991 to
1995, he conducted a playwrighting workshop; later, the workshop moved to the Westbeth Theatre Center in New York City;
currently he runs the workshop at Arts on the Lake, in Kent, N.Y.
JESSE HOYER (Festival Technical Director) graduated from Fitchburg State University. He has worked as Lighting Designer, Set
Designer, Master Electrician and Technical Director at the University. He has been awarded Special Commendations from the
Kennedy Center for his Technical Director work on Taming of the Shrew, and Sticks and Bones.
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TONY HUMRICHOUSER (Maltby Award Workshop Coach & Respondent/Selector) is an award-winning actor, choreographer and
director from Detroit, Michigan who currently resides in New York City.His performance credits include Jinx/Sparky in the Joseph
Jefferson Award Winning Chicago company of Forever Plaid, John Adams in 1776, Gabe in Dinner with Friends, Herald in Marat/
Sade and Bob Cratchit in A Christmas Carol at the Tony Award winning Trinity Repertory Company. He most recently was seen as
Gordon Schwinn in the Stage West Theatre Company’s production of A New Brain, as Malcolm McGregor in The Full Monty at The
Des Moines Playhouse. Regional credits include Oscar in Sweet Charity, Lumiere in Disney’s Beauty and the Beast, Harold Bride in
Titanic, Applegate in Damn Yankees, Hornbeck in Inherit The Wind, Cornelius Hackle in Hello Dolly, Noah in The Rainmaker, Ben
Gant in Look Homeward Angel, Otto Kringelein in Grand Hotel and Charlie in The Foreigner. Regional directing credits include
Camelot, Seven Brides for Seven Brothers, My Fair Lady, A Funny Thing Happened On The Way To The Forum, Anything Goes, The
Unsinkable Molly Brown, Brigadoon, State Fair, Godspell, Pippin, Blood Brothers, Quilters, You Can’t Take it With You, The Mystery
of Edwin Drood, Merrily We Roll Along, The Boy Friend, The Importance of Being Earnest and Quilters. Humrichouser’s partnership
with playwright Robert Joseph Ford on CAUCUS! The Musical! received international attention and was featured by over 200
international, national, and regional media organizations Most recent New York production credits include assisting Director
Lonny Price on the New York Philharmonic’s production of Company at Lincoln Center and directing The Other Steve and Edie
starring Edie Falco and Stephen Wallem at The Laurie Beechman Theatre. Humrichouser holds a B.F.A. in Musical Theatre
Performance from Western Michigan University and an M.F.A. in Acting from Rhode Island College. He is a graduate of the Trinity/
Brown Consortium in Providence, RI and a member of the Actors Equity Association.
AMANDA HUOTARI (Workshop Presenter) has served as Executive Director of Celebration Barn Theater since 2007. With a BFA in
acting from Emerson College, she's also studied physical theater at the Lecoq School in Paris, France and trained in Italian
Commedia Dell’Arte with Antonia Fava in Reggio Emilia, Italy. Mandy spent 9 years touring Add Verb Productions one woman
show, The Thin Line. Her own solo show, The Soiree, has been featured at festivals across the US and beyond including Orlando
Fringe Festival, The New York Clown-Theatre Festival and Teatro R101 in Bogota, Colombia. A 2012 tour of the her ColombianAmerican collaboration with Daniel Orrantia and Aaron Tucker, The Fabulous Problemas, received rave reviews in performances
from Indiana to Florida. Mandy is also a member of Celebration Barn Ensemble, who premiered their first original full-length play,
Thumbs Up, at the Portland Performing Arts Festival in June and is currently making plans for an extended tour.
CATHY HURST (Region 1 Co- Chair, Regional Selection Team) has been directing professionally for over twenty years. She is a
Professor of Theatre (Acting / Directing) at Saint Michaelʼs College in Colchester, Vermont and is the former Artistic Director of
Saint Michaelʼs Playhouse, the equity theatre in residence at the college. Cathy recently directed The Complete Works of William
Shakespeare, Abridged, and a devised production about our obsession with social media called APPetite. She is currently
producing a film by Jessi Shuttleworth, February, featuring Phyllis Somerville and Cristen Hemingway (the great granddaughter of
Earnest Hemingway) , which will be filmed in New York this summer.
CHRISTINE TOY JOHNSON (NPP Respondent / Maltby Award Workshop Coach & Respondent/Selector) Johnson is an award
winning actor, writer and filmmaker and has been featured extensively on Broadway, off-Broadway, in regional theatres across the
country, in film, television, and concerts worldwide. Highlights include Broadway’s THE MUSIC MAN, GREASE!, and CHU CHEM, Off
Broadway’s MERRILY WE ROLL ALONG, PACIFIC OVERTURES, CRANE STORY and FALSETTOLAND, the national tours of CATS,
FLOWER DRUM SONG and BOMBAY DREAMS, New York City Opera, Minnesota Opera, and leading roles at some of the most well
respected theatres across the country. Nearly 100 television appearances include two years as “Lisa West” on ONE LIFE TO LIVE,
666 PARK AVENUE, 30 ROCK, UGLY BETTY, THE BIG C, FRINGE, ROYAL PAINS, CROSSING JORDAN, NUNSENSE, NUNSENSE 2, and
many
episodes of various LAW AND ORDERS. An anthology of her written work was inducted into the Library of Congress
Asian Pacific American Performing Arts Collection in 2010. She co-directed/executive produced the award-winning documentary
feature, TRANSCENDING – THE WAT MISAKA STORY and is currently writing book and lyrics to BARCELONA, with composer Jason
Ma.
Christine is a proud member of AEA, SAG-AFTRA, The Dramatists Guild and the BMI Musical Theatre Writing Workshop.
She has been honored by the Asian American Arts Alliance for Outstanding Service in The Arts and by the JACL for Exemplary
Leadership and Dedication. For details, please visit www.christinetoyjohnson.com
PEGGYRAE JOHNSON (Workshop Presenter) is a freelance actor / director with over 200 theatre, television, and voiceover
productions. She coordinated the Irene Ryan's for ten years, served as Region I Associate Chair, and is the honored recipient of
both a Kennedy Center Medallion and National Acting Fellowship. She teaches at Keene State and Franklin Pierce.
DAVID KAPLAN (Workshop Presenter) David Kaplan is the curator and co-founder of the Provincetown Tennessee Williams Theater
Festival, now in its eight year. He is the author of the biographical "Tennessee Williams in Provincetown" and the editor of the
centennial anthology "Tenn at One Hundred." He has staged productions of Williams throughout the world: Russia, Hong Kong,
Ireland, and most recently in Uruguay.
45
NATALIE KEARNS (Workshop Presenter) works as a Props Master, Artisan, and Set Dresser in the Boston and Providence theatre
communities. She is currently the staff Properties Artisan at Trinity Repertory Company in Providence, Rhode Island and also serves
as Props Master for the Brown/Trinity MFA Program and the Brown University Theater Department. Local props credits include
work for SpeakEasy Stage, the Lyric Stage Co., Nora Theater, Opera Boston, New England Conservatory, Shakespeare and
Company, and Brown/Trinity Playwright's Rep. Beyond New England, she's had work featured at the Beijing Music Festival in China,
Royal Shakespeare Company in England, and Central City Opera in Colorado. She was a Professional Intern at the Huntington
Theatre Company for the 2008-2009 season and has her BFA in Theater Design/Technology from Emerson College.
www.nataliekearns.com
WIL KILROY (Workshop Presenter) is Vice President and co-founder of the National Michael Chekhov Association, Wil teaches
workshops around the country, with recent presentations at Bowling Green State University and Loyola Marymount in CA. He is a
professor at the University of Southern Maine.
TALYA KINGSTON (Dramaturgy Respondent / Workshop Presenter) is a Visiting Assistant Professor of Theatre at Hampshire
College, where she teaches courses in dramatic literature and dramaturgy. She was previously Educational Programs Coordinator
at the New Conservatory Theatre Center in San Francisco and subsequently held the position of Education Director at Hartford
Stage. Talya’s production dramaturgy credits include the premiere of Eve Ensler’s Necessary Targets at Hartford Stage and the US
premiere of Helmet by Douglas Maxwell at the New York Fringe Festival. She curates a monthly play reading series in
Northampton, Massachusetts. Talya holds an MFA in dramaturgy from the University of Massachusetts.
GREG KOTIS (Keynote Speaker) is the author of The Boring-est Poem in the World, Yeast Nation (Book/Lyrics), The Truth About
Santa, Pig Farm, Eat the Taste, Urinetown (Book/Lyrics, for which he won an Obie Award and two Tony Awards), and Jobey and
Katherine. His work has been produced and developed in theaters across the country and around the world, including Actors
Theatre of Louisville, American Conservatory Theater, American Theater Company, Henry Miller's Theatre, Manhattan Theatre
Club, New York Stage and Film, Perseverance Theatre, Roundabout Theatre Company, Soho Rep, South Coast Rep, and the Old
Globe, among others. Greg is a member of the Neo-Futurists, the Cardiff Giant Theater Company, ASCAP, the Dramatists Guild, and
is a 2010-11 Lark Play Development Center Playwrights Workshop Fellow. He grew up in Wellfleet, Massachusetts and now lives in
Brooklyn with his wife Ayun Halliday, his daughter India, and his son Milo.
DANIEL KOZAR (Workshop Presenter / Region 1 DTM 2nd Co-Vice Chair) is Director of the Theatre Program, and Costume Designer
- in- Residence at Dean College in Franklin, MA , and has costumed / wardrobed over 150 Theatrical, Film, and Television
Productions. He holds degrees from Marywood University in Scranton, PA, and The Fashion Institute of Technology, New York, NY
and is a member of Stage Source, USITT ( United States Institute of Theatre Technology), and the Costume Society of America.
DAVID LANE (Workshop Presenter) David Lane is a regular contributor to the internationally recognized and critically acclaimed Old
Trout Puppet Workshop and directed several of their inaugural performances. His street performances of Punch and Judy toured
coast to coast in the both the US and Canada at venues including New York City’s Lincoln Center’s Out-of-Doors Festival. David
received an MFA in Theatre from Sarah Lawrence College and currently teaches acting and devised theatre at Siena College. He is
the co-director of the New England Puppet Intensive, which runs July 29 to Aug. 14, 2013 in Williamstown, MA.
THERESA LANG (Workshop Presenter/Region 1 Dramaturgy Chair) is a dramaturg, director, and teacher. She is a faculty member
at Boston College and Stonehill College, and was the Associate Director of the inaugural New Play Dramaturgy Intensive at the
Kennedy Center. She holds a Master’s from Brown and a Ph.D. from Tufts University.
TOM LITTRELL (Workshop Presenter) Tom is employed by Electronic Theatre Controls, Inc. and is now part of their Education and
Training team. After completing a BA in Theatre from Stephen F. Austin State University in Texas, he was a moving light
programmer and marketing staffer for Vari-Lite, Inc. Tom toured with bands such as Led Zeppelin and David Bowie, and
programmed the first modern day moving light system for the band Genesis in 1981.
MARYA LOWRY (Workshop Presenter) has been an Associate Professor at Brandeis University since 1989. Founding Member/
Resident Actor, Actors' Shakespeare Project, Boston, since 2004. Roy Hart Theatre Voice Teacher, Malerargues, France. Teaching
Workshops in France, Greece, UK, Canada, Teachers As Scholars, Cambridge; Naropa U., DePaul U., Salem State University,
University of California, etc. VASTA member since 1986; Board of Directors for 3 years.
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STEVEN MALER (Workshop Presenter) is the founding Artistic Director of Commonwealth Shakespeare Company (CSC), which
presents free productions of Shakespeare on the Boston Common. His CSC production of TWELFTH NIGHT won the Elliot Norton
award for “Best Production,” his production of A MIDSUMMER NIGHT'S DREAM won the Norton Award for "Outstanding Director,”
his production of SUBURBIA for the SpeakEasy Stage Company won the Norton Award for "Best Production," and his production of
John Kuntz’s STARF***ERS won the Norton Award for “Best Solo Performance.” STARF***ERS was presented in the New York
International Fringe Festival and won the “Best Solo Performance Award.” His most recent production, the critically acclaimed
OTHELLO starring Seth Gilliam and James Waterston, played on Boston Common for CSC and was seen by over 110,000 people.
Other productions include the American Premiere of Peter Eötvös' operatic treatment of Tony Kushner’s ANGELS IN AMERICA; THE
TAMING OF THE SHREW, starring Jennifer Dundas, HAMLET, starring Jeffrey Donovan, MACBETH, starring Jay O. Sanders, HENRY V,
starring Anthony Rapp, A COMEDY OF ERRORS, MUCH ADO ABOUT NOTHING, ROMEO AND JULIET, AS YOU LIKE IT, JULIUS CAESAR,
and THE TEMPEST for CSC; the World Premiere of Enrico Garzilli’s MICHELANGELO for Opera Providence; TURN OF THE SCREW for
The New Repertory Theatre; SANTALAND DIARIES and PORCELAIN for the SpeakEasy Stage Company; TOP GIRLS and WELDON
RISING for The Coyote Theatre; and THE L.A. PLAYS by Han Ong for the American Repertory Theatre, where he was the Artistic
Associate for New Plays. His New York City credits include the New York Musical Theatre Festival production of WITHOUT YOU,
written by and starring Anthony Rapp for which he was recognized with an Honorable Mention for Excellence in Directing by The
NYMF 2010 Awards for Excellence. The production recently concluded a successful run in Seoul, South Korea.
RICHARD MALTBY, JR. (Festival Special Guest & Honoree/Musical Theatre VIP) BROADWAY: Conceived and directed two Tony
Award winning musicals: Ain't Misbehavin' (1978: Tony, NY Drama Critics, Outer Critics, Drama Desk Awards -- also Tony Award for
Best Director.) Fosse (1999, Tony, Outer Critics, Drama Desk Awards); as well as RING OF FIRE, The Johnny Cash Musical Show
(2006). With composer David Shire: director/lyricist: Baby (1983, book by Sybille Pearson, seven Tony Award nominations); lyricist:
Big (1996, book by John Weidman, Tony nomination: Best score); lyricist/conceiver, TAKE FLIGHT (2010, book by John Weidman),
with Alan Boublil and Claude-Michel Schonberg, co-Lyricist: Miss Saigon (Evening Standard Award, 1990: Tony Nomination, Best
Score 1991); co-bookwriter/lyricist, THE PIRATE QUEEN (2007). Director, The Story of My Life (2009). Director co-lyricist: American
version of Andrew Lloyd Webber's Song and Dance (1986 Tony award for star, Bernadette Peters.) OFF BROADWAY: director/
lyricist Starting Here, Starting Now, (1977, Grammy nomination) and Closer Than Ever (1989, two Outer Critics Circle Awards: Best
Musical, Best Score),, both written and composed by David Shire. REGIONAL: director, MASK (2008, Pasadena Playhouse); director,
THE 60's PROJECT (2006, Goodspeed). FILM: Screenplay, MISS POTTER (2007) about Beatrix Potter, starring Rene Zellweger and
Ewan McGregor (Christopher Award, best screenplay).
DENISE MASSMAN, (Workshop Presenter) MFA, is an assistant professor and chair of the Creative Art Department at Siena College
where she teaches interdisciplinary and theatre design courses. Her latest work at Siena will be the costume design for Antigone
this fall. Her most recent professional work includes costume designs for Montana Shakespeare in the Park’s, Merchant of Venice,
set and costume designs for The Montana Lyric Opera Company’s, The Marriage of Figaro and costumes for Curtain Call Theatre.
Denise hails from Montana where she has worked professionally in all aspects of theatre for over 30 years.
JULIO AGUSTIN MATOS, JR. (Workshop Presenter) has been featured on Broadway in Chicago, Bells Are Ringing (revival), Women
on the Verge of a Nervous Breakdown, and others. A recent appointee to the Shelfer Scholar of the College of Music at the Florida
State University, Julio runs a monthly audition studio in New York City (www.TheTransitionWorkshop.com) teaching his Transition
Strategies to students transitioning from student to professional. He is an assistant professor of Theatre Arts at Western
Connecticut State University. Member: VASTA, SDC, Actors Equity Association, SAG/AFTRA.
HARRY McENERNY (Irene Ryan Chair) is Professor and Chair of the Theater Arts Department at Castleton State College
where he teaches courses in Acting, Directing, and Theatre History. He holds an MFA in Directing from Virginia Commonwealth
University. He is also a founding member of Middlebury Actors Workshop.
GEORGIA McGILL (Regional Selection Team) is the National Chair for KCACTF’s National Playwriting Program and Chair of the
Dept. of Speech Communication and Theatre Arts at the City University of New York Queensborough Community College. She was
a member of the KCACTF National Selection Team in 2007 and is a former Region II NPP chair. As a writer and director her
interests lie in new plays drawn from ancient mythology. Her latest play, Antigone’s City, premiered in 2011 with the support of a
grant from PSC. Georgia has directed extensively both nationally and internationally.
RYAN McKINNEY (Musical Theatre Chair, Workshop Presenter & Regional Selection Team) is an Assistant Professor of Theatre Arts
for the City University of New York at Kingsborough Community College. He has also served on the faculties of San Diego State
University, Pace University, Marymount Manhattan College, Five Towns College, Emerson College and Western Connecticut State
University. In addition to his work as an educator, he maintains an active career as an actor, director and theatre manager, having
worked on productions at Manhattan Theatre Club, The Vineyard Theatre, Moonlight Amphitheatre, Queens Theatre in the Park,
Little Theatre on the Square and on NBC’s Law & Order: SVU. Ryan holds an M.F.A. in Musical Theatre from San Diego State
University and a B.A. in Theatre & International Studies from Fairfield University.
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JAMES McNAMARA (Workshop Presenter) is the Assistant Professor of Lighting and Sound Design at Westfield State University.
Professionally, James has designed at LaMaMa ETC, Pilgrim Theater Company, Chester Theatre Company, CompanyOne, New
Century Theatre, Strong Coffee Stage, New World Theater, Vermont Commons Group, Sankofa Dance Project, Lost Nation
Theater, World Myth and Music and The Clavin Theater. James has been a guest artist/designer in the Undergraduate Theater
Programs at Yale University, Amherst College, Smith College, and The University of Massachusetts, Amherst. Before teaching at
Westfield State University, James was on the faculty at Franklin Pierce University.
DEBRA McWATERS (Broadway Theatre Project Co-Artistic Director & President) Debra’s life mission has always involved helping
young people despite an enviable career directing and choreographing on stages around the world and on Broadway. Influenced
by the work of Bob Fosse, she not only has become one of the foremost teachers of his unique choreography but also wrote one
of the definitive books on the subject – The Fosse Style (University Press of Florida, 2008, with a forward by Ben Vereen). For
more than 15 years, Debra was first the Assistant Choreographer and then Associate Choreographer for director, choreographer
and legendary Fosse protégé, Ann Reinking. Deb has assisted Ms. Reinking on the New York City Center Encores! production
and subsequent (and still running) Broadway production of Chicago, as well as the London, Australian, Viennese and
touring productions. She also assisted on the Broadway, West End, National Touring & European Touring production of the Tony
Award winning musical, FOSSE, later becoming the director and choreographer of the second national and European tours. Debra
was Ann Reinking’s Associate Choreographer on Applause at Papermill Playhouse, Strings! at New York City Center Encores!, The
Look of Love at Roundabout Theatre Company, The Visit at the Goodman Theatre with Chita Rivera, Legends at Joffrey Ballet in
Chicago, Suite Kander at Missouri State Ballet, Tonight at 8:30 at Williamstown Theatre Festival, and Caution: Side Effects with
Melissa Thodos Dancers. Debra also was Associate Director & Choreographer for Broadway under the Stars at Bryant Park,
choreographer for Ben Vereen’s one-man shows, and choreographer for two workshops of composer Frank Wildhorn’s musicals:
Wonderland, which ran on Broadway this past year, and Havana. Earlier in her career, Debra served as Chair of the University of
South Florida Dance Department in Tampa. She holds a master’s degree in Mathematics with a concentration in statistics and, in
her earlier non-showbiz life, worked at NASA on the space program, where her father was a launch team member on the Apollo
mission. Debra co-founded BTP in 1991 with Ann Reinkeing and the success of BTP inspired her to author Musical Theatre
Training: The Broadway Theatre Project Handbook, published in 2009 by University Press of Florida.
SCOTT MILLER (Workshop Presenter) is currently an Associate Arts Professor at the Graduate Acting Program in NYU Tisch’s
School of the Arts. Acting for nearly twenty five years, Scott received his vocal training under the private direction of Shane Ann
Younts (NYU Tisch School of the Arts Graduate Acting) and Robert Neff Williams (Juilliard), his formal acting training with Uta
Hagen and Carol Rosenfeld, Wynn Handman (Character), his movement/acting training with Lenard Petit (The Michael Chekhov
Technique) and Jessica Wolf (Yale) in the Alexander Technique and Techniques in Breathing Coordination. Scott received his Juris
Doctorate from George Washington University’s Law School.
TOM MILLER (Workshop Leader, Ryan Selector), prior to joining the staff of Actors' Equity Association, Tom was an Actor for
over 25 years, performing in National Tours, Regional Theatre, Off Broadway, with the Atlanta Ballet, Ballet Florida, Carl Radcliff
Dance Theatre, at Opryland USA, and in Europe. He can be seen in the documentary “Show Business – The Road To Broadway”
hosting a Broadway Gypsy Robe presentation. For over a decade Tom served as a voter for the annual Tony Awards. Equity
Member since 1983.
JEFFREY MODEREGER (Region 1 DTM Co-Vice Chair/Scenic Design, USA/IATSE) - As a Full Professor at UVM, Jeff teaches the
Fundamentals of Scenery, Scene Design, Advanced Scene Design and Scene Painting classes. Stepping down after ten years as
chair of the department, this year marks Jeff’s twentieth year in the Department of Theatre. His professional life spans 30 plus
years and nearly 400 productions with credits ranging from national and international tours, regional theatres, opera and dance
companies, off-Broadway, Broadway, industrials, television and the silver screen. Jeff is represented by the National Holocaust
Museum’s exhibit of Remember the Children: Daniel’s Story (as well as the same exhibit in the Holocaust Museum in DC). He has
been production manager and resident designer for two professional summer theatre programs spanning a period of twenty-six
years. Future projects include the Vermont Stage Company’s productions of 4000 Miles, Good People and in continued
negotiations for a new national tour and a Broadway bound musical.
BILL MOOTOS (Workshop Presenter) is an actor based in Boston and New York. Most recently, he appeared with Metropolitan
Playhouse in NYC, the Hanover Center in Worcester, Boston Playwrights Theatre, and Sierra Repertory Theatre. Bill is a member
of AEA, the Boston Actors’ Equity Liaison Committee, served on the Board of Directors of StageSource, and is a National Board
Member of the newly-merged union SAG-AFTRA. He has also appeared in a number of commercials and independent films.
ANNE G. MORGAN (NPP Respondent / Workshop Presenter) is the Literary Manager at the Eugene O’Neill Theater Center, where
she provides dramaturgical support to the center’s programs and managers the center’s selection processes (about 1,300
applications). At the O’Neill, she has supported projects by Hilary Bettis, Nilo Cruz, and Kathryn Walat, among others. Anne has
taught at the University of Connecticut and the National Theater Institute.
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KELLY MORGAN (Immediate Past Chair, Region 1 KCACTF / Workshop Presenter) Region I Co-Chair Arts Management,
Founder-Mint Theater, NYC. Directing: Theatre For a New City (Playing Sinatra) May, 2013; Abingdon Theater (Love Drunk);
Steppenwolf Theater (Uncle Bob); Mint Theater (Thornwood); Contemporary American Theater Festival (Baby Dance);
AmeriCulture Festival (A Raisin in the Sun); Edinburgh Festival (The Laramie Project). Awards: Commonwealth Commendation for
Service to the Arts, KCACTF Directing Fellowship, KCACTF Medallion. Currently a Professor in the Communications/Media
Department at Fitchburg State University.
KRISTEN MORGAN (Workshop Presenter) Kristen is an Assistant Professor in the Department of Performing Arts at Eastern
Connecticut State University, where she teaches topics related to Theatre Design. She also has a professional career designing
environments and projected media for theatrical events. Past work includes projects for The Brooklyn Academy of Music's Next
Wave Festival, Soho Rep, The Piano Store, Richard Foreman's Ontological-Hysteric Theater, ESPN Winter and Summer X Games,
Perrier, Radio City Music Hall, New York University, Columbia University, Stanford University, and Virginia Tech. She designs often
for Gravity Partners, in residence at Juniata College, where she just completed a production of Macbeth. Kristen also recently
designed the scenery and projections for How I Paid For College at the Hub Theatre in Virginia.
KENDRA MURPHY (Host Festival Technical Director) is the Assistant Technical Director of the Tilden Arts Center at Cape Cod
Community College.
JO NAZRO (Festival Technical Director) attended Fitchburg State College majoring in Technical Theatre. Jo was a transfer student
from the Eastern Connecticut State University where she worked on The Visit, and The Sandcastle. At FSU she directed Seascape
with Sharks and Dancer for her senior project. Other accomplishments at Fitchburg State include numerous assistant technical
directing assignments, stage management, master electrician work, as well as design in both sound and lighting.
LARRY NYE (Workshop Presenter) Larry Nye is currently an Associate Professor of Children's and Musical Theatre and Dance in the
Department of Theatre at Southern Connecticut State University. While at SCSU he has directed and choreographed productions
of Bat Boy, Cabaret, Pippin, Anything Goes, Chicago (for which he received a Kennedy Center American College Theatre Festival
Meritorious Award for Outstanding Dance Ensemble) and How to Succeed in Business Without Really Trying (for which he received
a KCACTF Meritorious Award for Dance Choreography). He has also directed In One Basket, Foibled Fables and The Villain and The
Toy Shop for the Theatre for Young People. He recently choreographed the opening number for the 85th Macy's Thanksgiving Day
Parade. At the Barn Theatre in Michigan, Larry directed and choreographed the first regional release of The Producers and
choreographed the Disney original Geppetto and Son. He also directed and choreographed the classic Seven Brides for Seven
Brothers and choreographed Nunsense: The Mega Musical and an original production of Old Timer. In 2008 he directed and
choreographed The Full Monty for the Ivoryton Playhouse in CT. Larry is currently the Director of Dance at Stagedoor Manor
where he directed and choreographed the world premiere of Disney's High School Musical and recent productions of 9 to 5,
Curtains and Big: The Musical with Richard Maltby Jr. He has been a member of Actor's Equity Association since 1986 performing
productions of A Chorus Line, Evita, Showboat, Annie, Sugar Babies, Irma La Douce, South Pacific, The King and I and The Best Little
Whorehouse in Texas. While in New Haven, he has choreographed for Hopkins School and the Connecticut and the Connecticut
Gay Men's Chorus.
JENNIFER OUELLETTE (Region 1 Irene Ryan Coordinator / Administrative Director) Jennifer’s acting credits include over 30 years of
community theatre appearances, as well as two off-Broadway Showcases. She most recently appeared as Mary in the Farmington
Valley Stage Company’s fall production of The Memory of Water. She has also appeared in several award-winning independent
films, local television commercials and the feature film, The Departed, and is currently cast as the female lead in Two Days To
Pay (Vertex Entertainment). Jennifer earned her B.F.A. in Theatre from Central Connecticut State University in May 2000,
graduating Summa Cum Laude and with Theatre Department Honors.
Following graduation, she studied at
the British American Drama Academy in Oxford, England. Jennifer has taught and directed theatre in multiple secondary schools
across Connecticut, as well as several community theatres. Since 2010, she has been singing with “Sign of the Times,” an acoustic
duo that performs across Connecticut and southern Massachusetts and already has 650+ performances under her belt. Her most
important production this year was her wedding to her singing partner, Robert, on 12/12/12.
DANIEL L. PATTERSON (Theatre Journalism Chair / Regional Selection Team) Past Chair, Region I, Past Festival respondent for
Region II, VI, VIII. Last year’s Critics Fellow to the National Festival. Professor Patterson is active in ATHE as well and has directed
the David Mark Cohen playwriting award winner among others at that conference. He teaches at Keene State College in New
Hampshire.
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CHARLES PEPITON (Workshop Presenter) Charles Pepiton works as Visiting Assistant Professor of Theatre at St. Lawrence
University in Canton, NY. He recently returned to the U.S. after spending two years teaching and directing in The People’s Republic
of China at Guizhou University. While in China, he directed cross-cultural productions of Shakespeare’s A Midsummer Night’s
Dream and The Tempest. The latter production was invited to perform as part of the Chinese Universities Shakespeare Festival in
Hong Kong. As producing artistic director at Square Top Repertory Theatre, Charlie focused much of the theatre’s efforts on new
play development, producing a premier or new adaptation each season and nationally focused new works festival in 2008. In 2010,
he worked with playwright Damon Falke to produce and tour the premier of The Sun is in the West. The production centered on
questions of fading cultural particularities, localism, the unreliability of memory, and the way meaning and a sense of connection
are constructed by the telling and re-telling of stories. The show was also a means to explore action design, rural oral histories, and
devised performance.
JIM PETTIBONE (Workshop Presenter) is a graduate of the American Academy of Dramatic Arts in New York and Emerson College in
Boston. He has been an adjunct faculty member at Cape Cod Community College since 2007 where he's taught the On Camera
Acting course as well as directed various student productions. He is also the author of "Acting Essentials - A Guidebook for Acting
Students".
JAMES PETTY (Region 1 DTM 2nd Co-Vice Chair) is Technical Director and technical professor at Stonehill College in Easton, MA. He
received his BA in Theater from Stonehill College in ‘05, and an MA in Theater Education from Emerson College in ‘07. He has
worked professionally in Boston since 2003.
SHARON POULOS (Broadway Theatre Project Executive Director) returns to Broadway Theatre Project this year as Executive
Director having previously served as Program Director. Sharon was born in Cleveland, Ohio, raised in South Florida, and graduated
from high school in Costa Rica. She then returned to South Florida and attended Palm Beach State College, seeking a degree in
Computer Science. Prior to joining Broadway Theatre Project, Sharon served as Senior Software Developer, Designer and
Technical Specialist for one of the world’s largest information technology companies, IBM. She received several awards of
recognition during her 26 years tenure there. In addition to her business development, creative ideas and technical expertise that
she cultivated at IBM, Sharon has experience in Client Services. Those skills, coupled with her work with various children’s
programs in her community church and schools, helped to provide Sharon with the skills necessary to run a world class performing
arts learning institution. Sharon shared these skills with Broadway Theatre Project in her role as Program Director for the 2012
season, which helped to bring a fresh perspective to the Project. The manner in which she works provides an ease of
communication with apprentices, parents, and faculty. Sharon brings a wealth of knowledge to her role as Executive Director in
the areas of Business Development, Innovative ideas and Project Management. Sharon enjoyed her first year at BTP and is very
much looking forward to speaking with and meeting with the parents and prospective apprentices as well as the 2013 Class
throughout the coming year.
STEPHEN PURDY (Festival Accompanist and Maltby Award Vocal Coach) is on voice faculty of Marymount Manhattan College and
founded and is principal coach at the New York Vocal Coaching Studio, a vocal and music services studio for musical theatre
performers. His clients have been cast in the Broadway and touring companies of virtually every major Broadway musical of the
last decade including WICKED, MAMMA MIA, BILLY ELLIOT, SPIDERMAN, HAIRSPRAY, LEGALLY BLONDE, PHANTOM, THE ADDAMS
FAMILY, MEMPHIS and many others. His clients are also performing in regional theatres and on concert stages across the globe. As
a musical director and conductor for the musical theatre stage, Stephen's Broadway, off- Broadway and National touring credits
include TARZAN, SPELLING BEE, PETER PAN (Cathy Rigby-both in New York and on tour), THE FULL MONTY, THE
FANTASTICKS, and FRANKENSTEIN (Original cast recording). Stephen spent nearly five years touring Europe with GREASE (Paris and
European tours), A CHORUS LINE and 42nd STREET and MY FAIR LADY in Hong Kong (cast recording). Major regional theatre credits
include Atlanta Alliance, Washington Arena Joseph Papp Public Theatre and the York. Television includes work for A and E, PBS and
the BRAVO channel. Stephen studied voice and piano at University of Mississippi, conducting at the Juilliard School, and Vocal
pedagogy and coaching at Westminster. In 2011 he was artist-in-residence of musical theatre at the University of Shanghai and
Shanghai Theatre Academy and has taught and given master classes at notable universities and colleges throughout the United
States and Europe. His first book entitled "The Alchemy of Theatre Song", a song preparation and audition guide for performers is
due in bookstores late next year. Stephen lives in New York City and is married to actress and fellow voice pedagogue Kendall Kelly.
www.Manhattanvocalcoach.com.
DEE DeQUATTRO (ITJA Guest) Dee De has served as a producer for WPRO radio in Providence; she now works for ABC Channel 6,
also in Providence.
BRANDT REITER (NPP Chair / Regional Selection Team) is an actor, director, playwright and educator. He teaches acting, directing
and dramatic literature at the University of New Haven and Queens College, and film theory and criticism at SUNY Westchester.
MFA Directing & Playwriting, Sarah Lawrence College; BA American Studies, Temple University; Certificate, Film Theory and
Criticism, Sorbonne, Paris.
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STEVE REYNOLDS, Ph.D (Workshop Presenter / National Selection Team) is a freelance director. He has served KCACTF as NPP Chair
of Region III, playwriting mentor at the National Festival, member of the 2009 National Selection Team, reader for National
Playwriting Awards, and member of the National Executive Committee as NPP Member-at-Large. In 2000, he directed Dan Stroeh’s
play, it is no desert, which received the KCACTF National Student Playwriting Award. He was given a Gold Medallion Award from
Region III in 2008. Steve is a professor emeritus of theatre at Wittenberg University in Springfield, OH where he directed over forty
productions; taught playwriting, acting, dramatic literature, theatre history, documentary theatre; and, served as Department
Chair and Director of General Education. In 2012 he received the Wittenberg Alumni Association’s Distinguished Teaching Award.
He now lives on Cape Cod where he has served on the Board of Directors and directed plays for Cape Rep. He has a BA from Tufts
and a MA and Ph.D. from the University of Michigan.
PAUL RICCIARDI (Co-Vice Chair, Region I, Selection Team) is a Designated Linklater teacher working as an actor, solo performer,
and voice and text coach. He is an Assistant Professor of Theatre at Siena College in Loudonville, NY where he teaches Voice and all
levels of acting. As an actor and award winning solo performer, Paul has worked extensively throughout New York City and
regionally. Recent theater credits include a revival of his award winning solo show, MOVING VEHICLES, at the legendary Club
Helsinki; HAMLET at Saratoga Shakespeare Company, LOVE SONG at Chester Theater Company, The New Play Festival at Proctor's
Theatre, and TAKE ME OUT at Boston's Speakeasy Stage (IRNE Award, best ensemble). As a voice and text coach, Paul has worked
at theaters, colleges and universities throughout the Capital Region of New York. In 2011, Paul's article "I Want to Do That" which
studied the value of mentoring within the voice and speech community, was published in THE VOICE AND SPEECH REVIEW. Paul is
an active member of VASTA and he is a recipient of the 2009 Kennedy Center National Teaching Artist Award. He earned his MFA
in Acting from Trinity Repertory Company.
PATRICIA RIGGIN (Region 1 Selection Team) teaches acting and voice at Boston College. Director of the Commonwealth
Shakespeare Company’s Apprentice Program. Previously taught at Emerson College, Hunter College and Circle in the Square.
Trained with William Esper (Meisner Technique) and is a designated Linklater teacher. Director of over 60 productions. Member of
AEA. Served on the KCACTF National Selection Team in 2006. Previous Playwriting Chair for KCACTF Region I. Currently serving on
the Region I Selection Team.
BRIAN RICE (Host Festival Technical Director) is the Technical Director of the Tilden Arts Center at Cape Cod Community College.
Brian was also instrumental in making the festival possible in Hyannis.
ILYSE ROBBINS (Maltby Award Workshop Coach & Respondent/Selector) is an actress, director, choreographer and teacher in the
New England area. Ilyse holds a BS in Communication/Theater from Northwestern University, certification in theater from the
British American Drama Academy and an Ed.M. from Harvard University. Ilyse teaches critical thinking, oral speaking, and dance
history at Wheelock College and creative drama education for Brandeis University. Prior to having children of her own, Ilyse ran the
Jeannette Neill Dance Studio Children’s program and taught creative drama in both the Waltham and Brookline public schools.
Ilyse is also on the staff of Mohr Collaborative as an oral speaking coach as well as an adjudicator for the Massachusetts
Educational Theater Guild. Ms. Robbins is currently directing/choreographing Marry Me a Little at the New Repertory Theatre and
later this season will direct/choreograph Thoroughly Modern Millie for the Stoneham Theatre before choreographing and per
forming in On the Town for the Lyric Stage Company of Boston. She is the recipient of four Independent Reviewer of New England
(IRNE) awards, the most recent being for her choreography for 42nd Street at the Stoneham Theatre. Ms. Robbins has directed,
choreographed, and/or performed at numerous theaters including: Stoneham Theatre, Lyric Stage Co. of Boston, New Repertory
Theatre, Fiddlehead Theatre, Overture Productions, Jewish Theater of New England, American Stage Festival, Boston Theatre
Works, Wheelock Family Theatre, Museum of Science, Publick Theatre, Boston Women on Top Festival, Liberty Mutual, and
Fidelity. Ilyse was most recently seen on stage at the Modern Theatre in the role of Ellen in the new play Love, Faith, and Other
Dirty Words. Favorite roles include Pam in The Full Monty and Joyce/Evie in The Sparrow at Stoneham Theatre, Mae in The Wild
Party at New Rep, Truvy in Steel Magnolias at Fiddlehead Theatre, and Little Becky/Mrs. Millennium in Urinetown at the Lyric Stage
Company of Boston. Ilyse is the voice of the narrator in Eve Bunting’s book My Teacher is Having a Baby and can be seen on various
commercials and as your local neighborhood pharmacist in CVS stores across the country.
THOMAS ROTHACKER (Workshop Presenter) is an Adjunct Professor of Theatre and Speech at both CUNY LaGuardia Community
College and CUNY Kingsborough Community College. Tom has worked extensively Off and Off-Off Broadway including this past
Summer producing the new hit play, Fantasy Artists for the New York International Fringe Festival. Fantasy Artists was one of only
a few to gain positive reviews in many publications including the New York Times. As an actor, Tom has appeared in productions at
The Tank, Theatre for the New City, Theatre Row, Dixon Place & the Players Theatre. He holds a BFA in Acting from C.W. Post Long Island University and a Masters in Educational Theatre from New York University.
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NICHOLETTE ROUTHIER (Workshop Presenter / Production Respondent / Ryan Selector) is on the faculty at Dell'Arte
International School of Physical Theatre in Blue Lake, CA where she received her MFA in Ensemble Based Physical Theatre in 2010.
She is an actor, dancer, creator, director, choreographer, teacher, acrobat, Tai Chi enthusiast, revolutionary, and clown (amongst
other things.)
STEPHEN RUSSELL (AEA, SAG-AFTRA / Ryan Selector) is the Impresario of WHAT for Kids!, the family theatre wing of the Wellfleet
Harbor Actors’ Theatre. He is the author of a baker’s dozen plays for young audiences. As an actor, he has worked with, among
others, the Huntington Theatre Company, New Repertory Theatre, the Lyric Stage, Stoneham Theatre, Tir Na Theatre Company,
the Underground Railway Theatre, Wellfleet Harbor Actors’ Theatre, Payomet Performing Arts and as a guest artist with Boston
College. Film credits include Noel, The Golden Boys, The Lightkeepers and Ghosts of Girlfriends Past. Voice acting credits
include Thief 1, 2 & 3, System Shock 2, Fallout 3 and Skyrim.
NANCY SAKLAD (Workshop Presenter) is an Associate Professor of Performance at the State University of New York at New Paltz
and the author of Voice and Speech Training in the New Millennium. She is certified in Michael Chekhov Acting Technique and is a
Fitzmaurice Voicework Associate. Nancy is also a freelance director and vocal/dialect coach.
MAURICIO SALGADO (ASTEP special workshops / Ryan Selector) as the Director of Domestic Programming for Artists Striving to
End Poverty, handles recruitment and curriculum development for ASTEP’s domestic programs. Originally from Miami, Florida,
Mauricio graduated with a BFA from The Juilliard School. Recent appearances include Michael Kahn’s production of Love’s
Labours Lost with the Shakespeare Theatre Company, The Cenci at Ohio Theatre, the title role in the Kaai Theatre [Brussels]
production of Philoctetes, and the premiere of Marco Ramirez’ Mermaids, Monsters and the World Painted Purple at the
Kennedy Center. Mauricio has been invited by organizations around the world (the Dominican Republic, South Africa, Peru
and India) to teach the ASTEP methodology. In March of 2009, he was presented with the prestigious Martin E Segal Award in
recognition of his work with ASTEP. www.asteponline.org
PETER SAMPIERI (Workshop Presenter) is a professional stage director and university professor who lives in Peabody, MA. His
professional directing credits include (Off-Broadway/NYC) the world premiere of On The Line at the Cherry Lane Theatre,The
SisterWall at Barrow St. Theatre, and The Three Same Guys at The Public. (NYC workshops) include world premieres of Green
Velvet at Bric, Show Ho at Six Figures, and Vendetta Chrome for The Dramatist’s Guild. (Regional Theatre) credits include: Wit, A
Christmas Carol, and The Taming of The Shrew at Trinity Rep, and the world premiere of Yemaya’s Belly at Portland Stage
Company. He also directed Red Noses, Crime and Punishment, The Pillowman, and the world premiere of Radio Free Emerson
(which received an Elliot Norton Award in 2008 for Outstanding New Play) at Gamm Theatre, and A Bright Room Called Day, Talk
to Me Like the Rain…, Decagogo: The Exquisite Corpse, and King Stag for the Elemental Theatre Collective. He has taught and
directed at New York University, Brown University, Huntington Theatre Company, New England Conservatory of Music, Providence
College, University of Rhode Island, OperaWorks, in Northridge, California, and Northwestern University’s National High School
Institute. This is his fourth year serving as an Assistant Professor in the Theatre and Speech Communications Department at Salem
State University, where he loves teaching. He holds Bachelor of Arts Degrees in both Theatre and English Literature from St.
Michael’s College and a Master of Fine Arts in Directing from the Trinity Rep Conservatory. He is a 2002 recipient of a Pell Award
Scholarship for Artistic Excellence, and a proud 10-year member of SDC, the independent national labor union for professional
directors and choreographers.
SUSAN SANDERS (Poster Coordinator) is the coordinator of theater at Northern Essex Community College. She is a full professor,
teaching courses in both the English and Theater Departments. She and husband Jim Murphy have worked together as a team to
produce plays with the NECC Top Notch Players, which have been active in KCACTF Region I since the 1970's. They are proud of
the work their students do and wish that all of them have a great festival.
DIANNA SCHOENBORN (Ryan Selector) is a New York City based actor, singer, director and voice/dialect coach. She’s taught for
LAByrinth Theatre Company, The Actor’s Studio, The New Actor’s Workshop, Circle in the Square Theatre School, The Linklater
Center for Voice and Language, and through her private studio in NYC. She has also coached actors On and Off Broadway and in
Liverpool, including Ethan Hawke in Hurly Burly with The New Group Theatre, Sam Rockwell in the Broadway premiere of A
Behanding in Spokane, and “Sex and the City” star, Kim Cattrall—most recently working with her on the title role in Antony and
Cleopatra directed by Janet Suzman at the Liverpool Playhouse in Liverpool, England. She is an adjunct professor of voice and
speech in the Department of Theatre and Dramatic Arts at Montclair State University and does intensive voice and movement into
classical text workshops at Eastern Washington University in the summers. Ms. Schoenborn is also a member of the Voice and
Speech Trainers Association (VASTA). Dianna has an MFA in Acting from Southern Methodist University.
52
STEFANIE SERTICH (Workshop Presenter) director and choreographer, lives in New York City where she is an Assistant Professor at
LaGuardia Community College in Queens, teaching acting and directing productions. New York City directing: world premiere of
Eduardo Machado’s Havana Journal, 2004 (INTAR Theatre/ Theater for the New City), the world premiere of Heathens by Heather
Hill (Theatre for the New City), Like You Like It (The Broadway Workshop), The Dome (Prospect Theatre), Museum Pieces (Prospect
Theatre), Do Gooder (The Public- NYU MFA workshop), The Useless Man (INTAR NewWorks Lab). Regional: Dead Man’s Cell Phone
(Waterfront Playhouse, Key West, FL), Proof (Mt. Baker Theatre, Bellingham, WA), Animal Farm (The New Rep in Boston), Electra,
(Classic Greek Theatre of Oregon- Winner KC/ACTF Directing Award), Kimberly Akimbo (Salem Rep Theatre). Summer Stock: Cole
Porter’s You Never Know and Annie (Millbrook Playhouse). University: Picnic (Western Oregon University), The Shape of Things
(LaGuardia Community College). The Norman Conquests (University of Portland). Stef has directed pilot workshops for ITheatrics
and Disney Theatricals. Stef is a KC/ACTF Respondent for Region I, she was a F.A.I.R recipient in directing at the Oregon
Shakespeare Festival in 2005, Alternate Winner for the SSDC Directing Fellowship (Region VII), KC/ACTF, 2005, Meritorious
Achievement Award for Direction of Electra, KC/ACTF, 2005, Runner-Up, SSDC Directing Fellowship (Region VII), KC/ACTF, 2004,
Best Ensemble Award for 42nd Street at Stagedoor Manor, 2007, Best Ensemble Award for PIPPIN at Stagedoor Manor, 2009
Stefanie was a guest artist at Western Oregon University for Fall 2010. BA Acting (Western Michigan Univ.), MFA Directing
(University of Portland).
RALPH SEVUSH, ESQ., (Keynote Speaker) has been an attorney with The Dramatists Guild of America since 1997, and Executive
Director (now, Executive Director/Business Affairs) since June 2005. Earlier, he was with Cinema 5 films and New Line Cinema in
motion picture marketing, distribution, and script development. After admission to the NY State Bar (Cardozo Law, 1991), he
worked with Volunteer Lawyers for the Arts, Reiss Media Entertainment, International Media Investors and Sony Pictures. Then,
as Director of Business Affairs for Pachyderm Entertainment, he worked on the Broadway productions BIG-the Musical, Fool
Moon, God Said, "HA!" and the off-Broadway & L.A. productions of Blown Sideways Through Life. He also produced his own Off-Off
-Broadway revival of the Jones/Schmidt musical, Philemon.
TINA SHACKLEFORD (Workshop Presenter / SM Selector) teaches Stage Management and Production at Carnegie Mellon School of
Drama. Stage Management credits include productions with La Jolla Playhouse, The Shakespeare Theatre, Clarence Brown
Theatre, Saint Michael’s Playhouse, Seattle Group Theatre, Zachary Scott Theatre Center, Actors Theatre of Louisville, Riverside
Theatre and Dallas Theater Center. She was also Production Stage Manager for Iowa Summer Repertory and the Illinois
Shakespeare Festival. Film credits include “Graduation” and “Love and Bones.” Tina is a longtime participant in USITT’s Stage
Management Mentor Project. She holds an MFA from the University of California-San Diego and is a proud member of Actors
Equity.
KATHLEEN SILLS (NPP Reading Director) is an Associate Professor and Chair of the Visual and Performing Arts Department
at Merrimack College in North Andover, MA. She is a member of the Directing Team for Region One as well as an active
respondent for the region. Kathleen is a graduate of Northwestern University and a founding member of the Lifeline Theatre
Company in Chicago.
DONA SOMMERS (Workshop Leader) is the former Executive Director of the New England office of Screen Actors Guild (SAG) and
the American Federation of Television and Radio Artists (AFTRA) and is a founding officer of the MPC (Massachusetts Production
Coalition). Before joining AFTRA/SAG, she was the first Executive Director of StageSource, the Alliance of Theatre Artists and
Producers. Prior to her tenure at StageSource, Dona was an Equity stage manager and company manager working in Boston and
New York, as well as a production manager for Boston film companies producing documentaries and dramas for PBS.
JUDITH STEVENS-LY (Ryan Selector) Australian born Judith Stevens-Ly has directed and nurtured new plays as Artistic Director of
the Hysterick Theatre Company in Tokyo, as a director at the Ensemble Studio Theatre, Looking Glass Theatre, Manhattan Theatre
Club, HERE Arts Center, Manhattan Theatre Source, Cherry Lane Theatre in New York City and as Executive Creative Director for
Loose Change Productions. She has served as Associate Artistic Director for the First Look Theatre Company at the Rita and Burton
Goldberg Department of Dramatic Writing at the Tisch School of the Arts, New York University, directing new works and producing
festivals of new works by the Master Degree program candidates. She has also taught the Graduate Playwriting Lab and Directing
for Playwrights in this program. She has been an Invited Featured Artist for the Last Frontier Playwright’s Conference in Alaska and
is currently a member of its National Advisory Board. Since 2007 Judith has been an invited script advisor for the New York Musical
Festival. In March 2008 she directed the nationally reviewed premiere of Anton’s Women by Donna Banicevich Gera at the
Maidment Theatre in Auckland, New Zealand. As Executive Creative Director of Loose Change Productions, as director and coproducer, she took the new play Couples Counseling by Carey Lovelace to the 2009 Edinburgh Festival Fringe to sold out houses.
She has been a Guest Judge at the Mississippi Theatre Association's Annual Festival, in Meridian, Mississippi and the Las Casas
Scholarship .in San Antonio. In 2012 she directed the staged reading of Shelley Russell's new play Water Woman in Michigan and
the World Premier of The Unfortunatesby award winning playwright Aoise Stratford, at the Centenary Stage Company, in New
Jersey.
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ROBIN STONE (NPP Vice Chair / NPP Director) is an Associate Professor of Theatre at Roger Williams University in Bristol, Rhode
Island where he teaches directing and playwriting, among other courses. Robin also directs, acts, and designs professionally and
has degrees from Willamette University, Minnesota State University, and the University of Missouri. Most recently, Robin has
directed The Glass Menagerie and Antigone. His next production is The Laramie Project: Ten Years Later at RWU. Robin began his
involvement with KCACTF as a student and has participated in several regional festivals around the country.
KELLY STOWELL (House Manager) is a 2008 graduate of Fitchburg State University. While working at a mindless retail job, Kelly
fills her spare time with community theater projects, and assisting with Fitchburg State productions. Kelly's been working with
KCACTF for six years, and is looking forward to another successful and outrageous year, this year.
WANDA STRUKUS (Workshop Presenter) directs and devises physical theater and dance in traditional and site-specific settings.
Representative projects multi-media dance work for Movement at the Mills at the Boston Center for the Arts, site-specific dance
for Frazier Festival in Providence, and site-specific mill projects with The Revolving Museum’s ArtVentures. With Two Roads
Performance Projects, she co-produced and co-curated the Massachusetts Cultural Council award-winning Dance in the Fells a
festival of site-specific dance in the woods. She teaches in the theater department at Northeastern University and has taught
dance, movement, Viewpoints, physical theater, and acting workshops at Marlboro College, UMass Lowell, Tufts University,
Boston College. She is an alumna of the Jacob's Pillow Choreographer/Director Lab and performs with Daniel McCusker Dance
Projects.
TIMOTHEY SULLIVAN (Workshop Presenter) is currently a producer for Broadway Cares/Equity Fights AIDS. Previous to his time at
BC/EFA, Tim was the Production Director for the Tony Award winning Intiman Theatre. He is also the Associate Director for
Charles Busch’s annual off – Broadway production of Times Square Angel. As an educator, he was Production Director for Brown
University/Trinity Rep MFA Program. He spent several years working in the production department at Bridgewater State
University. He was also on the stage management staff for Harvard University’s Institute for Advanced Theatre Training. He has
taught courses and seminars at various high schools and colleges throughout the United States.
LINDA SUTHERLAND (Regional Selection Team, NPP Director, Workshop Presenter, KCACTF Awards Ceremony Director) is
Associate Director of Academic Programs at Emerson College and on faculty with Boston University’s Arts Administration graduate
program. Linda is a teaching artist and talkback leader at Trinity Repertory Company, Bridge Repertory Theatre and a
Boston-based director. Previously as Associate Director of Education at the Huntington Theatre Company, Linda had the honor of
working as an educational dramaturg with August Wilson on Jitney, King Hedley II and Gem of the Ocean, as well as with other
noted playwrights, and created over 40 Literary/Curriculum guides for HTC productions. Linda is Past Co-Chair of KCACTF Region
1, Past President of the New England Theatre Conference (NETC), a member of NETC's College of Fellows and serves on the
Advisory Board of Boston’s Theatre-in-Education company, Theatre Espresso.
LUKE J. SUTHERLAND, (Workshop Presenter/Region 1 DTM Co-Chair) MFA Scenic Designer, is a DT&M faculty member at the
Community College of RI. He won the Motif Magazine Theatre Award 2011 & 2006 Best College Scenic Design for his design of
Cephalopod (CCRI) and Blithe Spirit (URI) respectively. As a guest artist at educational institutions, scenic designs include: Mrs.
Warren’s Profession (Salve Regina University), Fools (Salem State University), The Girls Next Door (Quinnipiac University at the
Long Wharf Theatre), You Can’t Take It With You (RI College) a Motif Magazine 2008 nomination for Best Scenic Design. He is CoChair of Design, Technology and Management for KCACTF Region 1 and Region 1 Respondent. Luke is a member of IATSE Local
52 NYC (Set Dresser), IATSE Local 481 MA (Set Dresser), USITT, and Stage Source. Recent, professional scenic design credits are
with Boston’s Theatre on Fire, New Urban Theatre LAB and Bridge Rep.
54
DR. REBECCA TAYLOR (Workshop Presenter) Professor Rebecca Taylor is an award-winning journalist and lawyer with a
background in print and broadcast news. She has written for daily newspapers and worked as a reporter and anchor for major talk
radio and television news stations. A former trial attorney, she has served as a legal affairs analyst on high-profile court cases.
Taylor teaches all aspects of news writing and reporting with an emphasis on media law and First Amendment theory.
VICTORIA TOWNSEND (Ryan Selector) is a Boston-based actress, director and teaching artist. She holds a BA in Theatre and English
Literature from Saint Michaels College and has performed and directed throughout New England and the East Coast. Currently,
she works as a director with New England Conservatory’s UnderGraduate Opera Student (UGOS) program as well as Flat Earth
Theatre in Boston, MA. She is also a staff member and teaching artist with Commonwealth Shakespeare Company, producers of
‘Shakespeare on the Common’ which brings free outdoor Shakespeare to over 100,000 Boston audience members each summer.
In addition, Victoria teaches with Live Arts Education, a company serving to bring arts exposure to after-school programs in the
Boston area for grades K-12. She is also a performer with SillySally’s entertainment company throughout the year.
CLAUDIA TRAUB (Workshop Presenter) has been acting, directing, performing, producing, casting and writing for over 25 years.
Currently she is the acting, voice and movement teacher at URI and has been there for 13 years. She has also taught at PC, CCRI
and RIC and has been the Managing Director for the Theatre, Dance and Film program at Providence College and for Perishable
Theatre. She created and directed several therapeutic arts programs for diverse and very high risk populations in NYC and RI and
has had several one woman shows that she has written produced and performed. Her focus is on breath, voice, alignment,
habitual response and how they relate to emotional truth, availability and their connection to text.
VANA TRUDEAU (Workshop Presenter) has been teaching theatre, acting, Shakespeare and playwriting classes for 20 years. She
received her Master’s Degree in Dramatic Literature from Tufts University and BA from Trinity College, Hartford where she was the
undergraduate English Fellow and recipient of the John Dando Prize for excellence in Shakespearean studies. Vana is currently the
Theatre Program Coordinator at Cape Cod Community College and an adjunct faculty member. She will be directing concurrent
productions of Cole Porter’s “Kiss Me, Kate” and “The Taming of the Shrew” this spring.
KRISTEN van GINHOVEN (SDC Respondent / Workshop Presenter) is co-founder and artistic director of WAM Theatre, a theatre
company based in the Berkshires of Massachusetts and the Capital Region of New York State. WAM Theatre’s philanthropic
mission is two-fold. First, to create professional theatrical events for everyone, focusing on women theatre artists and/or stories of
women and girls. Second, to donate a portion of proceeds from those events to organizations that lift up the lives of women and
girls worldwide. For WAM Theatre, Kristen most recently directed the World Premiere of ˜The Old Mezzo' by Susan Dworkin.
Kristen’s professional career as an actor, director and educator explores different theatre practices, from classical to devised
theatre, through work and training with international artists. Kristen is a proud member of the Canadian Actors’ Equity Association
(CAEA) and an associate member of the Stage Director and Choreographers Society (SDC). www.kristenvanginhoven.com
CHRIS VELVIN (DTM Respondent / Workshop Presenter) started in professional theater in 1989 at the Galveston Island Outdoor
Musicals as a dancer and occasional stagehand. After graduating from the University of Texas at Austin with a BA in Dance, Chris
worked in several theme parks and cruise ships before finally settling in Las Vegas. Chris worked in Siegfried and Roy at the Mirage
for five years as a dancer and then moved full time backstage for the next three years as a carpenter, rigger, and props technician.
After Siegfried and Roy abruptly ended, Chris was hired as a carpenter for the new Cirque du Soleil production of Ka. Chris served
as the Assistant Head of Carpentry for five years and then, in 2007, accepted the newly created position of Health and Safety
Manager for Cirque du Soleil’s Resident Shows Division. In the spring of 2011, Chris completed his Masters of Business
Administration, and in July, was appointed to four year term on the Nevada OSHA Review Board.
ANGELICA VESSELLA (Gel) (Workshop Presenter & MT Showcase) is an associate professor at Rhode Island College where she is
currently the Director of Dance and the Managing Director of the RI College Dance Company. Angelica holds and M.F.A. in theater
from Rhode Island College. She was the artistic director of the Vessella Dance Project (currently on hiatus), which she founded in
1998 to support professional dance and theater performance with multidisciplinary choreography. Vessella’s performance credits
include Jacob’s Pillow with Paula Hunter and several performances in New York City with Marta Renzi and the Project Dance
Company; modern dance choreographic commissions for CCRI, Providence College, and the RI College. She has studied and
worked with artists such as Elizabeth Streb, Lucinda Childs, Danny Buraczeski, Deborah Hay, and Ralph Lemon. As a professor of
dance Angelica has taught at various colleges including Rhode Island College, Providence College, Brown University, the
Community College of Rhode Island and the University of Rhode Island in various disciplines including jazz, modern, tap,
choreography and musical theatre forms. She has choreographed numerous college musicals including "The Who's 'Tommy'", "The
Best Little Whorehouse in Texas", "OKLAHOMA!", "FAME", "Sweet Charity", "Damn Yankees", "Pirates of Penzance", "The Drowsy
Chaperone", and "PIPPIN" in 2009, a production that was chosen to perform at the Kennedy Center American Theatre Festival in
Washington, DC (2010). As a musical theater choreographer she has choreographed for RI College, Community College of RI, The
Sandra Feinstein-Gamm Theater, and the University of Rhode Island. She was awarded the Antonio Cirino Fellowship in the Arts
from the Rhode Island Foundation (2006 2007); the Dance Alumni Award for excellence in dance (2001); and the Rita and London
Llyod Scholarship Award in Theater from RI College (2007). Angelica is very excited to be a part of the ACTF musical theatre
workshop.
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DR. BARBARA WALDINGER (Irene Ryan Respondent, Production Respondent, NPP Director) has been a member of the Theatre
Departments at Hofstra University, Marymount Manhattan College, and Queens College. For the past 12 years, she has served as
Artistic Director of HRC Showcase Theatre, an Equity company that produces staged readings of new plays, which she directs. A
respondent for KC/ACTF, she directs short plays for ATHE and KC/ACTF annually.
PAMELA WILLS (Workshop Presenter) is a Certified Confidence Coach, Author, Speaker and Choreographer based on Cape Cod.
She graduated from Georgetown University and Fowler-Wainwright International. Learn more about Pamela and how to Get Your
Sizzle On!™ at www.PamelaWills.com .
BILL WILSON (Musical Theatre Vice-Chair & Workshop Presenter), Professor of Theatre, is currently the Director of Musical Theatre
and the Director of the Performing and Fine Arts Commission at Rhode Island College in Providence, Rhode Island. Bill has a
Bachelor of Fine Arts degree in Musical Theatre Performance from Western Michigan University and a Master of Fine Arts degree
in Directing from Wayne State University. Bill has directed and choreographed over 75 productions including CRAZY FOR YOU,
HAIR, THE DROWSY CHAPERONE, FAME, THE MUSIC MAN, TOMMY, COMPANY, CABARET, EVITA, THE BOY FRIEND, RED HOT AND
COLE, ANYTHING GOES and CHICAGO, as well as the world premiere of the opera AIR. He has directed plays such as: EXECUTION
OF JUSTICE, A DOLL HOUSE, ROMEO AND JULIET, MACBETH, MUCH ADO ABOUT NOTHING, THE CRUCIBLE, THE SERVANT OF TWO
MASTERS and TAMER OF HORSES. As a choreographer and movement specialist, Bill has studied Tap, Jazz and Ballet since his
childhood, and, in the last fifteen years, Pilates, Yoga, Alexander, Feldenkrais, and Rolfing. In 2003, Bill became a certified Pilates
instructor through the PhysicalMind Institute and in 2007 earned a second Pilates certification with Power Pilates. He is an
instructor at the Providence Pilates Center in Providence, Rhode Island. As a period movement specialist, Bill has studied with
Peggy Dixon at the Nonsuch Early Dance Institute in London, England and in Carmona and Valderrobres, Spain, Richard Powers at
Stanford University, Elizabeth Aldrich at the Goucher Early Dance Institute and John Broome of the Stratford Festival. Also a
specialist in tap dance, Bill has studied with Diane Walker, Brenda Buffalino, Germaine Salsburg, Bill Bailey, and Josh Hilberman.
Bill has taught at The Guildhall School of Drama, and at the Early Dance Circle in London, England, at the Universidad Pablo de
Olavide in Carmona, Spain, the University of Windsor, Ontario, the University of Missouri at Kansas City, Southern Illinois
University, and for the National Association of Teachers of Singing. Bill has taught master classes at the National Dance Educators
Organization National Conference, the American Alliance for Health, Physical Education and Dance National Conference, the
American College Dance Festival and at the American College Theatre Festival, for which he is also a respondent. Bill’s original
work A-MIRROR-CA, co-authored with Angelica Vessella was honored for “Outstanding Writing, Ensemble, and Execution” by the
American College Theatre Festival in 2012 and his work from PIPPIN was performed at the Kennedy Center in Washington, DC as
part of the National American College Theatre Festival in 2011.
ANDREW WITTKAMPER (Costume Parade MC) , Assistant Professor of Theatre and Resident Costume Designer, attended Indiana
University in Bloomington, where he earned undergraduate degrees in both Fashion Design and Costume Construction
Technology. After an extended stay in Paris, France, he attended the University of Massachusetts at Amherst, earning the Master
of Fine Arts degree in Costume Design. Andrew has worked professionally in the New York costume shops Barbara Matera, Ltd.,
and Parsons-Meares, Ltd., building costumes for Broadway plays, musicals, ballets, and film, and for numerous Disney parades and
ice shows. He has helped produce costumes for Cats, Phantom of the Opera, The Lion King, Uncle Vanya, Arms and the Man, and
for the film Hearts in Atlantis, starring Anthony Hopkins. Andrew also worked three summer seasons at the Santa Fe Opera,
building costumes for numerous operas, including Carmen, Idomeneo, The Magic Flute, and La Traviata. Andrew’s costume
designs have been seen at Theatre for the New City and the KGB Red Room Theatre in New York, at the Shadowbox Theatre in
Brooklyn, and across New England. Regional credits include designs for The Miser, She Stoops to Conquer, and Waiting for
Godot at Deerfield Academy, and The Mystery of Irma Vep and Light Up the Sky at Smith College. Professor Wittkamper has been
a member of the Theatre Department faculty at Suffolk County Community College since 2001.
CHARLES TOWNSEND WITTREICH, JR. (Region 1 DTM Co-Chair) is College Director of Theatre and Academic Chair, Theatre Arts at
Suffolk County Community College. He earned an MFA in Scenic Design (studying with John Ezell) at the University of Missouri,
Kansas City. After grad school, he headed to NYC, joined USA and free-lanced as an assistant on Broadway productions by day and
countless equity showcases by night. He has designed regionally all over the country. Recent credits include Co-direction and
Scenic Design for The Icarus Project which was cited as an KCACTF Distinguished Production of a Devised Work.
LIISA YONKER (Irene Ryan Vice Chair) is an Assistant Professor of Speech and Theatre at Queensborough Community College,
New York. She holds an M.F.A. in acting from both Carnegie Mellon University and the Moscow Art Theatre School. She has acted
and directed professionally in Michigan, North Carolina, Pennsylvania, New York and Moscow, Russia. In addition to teaching, Liisa
is a professional director, voiceover and stage actress and singer and continues to perform in New York City.
ADAM ZAHLER (Region 1 Directing Chair, Workshop Presenter) is a professional director, Associate Professor of Theatre and
Chair of the Visual and Performing Arts at Worcester State University. Recipient of two Elliot Norton Awards, he has worked in NY,
Boston, VT, and other states. His production of The Patriot Act was a Hot Pick at the 2008 Edinburgh Festival and he brought the
first American production to perform at the Volkov Theatre, Russia’s oldest National company.
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RESPONDENTS
This Festival could not happen without our volunteer respondents who go to the productions in our regions
and provide feedback. Faculty members are invited to become a respondent. Attend the “How to Become a
Respondent” workshop series Wednesday-Friday January 30-February 1, led by Wil Kilroy.
Participants should plan to attend all sessions.
Denise Alexander
James Fallon
Ryan McKinney
Sheila Siragusa
Matt Ames
Scott Gagnon
Kelly Morgan
Kate Snodgrass
Raina Ames
David Allen George
Jim Murphy
Robin D. Stone
Peter Anderegg
Janice Goldberg
Daniel Patterson
Janet Sussman
Celena Sky April
Kenneth Golden
James Petty
Linda Sutherland
Jim Beauregard
Anita Gonzalez
Richard Piatt
Luke Sutherland
Kim Bouchard
Cathy Hurst
Carrie Ann Quinn
Gloria Trombley
Todd Canedy
PeggyRae Johnson
Brandt Reiter
Barbara Waldinger
Shawna Mefferd Carroll David Kaye
Patricia Riggin
Bill Wilson
Ted Clement
Assunta Kent
Paul Ricciardi
Dana Yeaton
Bill Cunningham
Wil Kilroy
Thomas Rothaker
Liisa Yonker
Stephanie Dean
Daniel Kozar
Peter Sampieri
Adam Zahler
Suzanne Delle
Maggie Lally
Susan Sanders
John Devlin
Pamela McDaniel
Stefanie Sertich
Mike Duarte
Georgia L. McGill
Kathleen Sills
57
SHOWS RESPONDED TO SPRING AND FALL 2013
Adelphi University
Community College of Rhode Island
Keene State College
Suburbia
*A Contemporary American's Guide to a
Successful Marriage © 1959
Rashomon
Bates College
*1000 Planes on the Roof
Big Love
The Seven Deadly Sins
Private Lives
Dracula
*The Receptionist
The Last Night of Ballyhoo
Kingsborough Community College
Working
Bridgewater State University
Lysistrata
A New Brain
*The Glass Menagerie
*The Pirates of Penzance
Dean College
Radium Girls
The Boy Next Door
Hairspray
*Noises Off
*Oklahoma!
LaGuardia Community College
Little Shop of Horrors
Anna in the Tropics
A Christmas Carol
Eastern Connecticut State University
Boston College
Biloxi Blues
Lysistrata
These Shining Lives
The Grand Room
Lehman College
Marisol
Noises Off
Emerson College
Small Steps
The Arabian Nights
LeMoyne College
A Tempest
Emmanuel College
Boston University
Festival of New Plays
*Erin Go Braghless
The Lonesome West
*The Fantasticks
*Mystery Radio Theater: The Lost World
Merrimack College
Dirty Rotten Scoundrels
*Macbeth
Dead Man’s Cellphone
Castleton State College
Chicago
The Good Doctor
Fitchburg State University
Arsenic and Old Lace
August: Osage County
Sylvia
The Last Days of Judas Iscariot
As You Like It
Northern Essex Community College
Hartwick College
Enron
American Gothic: The Poems of Edgar Lee
Masters
An Evening of One-Act Plays
Colby College
Lysistrata
U.S. Drag
Ragtime
Jekyll & Hyde
12 Angry Jurors
Imaginary Invalid
Serious Money
Five Towns College
*The Children’s Hour
Central Connecticut State University
Middlebury College
Holyoke Community College
Arsenic and Old Lace
House of Bernarda Alba
Queensborough Community College
Hostos Community College
To Kill a Mockingbird
Song of Extinction
Psycho Beach Party
A Midsummer Night’s Dream
Johnson State College
* = HELD PRODUCTIONS
The Diary of Anne Frank
We Tell the Stories
58
SHOWS RESPONDED TO SPRING AND FALL 2012
Rhode Island College
SUNY Albany
University of Rhode Island
Breaking the Code
Words
Tartuffe
The Drowsy Chaperone
Singin’ in the Rain
The Miracle Worker
SUNY New Paltz
Marvin’s Room
Sylvia
Eugenia
Company
Eurydice
Cabaret
*A-Mirror-Ca
Crimes of the Heart
University of Southern Maine
Macbeth
Eurydice
The Drowsy Chaperone
Roger Williams University
Return to the Forbidden Planet
SUNY Oneonta
Steel Magnolias
Antigone
The Cherry Orchard
Hedda Gabler
Dog Lady and the Cuban Swimmer
You Can’t Take It With You
Almost, Maine
Saint Lawrence University
The Bald Soprano
SUNY Plattsburgh
The Glass Menagerie
On the Verge
Saint Michael’s College
The Odyssey
University of Vermont
APP-etite
Beaux Strategem
The Complete Worlks of Shakespeare, Abridged SUNY Potsdam
The Arabian Nights
Marat / Sade
Salem State College
*Antigone 5.9
The Shadow Box
Wellesley College
The Unsinkable Molly Brown
Dog Sees God
SUNY Suffolk County Community College
Twelfth Night
Talking With…
Western Connecticut State University
*Big Love
As You Like It
*Lysistrata
Into the Unknown: 3 Radio Dramas
*Extremities
*Schoolhouse Rock Live!
Cabaret
*The Foreigner
*Major Barbara
Student Directed One Acts
Salve Regina University
Tufts University
Grey Gardens
*Hamlet, the Hip-Hopera
Siena College
University of Hartford
Hedda Gabler
The Timid Dragon
Wonder of the World
Six Characters in Search of an Author
Into the Woods
Western New England University
(untitled) Student Devised Work
Antigone
Festival of Original Ten Minute Plays
Westfield State University
The Serpent
University of Massachusetts Boston
The 25th Annual Putnam County Spelling Bee
The 25th Annual Putnam County Spelling Bee
Hamlet
Lysistrata
The Tragedy of Julius Ceasar
Red Noses
University of New Hampshire
Wheaton College
*The Rocky Horror Show
Hair
Cloud Nine
Student Directed One Acts
Stop Kiss
Southern Connecticut State University
*Spring Awakening
Worcester State University
Stonehill College
University of New Haven
The Weir
*Revealed: Her Story
Little Shop of Horrors
Dead Man’s Cell Phone
*Moving Pictures
Arcadia
Angels In America, Part I:
The Millennium Approaches
59
FESTIVAL 45 MERIT AWARDS
Adelphi University
CUNY-Kingsborough Community College
Hartwick College
SubUrbia
Radium Girls
Enron
Amanda Greismann
Mark Sokol
Kelly Fayton
For Excellence in Assistant Directing
Outstanding Stage Management
Excellence in Projections Design
Bates College
CUNY-LaGuardia Community College
Holyoke Community College
1000 Airplanes on the Roof
Anna in the Tropics
The House of Bernarda Alba
Kati Vecsey, Bill Matthews and Anthony
Shostak
Excellence in Stage Management
Philip de Fremery
Excellence in Interdisciplinary Collaboration
Big Love
Original Guitar Composition Underscore
CUNY-Queensborough Community College
Almost, Maine
Keene State College
Outstanding Acting Ensemble
Dracula
Ensemble
Impressive Execution of Choreography
Production Team
A Midsummer Night’s Dream
Excellence in Technical Production
The Cast of A Midsummer Night’s Dream
Bridgewater State University
Excellent Ensemble Work, Clarity and Focus
The Pirates of Penzance
Cailin Dyke
Outstanding Choreography
A Christmas Carol
Gary Beisaw, Jr.
Dean College
Production Team
Lehman College
Excellence in Technical Production
Marisol
Acting Company
Noises Off
Acting Company
A Christmas Carol
Noises Off
Oklahoma!
Cast and Crew
Castleton State College
Merit Description: Meritorious Achievement in
Cohesive Ensemble
Excellent Comic Choreography
Victoria Queeno
Outstanding Adaptation of a Classic Story
Excellence as Fight Captain
Hairspray
Corey Cadigan
Outstanding Assistant Direction
Rashomon
Emmanuel Delgado
Extraordinary Characterization and Performance
Through Physical Comedy
Outstanding Performance of a Classic Musical
Sylvia
Hayley Ryan
Excellence in Costume Design
Central Connecticut State University
LeMoyne College
Emmanuel College
A Tempest
The Fantasticks
Ensemble of 9 playing Ariel
Acting Company
Outstanding Ensemble Performance
Excellence in concept, ensemble playing and
choreography
Five Towns College
Merrimack College
Ragtime
Macbeth
ToniAnne DiFilippo
Video Design Team
Excellence in Stage Management
and Production Leadership
Excellent Digital Film Composition and Editing
Twelve Angry Men
Catherine Velazquez
Outstanding Stage Management
Colby College
Lysistrata
Lynne Conner
Excellent Adaptation of Greek Old Comedy
The Children's Hour
DJ Smith
Excellence in Stage Management
60
FESTIVAL 45 MERIT AWARDS
Middlebury College
Salem State College
Serious Money
Big Love
Tara Giordano
Kate Kohler Amory
Outstanding Dialect Coaching
Directing Perspective and Composition
State University of New York, Suffolk County
Community College
As You Like It
James O’Connor
Outstanding Fight Choreography
The Imaginary Invalid
Cabaret
Jay Dunn
Jenna Forristall
Outstanding Production Concept
Activating Dramaturgy
US Drag
Detailed and Creative Use of Dramaturgical Research
Northern Essex Community College
American Gothic: The Poetry of Edgar Lee
Masters
Ensemble
Excellent Creation of Environments and
Situations Through Physical Expression
Extremities
James O’Connor
The Shadow Box
Nick Palenchar (Assistant Director), Meagan
Garcia (Stage Manager), Desiree Sharlee
Marquant (Costume Design), Bridget K. Doyle
(Projection Design), Kevin Sheehan (Lighting
Design) and Ross Rodrigue (Sound Design)
Outstanding Student Creative Team
Twelfth Night
Cole Lundquist
Queensborough Community College
Outstanding Dance Choreography
Excellence in Fight Choreography
Katy Svec
Excellence in Stage Management
Rob Gagnon
Musical Direction and Original Score
Composition
St. Lawrence University
The Bald Soprano
Ensemble
Outstanding Production Excellence
St. Michael’s College
APPetite
Cathy Hurst and Kit Rivers
Outstanding Assistant Director and Deviser
A Midsummer Night's Dream
Acting Company
Excellent Ensemble Work, Clarity and Focus
Rhode Island College
A-Mirror-Ca
Ensemble
Excellence in Writing, Ensemble and Execution
Into the Woods
Creative Use of Puppets
Siena College
Tufts University
Hedda Gabler
Hamlet, the Hip-Hopera
Outstanding Costume Design
Outstanding Student-Written Lyrics and
Composition
Michaela Palmer and Sierra Zorn
Outstanding Poster Design and Photography
University of Hartford
Southern Connecticut State University
Four Elements
Georgia Russell
Six Characters in Search of an Author
Hannah Schultz
Outstanding Student Costumer
Excellence in Stage Management
The Timid Dragon
The Drowsy Chaperone
Acting Company
Outstanding Musical Ensemble
Production Staff
Outstanding Execution of Design
The Miracle Worker
Jessie Darrell Jarbadan
Outstanding Costume Design
State University of New York, Potsdam
Antigone 5.9
Performance Team
Outstanding Community Service and Outreach
Joshua Poston
Excellence in Student Lighting Design
Marat Sade
Ensemble
Outstanding Vocal Ensemble and Orchestra
University of New Hampshire
Stop Kiss
Wardrobe Running Crew
Excellence in Execution
Nina Lary, Director
Outstanding Social Justice / Community Tie-ins
61
FESTIVAL 45 MERIT AWARDS
University of New Haven
Westfield State College
Rent
Julius Caesar
Cast and Crew
Jack Shea
Unified and Generous Ensemble Work and
Collaboration
Outstanding Directorial Concept and Ensemble
Work
University of Southern Maine, Gorham
The 25th Annual Putnam County Spelling Bee
Hedda Gabler
Alex Potter, Sound Board Operator
Charles S. Kading and Renee Garcia
Outstanding Execution of Duties
Outstanding Cohesion of Scenic and Costume
Designs
Worcester State College
Dead Man’s Cell Phone
Steel Magnolias
Abagail Worthing, Director
Staff, Cast and Crew
Creativity and Unity of Production Elements
Outstanding Directorial Leadership of Production
Team
The Weir
The Glass Menagerie
Taylor Gaylord
Excellence in Dramaturgy
Katie Foster
Excellence in Sound Design
You Can’t Take It With You
Ensemble
Period Appropriate Portrayal of Joyous Hope in
the Midst of Political and Economic Turmoil
Western Connecticut State University
Lysistrata
Anthony Paparello, Props Master
Outstanding Work in Properties Design and
Construction
Student-Directed One Acts
Rachel Fournier and Suzie Immarigeon
Outstanding Directing
Victoria Rojas
Outstanding Costume Design
Alexis Willoughby
Outstanding Costume and Makeup Design
David Higginbiottom, Robbie Dookran & Caitlin
MacKenna
Outstanding First Time Production Team
62
KENNEDY CENTER AMERICAN COLLEGE THEATRE
FESTIVAL GOLD MEDALLION AWARD
Each year the eight KCACTF regions honor individuals or organizations that have
made extraordinary contributions to the teaching and producing of theatre and
who have significantly dedicated their time, artistry and enthusiasm to the
development of the Kennedy Center American College Theater Festival. Most
importantly, recipients have demonstrated a strong commitment to the values and
goals of KCACTF and to excellence in educational theatre. It is the most prestigious
regional award given by KCACTF and is considered one of the great honors in theatre
education.
This year the Kennedy Center Medallion is presented to
Jane Childs from Stagecraft Institute of Las Vegas
Rafael Jaen from Emerson College
CONGRATULATIONS AND THANK YOU!
63
64
PLAYWRITING AND TRANSITION TO THE SCREEN
June 10 – 14, 2013
The College of Fine Arts at the University of Nevada, Las Vegas
Work with Professionals to become a Professional!
An excellent practical environment for playwrights or faculty looking to strengthen their background to
inform their curriculum, this seminar will be held on the UNLV campus - two sessions per day,
including practical classes, panel discussions and a workshop component in which participants
develop their plays as work for the screen. There will be “nuts-and-bolts” sessions ranging from a
contemporary, professional, on-page formatting to elements of “the pitch” and how to conduct a story
development meeting. Attention will be paid to how to protect and maintain the playwright’s “voice”
and character as a transition to other media is considered. There will also be a workshop component
that will consist of presenting pitches and scripts in a supportive small group or one-on-one
environment with one or more of the event’s professionals.
Instructors for this seminar are screenwriters, playwrights, and teachers all with deep
experience in theatre arts, television and feature motion pictures.
The seminar will be led by SEAN CLARK, an award-winning playwright whose
screenwriting career includes the television series: Early Edition; Sliders; Sirens;
Man of the People; Evening Shade; Northern Exposure; Coach and several series pilots, as well as
the plays: Eleven-Zulu; Dog Explosion; and The Angeles Crest. He wrote the screenplay for the
feature film, Lenin and Us, which was released in Europe in 2009. Sean is currently the head of
UNLV Graduate Screenwriting and Writing for Dramatic Media.
The cost of the seminar is $950 and includes on-campus private housing, courses
and mentoring. LIMITED SEATING AVAILABLE!
Contact either Sean Clark at 702-895-2442 or [email protected]
Or Lori at 702-895-2455 or [email protected]
THE WINNER OF NAPAT’S PLAYWRITING EXCELLENCE AWARD
RECEIVES AN EXPENSE PAID TRIP TO THIS SEMINAR.
EACH REGION WILL HAVE A PLAYWRIGHT
ENTERED FOR CONSIDERATION.
65
66
67
PROVINCETOWN TENNESSEE WILLIAMS THEATER FESTIVAL
68
KNOW Theatre is proud to present selections from the Kennedy Center American College Theater Festival – Region 1!
Started in 1969 by Roger L. Stevens, the Kennedy Center's founding chairman, the Kennedy Center American College Theater
Festival (KCACTF) is a national theater program involving 18,000 students from colleges and universities nationwide which
has served as a catalyst in improving the quality of college theater in the United States. The KCACTF has grown into a network
of more than 600 academic institutions throughout the country, where theater departments and student artists showcase
their work and receive outside assessment by KCACTF respondents.
Through state, regional, and national festivals, KCACTF participants celebrate the creative process, see one another's work,
and share experiences and insights within the community of theater artists. The KCACTF honors excellence of overall
production and offers student artists individual recognition through awards and scholarships in playwriting, acting, criticism,
directing, and design.
The KCACTF is a year‐round program in eight geographic regions in the United States. Regional activities are coordinated
through eight KCACTF regional chairs and eight KCACTF playwriting awards chairs. The playwriting chair works with schools
that have entered new and student‐written plays by providing expertise in the development of new scripts‐‐
assessment specifically designed for a developing play—and by providing information on the numerous playwriting awards
offered.
KNOW Theatre Artistic Director Tim Gleason, having participated in the KCACTF Region 1 Festival for the past 7 years as a
mentor and director, is pleased to present the Region 1 plays selected for inclusion in this year's national
festival. Presented over the weekend of July 18-21 the plays will be performed off‐book and fully staged. Playwrights will be
engaged in dialogue with the directors throughout the rehearsal process, and will be provided with housing on July 20 so that
they may attend the Saturday night performance of their work and participate in a talk‐back with audience members at the
end of the evening. With the playwrights' permission, the Saturday evening performance of the plays will be
recorded so that the authors will have a record of their work produced in a professional theatre environment. KNOW
Theatre would like to congratulate last year’s Region 1 winners: Jonathan Fitts, Charlene Donaghy, Angel Nunez and Alex
Marshall, and thank them for their participation in this endeavor.
69
Thanks to the Town of Barnstable, Cape Cod Chamber of Commerce,
Cape Cod Community College, Resort and Conference Center of
Hyannis, Cape Codder Resort and Spa and Holiday Inn-Cape Cod
for their hospitality.
70
AREA RESTAURANTS
FOR EASY SEARCHING OF RESTAURANTS, TRY THIS WEBSITE: www.hyannismainstreet.com
MAKE SURE YOU CALL TO SEE IF IT IS OPEN DURING WINTER SEASON.
Alberto's Ristorante
PO Box 2417
Hyannis
MA http://www.albertos.net
(508) 778-1770
Anthony's Cummaquid
Anthony's Pier 4 Corporate Office
Swampscott
MA http://www.pier4.com
(508) 362-4501
Ardeo
23V White's Path
South Yarmouth MA http://www.ardeocapecod.com
(508) 760-1500
Baxter's Boathouse Restaurant 177 Pleasant St
Hyannis
MA http://www.baxterscapecod.com
(508) 775-4490
Black Cat Tavern, The
165 Ocean Street
Hyannis
MA http://www.blackcattavern.com
(508) 778-1233
Blue Moon Bistro
605 Main St Rt 6A
Dennis
MA http://www.bluemoonbistro.net
(508) 385-7100
Brazilian Grill
680 Main Street
Hyannis
MA http://www.braziliangrill-capecod.com
(508) 771-0109
Brown Bag Bagels and Deli
70 Center Street
Hyannis
MA http://www.brownbagbagels.net
(508) 771-7877
Burrito Bistro
790 Iyannough Road
Hyannis
MA http://www.BurritoBistro.com
(508) 771-6071
Cape Cod Chat House
593 Route 6A
Dennis
MA http://www.capecodchathouse.com
(508) 694-7187
Cape Cod Creamery
5 Theatre Colony Lane South Yarmouth MA http://www.capecodcreamery.com
(508) 760-5203
Captain Frosty's
PO Box 2021
Dennis
MA http://www.captainfrosty.com
(508) 385-8548
Catania Hospitality Group
141 Falmouth Road
Hyannis
MA http://www.cataniahospitalitygroup.com
(508) 771-0040
Catania Hospitality Group
141 Falmouth Rd.
Hyannis
MA http://www.hearthnkettle.com
(508) 771-0040
Centerville Pie Company
1671 Falmouth Road
Centerville
MA http://www.centervillepieco.com
(774) 470-1406
Centerville Pie Company
1671 Falmouth Road
Centerville
MA http://www.centervillepieco.com
(774) 470-1406
Chatham Squire Restaurant
487 Main Street
Chatham
MA http://www.thesquire.com
(508) 945-0945
Chillingsworth
2449 Main Street
Brewster
MA http://www.chillingsworth.com
(508) 896-3640
Clancy's of Dennisport
8 Upper County Road
Dennisport
MA http://www.clancysrestaurant.com
(508) 394-6661
Colombo's Cafe & Pastries
544 Main Street
Hyannis
MA http://www.colomboscafe.com
(508) 790-5700
Dina's
PO Box 2893
Hyannis
MA http://www.dinascapecod.com
(508) 775-9990
DJ's Wings n' Things Inc
165 Yarmouth Road
Hyannis
MA http://www.djsfamilysportspub.com
(508) 775-9464
Dragon Lite Restaurant
620 Main Street
Hyannis
MA http://www.dragonliterestaurant.com
(508) 775-9494
Dunkin' Donuts
436B Station Avenue
South Yarmouth MA http://www.dunkindonuts.com
(508) 398-8001
Embargo
453 Main St
Hyannis
MA http://www.embargorestaurant.com
(508) 771-9700
Four Seas Ice Cream
17 Lexington Street
Hyannis
MA http://www.fourseasicecream.com
(508) 771-5697
Gourmet Brunch
517 Main Street
Hyannis
MA http://www.gourmetbrunch.com
(508) 771-2558
Hangar B eatery
240 George Ryder Rd Chatham
MA http://www.hangarbcapecod.com
(508) 593-3655
Idgy's
235 White's Path
South Yarmouth MA http://www.idgysglutenfree.com
(508) 694-7451
Lobster Trap Co., Inc.
PO Box 3007
Bourne
MA http://www.lobstertrap.com
(508) 759-6400
Mattakeese Wharf Waterfront
Restaurant
271 Mill Way
Barnstable
MA http://www.mattakeese.com
(508) 362-4511
Misaki Sushi
379 West Main St.
Hyannis
MA http://www.misakisushi.com
(508) 771-3771
Naked Oyster Bistro & Raw Bar 410 Main Street
Hyannis
MA http://www.nakedoyster.com
(508) 778-6500
Not Your Average Joes
793 Iyannough Road,
Cape Cod Mall
Hyannis
MA http://www.notyouraveragejoes.com
(508) 778-1424
Pain D'Avignon Cafe' Bakery
15 Hinckley Road
Hyannis
MA http://www.paindavignon.com
(508) 771-9771
Pancake Man Ltd, The
952 Route 28
South Yarmouth MA http://www.pancakeman.com
(508) 398-9532
Pavilion Indian Cuisine
511 Main Street
Hyannis
MA http://www.pavilionindian.com
(508) 790-0985
Red Pheasant
PO Box 486
Dennis
MA http://www.redpheasantinn.com
(508) 385-2133
Regina Pizzeria
793 Iyannough Road,
Food Court in Mall
Hyannis
MA http://www.pizzeriaregina.com
(508) 771-7400
71
AREA RESTAURANTS
FOR EASY SEARCHING OF RESTAURANTS, TRY THIS WEBSITE: www.hyannismainstreet.com
MAKE SURE YOU CALL TO SEE IF IT IS OPEN DURING WINTER SEASON.
Roadhouse Cafe
488 South St.
Hyannis
MA http://www.roadhousecafe.com
(508) 775-2386
Sam Diego's Mexican Cookery & 950 Iyanough Rd
Bar
Hyannis
MA http://www.samdiegos.com
(508) 771-8816
Scargo Cafe
Dennis
MA http://www.scargocafe.com
(508) 385-8200
Spanky's Clam Shack & Seaside 138 Ocean Street
Saloon
PO Box 1025
Hyannis
MA http://www.spankysclamshack.com
(508) 771-2770
Sunset Grille at the Brookside
Club
11 Brigadoon Road
Bourne
MA http://www.thebrooksideclub.com
(508) 743-0705
The Barnstable Restaurant and
Tavern
PO Box 1025
Barnstable
MA http://www.barnstablerestaurant.com
(508) 362-2355
The Casual Gourmet
31 Richardson Road
Centerville
MA http://www.thecasualgourmet.com
(508) 775-4946
The Casual Gourmet
31 Richardson Road
Centerville
MA http://www.thecasualgourmet.com
(508) 775-4946
The Skipper Restaurant and
Chowder House
152 South Shore Drive South Yarmouth MA http://www.skipper-restaurant.com
(508) 394-7406
Tommy Doyle's Hyannis, LLC
96 Winthrop Street
Cambridge
MA http://www.tommydoyles.com
(508) 862-9430
UNO'S Chicago Grill
574 Iyannough Road
Hyannis
MA http://www.unos.com
(508) 775-0631
Ying's Sushi Bar & lounge
59 Center Street
Hyannis
MA http://www.yings.net
(508) 790-2432
72
VENUE DRIVING DIRECTIONS and ADDRESSES FOR GPS
(REGISTRATION/HOTEL/WORKSHOPS) Resort and Conference Center of Hyannis-35 Scudder Avenue Hyannis, MA
(HOTEL/WORKSHOPS/SPECIAL EVENTS) Cape Codder Resort and Spa-1225 Iyannough Road Hyannis, MA
(HOTEL/WORKSHOPS) Holiday Inn Cape Cod- 1127 Iyannough Road Hyannis , MA
(THEATRE VENUE/WORKSHOPS) Cape Cod Community College-2240 Iyannough Rd, West Barnstable, MA
(THEATRE VENUE/NPP & SDC EVENTS/HS WORKSHOPS) Barnstable High School (BHS)- 744 W. Main Street Hyannis, MA
NOTE: Though directions are listed below, using a GPS is the most reliable way of reaching your destinations.
FROM RESORT AND CONFERENCE CENTER TO BARNSTABLE HIGH SCHOOL
Start out going northeast on Scudder Avenue toward Main Street
Enter next roundabout and take the 3rd exit onto W Main Street
After 1.6 miles, 744 W MAIN ST will be the right
Your destination is just past Pleasant Park Ave; If you reach Old Strawberry Hill Rd you've gone a little too far.
FROM RESORT AND CONFERENCE CENTER TO HOLIDAY INN-CAPE COD
Start out going northeast on Scudder Avenue toward Main Street
Enter next roundabout and take the 1st exit onto Main Street
Turn slight right onto South Street
Brazilian Grill, Churasscaria is on the corner
Turn left onto High School Road
High School Rd is just past Pine Ave
If you reach Pearl St you've gone about 0.1 miles too far
High School Road becomes High School Road Ext.
High School Rd Ext becomes Bearses Way
Turn right onto RT-132/Iyannough Road
RT-132 is 0.1 miles past Pitchers Way
Pier 1 Imports is on the corner
1127 IYANNOUGH RD is on the right; if you reach Barristers Way you've gone a little too far
FROM RESORT AND CONFERENCE CENTER TO CAPE CODDER RESORT AND SPA
Start out going northeast on Scudder Avenue toward Main Street
Enter next roundabout and take the 1st exit onto Main Street
Turn slight right onto South Street
Brazilian Grill, Churasscaria is on the corner
Turn left onto High School Road
High School Road is just past Pine Avenue
If you reach Pearl St you've gone about 0.1 miles too far
High School Rd becomes High School Rd Ext.
High School Rd Ext becomes Bearses Way
Turn right onto RT-132/Iyannough Road
RT-132 is 0.1 miles past Pitchers Way
Pier 1 Imports is on the corner
1125 IYANNOUGH RD is on the right; if you reach Barristers Way you've gone a little too far
FROM RESORT AND CONFERENCE CENTER TO CAPE COD COMMUNITY COLLEGE
Start out going northeast on Scudder Avenue toward Main Street
Enter next roundabout and take the 1st exit onto Main Street
Turn slight right onto South Street
Brazilian Grill, Churasscaria is on the corner
Turn left onto High School Road
High School Road is just past Pine Avenue
If you reach Pearl St you've gone about 0.1 miles too far
High School Road becomes High School Rd Ext.
High School Rd Ext becomes Bearses Way
Turn left onto RT-132 W/Iyannough Rd.
RT-132 W is 0.1 miles past Pitchers Way
Pier 1 Imports is on the corner
IYANNOUGH RD is on the right; if you reach Oak Street you've gone about 0.3 miles too far
73
CAPE COD COMMUNITY COLLEGE CAMPUS MAP
BELOW ARE RELEVANT LABELS FOR THE BUILDINGS USED BY KCACTF
SEE THE WEB VERSION FOR THE FULL MAP KEY—http://www.capecod.edu/web/about-us/campus-map
Tilden Arts Center
Arts & Communication Department and Faculty Offices
Art Studios
Box Office (Tilden Lobby)
Dean of Arts & Humanities
Higgins Art Gallery
International Studies
Main Theater
Media Production
Music Room
Practice Rooms
Studio Theater
Room G-11
Grossman Commons
Academy for Lifelong Learning
Advising and Counseling
Alumni Association
Assessment Center
Bookstore
Cape Cod Cafe (Cafeteria)
Dean of Enrollment Management and Advising Services
GED Testing Center
Student Life & Co-Curricular Programs
Student Lounge
Student Senate
Zammer Dining Room
Zammer Hospitality Institute