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Introduction to Theatre Styles Lecture Notes Romanticism, Realism, Naturalism ROMANTICISM Cultural movement during the 1800’s Rejected neoclassical rules and suggested that genius creates its own rules Focused on emotions, sentiment and imagination Elaborately staged and used supernatural elements Heroes were independent and defended individuality Common theme was the gulf between human beings’ spiritual aspirations and their physical limitations NATURALISM Mid-19th Century Based views on contemporary scientific theory Aimed to present ordinary life as accurately as possible – no theatrical sense – in the extreme “slice of life” and “real flies on real meat” Showed how human beings act in response to forces of nature and society that are beyond their control Subject matter emphasized the boredom, depression, and frustration of contemporary life REALISM Late-19th Century movement Replaced the artificial romantic style with accurate depictions of people in plausible situations Writers refused to make simple moral judgments or to resolve dramatic action neatly Presents life as it actually is; characters talk, dress, and act as people in ordinary life do Actors attempt to become their characters; living their lives in real room with the audience spying on them through the invisible fourth wall Ushered in modern theatre and evolutionized contemporary theatre in every aspect, from scenery, to styles of acting, from dialogue to makeup SOURCES Theatre: Art in Action – secondary school theatre textbook Stage & Screen – secondary school theatre textbook Brewer’s Theater: A Phrase and Fable Dictionary by Sir Peter Ustinov The Fireside Companion to the Theatre by Ethan Mordden Living Theater: A History by Edwin Wilson and Alvin Goldfarb