Download 2010-2011 SPCPA J-Term - Saint Paul Conservatory For Performing

2010-2011 SPCPA J-Term
What is J-Term? For 13 days in January each year academic classes go on hiatus
and students are immersed in rehearsals for an arts performance project. These
rehearsals generally culminate with one or two performances. J-Term replicates the
professional experience and engages students in the artistic energy of various
rehearsal and performance venues under the direction of SPCPA faculty and/or guest
professional artists. J-Term is a part of SPCPA training. It is required as part of the
school year and earns a full credit for successful participation. Grades are Pass/No
Credit. Again, there are no academic classes during J-Term.
When is J-Term? J-Term begins on January 11 and all performances will be
completed by January 30. REHEARSALS TAKE PLACE WITHIN THE USUAL
SCHOOL DAY (8AM-4PM) BUT MAY BE ANYWHERE FROM 4-8 HOURS LONG
DEPENDING ON THE PROJECT. Some projects have a rehearsal schedule
requiring students to participate as they are needed or “as called.” These “as called”
rehearsal schedules will be distributed to families at some point after students have
been cast. Students may attend a rehearsal for their project even if they are not
called. Students who wish to remain on-campus during J-Term must either be in
their rehearsal or in the Commons on the 5th floor of the Landmark.
How are students placed? During arts classes on Monday, October 11, students
will complete a J-Term preference sign-up sheet in class and immediately turn it in.
Students who don’t attend the class on Monday should complete and return a signup sheet at the front desk at the Landmark, Lowry or Wilkins before the end of the
day, Tuesday, October 12. Students must choose four projects and rank them in
order of preference—1 indicating first choice and so on. Students who don’t turn in
a sign-up sheet by Tuesday will be placed at faculty discretion. PARENTS ARE
ENCOURAGED TO DISCUSS J-TERM CHOICES WITH THEIR STUDENTS AND
COLLABORATE IN THE SELECTION PROCESS. PLEASE NOTE WHERE AND
WHEN EACH J-TERM PROJECT TAKES PLACE WHEN MAKING CHOICES. All
project rehearsals and performances are either on-campus or in a venue on an MTC
bus line.
Audition Placements for dance, theatre, and music theatre options will be held on
Tuesday, October 19, in three of the Wilkins Studios. All students auditioning for
dance, theatre and music theatre options will attend placements during both of their
arts classes on that day. Students will be placed in instrumental music J-Term
offerings based on student preferences and faculty discretion. Some audition
placements may also take place within students’ regular arts classes during the week
of October 19-22.
Students will receive J-Term placement notifications at the end of the day on
Friday, November 5. Every effort will be made to place students in one of their four
choices.
Independent Study is an option for up to 20 students based on merit and faculty
review. J-Term Independent Study Forms will be available in Mr. Goranson’s office
on the 5th floor of the Landmark Center, beginning October 4. All students must still
audition for a project should the Independent Study request not be approved.
2010-2011 SPCPA J-Term Offerings
Contemporary Indian Dance
Choreographed by Ananya Chatterjea
SPCPA’s 2010 graduation speaker, dancer, choreographer, published author, dance scholar
and educator, Ananya Chatterjea envisions all of her work in the field of dance as a “call to
action.” She is the Director of Dance at the University of Minnesota, and also the Artistic
Director of Ananya Dance Theatre, an internationally renowned company of women artists
of color who believe in the powerful intersection of artistic excellence and social justice.
Romantic Ballet
Choreographed by Karen Paulson Rivet
Karen Paulson Rivet excels in the rich traditions of Russian classical ballet and character
techniques. During her performing career she danced solo roles in Les Sylphides, Pas de
Quatre, Giselle, and Loyce Houlton’s Nutcracker Fantasy. Ms. Paulson Rivet has restaged
Les Sylphides, Pas De Quatre, and the Pas de Trois from Swan Lake for St. Paul City Ballet.
She is currently on the teaching staff of Minnesota Dance Theatre/The Dance Institute,
Northland School of Dance and Lake Harriet Dance Center, and is a guest master teacher
for many other ballet schools. Ms. Paulson Rivet continues to perform with recent
appearances in The Fringe Festival, Continental Ballet’s Cinderella and Coppelia, and
Minnesota Dance Theatre’s Nutcracker Fantasy.
Afro Modern
Choreographed by Roxane Wallace
Roxane Wallace is active in the arts as a performer, teacher, dancer, and choreographer.
She is a teaching artist for the Children’s Theatre Company and has been a member of the
Stuart Pimsler Dance and Theater Company for the past eight years. Constantly engaged in
her field, Roxane has worked with choreographers and directors of both regional and
international acclaim. Her proficiency and experience in dance includes Modern, Jazz,
West African, Hip-Hop, Improvisation, and Dance Theater. In 2004 she was named “Best
Dancer” in the City Pages’ “Best of the Twin Cities” issue. In 2006 she wrote,
choreographed, directed, and produced the original ensemble production “Evolution of a
Soul Sista.” She received a 2007 Sage Award for Outstanding Performer in Dance and was
also honored to be a recipient of a 2008 McKnight Fellowship for Dancers.
Tap
Choreographed by Ellen Keane
A professional performer since 1981, Ellen Keane has taught rhythm tap for universities
and dance schools around the Midwest and is currently on the faculty at the University of
Minnesota Theater & Dance Department. She has taught school residencies for the
Ordway, the St Paul Chamber Orchestra, and the East Side Arts Council in St. Paul.
Collaborations include the St Paul Chamber Orchestra, Misora Taiko, and most recently the
Chicago Human Rhythm Project's production of Tap Dance in Beijing China, featuring 6
youth tap ensembles and internationally known professionals. During the past 13 years,
performances with her tap company Keane Sense of Rhythm have ranged from the street to
the rooftop and from outdoor venues to professional theaters. Keane Sense of Rhythm has
performed for over 100,000 people, and many of these performances were free to the public.
Modern
Choreographed by TU Dance
Uri Sands and Toni Pierce Sands are TU Dance. Founded in 2004 by Toni and Uri, the
Minnesota-based company reaches across dance styles, drawing on the broad range of
dance traditions from contemporary ballet to modern and traditional forms. Their work is a
blend of high physicality and fine technique. Both have performed with the Alvin Ailey
Dance company and have garnered many accolades and awards, including a McKnight
fellowship, an artist of the year from the Star Tribune, and one of the “25 to Watch” by
Dance Magazine.
Jazz
Choreographed by Laura Selle Virtucio
Laura Selle Virtucio holds her BFA from the University of Minnesota. Among her greatest
accomplishments, she counts her long partnership as a company member and
choreographers’ assistant with Stuart Pimsler Dance and Theater and Shapiro & Smith
Dance. With these companies, Laura has danced as a featured performer on stages
nationwide, including the Joyce Theater (NY), Annenberg Center (PA), The Guthrie (MN),
and The Southern Theater (MN) and has set numerous repertory works across the country.
Laura is also a member of Carl Flink’s Black Label Movement and has performed as a
dancer in productions with the Minnesota Opera. She has served as affiliate faculty in
dance programs at the University of Minnesota and Gustavus Adolphus College in
Minnesota. Laura is a recipient of the 2007 McKnight Fellowship for Dancers, a 2007 Sage
Award for Best Performer, and was named Best Dancer 2001 by City Pages of Minneapolis.
.
These 6 dance pieces will perform at the O'Shaughnessy Auditorium at 7:00 PM on
Friday, January 28.
Sossy Mechanics Moving Theater
Combining their “energetic and charismatic” forces, Brian Sostek and Megan McClellan’s
whimsical sensibilities and exacting standards have earned them an award-winning
reputation for creating “clear, brilliant storytelling,” dances that “recall Fred and Ginger at
their most playful” and “magic out of just about nothing.” Transforming the stage and
transfixing audiences together since 2000, they have developed a devoted public following
and garnered international critical acclaim wherever they have performed, including a 2003
Critics' Pick at the Edinburgh Festival Fringe. www.SossyMechanics.com
Guest direction and choreography by Sossy Mechanics (Megan McClellan and Brian
Sostek)
Rehearses and performs at the Lab Theater in Minneapolis on a double bill with The
Land of Polished Stones.
The Land of Polished Stones
The Land of Polished Stones is an epic tale of life and death — an earthy, dramatic, poetic
work with a comic edge. This original, ensemble created evening of dance-theater will be
highly physical and imagistic, requiring full bodied movement from all cast members actors and dancers. Performers should come to rehearsal ready to move, vocalize,
experiment and invent. Our process and final piece will be based in “Total Theater”: the idea
that all elements of performance (movement, visuals, music, text) are equally important and
should be conceived and developed simultaneously. The Land of Polished Stones has
principal roles for both experienced dancers and actors as well as up to three or more
instrumentalists who are able to compose or improvise. Vocalists are welcome, but
must be willing to move. In preparation for J-term, 2-3 casting and development workshops
will be held fall semester. Please contact Jon Ferguson ([email protected]) or Sarah
Jacobs ([email protected]) with questions. For dancers, actors and musicians.
Directed by Sarah Jacobs and Jon Ferguson
Rehearses and performs at the Lab Theater in Minneapolis (along with Theatre Dance)
Piano in the Round
Piano duets reflect the crucial collaborative quality of appearing to think with one brain. As four
synchronized hands move in response to a single artistic impulse, we listen to just one artist in service
of the music. The final production will be held at the beautiful Landmark Center, Room 317. Join Dr.
Max Radloff for the elegant and exciting evening of Piano in the Round.
Rehearses at the Lowry, Performs at the Landmark Center
Project Director: SPCPA’s Max Radloff
New Play Festival
Eight SPCPA student-written plays rehearse toward performances at the internationally
renowned Playwrights’ Center. A company of 20 actors will perform in multiple plays. This
project also needs directors and perhaps 1 or 2 more playwrights. We are thrilled to be
working in the Playwrights’ Center for tech rehearsals and performances the final week of JTerm.
Project Director: Dominic Orlando
Dominic Orlando is a co-creator of Fissures (lost & found) (Humana Festival, 2010);
plays he’s written include Danny Casolaro Died for You (Wellfleet Harbor Actors
Theatre,2010), Juan Gelion Dances for The Sun (Crowded Fire Theatre, 2006) and Life
During Wartime (HERE, 2002). Commissions include Actors Theatre of Louisville, The
Guthrie Theatre, Berkeley Repertory Theatre, The Playwrights Center, The History Theatre,
Nautilus Music-Theater, BVT Children's Theatre and Teatro Del Pueblo. His work has been
presented/developed at New York Theatre Workshop, HERE, The Samuel Beckett on
Theatre Row (off-Broadway), The Aurora Theatre, Kitchen Dog, Bay Area Playwrights
Festival (multi-year), The NYC International Fringe Festival (multi-year), The Prague Fringe,
The Pasinger/Fabrike in Munich and The Tokyo International Festival of the Arts. He’s been
a writer-in-residence at The Mac-Dowell Colony (multi-year), Yaddo, The Edward Albee
Foundation (multi-year), and The Atlantic Center for The Arts (with Paula Vogel). He was
awarded two Jerome Fellowships and a McKnight Fellowship to The Playwrights’ Center,
where he is currently a Core Member and a founding producer of The Workhaus Collective,
the Center’s company-in-residence.
Rehearses at SPCPA
Techs and Performs at the Playwrights’ Center Theater in Minneapolis
Resurrecting Vaudeville
The magic of classic vaudeville performed at the venue made for it—the Minnesota
Centennial Showboat’s Riverboat Theater. Acts will include classical musicians, dancers,
comedians, slap stick, trained animals (we know they’re out there!), magicians, female and
male impersonators, jugglers, stand-up, athletes, minstrels, silent black & white film
shorts, and classic vaudeville songs--musical acts--jazz and honky tonk, from Minnesota,
St. Louis, and on down the river to the stylings of old New Orleans. Please come to callbacks prepared to present a one-minute piece in the style of any of the above categories of
entertainment. For musicians, actors, singers, dancers, and magicians.
Directed by SPCPA’s Joey Clark
Choreographed by SPCPA’s Shannon Roberg
Rehearses at the Lowry Lab Theater
Techs and performs on the Minnesota Centennial Showboat in St. Paul
Departure Point
Creating New Music with Zeitgeist
Departure Point is a composition/performance workshop for music students interested in
exploring new and traditional ways of creating new work. Students will meet with Zeitgeist
members for 4 hours each day at Zeitgeist’s performance space, Studio Z. Our activities
will focus on the composition and rehearsal of two large works created by students in
collaboration with the members of Zeitgeist. We will create these new works in a unique
way. Students will select two themes to serve as a framework for a large composition made
up of smaller compositions (Paintings by Picasso, Dante’s The Divine Comedy, Silent Movie
Stars, etc). Students will be split evenly between the two themes, and each student will be
responsible for creating one element of our large work. These works can be completely
composed, or they can contain degrees of improvisation. They can require the entire group’s
performance participation, or they can be written for any subset of the group. Throughout
the process, Zeitgeist and guest composers/improvisers from our community will perform
works for the students in order to enhance and inspire the creative process. In the end, we
will have two works that contain the creative contribution of each student, created under a
framework developed by everyone, and rehearsed and performed collaboratively by students
and Zeitgeist.
Zeitgeist is a new music chamber group of two percussionists, woodwinds, and piano
based in the Twin Cities. As the only full-time chamber ensemble in the Twin Cities wholly
dedicated to the performance of new music, Zeitgeist is a unique cultural resource for
audiences in our community. They present a concert series, maintain a performance space
(Studio Z) and carry out a variety of audience enrichment programs for members of our
community. You can learn more about Zeitgeist at www.zeitgeistnewmusic.org.
Rehearses and performs at Studio Z
Thingamajig
With a focus on visual storytelling, students will work collaboratively to create an
imaginative world filled with endless possibilities. Combining image-driven forms such as
(but not limited to) puppetry, projections, and objects with live actors, students will use
everyday materials and objects to help tell an original story of their choosing. This project is
great for students who are looking to explore puppetry as a theatrical tool, who have an
interest in the visual arts and making things, and who are interested in creating original
work.
Guest Director: Kyle Loven
Kyle Loven is currently a Seattle-based artist, but has deep roots in the Twin Cities. His
image-driven work combines puppetry, projections, objects, and other art forms with live
actors. In addition to his original creations, Kyle has worked most extensively with Michael
Sommers and Susan Haas's Open Eye Figure Theatre but has also performed with Theatre
de la Jeune Lune and The Children's Theatre Company. His original work has been seen in
New York, Taipei, Minneapolis, and Seattle. Kyle is the recipient of grants from the Jim
Henson Foundation, 4Culture, and Artist Trust. www.kyleloven.com/
Rehearses and performs at Open Eye Figure Theatre: www.openeyetheatre.org/
Carousel
Rodgers and Hammerstein's immortal Carousel was named by Time Magazine in 1999 as
the single greatest musical of the 20th century. "If I Loved You," "Soliloquy" and "You'll
Never Walk Alone" are just a few of the songs that helped reinvent musical theatre in its day
with its lush score and seamless integration of song, story, and dance. Set in a small New
England town, the story of an impulsive, brash carnival barker and his bride spans heaven
and earth in its exploration of love, human frailty, and redemption. This concertized version
will rehearse at the University of Minnesota, SPCPA, and will perform at the O’Shaughnessy
Auditorium at St. Kate’s.
Rehearses at the University of Minnesota (Ferguson Hall) and SPCPA
Performs at the O'Shaughnessy Auditorium in St. Paul on Sunday, January 30
Director: SPCPA's Melissa Hart
Guest Director: Gary Briggle
Gary Briggle is a versatile singer-actor, director and teacher with over 25 years of
professional experience in the full range of Music Theater genres. For years, Gary
performed with The Minnesota Opera Company, in works ranging from the premieres of
Argento’s The Voyage of Edgar Allen Poe to classics including Three Penny Opera.
Directorial credits include Sacramento Opera, The National Opera Company, Seaside Music
Theater, Children’s Theater Company, Florida Rep, and The National Theatre of
Hungary/Miskolc. Gary has taught throughout the Upper Midwest, at The University of
Minnesota, Valparaiso University, The University of Iowa, The Colleges of St. Thomas and
St. Catherine, MacPhail Center for the Arts, Boston University, and Baldwin-Wallace
Conservatory.
Orchestra conducted by Donna Dunphy, with select guest professional
instrumentalists
Choreographed by SPCPA’s Shannon Roberg
Guest Coach: David Walsh
David Walsh Is the director of University of MN Opera Theatre. His career has taken him to
such opera houses as the Paris Opera, the Royal Opera House, London, and the
Netherlands Opera, Amsterdam. He has directed opera in North America, Europe, China,
Japan, and Israel.
Carousel Orchestra
Play the timeless, classic Carousel alongside guest professional musicians in a pit orchestra
experience at the O’Shaughnessy at St. Kates. Guest artists will begin integrating with the
orchestra for the last 2-3 days of J-Term.
Orchestra Conducted by SPCPA’s Donna Dunphy
Rehearses at SPCPA
Performs at the O’Shaughnessy at St. Kates
The 25th Annual Putnam County Spelling Bee
Six young people in the throes of puberty, overseen by grown-ups who barely managed to
escape childhood themselves, learn that winning isn't everything and that losing doesn't
necessarily make you a loser. THE 25TH ANNUAL PUTNAM COUNTY SPELLING BEE is a
charming and funny tale of overachievers' angst chronicling the experience of six adolescent
outsiders vying for the spelling championship of a lifetime. The show's Tony Award winning
creative team has created the unlikeliest of hit musicals about the unlikeliest of heroes: a
quirky yet charming cast of outsiders for whom a spelling bee is the one place where they
can stand out and fit in at the same time. For actors, singers, musicians.
Guest Director: Zach Curtis
Zach Curtis is in his sixth season as the Artistic Director of the Paul Bunyan Playhouse in
Bemidji, MN. Has appeared in, directed, designed, and/or produced over 150 professional
productions in the last 15 years. Curtis was the Artistic Director of Fifty Foot Penguin
Theater, which in 2006 completed their tenth and final season with Requiem for a
Heavyweight, with Curtis in the title role. For that performance, he was named one of ten
“Great Performances” of 2006 by City Pages. In 2002, City Pages named Fifty Foot Penguin
Theater "Best Independent Theater in the Twin Cities". Curtis staged over a dozen critically
acclaimed productions for FFPT, and has directed twenty productions at the Playhouse,
including The Who’s Tommy, Dracula, One Flew Over the Cuckoo‘s Nest, Laughter on the
23rd Floor, and Chicago.
Music Director: Raymond Berg
Choreography: Shannon Roberg
Students must come to first rehearsal off-book and ‘off-song.’
Rehearses and Performs at SPCPA’s Lehr Theater
Please Note: This show runs the week after J-Term, February 1-5
Night at the Improv
Three weeks of theatre improvisation rehearsal in preparation for two performances of Night
at the Improv at the Lowry Lab Theatre.
Project Guest Director: Charles Fraser
Charles Fraser has taught a variety of performance disciplines at the Guthrie Theater,
Avalon School, Hennepin Theatre Trust, Upstream Arts, and the Phipps Center for the Arts.
Currently, he teaches improvisation as an adjunct professor at Concordia University. As an
improviser, he has worked with the Brave New Workshop, the Guthrie Theater,
ComedySportz, and in the Off Beat Comedy Club aboard Disney Cruise Line's Disney Magic.
As an actor, he has performed with the Guthrie Theater, Park Square Theatre, Theatre de la
Jeune Lune, Minnesota Shakespeare Project, Brave New Workshop, Jon Hassler Theater,
Illusion Theatre, Minnesota Festival Theatre, and History Theatre where he worked with
several SPCPA students in Buddy - The Buddy Holly Story. He will be rejoining the cast of
Buddy when it is reprised in the spring. He has been featured in films and commercials
and is a member of AEA, the SAG, and the AFTRA.
Rehearses and Performs at the Lowry Lab Theater
Into the Woods
Book by James Lapine
Music and Lyrics by Stephen Sondheim
An ambivalent Cinderella? A blood-thirsty Little Red Ridinghood? A Prince Charming with a
roving eye? A Witch...who raps? They're all among the cockeyed characters in James Lapine
and Stephen Sondheim's fractured fairy tale. When a Baker and his Wife learn they've been
cursed with childlessness by the Witch next door, they embark on a quest for the special
objects required to break the spell, swindling, lying to and stealing from Cinderella, Little
Red, Rapunzel and Jack (the one who climbed the beanstalk). What begins as a lively
irreverent fantasy in the style of The Princess Bride becomes a moving lesson about
community responsibility and the stories we tell our children.
Students must come to first rehearsal off-book and ‘off-song.’ Some pre-J-term
rehearsals will be required. Rehearses and performs at the Illusion Theater in
Minneapolis
Guest Director: Joe Chvala
Joe Chvala has spent most of his adult life based in New York City, Gothenburg, Sweden,
and since 1990, Minneapolis. During this time he has worked as a director, choreographer,
writer, composer, performer, and teacher for opera companies, experimental and nonexperimental theatres, concert dance venues, performing arts academies, and universities.
After moving to the Twin Cities in 1990, Joe worked with a variety of theater companies
while developing his own choreographic dance/theater work for his company of percussive
dancers, the Flying Foot Forum. Since the premiere of their first full concert (May ’93), the
Flying Foot Forum has been presented in a variety of venues around the world from Paris to
New York City, Jacob’s Pillow to England. Joe has received numerous choreographic and
interdisciplinary fellowships and grants from such organizations as the National
Endowment for the Arts, The National Dance Project, the Minnesota State Arts Board, the
Bush Foundation, The McKnight Foundation, The Jerome Foundation, Intermedia Arts
Minnesota and the Minnesota Dance Alliance, as well as Ivey and Sage Awards for dance
and theater. Check out Joe and Flying Foot Forum at: www.flyingfootforum.com/
The Arabian Nights
By Mary Zimmerman
A play that Chicago Magazine recently called, “A feast for the eyes and ears,” and the New
York Times hailed as a “celebration of the salutary powers of storytelling,” The Arabian
Nights is based on the Book of the Thousand Nights and One Night. The play ties ancient
Baghdad into the current Middle East. In the story, the King marries Scheherezade, who
begins sharing with him tales of love, comedy, and dreams. Her cliffhanger stories prevent
her husband, the cruel ruler Shahryar, from murdering her, and after 1,001 nights,
Shahryar is cured of his madness, and Scheherezade returns to her family. This adaptation
offers a wonderful blend of the lesser-known tales from Arabian Nights with the recurring
theme of how the magic of storytelling holds the power to change people. The final scene
brings the audience back to a modern day Baghdad with the wail of air raid sirens
threatening the rich culture and history that are embodied by these tales.
This production will likely use 3-4 instrumentalists.
The Arabian Nights Guest Director: Jason Ballweber
Jason Ballweber received a BA in Theater from the University of Minnesota. While there he
started working with Four Humors Theater and is now the Artistic Director. Jason has also
performed with companies such as Theatre de la Jeune Lune, Three Sticks, Open Eye
Figure Theatre, Jon Ferguson Theatre, Live Action Set, The Bedlam Theatre, The Minnesota
Orchestra and The Know Theatre of Cincinnati where he won an Acclaim Award for his
direction of Sideways Stories from Wayside School.
Rehearses at Steppingstone Theater
Performs at the Cargill Stage at The Children’s Theatre
Some students will be required to come to first rehearsal off-book.
As You Like It
By William Shakespeare
One of Shakespeare’s most enjoyable comedies, As You Like It has achieved immortality if
for nothing else than for being the play to contain the timeless refrain:
All the world's a stage,
And all the men and women merely players:
They have their exits and their entrances;
And one man in his time plays many parts.
It is a wonderful lark of a play, a delightful combination of equal parts sweet romance,
pastoral whimsy, and downright hilarity. It is a play suitable for all ages, and one that
leaves audience members grinning long after the epilogue.
Rehearses at Park Square Theatre in St. Paul
Performs at the History Theatre in St. Paul
Some students will be required to come to first rehearsal off-book.
DIRECTED BY David Mann
Actor, director, and playwright David Mann recently directed Mulan, Jr. at Children’s
Theatre Company while his play Queens of Burlesque was being presented at the History
Theatre. David received a Bush Artist Fellowship in 2006, and his five one-man shows have
been popular in the Twin Cities and across the Midwest. As a director and actor he has
worked at the Guthrie, Park Square, Gremlin, Theatre in the Round, and Great River
Shakespeare Festival, and he has directed several shows for Torch Theater including The
Mary Tyler Moore Show, Macbeth, and Cat on a Hot Tin Roof.
Independent Study
Up to 20 students may be granted Independent Study based on merit and faculty review.
Independent Study Forms are in Mr. Goranson’s office. All Independent Study students
must have an arts faculty advisor. This advisor will review at the end to grant or deny
credit. Vacation may not be counted as Independent Study. All students must still
audition for a project in case the Independent Study request is not approved.
2011 J-Term Performance Schedule
Wednesday, January 26
Piano in the Round
Landmark 317
4:30PM and 7PM
Thursday, January 27
New Play Festival
Night at the Improv
Thingamajig
Playwright’s Center
Lowry Lab
Open Eye Figure Theater
7:30 PM
4PM and 7PM
6PM
Friday, January 28
Evening of Dance
New Play Festival
Into the Woods
Thingamajig
Vaudeville
Departure Point
O’Shaughnessy
Playwright’s Center
Illusion Theatre
Open Eye Figure Theater
Centennial Showboat
Studio Z
7PM
7:30 PM
2PM and 7PM
Noon and 7PM
4PM and 7PM
5:30PM and 7PM
The Lab
The Lab
History Theatre
Illusion Theater
5PM
5 PM
7:30 PM
2PM and 7PM
7PM
Noon and 2PM
Saturday, January 29
Sossy Mechanics
The Land of Polished Stones
As You Like It
Into the Woods
The Arabian Nights
Departure Point
Sunday, January 30
Sossy Mechanics
The Land of Polished Stones
Arabian Nights
As You Like It
Carousel
February 1, 2, 3, 4, 5
25th Annual Putnam County
Spelling Bee
Children’s Theatre Cargill Stage
Studio Z
The Lab
The Lab
The History Theatre
O’Shaughnessy
Noon
Noon
2PM
4:30PM
7PM
The Lehr Theater
7PM
Children’s Theatre Cargill Stage
PLEASE NOTE: ALL PROJECTS, TIMES, AND DATES ARE SUBJECT TO CHANGE.